Bernhard Keil Paintings & Artwork for Sale | Bernhard Keil Art Value Price Guide

Dec. 10, 2024
KEIL BERNHARD (1624 - 1687) - Allegorical scene (Allegory of Touch?)
Est: €7,000 - €9,000
KEIL BERNHARD (1624 - 1687). Allegorical scene (Allegory of Touch?). Comparative literature: M. Heimburger, Bernard Keilhau, detto Monsù Bernardo, Ugo Bozzi Editore, Roma 1989.. 60,50 x 73 cm.
Capitolium Art
Oct. 31, 2024
ATTRIBUTED TO BERNHARD KEIL, KNOWN AS ‘MONSÙ BERNARDO’ (ELSINORE, 1624 - ROME, 1687)
Est: €5,000 - €8,000
Attributed to Bernhard Keil, known as ‘Monsù Bernardo’ (Elsinore, 1624 - Rome, 1687) ‘Intimate scene’ Oil on canvas. 97 x 73 cm. On the back of the stretcher there is an old handwritten note ‘Nº124’, which is probably a collection number, as well as a red wax seal. On the front, there are two other red seals, one with the initial ‘M’ engraved into it and another which has fragmented and is illegible, possibly both bore the initials of a former collection. There are other versions of this same scene, which have appeared on the art market in other years. These characters are also depicted in an indoor scene in which the woman washes the man's hands, a painting which is now kept in the Copenhagen Museum of Art.
La Suite Subastas
Oct. 29, 2024
Bernhard Keilhau, detto Monsù Bernardo (Helsingor 1624-Roma 1687) - Farmer with wicker basket and Shepherd with stick
Est: €4,000 - €6,000
a pair, oil on round panel diameter 36 cm each Another version of the painting depicting a Peasant with a wicker basket has been sold on the Italian antiques market before 1993 and then at auction in 1994 (Sotheby's, Monaco, 19 June 1994, no. 678/b). From a comparison with the black and white image (Zeri Photo Archive, no. 48467), our version seems to present a superior quality, as well as a better condition.
Finarte
Oct. 24, 2024
Vendemmiatore (Allegoria dell'Autunno)
Est: €2,000 - €3,000
Bernhard Keilhau Monsù Bernardo (attribuito a) (Helsingør 1624-Roma 1687) Harvester (Allegory of Autumn) Oil on canvas cm. 65x50. Framed Another version of this composition was sold by Eurantico Auction House in the sale of 22-25 October 2015 (lot. 1203).
Bertolami Fine Art s.r.l.
Sep. 26, 2024
BERNHARD KEIL, GENANNT „MONSÙ BERNARDO“, 1624 HELSING – 1687 ROM, ZUGESCHRIEBEN
Est: €8,000 - €10,000
JÜNGLING MIT EINER GHIRONDA (DREHLEIER) Öl auf Leinwand. Doubliert. 104 x 96 cm. In dekorativem, goldfarbenen Rahmen. Vor dunklem Hintergrund das Halbbildnis eines Jungen nach links in einfacher Kleidung mit Strohhut. Er hält unter seinem linken Arm eine Drehleier und blickt mit seinen dunklen Augen nachdenklich aus dem Bild heraus. Malerei in der Manier des Künstlers. Provenienz: Auktionshaus Koller, Zürich, 28. September 2018, Lot 3076. (1410441) (18) Bernhard Keil, also known as “Monsù Bernardo”, 1624 Helsingør – 1687 Rome, attributed YOUTH WITH A GHIRONDA (HURY-GURDY) Oil on canvas. Relined. 104 x 96 cm. In decorative, gold-coloured frame.
Hampel Fine Art Auctions
Sep. 19, 2024
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687)
Est: €4,000 - €6,000
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687) Ragazzo che serve del vino Olio su tela 74 x 99 cm Il primo maestro di Monsù Bernardo fu il danese Morten van Steenwinkel, poi entrò nella bottega di Rembrandt ad Amsterdam. Dopo le prime prove effettuate con soggetto religioso, giunto in Italia nel 1651 intrecciò la sua cultura rembrandtiana con la pittura bambocciante, ispirata a Salvator Rosa, Matteo de' Pitocchi, Antonio Amorosi e Giacomo Francesco Cipper. Le sue opere si trovano presso i più importanti musei: il Prado di Madrid, le Gallerie dellAccademia di Vienna, il Museo di Catalogna di Barcellona, il Castello di Troja presso Praga, The Walters Art Museum di Baltimora, lo Statens Museum for Kunst di Copenaghen, Galleria degli Uffizi di Firenze e molti altri. Monsieur Bernhard, Eberhard or Bernhard Keilhau (Helsingør 1624 - Rome 1687) Boy Serving Wine Oil on canvas 74 x 99 cm
Lucas Aste
Jul. 03, 2024
Bernhard Keil, called Monsù Bernardo (Elsinore 1624-1687 Rome) An Allegory of Taste; An Allegory of Sight; An Allegory of Hearing; and An Allegory of Sight 33.8cm. (14in.) diameter (4)
Est: £8,000 - £12,000
Bernhard Keil, called Monsù Bernardo (Elsinore 1624-1687 Rome) An Allegory of Taste; An Allegory of Sight; An Allegory of Hearing; and An Allegory of Sight each inscribed 'Opera di mano valente' (on the reverse) four of a set, oil on panel, tondi 33.8cm. (14in.) diameter (4)
Bonhams
Jun. 27, 2024
Bernhard Keil, auch genannt „Monsù Bernardo“, 1624 Helsingør – 1687 Rom
Est: €14,000 - €18,000
ZWEI SICH HELFENDENDE BLINDE Öl auf Leinwand. Doubliert. 152 x 201 cm. In vergoldetem Rahmen. An einem Flusslauf, der diagonal aus der Bildfläche hinausführt, steht eine in sich gebeugte Figur eines alten Mannes, der aufgrund seiner Blindheit kaum in der Lage ist, seinen Gefährten aus dessen misslicher Situation zu befreien. Dieser ist soeben in den Flusslauf gestürzt und scheint ebenso deformiert und blind zu sein wie sein Begleiter. Als Sohn eines deutschen Malers in Dänemark geboren und dort zunächst ausgebildet, ging er für zwei Jahre in die Werkstatt Rembrandts (1606-1669) nach Amsterdam, um dann ein eigenes Atelier dort zu eröffnen. 1651 begab er sich nach Venedig. Auf seinen Reisen zwischen Venedig, Bergamont und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden (1626-1689), die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Literatur: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988, S. 280. (13803118) (13) Bernhard Keil, also known as “Monsù Bernardo“, 1624 Helsingør – 1687 Rome TWO BLIND FIGURES HELPING EACH OTHER Oil on canvas. Relined. 152 x 201 cm.
Hampel Fine Art Auctions
May. 29, 2024
BERNARDO MONSÚ (Denmark, 1624 – Italy, 1687). "Hunter". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has a 19th century frame.
Est: €8,000 - €10,000
BERNARDO MONSÚ (Denmark, 1624 - Italy, 1687). "Hunter. Oil on canvas. Re-coloured. It has restorations on the pictorial surface. It has a 19th century frame. Measurements: 98 x 72 cm; 124 x 96 cm (frame). In this canvas the author shows us a scene that seems to be taken from the daily life, a costumbrista scene, but that nevertheless keeps a deeper allegorical meaning. The main character is a young hunted man holding his gun, the bust-length figure in the foreground gazes at a point outside the composition with an absent, frightened expression, so that the artist focuses much of his attention on capturing the character's psychology. Costumbrista painting is a genre in which popular types and attitudes, behaviour, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, clothing, festivals and entertainments, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Helsingor, Bernhard Keil began his training as a pupil of the Danish painter Morten Steenwinkel. He subsequently settled in Amsterdam, where he trained with Rembrandt between 1642 and 1644. He then worked in the studio of Hendrick Uylenburgh between 1645 and 1648, and between 1649 and 1651 he had his own studio. In 1656 he made a trip to Rome, where he is documented until 1687, the date of his death. During his years in Italy he also worked in Bergamo and Venice. His style reveals the influence of Jan Lievens initially and later of the Italians Pietro Bellotti, Antonio Cifrondi and Giacomo Francesco Cipper. Among his best known works are those for the chapel of San Canuto in Santa Maria Traspontina in Rome. In addition to religious themes Keil also executed allegorical and genre scenes. Today the works of Bernhard Keil are in some of the world's most important collections, including those of the Metropolitan Museum in New York, the Netherlands Institute for Art History and the Museum of Fine Arts, Boston, among others.
Setdart Auction House
May. 23, 2024
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) The schoolroom oil on
Est: $30,000 - $50,000
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) The schoolroom oil on canvas, unframed 42 5⁄8 x 56 ½ in. (108.2 x 143.5 cm.)
Christie's
Mar. 21, 2024
Bernhard KEIL (ou Eberhart KEILHAU ou Monsù BERNARDO) Elseneur, 1624 - 1687, Rome Scène de marché
Est: €10,000 - €15,000
Bernhard KEIL (ou Eberhart KEILHAU ou Monsù BERNARDO) Elseneur, 1624 - 1687, Rome Scène de marché Huile sur toile 120 x 170 cm - 47 1/4 x 66 15/16 in. Market scene Oil on canvas
Aguttes
Mar. 21, 2024
Bernhard Keil, genannt „Monsù Bernardo“, 1624 – 1687, zugeschrieben
Est: €7,500 - €9,500
DER LIKÖRVERKÄUFER Öl auf Leinwand. Doubliert. 93 x 70 cm. In breitem vergoldeten Rahmen. Vor einer angedeuteten Pilasterarchitektur und einem Buschwerk unter freiem Himmel steht ein in rotem Umhang gekleideter Mann, der aus dem Leben gegriffen scheint. Seine Kappe wird durch eine dezente Feder geziert, die einen bescheidenen Wohlstand suggeriert und dadurch auch potenzielle Käufer des aus einem Bauchladen angebotenen Likörs nobilitiert. Als Sohn eines deutschen Malers in Dänemark geboren und dort zunächst ausgebildet, ging er für zwei Jahre in die Werkstatt Rembrandts (1606-1669) nach Amsterdam, um dann ein eigenes Atelier dort zu eröffnen. 1651 begab er sich nach Venedig. Auf seinen Reisen zwischen Venedig, Bergamo und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden (1626-1689), die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. (1381932) (13)
Hampel Fine Art Auctions
Mar. 21, 2024
Bernhard Keil, auch bekannt als „Monsù Bernardo“, 1624 Helsingør – 1687 Rom
Est: €25,000 - €35,000
PORTRAIT VON DREI KINDER MIT WEINTRAUBEN UND FLÖTENSPIEL Öl auf Leinwand. Doubliert. 73 x 97 cm. In bronziertem, vegetabil verzierten Rahmen. Wir danken Dr. Fred Meijer und Dr. Guido Jansen für Ihre Hilfe bei der Katalogisierung. In einem angedeuteten Innenraum ein auf einem Stuhl sitzender Junge mit roter Hose hinter ihm ein weiterer Knabe mit Hut eine Flöte spielend, während ihm von einem Mädchen mit Fruchtkorb ein Apfel gereicht wird. Als Sohn eines deutschen Malers in Dänemark geboren und dort zunächst ausgebildet, ging er für zwei Jahre in die Werkstatt Rembrandts (1606-1669) nach Amsterdam, um dann ein eigenes Atelier dort zu eröffnen. 1651 begab er sich nach Venedig. Auf seinen Reisen zwischen Venedig, Bergamont und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden (1626-1689), die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. (13916920) (13) Bernhard Keil, also known as “Monsù Bernardo”, 1624 Helsingør – 1687 Rome PORTRAIT OF THREE CHILDREN WITH GRAPES AND PLAYING THE FLUTE Oil on canvas. Relined. 73 x 97 cm. We would like to thank Dr Fred Meijer and Dr Guido Jansen for their assistance in cataloguing this lot.
Hampel Fine Art Auctions
Mar. 21, 2024
Bernhard Keil, auch genannt „Monsù Bernardo“, 1624 Helsingør – 1687 Rom
Est: €20,000 - €30,000
ZWEI SICH HELFENDENDE BLINDE Öl auf Leinwand. Doubliert. 152 x 201 cm. In vergoldetem Rahmen. An einem Flusslauf, der diagonal aus der Bildfläche hinausführt, steht eine in sich gebeugte Figur eines alten Mannes, der aufgrund seiner Blindheit kaum in der Lage ist, seinen Gefährten aus dessen misslicher Situation zu befreien. Dieser ist soeben in den Flusslauf gestürzt und scheint ebenso deformiert und blind zu sein wie sein Begleiter. Als Sohn eines deutschen Malers in Dänemark geboren und dort zunächst ausgebildet, ging er für zwei Jahre in die Werkstatt Rembrandts (1606-1669) nach Amsterdam, um dann ein eigenes Atelier dort zu eröffnen. 1651 begab er sich nach Venedig. Auf seinen Reisen zwischen Venedig, Bergamont und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden (1626-1689), die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Literatur: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988, S. 280. (13803118) (13) Bernhard Keil, also known as “Monsù Bernardo” 1624 Helsingør – 1687 Rome TWO BLIND FIGURES HELPING EACH OTHER Oil on canvas. Relined. 152 x 201 cm.
Hampel Fine Art Auctions
Mar. 04, 2024
BERNHARD KEIL "MONSU BERNARDO" Helsingor, Denmark (, 1624 – Rome, 1687) / Rome, Italy (1687) "Young Hunter"
Est: €15,000 - €20,000
Oil on canvas. Work attributed to Bernhard Keil by JosE GOmez Frechina in a report signed in July 2023, the which is attached. Provenance: -Probablemnete Lerma Collection -Condesa de San Luis, Madrid (documented through an image from IPHE, Moreno Archive, signature 20034_B) -Private collection, Madrid Measurements: 97.5 x 72 cm
Ansorena
Feb. 21, 2024
Eberhard Keilhau detto Monsù Bernardo (Elsingor 1624 - Roma 1687), Attribuito a, Allegoria della Caccia
Est: €8,800 - €10,000
Eberhard Keilhau detto Monsù Bernardo (Elsingor 1624 - Roma 1687), Attribuito a, Allegoria della Caccia metà del XVII secolo olio su tela La rappresentazione allegorica della disciplina della caccia, con la raffigurazione di un bambino intento a trattenere un cane per il collare e con la natura morta di cacciagione nella parte bassa della composizione, rimanda alla produzione italiana di Eberhard Keilhau, pittore danese attivo in Italia intorno alla metà del XVII secolo e influenzato dai modelli figurativi della cosiddetta scuola dei bamboccianti. cm 99×126,5, senza cornice
Casa D'aste Guidoriccio
Feb. 06, 2024
Bernard KEIL dit Monsu Bernardo Helsingör, 1624 - Rome, 1687 Jeune homme tenant un sablier, ou Allégorie du Temps Huile sur toile
Est: €3,000 - €4,000
Bernard KEIL dit Monsu Bernardo Helsingör, 1624 - Rome, 1687 Jeune homme tenant un sablier, ou Allégorie du Temps Huile sur toile h: 46 w: 37 cm Commentaire : Né à Helsingor au Danemark, Bernado Keil travaille dans l'atelier de Rembrandt à Amsterdam entre 1642 et 1644. Il part à Rome en 1656 et, ne pouvant résister aux sirènes de l'Italie, s'y installe définitivement, travaillant principalement à Rome mais aussi à Bergame et Venise, influençant de nombreux artistes. Il construit un grand nombre de ses tableaux autour de thèmes récurrents : allégories des Cinq Sens, des Âges de la vie, des Quatre Eléments ou encore des Saisons, mettant en scène des personnages de la vie populaire italienne ou des petits métiers. Rapport de condition: Huile sur toile, rentoilée, châssis fixe sans traverse. Bonne tension de la toile. Légères usures dans les bruns. Anciennes marques du châssis visibles sur la face avec très léger soulèvement le long du bord droit. Légères retouches dans les fonds. Retouches éparses sur le pourtour. Petits repiquages sur les carnations. Petites retouches éparses. Vernis brillant et irrégulier. Bon état général de conservation. Très bel état de présentation. Estimation 3 000 - 4 000 €
Artcurial
Jan. 31, 2024
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) Four peasan
Est: $80,000 - $120,000
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) Four peasants in a landscape: an allegory of hearing and sight oil on canvas 38 x 53 ¾ in. (96.5 x 136.5 cm.)
Christie's
Dec. 13, 2023
BERNARDO MONSÚ (Denmark, 1624 – Italy, 1687). "Hunter". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has a 19th century frame.
Est: €15,000 - €18,000
BERNARDO MONSÚ (Denmark, 1624 - Italy, 1687). "Hunter. Oil on canvas. Re-coloured. It has restorations on the pictorial surface. It has a 19th century frame. Measurements: 98 x 72 cm; 124 x 96 cm (frame). In this canvas the author shows us a scene that seems to be taken from the daily life, a costumbrista scene, but that nevertheless keeps a deeper allegorical meaning. The main character is a young hunted man holding his gun, the bust-length figure in the foreground gazes at a point outside the composition with an absent, frightened expression, so that the artist focuses much of his attention on capturing the character's psychology. Costumbrista painting is a genre in which popular types and attitudes, behaviour, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, clothing, festivals and entertainments, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Helsingor, Bernhard Keil began his training as a pupil of the Danish painter Morten Steenwinkel. He subsequently settled in Amsterdam, where he trained with Rembrandt between 1642 and 1644. He then worked in the studio of Hendrick Uylenburgh between 1645 and 1648, and between 1649 and 1651 he had his own studio. In 1656 he made a trip to Rome, where he is documented until 1687, the date of his death. During his years in Italy he also worked in Bergamo and Venice. His style reveals the influence of Jan Lievens initially and later of the Italians Pietro Bellotti, Antonio Cifrondi and Giacomo Francesco Cipper. Among his best known works are those for the chapel of San Canuto in Santa Maria Traspontina in Rome. In addition to religious themes Keil also executed allegorical and genre scenes. Today the works of Bernhard Keil are in some of the world's most important collections, including those of the Metropolitan Museum in New York, the Netherlands Institute for Art History and the Museum of Fine Arts, Boston, among others.
Setdart Auction House
Dec. 13, 2023
KEIL BERNHARD (1624 - 1687) - Attributed to. Young drinker
Est: €1,000 - €2,000
KEIL BERNHARD (1624 - 1687). Attributed to. Young drinker. 59,00 x 73,00 cm.
Capitolium Art
Dec. 07, 2023
Bernhard Keilhau, auch genannt „Monsù Bernardo“, 1624 – 1687, zugeschrieben
Est: €20,000 - €25,000
SCHLAFENDER HIRTENJUNGE Öl auf Leinwand. Doubliert. 75 x 135 cm. In gekehltem vergoldeten Rahmen. In weiter Landschaft, vor einem Baumstumpf, der liegende Junge in beiger und rötlicher Kleidung, seinen Kopf auf die Hand seines rechten Ellenbogens abgestützt und mit seiner linken Hand in seine Beuge greifend. Neben ihm ein Hund liegend. Rechts ein Hirtenstück in der Handhabe eines Weidenkorbes befestigt, dahinter sich ein Staffagebaum vor dem freien Himmel absetzend. Ein vergleichbares Werk des Künstlers mit einem liegenden Hirtenjungen und einem Weidenkorb wurde am 12. Dezember 2001 bei Christie‘s unter Lot 79 versteigert. Als Sohn eines deutschen Malers in Dänemark geboren und dort zunächst ausgebildet, ging er für zwei Jahre in die Werkstatt Rembrandts (1606-1669) nach Amsterdam, um dann ein eigenes Atelier dort zu eröffnen. 1651 begab er sich nach Venedig. Auf seinen Reisen zwischen Venedig, Bergamont und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden (1626-1689), die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Literatur: Vgl. Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988. (13804817) (3) (13) Bernhard Keilhau, also known as "Monsù Bernardo", 1624 – 1687, attributed SLEEPING SHEPHERD BOY Oil on canvas. Relined. 75 x 135 cm.
Hampel Fine Art Auctions
Oct. 18, 2023
Eberhard Keilhau "Domestic scene" oil on canvas (100x141 cm.) (defects)...
Est: €11,000 - €12,000
(Elsingor 1624 - Roma 1687) "Domestic scene" oil on canvas (100x141 cm.) (defects) IT "Scena domestica" olio su tela (cm 100x141) (difetti)
Il Ponte Auction House
Oct. 17, 2023
BERNARDO MONSÚ (Denmark, 1624 – Italy, 1687). "Hunter". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has a 19th century frame.
Est: €15,000 - €18,000
BERNARDO MONSÚ (Denmark, 1624 - Italy, 1687). "Hunter. Oil on canvas. Re-coloured. It has restorations on the pictorial surface. It has a 19th century frame. Measurements: 98 x 72 cm; 124 x 96 cm (frame). In this canvas the author shows us a scene that seems to be taken from the daily life, a costumbrista scene, but that nevertheless keeps a deeper allegorical meaning. The main character is a young hunted man holding his gun, the bust-length figure in the foreground gazes at a point outside the composition with an absent, frightened expression, so that the artist focuses much of his attention on capturing the character's psychology. Costumbrista painting is a genre in which popular types and attitudes, behaviour, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, clothing, festivals and entertainments, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Helsingor, Bernhard Keil began his training as a pupil of the Danish painter Morten Steenwinkel. He subsequently settled in Amsterdam, where he trained with Rembrandt between 1642 and 1644. He then worked in the studio of Hendrick Uylenburgh between 1645 and 1648, and between 1649 and 1651 he had his own studio. In 1656 he made a trip to Rome, where he is documented until 1687, the date of his death. During his years in Italy he also worked in Bergamo and Venice. His style reveals the influence of Jan Lievens initially and later of the Italians Pietro Bellotti, Antonio Cifrondi and Giacomo Francesco Cipper. Among his best known works are those for the chapel of San Canuto in Santa Maria Traspontina in Rome. In addition to religious themes Keil also executed allegorical and genre scenes. Today the works of Bernhard Keil are in some of the world's most important collections, including those of the Metropolitan Museum in New York, the Netherlands Institute for Art History and the Museum of Fine Arts, Boston, among others.
Setdart Auction House
Sep. 19, 2023
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687)
Est: €5,000 - €7,000
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687) Piccolo venditore ambulante Olio su tela 68 x 112 cm L'opera è corredata da uno studio del professore Egidio Martini, disponibile, su richiesta, via email. Il primo maestro di Monsù Bernardo fu il danese Morten van Steenwinkel, per poi entrare nella bottega di Rembrandt ad Amsterdam. Dopo le prime prove effettuate con soggetto religioso, giunto in Italia nel 1651 intrecciò la sua cultura rembrandtiana con la pittura bambocciante, ispirata a Salvator Rosa, Matteo de' Pitocchi, Antonio Amorosi e Giacomo Francesco Cipper. Le sue opere si trovano presso i più importanti musei: il Prado di Madrid, le Gallerie dell’Accademia di Vienna, il Museo di Catalogna di Barcellona, il Castello di Troja presso Praga, The Walters Art Museum di Baltimora, lo Statens Museum for Kunst di Copenaghen, Galleria degli Uffizi di Firenze e molti altri. Monsù Bernardo, Eberhard or Bernhard Keilhau (Helsingør 1624 - Rome 1687) Small street vendor Oil on canvas 68 x 112 cm The artwork is accompanied by a study by Professor Egidio Martini, available, upon request, by email.
Lucas Aste
Jul. 06, 2023
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) An elderly
Est: £30,000 - £50,000
BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) An elderly couple placing a wax seal on a letter oil on canvas 23 5/8 x 38 1/8 in. (60 x 96.7 cm.)
Christie's
Jun. 28, 2023
BERNARD KEILHAU detto MONSÙ BERNARDO (attr. a)
Est: €4,000 - €7,000
(Helsingør, 1624 ; Roma, 1687) Filatrice e raccoglitore di erbe (Allegoria della Terra) Olio su tela, 124X161 Provenienza: Monaco, Hampel il 18 settembre 2013, lotto 534 (come Bernard Keilhau detto Monsù Bernardo) Bernard Keil detto Monsù Bernardo giunse in Italia dalla natia Danimarca, soggiornò a Venezia dal 1651 al 1654, poi a Bergamo, in Romagna e infine a Roma a partire dal 1656. La sua fortuna critica fu immediata, tanto che Filippo Baldinucci gli dedicò una biografia nelle sue Notizie de' professori del disegno da Cimabue in qua (Firenze 1728, VI, pp. 510-516), considerandolo un pittore lodatissimo, i cui quadri erano richiesti in tutta Europa. Keilhau raffigurò con sensibilità bambocciante personaggi anziani, giovani, contadini e artigiani, colti in semplice gestualità. Sono ritratti di vita quotidiana, dove raramente compaiono protagonisti in abiti eleganti come può accadere nelle composizioni di Michel Sweerts. La sua stesura è morbida, fluida, ma capace di descrivere con sincero naturalismo i volti segnati dal sole e dalla vecchiaia, ma senza mai trascendere nel crudo realismo di matrice caravaggesca. Questa sua inclinazione, sin ora poco sottolineata, è stata importante per lo svolgersi della pittura tenebrosa veneziana, che trova piena affermazione con l'avvento di Giovanni Battista Langetti. In ultimo, un accenno al significato allegorico di queste immagini, nel nostro caso è facile intuire l'Allegoria dell'odorato e del Tatto, secondo un filone iconografico di notevole diffusione nella pittura naturalistica dell'età barocca e se la scena suggerisce l'Allegoria della Terra, è chiara altresì l'allusione al tatto e all'odorato. Anche in questo caso le vesti sono infatti protagoniste della scena, rese con pennellate vibranti di lumeggiature e una materia ricca di colore che rimarca la qualità tattile dei tessuti. L'opera è corredata da schede critiche di Mina Gregori, Raffaella Colace e Ferdinando Arisi. Bibliografia di riferimento: M. Heimbürger, Bernhard Keilhau, detto Monsù Bernardo, Roma 1989, ad vocem L. Laureati, Da Caravaggio a Ceruti. La scena di genere e l'immagine dei pitocchi nella pittura italiana, catalogo della mostra a cura di F. Porzio, Milano 1998, pp. 336-337, nn. 33-36
Wannenes Art Auctions
Jun. 03, 2023
Keil, Bernhard, gen. Monsù Bernardo (1624 - 1687),
Est: -
Keil, Bernhard, gen. Monsù Bernardo (1624 - 1687), "Knabe und Mädchen, Tauben fütternd", Öl auf Leinwand, doubliert, 72 x 89 cm. Provenienz: wohl Slg. Giovanni Antonio Parravinvino, Sest San Giovanni 1721 (M. Heimbürger). - Fischer, Luzern 13.6.1961, Lot 1856. - 606. Lempertz, Köln, 20.5.1985, Lot 55. - Galerie Arnoldi-Livie, München. - Dort 1987 auf der Münchner Antiquitätenmesse erworben. - Seitdem in süddeutschem Privatbesitz. Ausstellung: laut rückseitigem Etikett Montreal Museum of Fine Arts. Rembrandt and his pupils, 1969. Literatur: Minna Heimbürger: Bernard Keilhau detto Monsù Bernardo, Rom 1988, S. 204, Nr. 101.
Auktionshaus Plückbaum
May. 24, 2023
ATTRIBUTED TO BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) A huntsman resting by a tree with a hound, chickens and other birds oil on canvas 62 x 72 3/4 in. (157.2 x 184.8 cm.) 75
Est: $30,000 - $50,000
ATTRIBUTED TO BERNHARD KEIL, CALLED MONSÙ BERNARDO (HELSINGÖR 1624-1687 ROME) A huntsman resting by a tree with a hound, chickens and other birds oil on canvas 62 x 72 3/4 in. (157.2 x 184.8 cm.)
Christie's
Feb. 28, 2023
Bernhard Keil (1624-1687) called Monsu Bernardo
Est: €450 - €900
Bernhard Keil (1624-1687) called Monsu Bernardo, card gambler, oil on canvas, framed, 88 x 66 cm
Deutsch Auktionen
Jan. 28, 2023
Keilhau, Bernhard, gen. Monsù Bernardo (Elsinore 1624 - 1687 Rome) — Still Life of a Hunt with a Resting Hunter
Est: €8,000 - €10,000
Landscape with a young man sleeping under a tree, surrounded by shot feathered game spread out on the forest floor and his hunting dog resting as well, in the background a view of the sky and mountains in the distance. Oil on canvas, relined. 90 x 134 cm
Fine Antiques Prague s.r.o.
Dec. 08, 2022
Eberhard Keilhau, genannt „Monsù Bernardo“, 1624 Helsingør – 1687 Rom, zug.
Est: €4,500 - €5,500
Interieur mit zwei jungen Jägern Öl auf Leinwand. Doubliert. 95 x 135 cm. In dekorativen Rahmen. In einer Küche ein junger Mann vor einem Holztisch, auf dem eine Schale und ein großer Keramiktopf mit Deckel stehen. Von links nähert sich ein Jäger mit Hut und geschultertem Gewehr, an dessen Ende mehrere erlegte Vögel hängen. In seiner rechten Hand hat er weitere erlegte Vögel, um sie zur Zubereitung in die Küche zu bringen, wo schon eine runde zangenartige Schale wartet. Während der Jäger auf das Geschirr schaut, blickt der andere ihn mit dunklen Augen auf. Über den in Dänemark geborenen Maler, der nach Rom zog, ist bekannt, dass er 1642-1644 in der Werkstatt von Rembrandt van Rijn (1606-1669) in Amsterdam gearbeitet hat und 1651 nach Venedig kam. Auf seinen Reisen zwischen Venedig, Bergamo und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden, die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Malerei in teils raschen Pinselduktus, mit gekonnter Hell-Dunkel-Inszenierung. Vereinzelt rest., teils Retuschen. (1341003) (3) (18)
Hampel Fine Art Auctions
Dec. 08, 2022
Eberhard Keilhau, genannt „Monsù Bernardo“, 1624 Helsingør – 1687 Rom, zug.
Est: €15,000 - €20,000
Abendliche Landschaft mit am Boden liegendem Jungen Öl auf Leinwand. 74,5 x 134 cm. In weiter Landschaft, vor einem Baumstumpf, der liegende Junge in blau-weißer und rötlicher Kleidung, seinen Kopf auf die Hand seines rechten Ellenbogens abgestützt und mit seiner linken Hand einen schwarzen Hut mit rotem Band festhaltend. Vor ihm am Boden stehend ein geflochtener großer Korb und ein Zweig mit einer gelb-rötlich leuchtenden Frucht. Rechtsseitig ein angebundener Rebstock mit Trauben, vor dem Ausblick in eine weite Landschaft mit blauem Himmel, im Licht der untergehenden Sonne. Über den in Dänemark geborenen Maler, der nach Rom zog, ist bekannt, dass er 1642-1644 in der Werkstatt von Rembrandt van Rijn (1606-1669) in Amsterdam gearbeitet hat und 1651 nach Venedig kam. Auf seinen Reisen zwischen Venedig, Bergamo und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden, die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Anmerkung: Ein vergleichbares Werk des Künstlers mit einem liegenden Hirtenjungen und einem Weidenkorb wurde am 12. Dezember 2001 bei Christies unter der Lot-Nr. 79 versteigert. Literatur: Vgl. Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988. (1330363) (4) (18) Eberhard Keilhau, also known as “Monsù Bernardo”, 1624 Helsingor – 1687 Rome, attributed EVENING LANDSCAPE WITH RECUMBENT BOY ON THE GROUND Oil on canvas. 74.5 x 134 cm. Notes: A similar work by the artist with recumbent shepherd boy and wicker basket was sold on 12 December 2001 at Christie´s with lot 79. Literature: cf. Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rome 1988.
Hampel Fine Art Auctions
Dec. 08, 2022
Eberhard Keilhau, genannt „Monsù Bernardo“, 1624 Helsingør – 1687 Rom, zug.
Est: €15,000 - €20,000
Schlafendes Kind mit Büchern Öl auf Leinwand. Doubliert. 75 x 134 cm. In breitem profiliertem Rahmen. Den Kopf auf einem Kissen ruhend und eine Schrifttafel neben sich legend, ruht das Mädchen da mit ausgezogenen Schuhen und neben ihr stehendem Korb, der mit Büchern angefüllt ist. Ein allegorischer Hintersinn im Sinne einer Erschöpfung der Gelehrsamkeit. Über den in Dänemark geborenen Maler, der nach Rom zog, ist bekannt, dass er 1642-1644 in der Werkstatt von Rembrandt van Rijn (1606-1669) in Amsterdam gearbeitet hat und 1651 nach Venedig kam. Auf seinen Reisen zwischen Venedig, Bergamo und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden, die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Anmerkung: Ein Gemälde mit der gleichen Darstellung wird im Statens Museum in Kopenhagen verwahrt. Literatur: Vgl. zu dem Werk in Kopenhagen: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988, S. 206. (1330364) (4) (13) Eberhard Keilhau, also known as “Monsù Bernardo”, 1624 Helsingør – 1687 Rome, attributed SLEEPING CHILD WITH BOOKS Oil on canvas. Relined. 75 x 134 cm. Notes: A painting with the same depiction is held at the Statens Museum for Kunst in Copenhagen. Literature: cf. for the work in Copenhagen: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rome 1988, p. 206.
Hampel Fine Art Auctions
Dec. 07, 2022
Bernhard Keil, called Monsù Bernardo (Elsinore 1624-1687 Rome) An elderly couple with a young girl holding a tambourine and a boy eating beans
Est: £10,000 - £15,000
Bernhard Keil, called Monsù Bernardo (Elsinore 1624-1687 Rome) An elderly couple with a young girl holding a tambourine and a boy eating beans oil on canvas 92.7 x 132cm (36 1/2 x 51 15/16in).
Bonhams
Nov. 29, 2022
MONSÙ BERNARDO, EBERHARD O BERNHARD KEILHAU (HELSINGØR 1624 - ROMA 1687)
Est: €2,500 - €3,500
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687) Sgherro armato di pistola Olio su tela 48 x 35 cm L’opera si connota per l’aderenza allo stile di Monsù Bernardo, con un chiaroscuro piuttosto accentuato e la pittura sfrangiata, priva di contorni nitidi, con colpi di luce realizzati con pennellate di bianco. Il primo maestro di Monsù Bernardo fu il danese Morten van Steenwinkel, per poi entrare nella bottega di Rembrandt ad Amsterdam. Dopo le prime prove effettuate con soggetto religioso, giunto in Italia nel 1651 intrecciò la sua cultura rembrandtiana con la pittura bambocciante, ispirata a Salvator Rosa, Matteo de' Pitocchi, Antonio Amorosi e Giacomo Francesco Cipper. Le sue opere si trovano presso i più importanti musei: il Prado di Madrid, le Gallerie dell’Accademia di Vienna, il Museo di Catalogna di Barcellona, il Castello di Troja presso Praga, The Walters Art Museum di Baltimora, lo Statens Museum for Kunst di Copenaghen, Galleria degli Uffizi di Firenze e molti altri. Monsù Bernardo, Eberhard or Bernhard Keilhau (Helsingør 1624 - Rome 1687) Character armed with a gun Oil on canvas 48 x 35 cm The artwork is characterized by its adherence to Monsù Bernardo's style, with a rather accentuated chiaroscuro and frayed painting, devoid of sharp outlines.
Lucas Aste
Nov. 29, 2022
MONSÙ BERNARDO, EBERHARD O BERNHARD KEILHAU (HELSINGØR 1624 - ROMA 1687)
Est: €2,500 - €3,500
Monsù Bernardo, Eberhard o Bernhard Keilhau (Helsingør 1624 - Roma 1687) Sgherro armato di pistola Olio su tela 48 x 35 cm L’opera si connota per l’aderenza allo stile di Monsù Bernardo, con un chiaroscuro piuttosto accentuato e la pittura sfrangiata, priva di contorni nitidi, con colpi di luce realizzati con pennellate di bianco. Il primo maestro di Monsù Bernardo fu il danese Morten van Steenwinkel, per poi entrare nella bottega di Rembrandt ad Amsterdam. Dopo le prime prove effettuate con soggetto religioso, giunto in Italia nel 1651 intrecciò la sua cultura rembrandtiana con la pittura bambocciante, ispirata a Salvator Rosa, Matteo de' Pitocchi, Antonio Amorosi e Giacomo Francesco Cipper. Le sue opere si trovano presso i più importanti musei: il Prado di Madrid, le Gallerie dell’Accademia di Vienna, il Museo di Catalogna di Barcellona, il Castello di Troja presso Praga, The Walters Art Museum di Baltimora, lo Statens Museum for Kunst di Copenaghen, Galleria degli Uffizi di Firenze e molti altri. Monsù Bernardo, Eberhard or Bernhard Keilhau (Helsingør 1624 - Rome 1687) Character armed with a gun Oil on canvas 48 x 35 cm The artwork is characterized by its adherence to Monsù Bernardo's style, with a rather accentuated chiaroscuro and frayed painting, devoid of sharp outlines.
Lucas Aste
Nov. 29, 2022
BERNHARD KEILHAU detto MONSÙ BERNARDO
Est: €2,000 - €3,000
(Helsingør, 1624 - Roma, 1687) Contadina che mangia Olio su tela, cm 55X80 La tela presenta le cimase attestando che il dipinto non è un frammento, mentre le stesure accurate suggeriscono che la composizione è una opera finita. Questi dati, che appaiono semplicemente tecnici, obbligano a riflettere sul carattere creativo dell'artista, dettato dal plurilinguismo stilistico e un'attività in gran parte itinerante. Monsù Bernardo si formò in patria con il padre Gaspard e con Morten van Steenwinkel, successivamente frequentò la bottega di Rembrandt ad Amsterdam, per poi dirigersi verso l'Italia sostando nelle città tedesche di Colonia, Magonza, Augusta e Francoforte, raggiungendo Venezia nel 1651. In questo primo periodo lo sappiamo intento a eseguire ritratti, affreschi e tele di carattere sacro nei territori della Serenissima, in particolare a Bergamo, per poi approdare a Roma nel 1656. Fu certamente il lungo peregrinare a condizionare il realismo e in certi casi l'estemporaneità dei materiali impiegati da Keilhau, le cui opere mostrano da subito una peculiare sensibilità nel descrivere i ceti popolari e, cosa affatto scontata, esprimendo una sorta di sincero interesse e calore affettivo, esente da suggestioni comiche o letterarie. Le sue composizioni denotano l'assenza di una forzatura culturale e, come nel nostro caso, una immediatezza da fotogramma, compiuta impiegando il primo lembo di tela a disposizione. Si deve quindi appurare che l'essenza e la forza della sua arte risiede nel cogliere frammenti di una realtà apparentemente insignificante ma che invece si dimostra di verace umanità, in cui predomina l'interesse nei confronti della gestualità e delle espressioni, a discapito dell'inquadratura. Quello che conta, non è il ridicolo che può suscitare la povertà del desco e l'inelegante modo di mangiare, ma la dignità di un pasto, ponendo in primo piano un piatto di uova al tegame. Si deve quindi condividere appieno il parere di Federico Zeri quando riconosce a Monsù Bernardo una sensibilità nuova nel rapportarsi e confrontarsi con una parte della società italiana, in cui gli abitanti non sono più osservati come comparse teatrali dove scena tragica, scena comica e scena satirica segnano il tenore delle iconografie. Bibliografia di riferimento: F. Baldinucci, Notizie de' Professionisti del Disegno (1681 - 1728), Firenze, 1972, ad vocem R. Longhi, Monsù Bernardo, in La critica d'arte, 1938, pp. 121-130 F. Zeri, La percezione visiva dell'Italia e degli italiani, Torino 1976, pp. 39-40 L. Laureati , in Da Caravaggio a Ceruti. La scena di genere e l'immagine dei pitocchi nella pittura italiana, catalogo della mostra, a cura di F. Porzio, Milano 1998, pp. 336-337 M. Heimburger, Bernardo Keilhau detto Monsù Bernardo, Roma 1988, p. 217, n. 128 M. Heimburger, Eberhart keilhau, Copenhagen 2014, ad vocem
Wannenes Art Auctions
Nov. 19, 2022
Bernhard Keil, called Bernardo, Monsù, Boy and a Girl Feeding Doves
Est: €13,000 - €15,000
Following his initial training in Copenhagen, Bernard Keilhau travelled to Amsterdam to continue his education in 1642. There he spent two years training under Rembrandt and a further three years as an independent artist. Against the will of his father, who wanted him to return to Denmark, Keilhau travelled to Italy via several stations in Germany, including Cologne, Mainz and Frankfurt. As he soon found an important patron in Italy in the person of Senator Savorgnan, Keilhau settled in the city on the lagoon for a short time but later moved to Bergamo and then on to Ravenna to work. He mainly found his patrons among high-ranking church officials, and Keilhau's career developed quickly in Italy. He finally found a permanent place to settle upon his arrival in Rome in 1656. Up until this time he had mainly painted portraits, for example of Queen Christina of Sweden, who he painted in Ferrara during the journey to Rome, as well as religious subjects. However, he was to become most famous in Rome for his depictions of genre scenes in the style of the Bamboccianti. This type of painting, depicting scenes from daily life, was first developed by Dutch painters active in Rome and became highly popular during the mid-17th century among the Roman aristocracy and throughout Italy in general.
Kunsthaus Lempertz KG
Sep. 22, 2022
Eberhard Keilhau, „Monsù Bernardo“, 1624 Helsingør – 1687 Rom, zugeschrieben
Est: €17,000 - €20,000
Schlafendes Kind mit Büchern Öl auf Leinwand. Doubliert. 75 x 134 cm. In breitem profiliertem Rahmen. Den Kopf auf einem Kissen ruhend und eine Schrifttafel neben sich legend, ruht das Mädchen da mit ausgezogenen Schuhen und neben ihr stehendem Korb, der mit Büchern angefüllt ist. Ein allegorischer Hintersinn im Sinne einer Erschöpfung der Gelehrsamkeit. Anmerkung: Ein Gemälde mit der gleichen Darstellung wird im Statens Museum in Kopenhagen verwahrt. Literatur: Vgl. zu dem Werk in Kopenhagen: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988, S. 206. (1330364) (4) (13) Monsù Bernardo, also known as “Eberhart Keilhau”, 1624 Helsingør – 1687 Rome, attributed SLEEPING CHILD WITH BOOKS Oil on canvas. Relined. 75 x 134 cm. Notes: A painting with the same depiction is held at the Statens Museum for Kunst in Copenhagen. Literature: cf. for the work in copenhagen: Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988, p. 206.
Hampel Fine Art Auctions
Sep. 22, 2022
Eberhard Keilhau, "Monsù Bernardo", 1624 Helsingør – 1687 Rom, zugeschrieben
Est: €17,000 - €20,000
Abendliche Landschaft mit am Boden liegendem Jungen Öl auf Leinwand. 74,5 x 134 cm. In weiter Landschaft, vor einem Baumstumpf, der liegende Junge in blau-weißer und rötlicher Kleidung, seinen Kopf auf die Hand seines rechten Ellenbogens abgestützt und mit seiner linken Hand einen schwarzen Hut mit rotem Band festhaltend. Vor ihm am Boden stehend ein geflochtener großer Korb und ein Zweig mit einer gelb-rötlich leuchtenden Frucht. Rechtsseitig ein angebundener Rebstock mit Trauben, vor dem Ausblick in eine weite Landschaft mit blauem Himmel, im Licht der untergehenden Sonne. Anmerkung: Ein vergleichbares Werk des Künstlers mit einem liegenden Hirtenjungen und einem Weidenkorb wurde am 12. Dezember 2001 bei Christie's unter der Lot 79 versteigert. Über den in Dänemark geborenen Maler, der nach Rom zog, ist bekannt, dass er 1642-1644 in der Werkstatt von Rembrandt van Rijn (1606-1669) in Amsterdam gearbeitet hat und 1651 nach Venedig kam. Auf seinen Reisen zwischen Venedig, Bergamo und Mailand widmete er sich verschiedenen Bildgattungen, vor allem auch dem Portrait, wobei er die Königin Christina von Schweden, die sich damals in Ravenna aufhielt, portraitieren konnte. Letztlich wirkte er ab 1656 in Rom. Literatur: Vgl. Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rom 1988. (1330363) (4) (18) Eberhard Keilhau, also known as "Monsù Bernardo”, 1624 Helsingor – 1687 Rome, attributed EVENING LANDSCAPE WITH RECUMBENT BOY ON THE GROUND Oil on canvas. 74.5 x 134 cm. Notes: A similar work by the artist with recumbent shepherd boy and wicker basket was sold on 12 December 2001 at Christie’s with lot 79. Literature: cf. Minna Heimbürger, Bernardo Keilhau detto Monsù Bernardo, Rome 1988.-
Hampel Fine Art Auctions
May. 17, 2022
BERNANDO MONSÚ (EBERHARD KEILHAU) (1624 - 1687) Indoor with drinkers
Est: €5,000 - €8,000
BERNANDO MONSÚ (EBERHARD KEILHAU) (1624 - 1687). Indoor with drinkers. Cm 99,00 x 76,50.
Capitolium Art
May. 10, 2022
BERNHARD KEILHAU CALLED MONSÃ BERNARDO (HELSINGOR 1624-1687 ROME)
Est: £2,000 - £4,000
BERNHARD KEILHAU CALLED MONSÃ BERNARDO (HELSINGOR 1624-1687 ROME) BERNHARD KEILHAU CALLED MONSÃ BERNARDO (HELSINGOR 1624-1687 ROME) Harvesting oil on canvas 108 x 150 cm (42 1/2 x 59 in) PROVENANCE: Sale, Sothebyâs, Florence, 18th October 1969, lot 103; Sale, Minerva Auctions, Rome, 27th November 2018, lot 202. LITERATURE: HeimbÃ¼rger M., Bernardo Keilhau detto MonsÃ¹ Bernardo, Rome, 1988, no. 232 The present work is recorded in the Fondazione Zeri photo archive as fully attributed to MonsÃ¹ Bernardo (no. 48460). After training in his native Denmark, Bernhard Keil worked in Rembrandtâs studio and then, in 1651, left the Dutch Republic for Italy, where he eventually settled in Rome. Other works by the artist can be found in the Metropolitan Museum, New York (The Lacemaker), in the Boijmans Museum van Beuningen in Rotterdam, (Family Group in an Interior) and in the Princeton University Art Museum, (Seated Girl with Wreaths of Roses).
Chiswick Auctions
Mar. 23, 2022
Bernard KEIL dit Monsu Bernardo Helsingör, 1624 - Rome, 1687 Jeune homme tenant un sablier, ou Allégorie du Temps Huile sur toile
Est: €5,000 - €7,000
Bernard KEIL dit Monsu Bernardo Helsingör, 1624 - Rome, 1687 Jeune homme tenant un sablier, ou Allégorie du Temps Huile sur toile Young man holding an hourglass or Allegory of Time, oil on canvas, by B. Keil h: 46 w: 37 cm Commentaire : Né à Helsingor au Danemark, Bernado Keil travaille dans l'atelier de Rembrandt à Amsterdam entre 1642 et 1644. Il part à Rome en 1656 et, ne pouvant résister aux sirènes de l'Italie, s'y installe définitivement, travaillant principalement à Rome mais aussi à Bergame et Venise, influençant de nombreux artistes. Il construit un grand nombre de ses tableaux autour de thèmes récurrents : allégories des Cinq Sens, des Âges de la vie, des Quatre Eléments ou encore des Saisons, mettant en scène des personnages de la vie populaire italienne ou des petits métiers. Estimation 5 000 - 7 000 €
Artcurial
Mar. 05, 2022
Monsù Bernardo Bernardo Keilhau (attribuito_a) (Helsingborg 1624-Roma 1681) - Diogenes with lantern, 17th century
Est: -
Oil painting on canvas Thanks to Dr. Minna Heimbürger, forthcoming forthcoming, for an authoritative oral opinion.
ArtLaRosa
Dec. 14, 2021
BERNANDO MONSÚ (EBERHARD KEILHAU) (1624 - 1687) Allegory of Sight.
Est: €5,000 - €8,000
BERNANDO MONSÚ (EBERHARD KEILHAU) (1624 - 1687). Allegory of Sight.. Publication: Minna Heimburger, Bernardo Keilhau detto Monsù Bernando, Ugo Bozzi Editore, Roma, p. 187, cat. n. 70. Provenance: Collezione Giov. Ant. Parravicino, Sesto San Giovanni, 1721 Galleria Previtali Bergamo. Cm 98,00 x 73,00.
Capitolium Art
Dec. 11, 2021
Monsù Bernardo Bernardo Keilhau (attribuito a) (Helsingborg 1624-Roma 1681) - Diogenes with lantern
Est: €9,000 - €9,999,999
Oil painting on canvasWe thank Dr. Minna Heimbürger soon to be published for an authoritative oral opinion.
ArtLaRosa
Nov. 26, 2021
CERCHIA DI EBERHARD KEILHAU, CALLED MONSÙ BERNARDO (HELSINGØR, 1624 – ROMA, 1687): PAIR OF BEGGARS AT THE TABLE
Est: €3,500 - €4,500
Oil on canvas, cm. 74,5x104,5. Framed we are grateful to Prof. Giancarlo Sestieri for suggests that this painting can be referred to the hand of Pier Leone Ghezzi in a particular phase of closeness to the manner of Monsù Bernardo, of which the Concerto di Musici formerly Colnaghi is further evidence.
Bertolami Fine Art s.r.l.
Nov. 20, 2021
Bernhard Keil, Boy and a Girl Feeding Doves
Est: €15,000 - €20,000
RefMas121121 Following his initial training in Copenhagen, Berhard Keilhau travelled to Amsterdam to continue his education in 1642. There he spent two years training under Rembrandt and a further three years as an independent artist. Against the will of his father, who wanted him to return to Denmark, Keilhau travelled to Italy via several stations in Germany, including Cologne, Mainz and Frankfurt. As he soon found an important patron in Italy in the person of Senator Savorgnan, Keilhau settled in the city on the lagoon for a short time but later moved to Bergamo and then on to Ravenna to work. He mainly found his patrons among high-ranking church officials, and Keilhau's career developed quickly in Italy. He finally found a permanent place to settle upon his arrival in Rome in 1656. Up until this time he had mainly painted portraits, for example of Queen Christina of Sweden, who he painted in Ferrara during the journey to Rome, as well as religious subjects. However, he was to become most famous in Rome for his depictions of genre scenes in the style of the Bamboccianti. This type of painting, depicting scenes from daily life, was first developed by Dutch painters active in Rome and became highly popular during the mid-17th century among the Roman aristocracy and throughout Italy in general.
Kunsthaus Lempertz KG