Luis Jiménez y Aranda Sold at Auction Prices

LUIS JIMENEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). Untitled. Watercolor on paper. Presents damages in the frame. Signed and located in the lower right area.

LUIS JIMENEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). Untitled. Watercolor on paper. Presents damages in the frame. Signed and located in the lower right area. Measurements: 20 x 30 cm; 39 x 49 cm (frame). Luis Jiménez Aranda initiates his formation of the hand of his brothers José and Manuel. Then he continued his studies in the Academy of Fine Arts Santa Isabel de Hungría of Seville, where he had Eduardo Cano de la Peña as his teacher. In 1867 he went to Rome to broaden his knowledge, and in 1876 he settled in Pontoise, near Paris, finally becoming a French citizen. Throughout his career he took part in various official exhibitions both in France and Spain, and was also awarded a prize at the Universal Exposition in Chicago (1893). He also took part in the Paris Salons and participated in the National Exhibitions of Fine Arts in Madrid, where he obtained an honorable mention in 1864 and first medal in 1892, with the work "La visita del médico". This same canvas earned him the great medal of honor at the Universal Exposition of Paris in 1889. He specialized in the historical genre, although he also made costumbrist works, always with a veristic style where the importance of the drawing stands out, as a result of the influence of his brother José. Luis Jiménez Aranda is represented in the Prado Museum, the Meadows Museum of the Southern Methodist University in Dallas and the Fine Arts Museum of San Francisco, among other institutions, as well as in various private collections.

LUIS JIMÉNEZ ARANDA (Seville, 1845 – Pontoise, France, 1928). "Gentleman". Oil on table. Signed in the lower right area.

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). "Gentleman. Oil on panel. Signed in the lower right area. Measurements: 20 x 13 cm; 43 x 25 cm (frame). José Jiménez Aranda, brother of Luis and Manuel Jiménez Aranda, was a Spanish painter and illustrator who began his training with Manuel Cabral and Eduardo Cano de la Peña. His talent for drawing helped him to gain admission to the Santa Isabel de Hungría Royal Academy of Fine Arts in Seville in 1851. In 1868 he was in Madrid, where he learned in the Prado Museum from the best masters, feeling a special predilection for Goya and Velázquez. In 1867 he was in Jerez de la Frontera working as a restorer and designer of stained-glass windows and, four years later, he managed to go to Rome, where he met Mariano Fortuny. He returned four years later. Between 1881 and 1890 he lived in Paris, where he produced a series of works, most notably those set in the 18th century, which were greatly influenced by Fortuny, due to the success they brought him. When he returned to Madrid, he devoted himself to works with everyday themes but with a more costumbrist air. In 1892 he returned to Seville, where he taught at the Academy of Fine Arts until his death, in turn teaching leading figures such as Eugenio Hermoso, Manuel González Santos, etc., and frequenting the so-called "landscape circle of Alcalá de Guadaira" towards the end of the 19th century. Although his best-known works are the scenes inspired by 17th-century art, he also dealt with religious themes and landscapes. His work received numerous awards during his lifetime (Honourable Mention at the National Fine Arts Exhibitions of 1864 and 1866; First Medal at the 1890 Exhibition, Medal of Honour at the Munich International Exhibition of 1883...), and is held in important private collections and institutions such as the Museo Carmen Thyssen in Malaga, the Museo de Bellas Artes in Seville, the Museo del Prado in Madrid, etc.

LUÍS JIMÉNEZ ARANDA

Luís Jiménez Aranda (Sevilla, 1845-Pontoisse, Francia, 1928) La boda. Óleo sobre lienzo. 54 x 73,5 cm.

LUIS JIMÉNEZ ARANDA (Seville, 1845 – Pontoise, France, 1928). "Gentleman". Oil on table. Signed in the lower right area.

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). "Gentleman. Oil on panel. Signed in the lower right area. Measurements: 20 x 13 cm; 43 x 25 cm (frame). José Jiménez Aranda, brother of Luis and Manuel Jiménez Aranda, was a Spanish painter and illustrator who began his training with Manuel Cabral and Eduardo Cano de la Peña. His talent for drawing helped him to gain admission to the Santa Isabel de Hungría Royal Academy of Fine Arts in Seville in 1851. In 1868 he was in Madrid, where he learned in the Prado Museum from the best masters, feeling a special predilection for Goya and Velázquez. In 1867 he was in Jerez de la Frontera working as a restorer and designer of stained-glass windows and, four years later, he managed to go to Rome, where he met Mariano Fortuny. He returned four years later. Between 1881 and 1890 he lived in Paris, where he produced a series of works, most notably those set in the 18th century, which were greatly influenced by Fortuny, due to the success they brought him. When he returned to Madrid, he devoted himself to works with everyday themes but with a more costumbrist air. In 1892 he returned to Seville, where he taught at the Academy of Fine Arts until his death, in turn teaching leading figures such as Eugenio Hermoso, Manuel González Santos, etc., and frequenting the so-called "landscape circle of Alcalá de Guadaira" towards the end of the 19th century. Although his best-known works are the scenes inspired by 17th-century art, he also dealt with religious themes and landscapes. His work received numerous awards during his lifetime (Honourable Mention at the National Fine Arts Exhibitions of 1864 and 1866; First Medal at the 1890 Exhibition, Medal of Honour at the Munich International Exhibition of 1883...), and is held in important private collections and institutions such as the Museo Carmen Thyssen in Malaga, the Museo de Bellas Artes in Seville, the Museo del Prado in Madrid, etc.

Luis JIMÉNEZ Y ARANDA (1845-1928) Femme bêchant Huile sur toile Signé, situé "Pontoise" et d

Luis JIMÉNEZ Y ARANDA (1845-1928) Femme bêchant Huile sur toile Signé, situé "Pontoise" et daté "1896" en bas à droite 34 x 24 cm Avec cadre : 46 x 37 cm Oil on canvas, signed, located "Pontoise" and dated "1896" lower right, 13.3 x 9.4 in, with frame : 18.1 x 14.5 in

Luis Jiménez y Aranda 1845–1928

Luis Jiménez y Aranda 1845–1928 La Blanchisseuse, 1889 Öl auf Leinwand unten rechts bezeichnet, signiert und datiert A notre bonne et chere Mme Schehrer Le Bas souvenir affectieux Louis Jimenez Paris 1889 61 x 46 cm

LUIS JIMENEZ ARANDA. Seville (1845) / Pontoise (France) (1928). "Allegory of World War I"

Oil on canvas. Signed in the lower right corner and dated August 1914. Table representing the beginning of the 1st World War in August 1914, in which France and England were allies. It has restorations. 55 x 38cm.

LUIS JIMÉNEZ ARANDA (Seville, 1845 – Pontoise, France, 1928). "Portrait of a Lady by the Seine", 1887. Oil on canvas. Signed, dated and located in the lower left corner.

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). "Portrait of a Lady by the Seine, 1887. Oil on canvas. Signed, dated and located in the lower left corner. Size: 56 x 36 cm; 75 x 54 cm (frame). Luis Jiménez Aranda began his training under the guidance of his brothers José and Manuel. He then continued his studies at the Academia de Bellas Artes Santa Isabel de Hungría in Seville, where his teacher was Eduardo Cano de la Peña. In 1867 he went to Rome to broaden his knowledge and in 1876 he settled in Pontoise, near Paris, eventually becoming a French citizen. Throughout his career he took part in various official exhibitions in both France and Spain and was also a prize-winner at the Chicago World's Fair (1893). He also took part in the Paris Salons and took part in the National Fine Arts Exhibitions in Madrid, where he was awarded an honourable mention in 1864 and a first medal in 1892 for "La visita del médico" ("The Doctor's Visit"). This same canvas earned him the grand medal of honour at the Paris Universal Exhibition in 1889. He specialised in the historical genre, although he also produced costumbrista works, always in a veristic style in which the importance of the drawing stands out, the result of the influence of his brother José. Luis Jiménez Aranda is represented in the Museo del Prado, the Meadows Museum of the Southern Methodist University in Dallas and the Fine Arts Museum of San Francisco, among other institutions, as well as in various private collections.

LUIS JIMENEZ ARANDA Seville (1845) / Pontoise (France) (1928) "View of Mussey-sur-Marne”, 1913

Watercolor on paper Signed, located and dated in the lower left corner Measurements: 38 x 29 cm

LUIS JIMÉNEZ ARANDA (Seville, 1845 – Pontoise, France, 1928). "Gentleman reading". Oil on board. Presents informative label on the back. Signed and dedicated in the lower right area.

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). "Gentleman Reading". Oil on panel. With information label on the back. Signed and dedicated in the lower right area. Measurements: 15 x 11,5 cm; 36 x 33 cm (frame). Luis Jiménez Aranda began his training under the guidance of his brothers José and Manuel. He then continued his studies at the Academia de Bellas Artes Santa Isabel de Hungría in Seville, where his teacher was Eduardo Cano de la Peña. In 1867 he went to Rome to broaden his knowledge and in 1876 he settled in Pontoise, near Paris, eventually becoming a French citizen. Throughout his career he took part in various official exhibitions in both France and Spain and was also a prize-winner at the Chicago World's Fair (1893). He also took part in the Paris Salons and took part in the National Fine Arts Exhibitions in Madrid, where he was awarded an honourable mention in 1864 and first medal in 1892 for "La visita del médico" ("The Doctor's Visit"). This same canvas won him the grand medal of honour at the Paris Universal Exhibition in 1889. He specialised in the historical genre, although he also produced costumbrista works, always in a veristic style in which the importance of the drawing stands out, the result of the influence of his brother José. Luis Jiménez Aranda is represented in the Museo del Prado, the Meadows Museum of the Southern Methodist University in Dallas and the Fine Arts Museum of San Francisco, among other institutions, as well as in various private collections.

LUIS JIMENEZ ARANDA. Sevilla (1845) / Pontoise (Francia) (1928). "The delight of a flower". 32 x 24 cm.

Signed in the lower left corner "Luis Jiménez/Paris". Oil on panel. 32 x 24 cm

LUIS JIMENEZ ARANDA. Seville (1845) / Pontoise (France) (1928). "Allegory of World War I.". 55 x 38 cm

Signed in the lower right corner and dated August 1914. Painting represents the beginning of the 1st World War in August 1914, in which France and England were allies. It has restorations. Oil on canvas. 55 x 38 cm

LUIS JIMENEZ Y ARANDA (SPANISH, 1845-1928).

Oil on canvas. Genre Scene. Signed upper center. From a New York collection.

LUIS JIMÉNEZ Y ARANDA (1845-1928) Le vendeur de marrons, 1886

LUIS JIMÉNEZ Y ARANDA (1845-1928) Le vendeur de marrons, 1886 Aquarelle et gouache sur papier signé et daté en bas à droite. Dimensions : 36 x 25,5 cm

Luis Jiménez Aranda. The wedding

Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo.

Luis Jimenez y Aranda Spanish, 1845-1928 Gathering Wildflowers, 1889

Luis Jimenez y Aranda Spanish, 1845-1928 Gathering Wildflowers, 1889 Signed, dated and dedicated Hommage respectaeux a Madame Bally/Luis Jimenez/Paris. 1889 (lr) Oil on panel 17 1/2 x 12 inches (44.5 x 30.5 cm) Provenance: Sale, Sotheby's, New York, Mar. 8, 2000, lot 136 C 

Luis Jiménez Aranda. Flirting

Óleo sobre tabla. Firmado y localizado (París) en el ángulo inferior izquierdo.

LUIS JIMENEZ Y ARANDA

LUIS JIMENEZ Y ARANDA (Seville 1845–1928 Pontoise) The Violin Concert. 1880. Oil on canvas. Signed, inscribed and dated lower left: Luis Jimenez. Paris 1880. 68.5 × 120 cm. Provenance: - Swiss private collection. - Koller auction, Zurich, 20.9.2013, Lot 3201. - Swiss private collection. --------------- LUIS JIMÉNEZ Y ARANDA (Sevilla 1845–1928 Pontoise) Das Violinkonzert. 1880. Öl auf Leinwand. Unten links signiert, bezeichnet und datiert: Luis Jimenez. Paris 1880. 68,5 × 120 cm. Provenienz: - Schweizer Privatbesitz. - Auktion Koller, Zürich, 20.9.2013, Los 3201. - Schweizer Privatbesitz. Dieses 1880 datierte Gemälde "Das Violinkonzert" ist ein charakteristisches und besonders qualitätsvolles Beispiel des spanischen Genre- und Historienmalers Luis Jiménez y Aranda. Es zeichnet sich durch eine besondere Vielfalt in der Darstellung der Bekleidung der gehobenen Gesellschaft sowie durch die räumliche Dekoration aus. Eine etwas früher entstandene und 1878 datierte Version derselben Thematik, allerdings mit abweichenden Details (Sotheby's, London, 28.09.1999, Los 126), versteht Prof. Gerardo Pérez Calero, der unser Gemälde 2013 anhand einer Fotografie studiert hat und wofür wir ihm danken, als eine Vorstudie zu unserem Gemälde. Jiménez y Aranda hielt sich ab 1878 bis circa 1880 in Paris auf, wo diese beiden Gemälde entstanden. Vermutlich empfahl ihm sein älterer Bruder José Jiménez y Aranda (1837–1903), der anfangs auch sein Lehrmeister war, die erste Fassung zu überarbeiten, sodass diese hier angebotene finale Version entstand.

Luis Jiménez Aranda. Flirting

Óleo sobre tabla. Firmado y localizado (París) en el ángulo inferior izquierdo.

JIMENEZ Y ARANDA LUIS (1845 - 1928) Portrait of a shepherdess.

JIMENEZ Y ARANDA LUIS (1845 - 1928). Portrait of a shepherdess.. Signature and dated lower left, 1890. Cm 24,00 x 31,00.

Luis Jiménez Aranda. Go ahead ladies

JIMENEZ ARANDA, LUIS (1845 - 1928). "Pasen ustedes señoritas". Óleo sobre lienzo. Firmado en el ángulo inferior derecho. 41 x 38 cm

Luis Jiménez Aranda (Seville, 1845 - Pontoise, 1928)

Luis Jiménez Aranda (Seville, 1845 - Pontoise, 1928) Oil on canvas. Signed in Seville. 77 x 64 cm. In his certificate Enrique Valdivieso indicates that this work was painted around 1875, after the artist spent some years in Rome. Work reproduced in "Spanish and American Illustration" in 1879 (no. XL, p. 256. noting that the painting was marked with the number 98 in the "Bosch Exhibition" in Barcelona which took place that year. Attached certificate by Enrique Valdivieso. 19th Century.

LUIS JIMÉNEZ Y ARANDA (1845-1928). "TAILOR", ROME, 1875.

LUIS JIMÉNEZ Y ARANDA (1845-1928). Oil on board. Signed, dated and located on the lower left corner. Published on one of the catalogue "Grandes Maestros" edited by Sala Nonell. 26 x 19 cm; 54 x 46 cm. (frame).

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928) "En el estudio del pintor". Oil on canvas

LUIS JIMÉNEZ ARANDA (Sevilla, 1845 – Pontoise, Francia, 1928), En el estudio del pintor, Firmado y fechado "Luis Jiménez. París 1890". 36 x 27 cm ENGLISH LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928) "En el estudio del pintor". Oil on canvas

Manuel Jimenez Prieto (1848-1904) Oil Painting

Manuel Jimenez Prieto (1848-1904) original oil painting on canvas titled "Watching". Signed lower right. Measures 23-1/2" H x 18" Wide + 4" Frame. Local Pick Up or Third Party Shipping Required.

Escena campestre

Flirteo

Firmado y fechado "Luis Jiménez / París 1887". Con marco de época de 92 x 68,5 cm. Signed and dated "Luis Jiménez / Paris 1887". With vintage frame of 92 x 68.5 cm.

Desposorios

Firmado "Luis Jiménez". Con marco de 74 x 93 cm. Signed "Luis Jiménez". With frame of 74 x 93 cm.

Luis Jimenez y Aranda "Watching" Oil Painting

Luis Jiménez y Aranda, (Spanish, 1845-1928) original oil paiting on canvas titled "Watching". Signed lower right. Measures 23-1/2" H x 18" Wide + 4" Frame. Local Pick Up or Third Party Shipping Required.

LUIS JIMENEZ Y ARANDA, Spanish (1845-1928), Conversation Along the River, oil on canvas, signed "Luis Jimenez", inscribed "Pontoise"...

LUIS JIMENEZ Y ARANDA Spanish (1845-1928) Conversation Along the River oil on canvas, signed "Luis Jimenez", inscribed "Pontoise" and dated "1902" lower right. 24 x 36 inches Provenance: Private Collection, Cleveland, Ohio. Other Notes: Tags: European, landscape

Luis Jiménez Aranda Sevilla 1845 - Pontoise, Francia 1928 Young woman in a wood

Luis Jiménez Aranda Sevilla 1845 - Pontoise, Francia 1928 Young woman in a wood Oil on canvas Firmado y localizado en Pontoise 60,5x86 cm Luis Jiménez Aranda Sevilla 1845 - Pontoise, Francia 1928 Joven en un bosque Óleo sobre lienzo Firmado y localizado en Pontoise 60,5x86 cm

LUIS JIMENEZ Y ARANDA, (SPANISH 1845-1928)MOTHER AND CHILD IN THE FIELDS

LUIS JIMENEZ Y ARANDA (spanish 1845-1928) MOTHER AND CHILD IN THE FIELDS Signed ''Luis Jimenez'' bottom left, oil on canvas 26 x 19 1/2 in. (66 x 46.53cm) provenance: Private Collection, New Jersey.

LUIS JIMÉNEZ ARANDA - CALLE DE PONTOISE

LUIS JIMÉNEZ ARANDA 1845 Sevilla - 1928 Pontoise, Francia Calle de Pontoise Firmado y fechado en Pontoise, 1907. 38 x 29 cm Acuarela sobre papel

LUIS JIMÉNEZ ARANDA

LUIS JIMÉNEZ ARANDA 1845 Sevilla - 1928 Pontoise, Francia En el estudio del pintor Óleo sobre lienzo Firmado y fechado "Luis Jiménez. París 1890". Sigue fielmente el cuadro "Les amateurs de peinture" de Jean-Louis-Ernest Meissonier. 36 x 27 cm

LUIS JIMENEZ ARANDA

LUIS JIMENEZ ARANDA (Sevilla, 1845-Pontoise, Francia, 1928). "La siesta", óleo sobre lienzo, 60x85 cm.

LUIS JIMENEZ ARANDA (Sevilla, 1845 - 1928), Seated Woman - LUIS JIMÉNEZ ARANDA 1845 Sevilla - 1928 Mujer sentada

Firmado.

LUIS JIMENEZ Y ARANDA RADISH PICKERS PAINTING

ARANDA, Luis Jimenez Y, (Spanish, 1845-1928): Radish Pickers, Pontoise France, Oil/Canvas/Board, 17 7/8" x 24", signed lower left Luis Jimenez, carved and gilded gesso period frame, 24 1/2" x 30 1/2".

Luis Jiménez Aranda Seville 1845 - Pontoise 1928 Views of Auvers-sur-Oise and Pontoise Two watercolour on paper Signed, located and dat

Luis Jiménez Aranda Seville 1845 - Pontoise 1928 Views of Auvers-sur-Oise and Pontoise Two watercolour on paper Signed, located and dated in 1907 and 1906 39x24 cm and 36x23 cm Luis Jiménez Aranda Sevilla 1845 - Pontoise 1928 Vistas de Auvers-sur-Oise y Pontoise Dos acuarelas sobre papel Firmadas, localizadas y fechadas en 1907 y 1906 39x24 cm y 36x23 cm

JIMÉNEZ Y ARANDA, LUIS - zugeschriebenPorträt

JIMÉNEZ Y ARANDA, LUIS - zugeschrieben Porträt einer Römerin. Öl auf Holz. 32 x 23cm. Unten links: Louis Jimenez Roma 1873 (nachträglich?). Rahmen.

Luis Jiménez y Aranda (1845-1928), Painting 'Cherry Picking'

Oil on canvas France, Pontoise, around 1890 Luis Jiménez y Aranda (1845-1928) - Spanish painter Signed lower right: 'Luis Jiménez - Pontoise' Measurements in frame: 76 x 57.5 cm Good condition Provenance: from a Southern German private collection The paintings showing farm girls in Pontoise count among the most sought after by Luis Jiménez y Aranda; the auction record for such an artwork stands at 140,000 Euros. This fine oil painting by the Spanish painter Luis Jiménez y Aranda shows a young girl picking cherries. On a slightly sloping meadow, with a view of a hilly landscape in the background, there is a great cherry tree yielding plenty fruit. The young girl is wearing a traditional costume and has bent one of the lower branches towards her. Two baskets filled with already picked cherries stand ready at her side and a third one at her feet is also almost full. Behind the tree there is a ladder leaning against its trunk, where a second girl is also picking cherries. All that can be seen of her is a heavy shoe and a blue-brown skirt, wheras the rest is veiled by the tree's leaves and fruit. Luis Jiménez was especially successful as a historical painter, but also followed the Spanish art movement of the Costumbrismo, which intended to show the customs and traditions of the people. As such, he was probably as close to French realism as he was to impressionism - and 'Cherry Picking' shows influences from all these movements. The painting 'Cherry Picking' by Louis Jiménez Aranda is in good condition. The colour is protected by a varnish and shows a bit craquelure as well as some traces of framing. The painting is signed in the lower right: 'Luis Jiménez - Pontoise'. It measures 76 x 57.4 cm in its frame and 65 x 46 without it. The recent frame shows signs of wear, especially at the corners. Louis Jiménez Aranda (1845-1928) Louis Jiménez Aranda was born in Sevilla to a family of artists. He took painting lessons from his older brother José Jiménez y Aranda (1837-1903) before he studied at the Academia de Bellas Artes de Santa Isabel de Hungría in Sevilla, like before his brother had. After a short stay in Rome, Louis Jiménez Aranda moved to Pontoise near Paris and took on French citizenship. He was already exhibiting his artworks at the Salon de Paris when he took part at the World Fair in Paris and Chicago. At the same time, he was also exhibited at national Spanish exhibitions and received, amongst other awards, the 1892 gold medal for the painting La visita del médico . He focused mainly on historical painting but was also part of the so-called Costumbrismo movement, which sought to depict the customs and traditions of society in a realistic way. Luis was influenced by his elder brother for parts of his life, but never copied him.

José Jiménez Aranda (Spanish, 1837-1903)

José Jiménez Aranda (Spanish, 1837-1903) Las amapolas signed, inscribed and dated 'JZ. Aranda/Alcalá 1895' (lower right) oil on canvas 25 x 38¾ in. (63.5 x 98.4 cm.)

Luis Jimenez y Aranda (Spanish, 1845-1919)

Luis Jimenez y Aranda (Spanish, 1845-1919) In the Capitoline Museum, Rome signed, inscribed and dated 'Luis Jimenez/Paris 1876.' (lower left) oil on canvas 25½ x 18¼ in. (64.8 x 46.4 cm.)

Luis Jimenez y Aranda (Spanish, 1845 - 1928)

"Baby and Nurse". Etching on laid paper, inscribed in the plate "Luis Jimenez Paris '78" in the lower left corner, signed in graphite in the lower left paper corner; matted, not framed. Image measures apprx. 10-1/2" x 7-3/8", plate size apprx. 11-1/8" x 7-7/8", and paper apprx. 15" x 10-1/2".

Rago Giovanni (Italian, 19th Century)

Three putti and a goat after the Pompeiian frieze. Gouache on paper, signed in the lower right, apprx. sight size 4-1/4" x 10-3/4", matted and framed under glass overall apprx. 7-5/8" x 14".

IMPORTANT LUIS JIMENEZ SPANISH PAINTING

JIMENEZ Y ARANDA, Luis, (Spanish, 1845-1928): The Radish Pickers, OIL/Canvas, 24'' x 28 1/2'', signed Louis Jimenez, Pontoise, period heavy gilded and carved gesso frame with wear and missing gesso, 35'' x 40''.

Luis Jiménez Aranda , Spanish 1845-1928 the picnicers watercolour

signed and inscribed l.r.: Luis Jimenez / Roma watercolour

Luis Jimenez y Aranda, (Spanish, 1845-1928), The Artist

Luis Jimenez y Aranda (Spanish, 1845-1928) The Artist oil on panel signed "Luis Jimenez, Paris" (lower left) 12 3/4 x 9 inches.

LUIS JIMÉNEZ Y ARANDA (Spanish 1845-1928) The

LUIS JIMÉNEZ Y ARANDA (Spanish 1845-1928) The Presentation , 1883 Oil on canvas 25 x 40-1/8 inches (63.5 x 101.9 cm) Signed and dated lower left: Luis Jimenez / Paris 1883