Hanabusa Itcho Paintings & Artwork for Sale | Hanabusa Itcho Art Value Price Guide

Dec. 10, 2024
Hanabusa ITCHÔ (1652-1724)
Est: €50 - €80
Hanabusa ITCHÔ (1652-1724) Une estampe "Scènes animée" Japon, tirages fin XIXe siècle Format Oban - 22,6 x 31,9 cm (pliure, papier jauni; contrecollée sur papier noir)
Art Richelieu
Nov. 21, 2024
3 WOODCUTS
Est: €80 - €120
3 woodcuts with landscape, Japanese lady and figures, after Hiroshige Ando (1797-1858), Hokuba Teisai (1771-1844) and Hanabusa Itcho (1652-1724), 19x29 cm
Derksen Veilingbedrijf
Nov. 18, 2024
A GROUP OF TWO PRINTS HANABUSA ITCHO (英一蝶) (1652-1724) Fine early 20th century edition print Taisho period Ōban yoko-e Japanese woodblock print, 28.5 x 40.9cm KITAO SHIGEMASA (1739-1820) Courtesan showing her arm with a vow tattoo kishib
Est: €200 - €280
A GROUP OF TWO PRINTS HANABUSA ITCHO (英一蝶) (1652-1724) Fine early 20th century edition print Taisho period Ōban yoko-e Japanese woodblock print, 28.5 x 40.9cm KITAO SHIGEMASA (1739-1820) Courtesan showing her arm with a vow tattoo kishibori Rare Meiji – Taisho reprint 1920’s Ōban woodblock print, 26.3 x 37.6cm Ref ‘The Tattooed Body in Japan: Engravings on the Skin’ Philippe Pons 2018 (2)
Adam's
Sep. 04, 2024
A SCROLL PAINTING OF A MONK AND CHILDREN, AFTER HANABUSA ITCHO, c. 1900s
Est: €150 - €300
A SCROLL PAINTING OF A MONK AND CHILDREN, AFTER HANABUSA ITCHO, c. 1900s After Hanabusa Itcho (1652-1724) Japan, late 19th to early 20th century Ink, watercolors, and gouache on paper. Mounted as a hanging scroll on a silk brocade frame with wooden handles. Depicting two boys gleefully reaching for the black cat in a travelling monk’s hand. The monk with an oi backpack and straw hat strewn to his back. Inscriptions: Signed ‘Hanabusa Itcho’ 英一蝶 with seal. Image SIZE 98.5 x 37.5 cm, SIZE incl. mounting 186 x 50 cm Condition: Very good condition with minor wear and slight browning of paper. Few creases, miniscule losses, and minor stains. Hanabusa Itcho (1652-1724) was a Japanese painter born in Osaka, calligrapher, and haiku poet. He originally trained in the Kano style, under Kanō Yasunobu, but ultimately rejected that style and became a literati (bunjin).
Galerie Zacke
Mar. 23, 2024
HANABUSA ITCHO (JAPANESE 1652–1724)
Est: $100 - $200
Hanabusa Itcho(1652-1724) Japanese Woodblock Print H : 12 1/4 in ( 31.12 cm ) W : 18 3/8 in ( 46.67 cm )
Steven's Art & Antiques
Jan. 17, 2024
HANABUSA ITCHO (1652-1724): 'JUROJIN PEERING THROUGH A TELESCOPE'
Est: €500 - €1,000
HANABUSA ITCHO (1652-1724): 'JUROJIN PEERING THROUGH A TELESCOPE' Japan, 18th century. Ink, watercolors, and gouache on silk. Mounted as a hanging scroll, on a silk brocade coated paper frame with red lacquered wooden handles. Depicting the God of Longevity with his companion deer and a small child in tow, the deity peering through a telescope above clouds looking at the constellation of the Southern Pole Star. Inscriptions: To the bottom-right, signed 'Hanabusa Itcho sho' ('Painted by Hanabusa Itcho'). One seal, 'Shuzai san'un senseki kan' 趣在山雲泉石間 ('Pleasure in roaming in the mountains, clouds, springs, and stones'). Provenance: French private collection. Condition: Very good condition with wear, minor stains, and some creasing. The brocade frame with expected wear, few losses, and traces of age. Dimensions: Image size 85 x 35.7 cm, Size incl. mounting 163.5 x 39 cm Jurojin is said to be a personification of the Southern Pole Star (Nankyokusei). While he normally stands with his staff, here, he is humorously depicted looking through a telescope. Hanabusa Itchō (1652-1724) was a Japanese painter, calligrapher, and haiku poet. He originally trained in the Kanō style, under Kanō Yasunobu, but ultimately rejected that style and became a literato (bunjin). He was also known as Hishikawa Waō and by several other names. Museum comparison: Compare a closely related painting by Hanabusa Itcho, in the Museum of Applied Arts, Vienna, inventory number HM 13344.
Galerie Zacke
Dec. 05, 2023
Hanabusa Itcho, Group of Illustrations
Est: $50 - $100
Hanabusa Itcho (Japanese 1652–1724), group consisting of six ink on paper illustrations, in pairs mounted to paper, depicting various figures, riding buffalo, wading through water, or resting with their packed belongings, 8" x 5 1/2" sheet size, 12 1/2" x 17 1/2" overall.
Old Kinderhook Auction Company
Nov. 30, 2023
HANABUSA ITCHO (1652-1724): ‘JUROJIN PEERING THROUGH A TELESCOPE’
Est: €800 - €1,500
HANABUSA ITCHO (1652-1724): ‘JUROJIN PEERING THROUGH A TELESCOPE’ Japan, 18th century. Ink, watercolors, and gouache on silk. Mounted as a hanging scroll, on a silk brocade coated paper frame with red lacquered wooden handles. Depicting the God of Longevity with his companion deer and a small child in tow, the deity peering through a telescope above clouds looking at the constellation of the Southern Pole Star. Inscriptions: To the bottom-right, signed ‘Hanabusa Itcho sho’ (‘Painted by Hanabusa Itcho’). One seal, ‘Shuzai san’un senseki kan’ 趣在山雲泉石間 (‘Pleasure in roaming in the mountains, clouds, springs, and stones’). Provenance: French private collection. Condition: Very good condition with wear, minor stains, and some creasing. The brocade frame with expected wear, few losses, and traces of age. Dimensions: Image size 85 x 35.7 cm, Size incl. mounting 163.5 x 39 cm Jurojin is said to be a personification of the Southern Pole Star (Nankyokusei). While he normally stands with his staff, here, he is humorously depicted looking through a telescope. Hanabusa Itchō (1652-1724) was a Japanese painter, calligrapher, and haiku poet. He originally trained in the Kanō style, under Kanō Yasunobu, but ultimately rejected that style and became a literato (bunjin). He was also known as Hishikawa Waō and by several other names. Museum comparison: Compare a closely related painting by Hanabusa Itcho, in the Museum of Applied Arts, Vienna, inventory number HM 13344.
Galerie Zacke
Oct. 18, 2023
Woodblock After Itcho Hanabusa
Est: $50 - $100
After Itcho Hanabusa, titled "The Dance Nunozarashi", after the artist's 19th century subject. 7.5" x 11.5" (sight), 16" x 20" (framed).
Caza Sikes
Sep. 16, 2023
HANABUSA ITCHO (JAPANESE 1652–1724)
Est: $200 - $400
Hanabusa Itcho(1652-1724) Japanese Woodblock Print H : 12 1/4 in ( 31.12 cm ) W : 18 3/8 in ( 46.67 cm )
Steven's Art & Antiques
May. 06, 2023
Guncho Ga-Ei, A Japanese Woodcut Book
Est: $600 - $900
Hanabusa Itcho, 1652-1724, and Suzuki Rinsho, d.1802; GUNCHO GA-EI, a collection of sketches (Edo: Hanabusa Heikichi, dated 1778, but probably later) Three volumes bound as one, 10 1/4 x 7 in., in traditional Japanese fukurotoji binding: light blue embossed cover printed with colorless glaze, with title label, in a cloth clamshell case. Contains black and white woodcuts illustrating fairy tales, genre scenes, still lifes and landscapes.
Alex Cooper
Apr. 27, 2023
Hanabusa Itcho (Japan): Two Pilgrims with an Otsu-e
Est: $400 - $600
circa 1710; ink on paper, matted, framed and glazed
Abell Auction
Apr. 27, 2023
Hanabusa Itcho (Japan 1652-1724): Blind Men in a Rainstorm, Kakemono
Est: $600 - $800
circa 1710; ink and color on paper; black character marks and stamped left mid-center
Abell Auction
Mar. 05, 2023
Hanabusa Itcho (Japan): Two Pilgrims with an Otsu-e
Est: $400 - $600
circa 1710s; ink on paper, matted, framed and glazed; Provenance: The Estate of Richard Kelton, Los Angeles, California; from the Harari Collection of Japanese Paintings and Drawings compiled by J. Hillier no.196
Abell Auction
Mar. 05, 2023
Hanabusa Itcho (Japanese 1652–1724): Sleeping Hotei
Est: $500 - $700
circa 1710; ink on paper, with silk borders, unframed; signed and with seal lower right
Abell Auction
Mar. 05, 2023
Hanabusa Itcho (Japan 1652-1724): Blind Men in a Rainstorm, Kakemono
Est: $600 - $800
circa 1710; ink and color on paper; black character marks and stamped left mid-center
Abell Auction
Oct. 14, 2022
JAPANESE WOODBLOCK PRINT by ITCHO HANABUSA
Est: $400 - $600
" The Dance Nunozarashi" H:12in(30.4cm) W:18.5in(46.9cm)
Steven's Art & Antiques
Dec. 03, 2021
Hanabusa ITCHO (1652-1724) zugeschrieben, Kakemono, ''Bambus'', Japan.
Est: -
Hanabusa ITCHO (1652-1724) zugeschrieben, Kakemono, ''Bambus'', Japan, Edo-Zeit, Tusche auf Papier, sign. und Siegel, wohl Elfenbein-Jikusaki, Bildmaße: ca. 96 x 27 cm, Rollenlänge: ca. 181 x 30 cm, Hängerolle mit Seidenbrokat, Montierung wohl 19. Jh., leichte Knickspuren, partiell min. beschmutzt. BITTE BEACHTEN: Versand erfolgt nur innerhalb der EU - Shipping to the EU member countries only.
Auktionshaus Königstein GmbH
Dec. 03, 2021
Hanabusa ITCHO (1652-1724) zugeschrieben, Kakemono, ''Kiefer'', Japan.
Est: -
Hanabusa ITCHO (1652-1724) zugeschrieben, Kakemono, ''Kiefer'', Japan, Edo-Zeit, Tusche auf Papier, sign. und Siegel, wohl Elfenbein-Jikusaki, Bildmaße: ca. 96 x 27 cm, Rollenlänge: ca. 181 x 30 cm, Hängerolle mit Seidenbrokat, Montierung wohl 19. Jh., leichte Knickspuren, partiell min. beschmutzt. BITTE BEACHTEN: Versand erfolgt nur innerhalb der EU - Shipping to the EU member countries only.
Auktionshaus Königstein GmbH
Jul. 19, 2021
Five kakejiku (hanging scroll) paintings One by Hanabusa Itcho (1652-1724), late 17th to 19th century (6)
Est: £600 - £800
Five kakejiku (hanging scroll) paintings One by Hanabusa Itcho (1652-1724), late 17th to 19th century Ink and slight colour on silk, depicting a scarecrow propped up on bamboo stalks beneath a blossoming cherry, signed Hanabusa Itcho sho with a seal; the second in ink and slight colour on silk, depicting a scholar seated in deep slumber at the foot of a two-fold screen decorated with a mountainous landscape, with a signed and sealed seven-line inscription above, signed Nangaku with two seals, with wood storage box bearing an inscription inside the lid; the third, in ink on paper, depicting the great poet, To Enmei (in Chinese, Tao Yuanming, 365-427), holding a paper, with a full transcription of his poetry, titled Kikyorai no ji, signed with three seals; the fourth, in ink, colour and gold on paper, possibly depicting Soto Ori-hime gazing at a spider hanging from its web on the veranda, signed Miwa hitsu with a seal; the last by Ko Suikoku, in ink and colour on paper, depicting a pilgrim looking up at a signboard on a pole behind a bamboo fence, signed Ko Suikoku with a seal. The smallest 73cm x 26cm (28¾in x 10¼in), the largest 103cm x 36cm (40½in x 14 3/16in). (6). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 03, 2021
Japanese Woodblock Prints Itcho, Hanabusa 1652-1724, Two double book pages
Est: €15 - €20
B/W prints. A farmer in rice fields greets the full moon; a sennin exhales his soul. Estate of Horst Danzer. (315)
Signens Kunstauktionen
May. 12, 2021
Hanabusa Itcho (Japanese, 1654-1724) Untitled, Japanese woodblock print,
Est: $80 - $120
Hanabusa Itcho (Japanese, 1654-1724) Untitled, Japanese woodblock print, A two page spread from a book. Framed dimensions: H: 15 x W: 19 3/8 in. H: 7 1/2 W: 12 in.
Gray's Auctioneers
Dec. 01, 2020
Suzuki Rinsho, Volume con scene di vita popolare, uomini, animali e demoni. Da Itcho Hanabusa (Osaka 1652 - Tokyo 1724).
Est: €140 - €280
Formato: Ōbon (mm 257x180). Rilegatura: Tetsuyousou. Volume formato da 12 pagine doppie, 30 pagine singole, 2 pagine singole bianche; 5 pagine sono di testo le altre con tavole xilografiche in bianco e nero, raffiguranti leggende con demoni, varie scene di vita con uomini e animali, tratte da invenzioni di Itcho Hanabusa (Osaka 1652 - Tokyo 1724).
Gonnelli Casa d'Aste
Oct. 31, 2020
Japanese Woodblock Print Itcho, Hanabusa 1652-1724 Two double book pages
Est: €15 - €20
B/W prints. A farmer in rice fields greets the full moon; a sennin exhales his soul. Estate of Horst Danzer. (315)Itcho, Hanabusa RefJap221020
Signens Kunstauktionen
Jul. 26, 2020
Hanabusa Itcho, Japanese Woodblock Print
Est: $50 - $100
Sight size: 12 x 7 3/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Sarasota Estate Auction
Jun. 16, 2020
Attribué à Hanabusa ITCHO (1652 - 1724)
Est: €300 - €500
Attribué à Hanabusa ITCHO (1652 - 1724) Garçon coupant des pousses de bambous ; jeunes femme les pieds dans l'eau et jeune femme à la couture. Trois petits dessins à l'encre sur papier. Certificats par Janette Ostier datant du 29 janvier 1975.
Ader
May. 31, 2020
JAPANESE WOODBLOCK PRINTS (2)
Est: $150 - $250
Choshun Miyagawa (18th Century) 'Cherry-viewing party' (13 1/2 x 5") overall 11 x 15" & Itcho Hanabusa (1652-1724) 'The Nunozarashi Dance' 7 x 13" overall 11 x 15" Both Unframed DATE: Circa 1930 CONDITION: Very good modest creasing & staining to mattings.
Midnight Sun Antique Auction
Feb. 27, 2020
HANABUSA ITCHO (1652-1724): A GROUP OF 45 FIGURATIVE DRAWINGS
Est: €150 - €300
HANABUSA ITCHO (1652-1724): A GROUP OF 45 FIGURATIVE DRAWINGS Japan, 17th to early 18th century, Edo period (1615-1868) The 45 drawings by Hanabusa Itcho (1652-1724) each show a figural depiction. Every drawing is irregularly cut and mounted. Ink and colors on paper, mounted on paper. SIZE incl. mounting 33.5 x 29 cm, SIZE approx. 10 - 20 cm Condition: Very good condition, minor stains here and there. Provenance: Galerie Zacke archive; previously in the collection of Émile Javal (1839-1907), French ophthalmologist. RefNet18220 RefLac18220 RefPai18220
Galerie Zacke
Jun. 06, 2019
JAPON - Epoque EDO (1603 - 1868) Attribué à Hanabusa Itcho (1652-1724):
Est: €1,500 - €2,000
JAPON - Epoque EDO (1603 - 1868) Attribué à Hanabusa Itcho (1652-1724): Encre sur papier, personnages se baladant dans un paysage. Signé du cachet Hokuso-o. (Taches, pliures, petits accidents). 28 x 370 cm. Monté en kakemono. Provenance : Collection privée française
Piasa
Mar. 22, 2019
HANABUSA ITCHO (1652-1724): A GROUP OF 45 FIGURATIVE DRAWINGS
Est: €600 - €1,200
Ink and colors on paper, mounted on paper Japan, 17th to early 18th century The 45 drawings by Hanabusa Itcho (1652-1724) each show a figural depiction. Every drawing is irregularly cut and mounted. Dimensions: SIZE INCL. MOUNTING: 33.5 x 29 CM, SIZE APPROX. 10 TO 20 CM Condition: Very good condition, minor stains here and there Provenance: Galerie Zacke archive; previously in the collection of Émile Javal (1839-1907), French ophthalmologist
Galerie Zacke
Nov. 23, 2017
[Scrolls]. Itcho, Hanabusa (1652-1724). (A lady offering a pipe to Bodhidharma). Kakejiku (hanging scroll), watercolour and brush and ink on silk, within dec. silk borders, 28x29 cm. (image), 107x45 cm. (total size), signed and w. title (unread) in
Est: €500 - €700
[Scrolls]. Itcho, Hanabusa (1652-1724). (A lady offering a pipe to Bodhidharma). Kakejiku (hanging scroll), watercolour and brush and ink on silk, within dec. silk borders, 28x29 cm. (image), 107x45 cm. (total size), signed and w. title (unread) in brush, artist's seal, rolled on modern stick.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 09, 2017
*Hanabusa Itcho (1652-1724)
Est: £3,000 - £4,000
*Hanabusa Itcho (1652-1724) Monkeys Edo period (1615-1868), early 18th century
Bonhams
Jun. 23, 2017
JAPON - Époque EDO (1603-1868) École de Hanabusa Itcho (1652-1726) Trois encres polychromes sur papier, Hyakki yako, les cent fantômes
Est: €3,000 - €4,000
JAPON - Époque EDO (1603-1868) École de Hanabusa Itcho (1652-1726) Trois encres polychromes sur papier, Hyakki yako, les cent fantômes. Chacune porte la signature de Hanabusa Itcho suivie de son cachet. Environ 100 × 30 cm (chaque) Montées en kakemono. Boîte en bois. (Petites restaurations, manques et trous de ver)
Piasa
Sep. 17, 2016
HANABUSA ITCHO (1652 - 724) THREE FIGURATIVE INK DRAWINGS
Est: €120 - €440
Ink and color on paper. Japan, Itcho was a significant calligrapher, painter and also poet in Japan, a very multi-talented allrounder. Born in Osaka as son of a physician, he learned painting from Kano Yasunobu, then went his own way. Because his depictions were largely devoted to scenes from life in Edo (Tokyo), also Yoshiwara, one terms his style as “between Kano and jukiyo-e“. He became famous through his forced exile after he painted the concubine of the Shogun in burlesque manner. So he spent more than 10 years on the island of Miyake Shima. His works there (particularly costly) were signed by “the island Itcho“, Shima Itcho. The four drawings each show a figurative depiction - each with admirable, precise brushwork. All are irregularly cut and mounted (see below about the collector). SIZES AROUND 10 TO 20 CM From the collection of the medical eye specialist and politician Émile Javal, 1839 - 1907. He was a parlament member, friend of Zola and wrote the decisive expertise in the 2nd trial against Dreyfuss. Javal was an officer of the Legion of Honour and had five children.
Galerie Zacke
Mar. 19, 2016
HANABUSA ITCHO (1652 - 724) THREE FIGURATIVE INK DRAWINGS
Est: €220 - €440
Ink and color on paper Japan. 17th to early 18th cent. SIZES AROUND 10 TO 20 CM Itcho was a significant calligrapher, painter and also poet in Japan, a very multi-talented allrounder. Born in Osaka as son of a physician, he learned painting from Kano Yasunobu, then went his own way. Because his depictions were largely devoted to scenes from life in Edo (Tokyo), also Yoshiwara, one terms his style as “between Kano and jukiyo-e“. He became famous through his forced exile after he painted the concubine of the Shogun in burlesque manner. So he spent more than 10 years on the island of Miyake Shima. His works there (particularly costly) were signed by “the island Itcho“, Shima Itcho. The four drawings each show a figurative depiction - each with admirable, precise brushwork. All are irregularly cut and mounted (see below about the collector). From the collection of the medical eye specialist and politician Émile Javal, 1839 - 1907. He was a parlament member, friend of Zola and wrote the decisive expertise in the 2nd trial against Dreyfuss. Javal was an officer of the Legion of Honour and had five children. Expertise: Wolfmar Zacken From an English private collection
Galerie Zacke
Mar. 19, 2016
HANABUSA ITCHO (1652 - 724) THREE FIGURATIVE INK DRAWINGS
Est: €180 - €360
Ink and color on paper Japan. 17th to early 18th cent. SIZES AROUND 10 TO 20 CM Itcho was a significant calligrapher, painter and also poet in Japan, a very multi-talented allrounder. Born in Osaka as son of a physician, he learned painting from Kano Yasunobu, then went his own way. Because his depictions were largely devoted to scenes from life in Edo (Tokyo), also Yoshiwara, one terms his style as “between Kano and jukiyo-e“. He became famous through his forced exile after he painted the concubine of the Shogun in burlesque manner. So he spent more than 10 years on the island of Miyake Shima. His works there (particularly costly) were signed by “the island Itcho“, Shima Itcho. The four drawings each show a figurative depiction - each with admirable, precise brushwork. All are irregularly cut and mounted (see below about the collector). From the collection of the medical eye specialist and politician Émile Javal, 1839 - 1907. He was a parlament member, friend of Zola and wrote the decisive expertise in the 2nd trial against Dreyfuss. Javal was an officer of the Legion of Honour and had five children. Expertise: Wolfmar Zacken From an English private collection
Galerie Zacke
Mar. 16, 2016
HANABUSA ITCHO (1652-1724) TENGU (MOUNTAIN GOBLINS) Edo period (1615-1868)
Est: $7,000 - $9,000
HANABUSA ITCHO (1652-1724) TENGU (MOUNTAIN GOBLINS) Edo period (1615-1868), c. 1700 Hanging scroll, ink and color on paper, depicting Ushiwakamaru (the young Yoshitsune) in the guise of a tengu and wearing a yamabushi (mountain monk) cap, assailing the real tengu of Mount Kurama in the branches of an enormous pine tree, observed by their king Sojobo who watches him from behind a fan, two junior tengu falling to the ground at the bottom of the scroll, inscribed with a poem and signed Fuji Nobuka ga, with one seal of the artist 35 x 12 1/2in (88.9 x 31.8cm) At the very beginning of his military career, the charismatic, ill-fated hero Minamoto no Yoshitsune (1159-1189) was sent, aged six, to a Buddhist temple in Kurama, a mountainous region north of Kyoto, where he resisted monastic discipline and would frequently escape to receive instruction from Sojobo, the great tengu of Kurama, in the martial skills that would enable him to destroy his family’s archenemy, the Taira clan. The tengu, monstrous creatures with crow-like beaks, are thought to have been inspired by the masks worn at ceremonies practiced in mountain temples by monks of the Shugendo sect, known as yamabushi. After completing his training at Kurama, Yoshitsune left the mountain in secret to fulfill his tragic destiny. The other disguised figure in this painting, depicted below the two tengu attacked by Yoshitsune, is perhaps the warrior-monk Benkei who would become the hero’s faithful companion, even though he normally enters the narrative after Yoshitsune’s return to Kyoto. The story of Yoshitsune, for much of his career an outcast from conventional society, was an ideal subject for the artist’s eleven years on the island of Miyake, where he was exiled as a punishment for lampooning the shogun’s concubine; it was not in fact until his return to Edo that he started using the name Itcho by which he is generally known today. For an Itcho painting of another historic exile, Tenjin (Sugawara no Michizane), also signed Fuji Nobuka, see Miriam Wattles, The Life and Afterlives of Hanabusa Itcho, Artist-Rebel of Edo, Leiden-/Boston, Brill, 2013, p. 64, fig. 25. A pair of hanging scrolls by Itcho depicting Mount Takao and Mount Kurama is in the University Art Museum, Tokyo University of the Arts, inv. nos. 30 and 375.
Bonhams
Jan. 30, 2016
HANABUSA ITCHO (1652 - 1724) FOUR FIGURATIVE HAND DRAWINGS
Est: -
Ink and color on paper. Japan, 17th to early 18th cent. From the collection of Émile Javal, French physician and politician. Itcho was an important calligrapher, painter and poet in Japan, a many-talented allrounder. He was born in Osaka as son of a doctor. As a painter, he met Kano Yasunobu, then each followed their own paths. Because he dedicated many depictions to scenes from life in Edo (Tokyo), also of Yoshiwara, his style was termed as “between Kano and Ukiyo-e“. Also his banishment was famous after he painted a concubine of the Shogun in a burlesque version. Thus he spent more than 10 years on the island Miyake Shima. There he signed his (especially expensive) works with “the Island-Itcho“, Shima Itcho. The four drawings show respectively a figurative depiction – each with admirable precise strokes. All are cut irregularly and mounted (see below about the collector). The depictions are: 1. Man with unkempt hair and fan, presumably a theater scene 2. Woman with tall black eboshi on her head, courtly robes 3. The witch Hannya with horns, wild gesticulations and the well-known mallet 4. Old man with fishing rod, presumably Urashima Taro. The leaves themselves are in average good condition. They come from the collection of the eye specialist and politician Émile Javal, 1839 - 1907. He was a delegate, friend of Zola and wrote the decisive expert assessment in the 2nd Dreyfus trial. Javal was an officer in the Legion of Honour and had five children. SIZES AROUND 10 TO 20 CM From a British private collection 0 Estimate: 300
Galerie Zacke
Nov. 14, 2015
HANABUSA ITCHO (1652 - 1724) FOUR FIGURATIVE HAND DRAWINGS
Est: €150 - €300
Ink and color on paper. Japan, 17th to early 18th cent.From the collection of Émile Javal, French physician and politician. Itcho was an important calligrapher, painter and poet in Japan, a many-talented allrounder. He was born in Osaka as son of a doctor. As a painter, he met Kano Yasunobu, then each followed their own paths. Because he dedicated many depictions to scenes from life in Edo (Tokyo), also of Yoshiwara, his style was termed as “between Kano and Ukiyo-e“. Also his banishment was famous after he painted a concubine of the Shogun in a burlesque version. Thus he spent more than 10 years on the island Miyake Shima. There he signed his (especially expensive) works with “the Island-Itcho“, Shima Itcho. The four drawings show respectively a figurative depiction – each with admirable precise strokes. All are cut irregularly and mounted (see below about the collector). The depictions are: 1. Man with unkempt hair and fan, presumably a theater scene 2. Woman with tall black eboshi on her head, courtly robes 3. The witch Hannya with horns, wild gesticulations and the well-known mallet 4. Old man with fishing rod, presumably Urashima Taro. The leaves themselves are in average good condition. They come from the collection of the eye specialist and politician Émile Javal, 1839 - 1907. He was a delegate, friend of Zola and wrote the decisive expert assessment in the 2nd Dreyfus trial. Javal was an officer in the Legion of Honour and had five children.SIZES AROUND 10 TO 20 CMFrom a British private collection
Galerie Zacke
Jun. 18, 2015
JAPON - Époque EDO (1603-1868)Attribué à Hanabusa Itcho (1652-1724)Ensemble comprenant cent soixante-trois encres sur papier, dont q...
Est: €4,000 - €6,000
JAPON - Époque EDO (1603-1868) Attribué à Hanabusa Itcho (1652-1724) Ensemble comprenant cent soixante-trois encres sur papier, dont quatre-vingt représentant des scènes de paix et quatre-vingt-trois des scènes de guerre montrant des samouraï à cheval ou à pied se combattant. 34 × 47 cm environ
Piasa
Jun. 03, 2015
HANABUSA ITCHÔ (1652-1724). Itchô Gafu (Ichô Bilderalbum). Band 2 von 3. Undatiert, Nachdruck von 1770. 19 doppelseitige Illustrationen mit Kolophon in Einzelblättern.
Est: CHF300 - CHF500
HANABUSA ITCHÔ (1652-1724). Itchô Gafu (Ichô picture album). Volume 2 of 3. Undated, reprint from 1770. 19 double-sided illustrations with colophons in single sheets.
Koller Auctions
Mar. 18, 2015
Hanabusa Itcho (1652-1724) Fine Japanese and Korean Works of Art
Est: $2,000 - $3,000
Shakyamuni in Meditation A hanging scroll, ink on silk; of Shakyamuni Buddha in seated meditation on a rocky outcropping; signed Shurin sanjin choko hai[sho] and sealed Shizai seisho hakuseki-kan; with wooden storage box 29 x 15 3/8in (73.7 x 39cm)
Bonhams
Nov. 25, 2014
Original drawing by Itcho Hanabusa
Est: €200 - €300
HANABUSA, Itcho (Japanese 1652 - 1724). Fireman with monkey on his back. Drawing in ink, framed under passe-partout behind glass image size 31.5 x 20 cm., frame size 58.5 x 45 cm. Upper margin browned, small scratch affecting the image, passe-partout discoloured
Adams Amsterdam Auctions
Nov. 05, 2014
Four scroll paintings including one by Hanabusa Itcho (1652-1724) The Edward Wrangham Collection of Japanese Art
Est: £600 - £800
Late 17th to 19th century Kakejiku, comprising one by Itcho, in ink and slight colour on paper, depicting three sparrows in flight and the two perched on top of rice sheaves, signed Hanabusa Itcho sho with seal; the second after Korin, in ink and colour on paper, depicting a black cockerel and four chicks besides wild plants, inscribed Hokkyo Korin with seal; the third, in ink on silk, depicting a crow perched on withered branches beneath the full moon, signed with indecipherable signature and seal; the last by Fujiwara Morimichi (Kano Tanshin), in ink on silk, depicting a hawk perched on the trunk of a plum tree, signed Fujiwara Morimichi hitsu with two seals. The smallest 29cm x 50cm (11 3/8in x 19 5/8in), the largest 113cm x 47cm (44½in x 18½in). (4).
Bonhams
Nov. 05, 2014
Five scroll paintings including one by Hanabusa Itcho (1652-1724) The Edward Wrangham Collection of Japanese Art
Est: £800 - £1,200
Late 17th to 19th century Kakejiku, comprising one by Hanabusa Itcho, in ink and slight colour on silk, depicting a scarecrow propped up on bamboo stalks beneath a blossoming cherry, signed Hanabusa Itcho sho with seal; the second in ink and slight colour on silk, depicting a scholar seated in deep slumber at the foot of a two-fold screen decorated with a mountainous landscape, with a signed and sealed seven-line inscription above, signed Nangaku with two seals, with wood storage box bearing an inscription inside the lid; the third, in ink on paper, depicting the great poet, To Enmei (in Chinese, Tao Yuanming,365-427), holding a paper, with a full transcription of his poetry, titled Kikyorai no ji, signed with three seals; the fourth, in ink, colour and gold on paper, possibly depicting Soto Ori-hime gazing at a spider hanging from its web on the veranda, signed Miwa hitsu with seal; the last by Ko Suikoku, in ink and colour on paper, depicting a pilgrim looking up at a signboard on a pole behind a bamboo fence, signed Ko Suikoku with seal. The smallest 73cm x 26cm (28¾in x 10¼in), the largest 103cm x 36cm (40½in x 14 3/16in). (6).
Bonhams
Feb. 09, 2014
HANABUSA ITCHO: PLUM BLOSSOMS IN MOONLIGHT.
Est: €1,500 - €4,800
Ink on paper. Ivory Jikusaki. Japan, Kakemono. PICTURE SIZE 105,5 x 40,5 CM; SCROLL LENGTH 187 CM. Painting landscapes, figures or, like in the scroll - plum blossoms - the great masters in Japanese painting deliver not only a composition executed in technical perfection, always the subject of their interest,as small and unimportant it may seem, is shown with great respect toward nature and land too.In this inspiring antagonism between the proudness of a skilled painter and the humble feelings of just a small, short time presence in this world we can find propably the highest value of this art. English description apon request. Signiert: SHURIN SANJIN CHOKO hitsu 狩林散人朝湖筆 Siegel: HANABUSA ITCHO 英一蝶 Lebenszeit 1652 - 1724. Einer der wichtigsten eigenständigen Künstlerpersönlichkeiten der Zeit. Zunächst in der Kano-Schule bei Yasunobu ausgebildet geht er bald eigene Wege und wendet seine Aufmerksamkeit zunehmend auch den Sitten und der einfachen Lebensweise der Bevölkerungsmehrheit zu. Das Motiv, gleichwohl Metapher für den Kreislauf des Lebens, wie für Rüstigkeit und Gesundheit im Alter, ist in einer technischen Selbstverständlichkeit ausgeführt, die wir für Hanabusa als einen der wichtigsten Maler der Tokugawa-Zeit annehmen dürfen. Dabei offenbart sich in der geschickten, unauffälligen aber sehr wirkungsvollen Abstufung der Lavierung über die gesamte Bildfläche die hervorragende technische Ausbildung der Kano-Studios. Die mehr detailverliebte, realistischere Schilderung dokumentiert gleichzeitig Itcho's Weg außerhalb des oft strengen, formalen Konzepts der Kano-Malerei. Montierung des 19. Jh. in gutem Zustand mit einigen kaum störenden Bleichflecken. Das Papierbild weist einige Restaurierungen auf. Anm.: Hanabusa Itcho war gebürtig aus Osaka und auch als Dichter begabt. Im Jahr 1698 soll er den Zorn des Shogunats erregt haben und wurde jahrelang auf Miyakejima verbannt, einer kleinen vulkanischen Insel weiter südlich der Halbinsel Izu. 1709 durfte er wieder nach Edo zurück, erst ab dieser Zeit nahm er den angeführten Namen an. In der Signatur fällt auf, daß Sanjin "Vertriebener" bedeuten kann ...
Galerie Zacke
Oct. 05, 2013
HANABUSA ITCHO (1652 - 1724): THREE MEN UNDER A PINE
Est: €200 - €1,000
HANABUSA ITCHO (1652 - 1724): THREE MEN UNDER A PINE Kakemono, ink on paper, North-Thailand, 2nd half 18th century A kakemono offering a vivid figurative painting of a humorous study depicting three men under a pine tree. They are wearing black caps and have put their working tools aside to relax and maybe enjoy some Sake. Itcho ambitiously grasped their expression and thus let us participate in this amusing moment. The pine tree masterly done with a few strokes. Seal: Hokuso in ?? ? (Seal of H.) first character illegible. Hokuso is the artist's name of Hanabusa Itcho (?? ?) from Osaka. Itch studied at the Kano-School (to be seen from his distinctive style), and then worked independently and especially favored popular themes. Mounted on silk with Ichimonji of a fine bronze shade, ivory Jikusaki, backed sections. Eine lebendige, mit humorvoller Facette versehene kleinere Kakemono-Studie, die drei Männer wiedergibt, die es sich unter einer Kiefer sehr gemütlich gemacht haben und sich von ihrer Arbeit ausruhen. Anders gesagt faulenzen sie, der Künstler hat sie dabei "erwischt" und für immer festgehalten, jedenfalls besser als jede Fotografie. Ihre leicht feisten Gesichter schmunzeln glückselig beim Dösen, es sieht so aus, als hätten sie sich mehr oder weniger Sake einverleibt ... Sie tragen schwarze Kappen und haben ihr Arbeitsgerät (Rechen und Besen) abgestellt. Die Kiefer ist mit meisterlichem Duktus in knappen Strichen gezeichnet. Das rote Siegel lautet Hokuso in ?? ? (Siegel des H.), das Zeichen vor dem ersten (Hoku) ist nicht zu lesen. Hokuso ist ein Künstlername des aus Osaka stammenden Hanabusa Itcho (?? ?). Itcho lernte in der Kano-Schule (was an seinem Stil sogleich zu sehen ist), machte sich aber wieder selbständig und entwickelte eine besondere Vorliebe für Themen aus dem Volksleben. Seidenmontierung mit Ichimonji, die einen schönen bronzefarbenen Ton haben, sowie elfenbeinerne Jikusaki. Hinterklebte Stellen. Arbeit ausruhen. Anders gesagt faulenzen sie, der Künstler hat sie dabei. SIZE IMAGE 72,5 x 26 CM, SCROLL 141 x 39,3 CM From a private German collection
Galerie Zacke
Jun. 15, 2013
HANABUSA ITCHO (1652 - 1724): THREE MEN UNDER A PINE
Est: €500 - €1,000
Kakemono, ink on paper. Japan, 2nd half 18th century. SIZE IMAGE 72,5 x 26 CM, SCROLL 141 x 39,3 CM A kakemono offering a vivid figurative painting of a humorous study depicting three men under a pine tree. They are wearing black caps and have put their working tools aside to relax and maybe enjoy some Sake. Itcho ambitiously grasped their expression and thus let us participate in this amusing moment. The pine tree masterly done with a few strokes. Seal: Hokuso in 北窗印 (Seal of H.) first character illegible. Hokuso is the artist's name of Hanabusa Itcho (英一蝶) from Osaka. Itch studied at the Kano-School (to be seen from his distinctive style), and then worked independently and especially favored popular themes. Mounted on silk with Ichimonji of a fine bronze shade, ivory Jikusaki, backed sections. From a German private collection
Galerie Zacke