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Gustav Kaupert Sold at Auction Prices

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      • G. KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, Pencil
        Aug. 17, 2024

        G. KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, Pencil

        Est: €300 - €400

        Gustav Kaupert (1819 Kassel - 1897 ibid.): Barbarossa in the Kyffhäuser, relief design, 19th century, Pencil Technique: Pencil on Paper Inscription: Verso inscribed by another person: "Kaupert". Date: 19th century Description: Scene with the awakened Barbarossa at the marble table. Person: Depicted: Barbarossa; Emperor Friedrich 1., HRR Staufer (around 1122 - 1190 Seleucia) From the noble family of the Staufers, Frederick III was Duke of Swabia from 1147 to 1152. Duke of Swabia, Roman-German King from 1152 to 1190 and Emperor of the Roman-German Empire from 1155 to 1190. Barbarossa's election was the result of a reconciliation of interests between several princes. Probably the most important role was played by his cousin Henry the Lion, who as a result of the agreements was able to establish a royal position in northern Germany. However, his many years of promotion by the king disregarded the balance of highly aristocratic family groups and ultimately made Henry a disruptive factor for the other imperial princes. Barbarossa's reign was also marked by the double conflict with the Lombard League of Cities and the papacy. In a society in which honour determined social rank, violations of honour and the resulting compulsion to take revenge led to conflicts that lasted for decades. Barbarossa tried to play a mediating role in the disputes between the Upper Italian cities. However, he failed, attracted accusations of partisanship and was unable to exercise the traditional ruler's duties of peacekeeping and law-keeping. However, the refusal of some cities to submit to the imperial court had to be atoned for in view of the concept of the "honour of the empire" (honor imperii), also to confirm the imperial claim to rule. After Tortona and Milan had been destroyed, Barbarossa intended to fundamentally reorganise the kingship in the Regnum Italicum. Old sovereign rights of the empire were reclaimed or redefined and fixed in writing. All judicial sovereignty and official authority was to emanate from the empire. However, the appointment of imperial administrators and the extensive financial use of the regalia granted to the emperor met with resistance from the cities. They had long since exercised their regal and jurisdictional rights under customary law. Unlike in Salian times, the conflict with the Pope and the excommunication of the Emperor did not lead to the emergence of a major opposition movement in the northern part of the Empire. It was only after the defeat of the imperial army at the Battle of Legnano in 1176 that the decades-long schism was ended in the Peace of Venice and the conflict with the communes in the Peace of Constance in 1183. Henry the Lion had refused to assist the Emperor in the battle against the Lombard cities in 1176; at the instigation of the princes he was overthrown and forced into exile. Even before his kingship, Barbarossa had taken part in the crusade of his royal uncle Conrad III from 1147 to 1149. In his last years he prepared another crusade after the defeat of the King of Jerusalem, Guido of Lusignan, by Saladin in 1187. The emperor set out on 11 May 1189, but he drowned thirteen months later shortly before reaching his destination. The epithet "Barbarossa" ("Red Beard") did not become a permanent part of the name until the 13th century. Within the framework of the German national movement of the 19th century, Frederick Barbarossa developed into a national myth. The legend of the emperor sleeping in Kyffhäuser, waiting for better times, was associated with the hope of national unity. Keywords: Design, drawing, pencil, king, crown, bird, torch, woman, dwarf, altar, table, sword, beard, man, robe, 19th century, Romanticism, Mythology, Germany, Size: Paper: 23,4 cm x 23,9 cm (9,2 x 9,4 in)

        Fichter Kunsthandel
      • G. KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, Pencil
        Dec. 30, 2023

        G. KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, Pencil

        Est: €300 - €400

        Gustav Kaupert (1819 Kassel - 1897 ibid.): Barbarossa in the Kyffhäuser, relief design, 19th century, Pencil Technique: Pencil on Paper Inscription: Verso inscribed by another person: "Kaupert". Date: 19th century Description: Scene with the awakened Barbarossa at the marble table. Person: Depicted: Barbarossa; Emperor Friedrich 1., HRR Staufer (around 1122 - 1190 Seleucia) From the noble family of the Staufers, Frederick III was Duke of Swabia from 1147 to 1152. Duke of Swabia, Roman-German King from 1152 to 1190 and Emperor of the Roman-German Empire from 1155 to 1190. Barbarossa's election was the result of a reconciliation of interests between several princes. Probably the most important role was played by his cousin Henry the Lion, who as a result of the agreements was able to establish a royal position in northern Germany. However, his many years of promotion by the king disregarded the balance of highly aristocratic family groups and ultimately made Henry a disruptive factor for the other imperial princes. Barbarossa's reign was also marked by the double conflict with the Lombard League of Cities and the papacy. In a society in which honour determined social rank, violations of honour and the resulting compulsion to take revenge led to conflicts that lasted for decades. Barbarossa tried to play a mediating role in the disputes between the Upper Italian cities. However, he failed, attracted accusations of partisanship and was unable to exercise the traditional ruler's duties of peacekeeping and law-keeping. However, the refusal of some cities to submit to the imperial court had to be atoned for in view of the concept of the "honour of the empire" (honor imperii), also to confirm the imperial claim to rule. After Tortona and Milan had been destroyed, Barbarossa intended to fundamentally reorganise the kingship in the Regnum Italicum. Old sovereign rights of the empire were reclaimed or redefined and fixed in writing. All judicial sovereignty and official authority was to emanate from the empire. However, the appointment of imperial administrators and the extensive financial use of the regalia granted to the emperor met with resistance from the cities. They had long since exercised their regal and jurisdictional rights under customary law. Unlike in Salian times, the conflict with the Pope and the excommunication of the Emperor did not lead to the emergence of a major opposition movement in the northern part of the Empire. It was only after the defeat of the imperial army at the Battle of Legnano in 1176 that the decades-long schism was ended in the Peace of Venice and the conflict with the communes in the Peace of Constance in 1183. Henry the Lion had refused to assist the Emperor in the battle against the Lombard cities in 1176; at the instigation of the princes he was overthrown and forced into exile. Even before his kingship, Barbarossa had taken part in the crusade of his royal uncle Conrad III from 1147 to 1149. In his last years he prepared another crusade after the defeat of the King of Jerusalem, Guido of Lusignan, by Saladin in 1187. The emperor set out on 11 May 1189, but he drowned thirteen months later shortly before reaching his destination. The epithet "Barbarossa" ("Red Beard") did not become a permanent part of the name until the 13th century. Within the framework of the German national movement of the 19th century, Frederick Barbarossa developed into a national myth. The legend of the emperor sleeping in Kyffhäuser, waiting for better times, was associated with the hope of national unity. Keywords: Design, drawing, pencil, king, crown, bird, torch, woman, dwarf, altar, table, sword, beard, man, robe, 19th century, Romanticism, Mythology, Germany,

        Fichter Kunsthandel
      • G.KAUPERT (1819-1897), Buffalo herders in the Campagna di Roma, relief design, Pencil
        Mar. 19, 2022

        G.KAUPERT (1819-1897), Buffalo herders in the Campagna di Roma, relief design, Pencil

        Est: €450 - €600

        Gustav Kaupert (1819 Kassel - 1897 ibid.): Buffalo herders in the Campagna di Roma, relief design, 19th century, Pencil Technique: Pencil on Paper Inscription: Inscribed in the centre below the image: "Campagna di Roma", on the verso inscribed by another hand: "G. Kaupert" and numbered Date: 19th century Keywords: Drawing, Relief, Buffalo, Shepherd, Campagna, Frieze, Horse, Hats, Lance, 19th century, Romanticism, Professions, Italy, Rome (Latium), Size: 9,7 cm x 23,4 cm (3,8 x 9,2 in) Condition: Good condition. Somewhat rubbed and faintly browned, two small fissures, one in the centre above the image's centre and one at the upper left margin, smoothed vertical crease at the left margin. Verso remains of old mounting.

        Fichter Kunsthandel
      • G.KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, relief design, Pencil
        Mar. 19, 2022

        G.KAUPERT (1819-1897), Barbarossa in the Kyffhäuser, relief design, Pencil

        Est: €300 - €400

        Gustav Kaupert (1819 Kassel - 1897 ibid.): Barbarossa in the Kyffhäuser, relief design, 19th century, Pencil Technique: Pencil on Paper Inscription: inscribed on verso: "Kaupert." Date: 19th century Description: Scene with the awakened Barbarossa at the marble table. Keywords: Design, drawing, pencil, king, crown, bird, torch, woman, dwarf, altar, table, sword, beard, man, robe, 19th century, Romanticism, Mythology, Germany, Size: 23,4 cm x 23,9 cm (9,2 x 9,4 in) Condition: Good condition. A little bit rubbed and soiled, some brownish spots in the left half of the image, slightly browned, somewhat irregularly trimmed.

        Fichter Kunsthandel
      • Skizzenbuch, ca. 40 Seiten
        Feb. 24, 2021

        Skizzenbuch, ca. 40 Seiten

        Est: €500 - €800

        Kaupert, Gustav Kassel 1819 - 1897 Sketchbook, ca. 40 pages. Figures, animals and skeletons. Pencil on paper. 16 x 11,5cm. Paper binding. Provenance: Private ownership, Germany. Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance Special Conditions Art & Interior ART & INTERIOR Explanations to the Catalogue Gustav Kaupert Germany 19th C. Watercolour / Drawings Sketch Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance

        Van Ham Kunstauktionen
      • Skizzenenbuch, zwei Hefte, je ca. 17 Seiten
        Feb. 24, 2021

        Skizzenenbuch, zwei Hefte, je ca. 17 Seiten

        Est: €500 - €800

        Kaupert, Gustav Kassel 1819 - 1897 Sketchbook, two booklets, each ca. 17 pages. Architectural elements, sculptures and landscapes. Pencil, partly watercoloured on paper. 15,5 x 18,5cm. Without binding. Provenance: Private ownership, Germany. Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance Special Conditions Art & Interior ART & INTERIOR Explanations to the Catalogue Gustav Kaupert Germany 19th C. Watercolour / Drawings Sketch Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance

        Van Ham Kunstauktionen
      • Skizzenbuch, ca. 50 Seiten
        Feb. 24, 2021

        Skizzenbuch, ca. 50 Seiten

        Est: €500 - €800

        Kaupert, Gustav Kassel 1819 - 1897 Sketchbook, ca. 50 pages. Architecture, Italian landscapes and copies of paintings from Italian museums, e.g. the Uffizi. Pencil, partly watercoloured on paper. 16,5 x 11cm. Fabric binding. Provenance: Private ownership, Germany. Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance Special Conditions Art & Interior ART & INTERIOR Explanations to the Catalogue Gustav Kaupert Germany 19th C. Watercolour / Drawings Sketch Estimated Shippingcost for this lot: Germany: 22,00 Euro plus 3,51 Euro VAT EU: 35,00 Euro plus 5,59 Euro VAT Worldwide: 60,00 Euro plus 9,58 Euro VAT additional shipping insurance

        Van Ham Kunstauktionen
      • Sketchbook, two booklets, each ca. 17 pages
        May. 28, 2020

        Sketchbook, two booklets, each ca. 17 pages

        Est: €1,000 - €1,200

        KAUPERT, GUSTAV Kassel 1819 - 1897 Title: Sketchbook, two booklets, each ca. 17 pages. Architectural elements, sculptures and landscapes. Technique: Pencil, partly watercoloured on paper. Measurement: 15,5 x 18,5cm. Frame/Pedestal: Without binding. Provenance: Private ownership, Germany.

        Van Ham Kunstauktionen
      • Sketchbook, ca. 50 pages
        May. 28, 2020

        Sketchbook, ca. 50 pages

        Est: €1,000 - €1,200

        KAUPERT, GUSTAV Kassel 1819 - 1897 Title: Sketchbook, ca. 50 pages. Architecture, Italian landscapes and copies of paintings from Italian museums, e.g. the Uffizi. Technique: Pencil, partly watercoloured on paper. Measurement: 16,5 x 11cm. Frame/Pedestal: Fabric binding. Provenance: Private ownership, Germany.

        Van Ham Kunstauktionen
      • Sketchbook, ca. 40 pages
        May. 28, 2020

        Sketchbook, ca. 40 pages

        Est: €1,000 - €1,200

        KAUPERT, GUSTAV Kassel 1819 - 1897 Title: Sketchbook, ca. 40 pages. Figures, animals and skeletons. Technique: Pencil on paper. Measurement: 16 x 11,5cm. Frame/Pedestal: Paper binding. Provenance: Private ownership, Germany.

        Van Ham Kunstauktionen
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