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Nikolai Karakhan Sold at Auction Prices

b. 1900 - d. 1970

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    • NIKOLAI KARAKHAN (1900-1970) Sunset love declaration
      Oct. 28, 2024

      NIKOLAI KARAKHAN (1900-1970) Sunset love declaration

      Est: €3,500 - €4,500

      oil on board 33 x 47.5 cm painted circa 1936 Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 71Curated by R. De Grada, L’arte dell’URSS, vol II, Mondadori ed., 2000, illustrated p. 5

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) Rural landscape
      Oct. 28, 2024

      NIKOLAI KARAKHAN (1900-1970) Rural landscape

      Est: €6,000 - €7,000

      signed (on the reverse) oil on canvas 54 x 47 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 47

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) Still life with melon, apples and pomegranate
      Oct. 28, 2024

      NIKOLAI KARAKHAN (1900-1970) Still life with melon, apples and pomegranate

      Est: €2,000 - €3,000

      signed (on the reverse) oil on panel 27 x 15.5 cm

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) Mosque
      Jun. 25, 2024

      NIKOLAI KARAKHAN (1900-1970) Mosque

      Est: €4,000 - €5,000

      signed (on the reverse) oil on canvas 53 x 42 cm Literature: Nikolay Karakhan, Works from 1920 to 1969, curated by E. Serri, 2014. Illustrated p. 57

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) Crescent moon | NIKOLAI KARAKHAN (1900-1970) Croissant de lune
      Mar. 25, 2024

      NIKOLAI KARAKHAN (1900-1970) Crescent moon | NIKOLAI KARAKHAN (1900-1970) Croissant de lune

      Est: €4,500 - €5,000

      signed (on reverse) oil on canvas 54 x 47 cm Literature: Nikolay Karakhan, Works from 1920 to 1969, curated by E. Serri, 2014. Illustrated p. 90 | signé (au verso) huile sur toile 54 x 47 cm Littérature : Nikolay Karakhan, Works from 1920 to 1969, Sous la direction de E. Serri, 2014, ill. p. 90

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) Mosque | NIKOLAI KARAKHAN (1900-1970) Mosquée
      Mar. 25, 2024

      NIKOLAI KARAKHAN (1900-1970) Mosque | NIKOLAI KARAKHAN (1900-1970) Mosquée

      Est: €4,500 - €5,000

      signed (on the reverse) oil on canvas 53 x 42 cm Literature: Nikolay Karakhan, Works from 1920 to 1969, curated by E. Serri, 2014. Illustrated p. 57 | signé (au verso) huile sur toile 53 x 42 cm Littérature : Nikolay Karakhan, Works from 1920 to 1969, Sous la direction de E. Serri, 2014, ill. p. 57

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Sunset love declaration
      Oct. 29, 2022

      NIKOLAI KARAKHAN (1900-1970) - Sunset love declaration

      Est: €3,500 - €4,500

      NIKOLAI KARAKHAN (1900-1970) Sunset love declaration oil on board 33 x 47.5 cm Painted circa 1936 Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 71 Curated by R. De Grada, L’arte dell’URSS, vol II, Mondadori ed., 2000, illustrated p. 59

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - The serenade
      Oct. 29, 2022

      NIKOLAI KARAKHAN (1900-1970) - The serenade

      Est: €2,000 - €3,000

      NIKOLAI KARAKHAN (1900-1970) The serenade oil on board 26.7 x 20.8 cm Painted circa 1923 Literature: Curated by R. De Grada, L’arte dell’URSS, vol II, Mondadori ed., 2000, illustrated p. 44

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - In the foundry
      Oct. 29, 2022

      NIKOLAI KARAKHAN (1900-1970) - In the foundry

      Est: €2,500 - €3,000

      NIKOLAI KARAKHAN (1900-1970) In the foundry oil on board 34.5 x 46.5 cm Painted circa 1948 Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 141

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Oriental scene
      Oct. 29, 2022

      NIKOLAI KARAKHAN (1900-1970) - Oriental scene

      Est: €3,500 - €4,000

      NIKOLAI KARAKHAN (1900-1970) Oriental scene oil on canvas 43 x 56.5 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 54

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Still life with melon, apples and pomegranate
      Oct. 29, 2022

      NIKOLAI KARAKHAN (1900-1970) - Still life with melon, apples and pomegranate

      Est: €2,000 - €3,000

      NIKOLAI KARAKHAN (1900-1970) Still life with melon, apples and pomegranate signed on the reverse oil on panel 27 x 15.5 cm

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Rural landscape
      Jun. 26, 2022

      NIKOLAI KARAKHAN (1900-1970) - Rural landscape

      Est: €6,000 - €7,000

      NIKOLAI KARAKHAN (1900-1970) Rural landscape signed on reverse oil on canvas 54 x 47 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 47 Nikolai Georgievich Karakhan, painter, graphic artist was born in 1900 in Azerbaijan and died in 1970 in Uzbekistan. His career is typical of the Uzbek avant-garde, from the conventionally decorative paintings of the 1920s to the post-war landscapes and the praise of heroic work of the 1930s. He lived in Tashkent, worked as a landscape painter, portraitist, painted on the themes of life, work, industrialization in Uzbekistan. When Uzbekistan began the "struggle for the creation of thematic painting" embodying modern life, Karakhan, as a member of the Volkov Izobrigada group, the Tashkent branch of the Association of Revolutionary Artists, became actively involved in the task of developing this theme. For his efforts he was awarded the title of People's Artist of the Uzbek SSR. The works of N.G. Karakhan are in many museum collections, the State Tretyakov Gallery, State Museum of Arts of Uzbekistan in Tashkent, one of the most important collections of works has Karahan State Museum of Arts. Savitskiy in Nukus (862 paintings and graphics).

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Crescent moon
      Jun. 26, 2022

      NIKOLAI KARAKHAN (1900-1970) - Crescent moon

      Est: €3,500 - €4,000

      NIKOLAI KARAKHAN (1900-1970) Crescent moon signed on reverse oil on canvas 54 x 47 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 47 Nikolai Georgievich Karakhan, painter, graphic artist was born in 1900 in Azerbaijan and died in 1970 in Uzbekistan. His career is typical of the Uzbek avant-garde, from the conventionally decorative paintings of the 1920s to the post-war landscapes and the praise of heroic work of the 1930s. He lived in Tashkent, worked as a landscape painter, portraitist, painted on the themes of life, work, industrialization in Uzbekistan. When Uzbekistan began the "struggle for the creation of thematic painting" embodying modern life, Karakhan, as a member of the Volkov Izobrigada group, the Tashkent branch of the Association of Revolutionary Artists, became actively involved in the task of developing this theme. For his efforts he was awarded the title of People's Artist of the Uzbek SSR. The works of N.G. Karakhan are in many museum collections, the State Tretyakov Gallery, State Museum of Arts of Uzbekistan in Tashkent, one of the most important collections of works has Karahan State Museum of Arts. Savitskiy in Nukus (862 paintings and graphics).

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Mosque
      Jun. 26, 2022

      NIKOLAI KARAKHAN (1900-1970) - Mosque

      Est: €4,000 - €5,000

      NIKOLAI KARAKHAN (1900-1970) Mosque signed on the reverse oil on canvas 53 x 42 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 57 Nikolai Georgievich Karakhan, painter, graphic artist was born in 1900 in Azerbaijan and died in 1970 in Uzbekistan. His career is typical of the Uzbek avant-garde, from the conventionally decorative paintings of the 1920s to the post-war landscapes and the praise of heroic work of the 1930s. He lived in Tashkent, worked as a landscape painter, portraitist, painted on the themes of life, work, industrialization in Uzbekistan. When Uzbekistan began the "struggle for the creation of thematic painting" embodying modern life, Karakhan, as a member of the Volkov Izobrigada group, the Tashkent branch of the Association of Revolutionary Artists, became actively involved in the task of developing this theme. For his efforts he was awarded the title of People's Artist of the Uzbek SSR. The works of N.G. Karakhan are in many museum collections, the State Tretyakov Gallery, State Museum of Arts of Uzbekistan in Tashkent, one of the most important collections of works has Karahan State Museum of Arts. Savitskiy in Nukus (862 paintings and graphics).

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Oriental scene
      Jun. 26, 2022

      NIKOLAI KARAKHAN (1900-1970) - Oriental scene

      Est: €5,000 - €6,000

      NIKOLAI KARAKHAN (1900-1970) Oriental scene oil on canvas 43 x 56.5 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 54 Nikolai Georgievich Karakhan, painter, graphic artist was born in 1900 in Azerbaijan and died in 1970 in Uzbekistan. His career is typical of the Uzbek avant-garde, from the conventionally decorative paintings of the 1920s to the post-war landscapes and the praise of heroic work of the 1930s. He lived in Tashkent, worked as a landscape painter, portraitist, painted on the themes of life, work, industrialization in Uzbekistan. When Uzbekistan began the "struggle for the creation of thematic painting" embodying modern life, Karakhan, as a member of the Volkov Izobrigada group, the Tashkent branch of the Association of Revolutionary Artists, became actively involved in the task of developing this theme. For his efforts he was awarded the title of People's Artist of the Uzbek SSR. The works of N.G. Karakhan are in many museum collections, the State Tretyakov Gallery, State Museum of Arts of Uzbekistan in Tashkent, one of the most important collections of works has Karahan State Museum of Arts. Savitskiy in Nukus (862 paintings and graphics).

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970) - Still life with melon, apples and pomegranate
      Jun. 26, 2022

      NIKOLAI KARAKHAN (1900-1970) - Still life with melon, apples and pomegranate

      Est: €3,000 - €4,000

      NIKOLAI KARAKHAN (1900-1970) Still life with melon, apples and pomegranate signed on the reverse oil on panel 27 x 15.5 cm Nikolai Georgievich Karakhan, painter, graphic artist was born in 1900 in Azerbaijan and died in 1970 in Uzbekistan. His career is typical of the Uzbek avant-garde, from the conventionally decorative paintings of the 1920s to the post-war landscapes and the praise of heroic work of the 1930s. He lived in Tashkent, worked as a landscape painter, portraitist, painted on the themes of life, work, industrialization in Uzbekistan. When Uzbekistan began the "struggle for the creation of thematic painting" embodying modern life, Karakhan, as a member of the Volkov Izobrigada group, the Tashkent branch of the Association of Revolutionary Artists, became actively involved in the task of developing this theme. For his efforts he was awarded the title of People's Artist of the Uzbek SSR. The works of N.G. Karakhan are in many museum collections, the State Tretyakov Gallery, State Museum of Arts of Uzbekistan in Tashkent, one of the most important collections of works has Karahan State Museum of Arts. Savitskiy in Nukus (862 paintings and graphics).

      Hermitage Fine Art
    • NIKOLAI KARAKHAN (1900-1970). "LANDSCAPE".
      Dec. 19, 2019

      NIKOLAI KARAKHAN (1900-1970). "LANDSCAPE".

      Est: €7,000 - €9,100

      Oil on canvas on card. Attached is the certificate issued by T.S. Zelukina, expert and collaborator at the Tretiakov Gallery. This work is currently in the home of the owner. 49 x 70 cm. KARAKHAN began his artistic training at the Regional School of Art in Tashkent, under the supervision of A.V. Isupov and S.P. Yudin, where he would subsequently give classes. He formed part of the Association of Revolutionary Artists. His work can currently be seen in museums such as the Tretiakov Gallery in Moscow.

      Subarna Subastas
    • KARAKHAN, NIKOLAI (1900-1970) - City of Chirchiq
      Jun. 06, 2018

      KARAKHAN, NIKOLAI (1900-1970) - City of Chirchiq

      Est: £20,000 - £30,000

      KARAKHAN, NIKOLAI City of Chirchiq signed and dated 1968, also further signed, inscribed in Cyrillic "g. Chirchik" and dated on the reverse. Oil on canvas, 78.5 by 138 cm. Provenance: Private collection, Uzbekistan.

      MacDougall's
    • KARAKHAN, NIKOLAI (1900-1970) Uzbek Women Walking in the Street
      Jun. 04, 2014

      KARAKHAN, NIKOLAI (1900-1970) Uzbek Women Walking in the Street

      Est: £3,000 - £5,000

      KARAKHAN, NIKOLAI (1900-1970) Uzbek Women Walking in the Street , signed on the reverse. Tempera on cardboard, 21.5 by 27.5 cm. Provenance: Collection of Alexander and Alexandra Zavolokine, France. Literature: Exhibition catalogue, Pamyati Aleksandra Zavolokina, Moscow, Galereya Nashi khudozhniki, 2010, p. 38, the present lot can be seen on the wall of Zavolokines' apartment.

      MacDougall's
    • KARAKHAN, NIKOLAI (1900-1970) Cotton Picking.
      Jun. 04, 2014

      KARAKHAN, NIKOLAI (1900-1970) Cotton Picking.

      Est: £12,000 - £15,000

      KARAKHAN, NIKOLAI (1900-1970) Cotton Picking. Tempera on cardboard, 34 by 47.5 cm. Provenance: Collection of Alexander and Alexandra Zavolokine, France. Exhibited: Pamyati Aleksandra Zavolokina, Galereya Nashi khudozhniki, Moscow, 30 May-20 July 2010. Literature: Exhibition catalogue, Pamyati Aleksandra Zavolokina, Moscow, Galereya Nashi khudozhniki, 2010, p. 119, illustrated; p. 214, listed.

      MacDougall's
    • KARAKHAN, NIKOLAI (1900-1970) - Constructing Lake Komsomol
      Nov. 25, 2012

      KARAKHAN, NIKOLAI (1900-1970) - Constructing Lake Komsomol

      Est: £100,000 - £150,000

      KARAKHAN, NIKOLAI (1900-1970) Constructing Lake Komsomol Oil on canvas, 150 by 200 cm. The path taken by Nikolai Karakhan, Aleksandr Volkov's talented pupil, was a typical one for the Uzbek avant garde - from conventionally decorative canvasses in the 1920s, to singing the praises of heroic labour in the 1930s and, in the end, post-war landscapes. When Uzbekistan began the "struggle to create thematic painting" embodying modern life, Karakhan, as a member of Volkov's Izobrigada group, actively involved himself in the task of developing this theme. He would enthusiastically sketch designs for frescoes and monumental panels to reflect the scope of Soviet construction: Building, Foundry (both 1933), Walking to Work (1934), Lunch Break (1935) etc. Among the artist's most important monumental works is the two-metre canvas entitled Constructing Lake Komsomol , painted in the late 1930s or early 1940s. The townsfolk of Tashkent and young Komsomol members were brought in as unpaid labour in their free time to lay out the city's park and artificial lake, and this could not escape the attention of the Izobrigada . Karakhan set off for the left bank of the Ankhor canal where they were building the Stalin Park of Culture and Recreation. There he observed everything, painting from life, sketching landscapes and portraits of the building workers - Komsomol, housewives, and prisoners. But most of the work on his monumental canvas took place in the studio, where the artist strove for a generalised image of everyday life, lived in joyful elation. It was in the studio that his sketches, gouaches and watercolours drawn from nature were transformed into this powerful, optimistic paean to youthful "Komsomol construction". Karakhan uses the breadth and space of the landscape to reveal the scale of the work going on and the confrontation between elemental nature and human will. To reinforce its monumentalism, the artist focuses attention on the bold figures in the foreground, exaggeratedly massive and finely painted in transparent colour. The middle ground is filled by a single swathe of labour in a human mass. The distance is brightly lit and despite the diversity of the landscape - a looming mountain, smooth shoreline, trees and shrubs - it is a mere backdrop to this collective portrait of builders. Despite all the conventionality in his portrayal of historical realities, Karakhan managed in Constructing Lake Komsomol , to embody the main point, the ideal of his time - youth, the International, the free working woman labouring with a man as his equal, and Uzbek land transformed by selfless labour.

      MacDougall's
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