Adolphe Robert Jones Paintings & Artwork for Sale | Adolphe Robert Jones Art Value Price Guide

Oct. 10, 2024
DANIEL ADOLPHE ROBERT JONES, TERRIER, O/C
Est: $2,000 - $4,000
Daniel Adolphe Robert Jones (Dutch, 1806-1874). Untitled - Portrait of a Terrier- mid 19th century, oil on canvas, signed ‘AR Jones’ to LR. Framed. Approximate dimensions: canvas h. 22.75", w. 19.75"; frame h. 28.25", w. 25"; d. 2".
Ahlers & Ogletree Inc.
Jun. 27, 2024
Jones, Adolphe Robert
Est: €260 - €360
Jones, Adolphe Robert 1806 - 1874 30 x 26 cm In a henhouse. Oil/panel, signed. Jones, Adolphe Robert 1806 - 1874 30 x 26 cm In einem Hühnerstall. Öl/Holz, signiert.
Nagel Auction
Mar. 02, 2024
Jones Adolphe Robert - Landscape with sheep and goat
Est: €2,000 - €3,000
Oil on panel - Sig.
De Vuyst
Nov. 10, 2023
Jones, Adolphe Robert
Est: €500 - €700
Jones, Adolphe Robert 1806 - 1874 30 x 26 cm In a henhouse. Oil/panel, signed.
Nagel Auction
Sep. 10, 2023
Adolphe Robert Jones (1806-1874) "Yorkshire Terrie
Est: $2,000 - $4,000
Circa 1850. Oil on canvas. A wonderful portrait painting of a Yorkshire Terrier. It is signed lower left 'AR Jones.' The painting is mounted into an ornate original gilt frame. Adolphe Robert Jones, a Belgian artist known for painting animal subjects. Size: 23.75" tall x 20" wide. With frame: 32.5" tall x 28.25" wide. Condition: good, frame has nicks.
Treasureseeker Auctions LLC
Jul. 02, 2023
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $1,800 - $2,300
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Apr. 18, 2023
ADOLPHE ROBERT JONES
Est: €200 - €400
Adolphe Robert Jones (1806-1874) Yorkshire terrier, canvas 61x51 cm
Derksen Veilingbedrijf
Apr. 17, 2023
ADOLPHE ROBERT JONES (1806 - 1874)
Est: €600 - €800
Adolphe Robert JONES (1806 - 1874) Portrait of a Yorkshire terrier oil on canvas, signed lower left framed H: 60 cm W: 50,5 cm
Haynault
Apr. 09, 2023
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $1,900 - $2,400
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Jan. 02, 2023
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,000 - $2,500
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Oct. 09, 2022
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,000 - $2,600
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Jul. 03, 2022
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,100 - $2,700
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Apr. 17, 2022
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,300 - $2,900
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Feb. 19, 2022
Jones, Adolphe Robert (1806 Schaerbeek/Belgien - 1876, belgischer Landschafts- und Tiermaler),
Est: -
Jones, Adolphe Robert (1806 Schaerbeek/Belgien - 1876, belgischer Landschafts- und Tiermaler), "Idylle im Stall", Öl auf Holz, signiert unten rechts AR (ligiert) Jones, 55 x 69 cm
Auktionshaus Plückbaum
Jan. 02, 2022
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,400 - $3,000
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Oct. 30, 2021
Jones, Adolphe Robert (1806 Schaerbeek/Belgien - 1876, belgischer Landschafts- und Tiermaler),
Est: -
Jones, Adolphe Robert (1806 Schaerbeek/Belgien - 1876, belgischer Landschafts- und Tiermaler), "Idylle im Stall", Öl auf Holz, signiert unten rechts AR (ligiert) Jones, 55 x 69 cm
Auktionshaus Plückbaum
Oct. 10, 2021
Adolphe Robert Jones (Belgian,1806-1874) oil painting antique
Est: $2,400 - $3,000
ARTIST: Daniel Adolphe Robert Jones (Belgium, 1806 - 1874) NAME: Sheep and Bull MEDIUM: oil on canvas CONDITION: Two patches. Some craquelure. Some scattered inpaintings. SIGHT SIZE: 13 x 18 inches / 33 x 45 cm FRAME SIZE: unframed SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 118975 US Shipping $49 + insurance. BIOGRAPHY: Daniel-Adolphe Robert-Jones was a Belgian Romantic painter who specialized in animal scenes.He was the son of a well-known coachbuilder from Rue Neuve in Brussels, and of Marie Deacon. He had two more brothers, among others Henri-Francois, who was the great-great-grandfather of Philippe Roberts-Jones, chief curator of the Royal Museums of Fine Arts of Belgium. Roberts-Jones married the Dutch Henriette Levysohn. He lived successively at 23 Antwerpenlaan in Brussels, at Paleisstraat in Schaerbeek/Brussels and at 68 rue de l'Association.Father Roberts-Jones, of English descent, was surprised by the Continental Blockade while traveling on the European mainland. He settled in Brussels, where he set up a body shop.Daniel-Adolphe Roberts-Jones initially performed decorative painting on the carriages of the famous parent company; for example, he provided the vehicles with the coats of arms of the owners. His brother Henri would continue the carriage business.Around 1834 Roberts-Jones was an apprentice in the studio of Eugene Verboeckhoven, the already famous animal painter who had recently come to live in Brussels after having already achieved great success in Ghent. Like his teacher, Roberts-Jones would specialize in artistic animal painting.The Roberts-Jones biography is poor in outward facts. Only his travels to Holland, England and Scotland, which inspired him to certain works, are worth mentioning.As an artist, he closely followed the style of his famous teacher, without, however, equaling its truly exceptional qualities. He may have also provided the fabricage (less important fragments) in Verboeckhoven's works, who after all had an astonishingly large production.Roberts-Jones himself made his debut during the Triennial Salon in Antwerp in 1837 with a вЂњLandscape with leasehold and cattleвЂќ. Roberts-Jones was a very regular participant in the Triennial Salons in Brussels, Ghent and Antwerp. His entries were without exception expressions of his romantic view of the animal world: shepherdesses with sheep, goats and cows, meadow landscapes with cattle, a dog with young, scenes with sheep and donkeys, etc. His entry to the Antwerp Salon in 1858 was a scene with sheep and dogs near Dunkeld in Pertshire. This work was an echo of his travels throughout Great Britain.In addition, Roberts-Jones was also very popular for his barn interiors with cows (Triennial Salons of 1842, 1843 and 1844). A lithographic reproduction of a stable scene by Roberts-Jones was included in the art magazine La Renaissance from 1841-1842.Roberts-Jones regularly collaborated with the landscape painter Kuytenbrouwer. The painting "Cattle on the Meadow", which was on display in the Salon of 1852, was such a joint work: Kuytenbrouwer executed the landscape and Roberts-Jones then upholstered it with cattle. In 1845 he won silver at the Brussels Salon. There was also a collaboration with Louis Gallait. Roberts-Jones never received greater honors.Daniel-Adolphe Roberts-Jones was also very popular in his time as a portraitist of horses. In 1866 he portrayed Nano, the beloved horse of Queen Maria-Hendrika.Roberts-Jones was a member of the Association Nationale pour favoriser les Arts en Belgique.
Broward Auction Gallery LLC
Nov. 04, 2020
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a landscape, oil on mahogany panel, signed A.R. Jones, 11"
Est: £300 - £500
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a landscape, oil on mahogany panel, signed A.R. Jones, 11" x 14.5".
John Nicholson's Fine Art Auctioneers & Valuers
Oct. 21, 2020
Daniel Adolphe Robert Jones (1806-1874) - paneel, 48 x 63, Landschap met schaapskudde, honden en
Est: €600 - €800
Daniel Adolphe Robert Jones (1806-1874) paneel, 48 x 63, Landschap met schaapskudde, honden en paard, gesigneerd l.o. ONLINE ONLY Paintings and decorative arts (closing Wednesday oktober 21 from 19.00)
Veilinghuis Van Spengen
Sep. 29, 2020
Adolphe Robert JONES Bruxelles, 1806 - Schaerbeek, 1874 Cavalier King Charles assis Huile sur panneau, une planche,
Est: €2,000 - €3,000
Adolphe Robert JONES Bruxelles, 1806 - Schaerbeek, 1874 Cavalier King Charles assis Huile sur panneau, une planche, signé 'AR Jones' en bas à gauche (Petite fente dans le bas et petits manques) h: 11,50 w: 14 cm Estimation 2 000 - 3 000 €
Artcurial
Aug. 21, 2020
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a Landscape, Oil on Mahogany Panel, Signed A.R. Jones, 11"
Est: £300 - £500
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a Landscape, Oil on Mahogany Panel, Signed A.R. Jones, 11" x 14.5".
John Nicholson's Fine Art Auctioneers & Valuers
Jul. 17, 2020
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a Landscape, Oil on Mahogany Panel, Signed AR Jones, 11" x
Est: £300 - £500
Adolphe Robert Jones (1806-1874) Belgium. Sheep in a Landscape, Oil on Mahogany Panel, Signed AR Jones, 11" x 14.5".
John Nicholson's Fine Art Auctioneers & Valuers
Jun. 16, 2020
Adolphe Robert JONES Bruxelles, 1806 - Schaerbeek, 1874 Cavalier King Charles assis Huile sur panneau, une planche
Est: €6,000 - €8,000
Adolphe Robert JONES Bruxelles, 1806 - Schaerbeek, 1874 Cavalier King Charles assis Huile sur panneau, une planche Signé 'AR Jones' en bas à gauche (Petite fente dans le bas et petits manques) Seated Cavalier King Charles Spaniel, oil on panel, signed, by A. R. Jones h: 11,50 w: 14 cm Estimation 6 000 - 8 000 €
Artcurial
May. 29, 2018
Huile sur panneau de chêne "Le berger et ses moutons". Signé en bas à droite A. R. Jones. Ecole belge. Dim.:22,3x36cm.
Est: €400 - €600
Huile sur panneau de chêne "Le berger et ses moutons". Signé en bas à droite A. R. Jones. Ecole belge. Dim.:22,3x36cm.
Vanderkindere
Aug. 25, 2015
ADOLPHE ROBERT DANIEL JONES (Belgian, 1806-1874) SHEEP AND HORSE IN HIGHLAND LANDSCAPE.
Est: $1,500 - $2,500
Oil on canvas. Housed in a gesso decorated gilt antique frame. Signed lower right "AR Jones" SIZE: 13" h x 18" w. Overall 23-1/2" h x 28-1/2" w. CONDITION: Craquelure, two patches on verso with corresponding inpainting, otherwise very good. 49400-7
James D. Julia
Jun. 29, 2015
Adolphe Robert Jones (Belgian 1806-1874)
Est: £2,000 - £2,500
Adolphe Robert Jones (Belgian, 1806-1874) Mountain scene with sleeping dog and sheep beside a pile of shepherds clothes and crook Oil on board Signed to lower right hand corner 23" x 16" (58.5cm x 40.5cm) In swept gilt frame
Fellows
Jan. 17, 2011
Daniel Adolphe Robert Jones (1806-1874) École b
Est: €450 - €600
Daniel Adolphe Robert Jones (1806-1874) École b Huile sur toile: Troupeau sur fond de paysage. Par Daniel Adolphe Robert Jones. Dimensions : 43 x 62
Horta
Jan. 17, 2011
Daniel Adolphe Robert Jones (1806-1874) École b
Est: €600 - €800
Daniel Adolphe Robert Jones (1806-1874) École b Huiles sur panneau (lot de deux): "Trois moutons au rocher" et "Deux moutons sur fond de paysage". Signées: A.R. Jones. (panneau fendu et importantes restaurations pour une). Dimensions : 20 x 25 et 41 x 34
Horta
Jan. 17, 2011
Daniel Adolphe Robert Jones (1806-1874) École b
Est: €1,800 - €2,200
Daniel Adolphe Robert Jones (1806-1874) École b Huiles sur toile (lot de deux): Bergers sur fond de paysage vallonné. Signées et datées: A.R. Jones 1830 et 1833. Dimensions : 50 x 60
Horta
Jan. 17, 2011
Daniel Adolphe Robert Jones (1806-1874) École b
Est: €2,000 - €3,000
Daniel Adolphe Robert Jones (1806-1874) École b Huile sur panneau: Famille de chiens bergers. Signée: A.R. Jones. Dimensions : 64 x 80
Horta
Jan. 08, 2011
Daniel Adolphe Robert Jones (Belgian, 1806-1874) Highlands Landscape with Sheep and Pony Before a Loch Monogram signed "AR Jones." l...
Est: $1,500 - $2,000
Daniel Adolphe Robert Jones (Belgian, 1806-1874) Highlands Landscape with Sheep and Pony Before a Loch Monogram signed "AR Jones." l.r. Oil on canvas, 13 x 17 7/8 in. (33.0 x 45.4 cm), framed. Condition: Very minor retouch, subtle varnish inconsistencies, minor surface grime.
Skinner
Oct. 29, 2010
Daniel-Adolphe-Robert Jones (Belgian, 1806-1874) Guarding the sheep 16 3/4 x 23 1/4in (42.5 x 59cm)
Est: $3,000 - $5,000
Guarding the sheep signed 'A R Jones' with initials conjoined (lower left) oil on panel 16 3/4 x 23 1/4in (42.5 x 59cm)
Bonhams
Sep. 24, 2010
Daniel Adolphe Robert Jones (Belgian, 1806-1874) Highlands Landscape with Sheep and Pony Before a Loch Monogram signed "AR Jones." l...
Est: $3,000 - $5,000
Daniel Adolphe Robert Jones (Belgian, 1806-1874) Highlands Landscape with Sheep and Pony Before a Loch Monogram signed "AR Jones." l.r. Oil on canvas, 13 x 17 7/8 in. (33.0 x 45.4 cm), framed. Condition: Very minor retouch, subtle varnish inconsistencies, minor surface grime.
Skinner
Nov. 18, 2008
Daniel Adolphe Robert Jones (Belgian, 1806-1874)
Est: €1,200 - €1,600
Daniel Adolphe Robert Jones (Belgian, 1806-1874) A friendly encounter signed 'AR. Jones.' (lower left) oil on canvas, unframed 21.5 x 26.5 cm.
Christie's