Dick Ket Sold at Auction Prices

KET, DICK: Stillleben mit Violine, Kerzenstock und Büchern.

KET, DICK (Den Helder 1902 - 1940 Bennekom) : Stillleben mit Violine, Kerzenstock und Büchern; Öl auf Leinwand; 86x79 cm; sig. u.r., verso a. Keilrahmen bez.

Ket, Dick (1902-1940). (Landscape with dunes).

Ket, Dick (1902-1940). (Landscape with dunes). Drawing, black chalk, 19,5x32,3 cm., with atelier stamp on recto and verso. - Translucent stain near lower left corner.

DICK KET

Dick Ket (1902-1940) Title: "De Kat Kees" work is depicted in the catalog raisonné of A. Ottevanger, no. 190 on page 169, brush drawing 20x14.5 cm, outside dimensions are 52x42 cm. Present is an appraisal report from Art Gallery Albricht dated November 8, 1984

Dick KET Le Helder, 1902 - Bennekom, 1940 Scène de plage animée Pierre noire, rehauts de craie blanche sur papier chamois

Dick KET Le Helder, 1902 - Bennekom, 1940 Scène de plage animée Pierre noire, rehauts de craie blanche sur papier chamois (Quelques épidermures sur les bords) Sans cadre h: 16 w: 29 cm Estimation 400 - 600 €

schilderijen; Dick Ket (1902-1940) stilleven met vuurpot, gesigneerd m.o., aquarel, 11,5 x 14 cm

schilderijen; Dick Ket (1902-1940) stilleven met vuurpot, gesigneerd m.o., aquarel, 11,5 x 14 cm

DICK KET (1902 - 1940) “View of a Dutch city”, 1928. Ink drawing on paper. Presents informative annotation on the back. Signed and dated in the lower right corner. Provenance: Majorca private collection.

DICK KET (1902 - 1940). "Dutch City View", 1928. Ink drawing on paper. Informative annotation on the back. Signed and dated in the lower right-hand corner. Provenance: Private collection Mallorca. Size: 27.5 x 23 cm; 39.5 x 45 cm (frame). Although Ket's first paintings are impressionist in style, he was decisively influenced by the art of Neue Sachlichkeit in 1929 and, from then on, he painted in a magical realist style. His meticulously composed and rendered still lifes feature favourite objects such as bottles, an empty bowl, eggs and musical instruments. Ket juxtaposed these objects in angular arrangements, seen from a high viewpoint, their cast shadows creating emphatic diagonals. These compositions reveal the influence of Cubism filtered through Cassandre's posters, which are frequently depicted in Ket's paintings. Another source of inspiration came from early Dutch painting, which Ket admired for its atmosphere of austere reverence that he called its "intrusive" quality. Ket completed approximately 140 paintings, including forty self-portraits. As a result of his technical experimentation with different formulations and additives to the glaze medium, some of his paintings are not completely dry after six decades. In his self-portraits the progressive symptoms of his physical deterioration are evident. Museums housing works by Dick Ket include the Rijksmuseum in Amsterdam, the Arnhem Museum and the Boijmans Van Beuningen Museum in Rotterdam.

Dick Ket (1902-1940) - Stilleven met flessen en zalfpotje (Still life with bottles and ointment jar)

Dick Ket (1902-1940) Stilleven met flessen en zalfpotje (Still life with bottles and ointment jar) oil on canvas 40.5 x 29.5cm.

Ket, Dick (1902-1940), Huis in de duinen , Zandvoort ca 1924

Ket, Dick (1902-1940), Huis in de duinen, Scheveningen ca 1924 olie op doek op paneel 16,5 x 22 cm, ges. r.o. Herk de heer W. Vermeulen, Soestdijk, privé collectie

Dick Ket (1902-1940)

Dick Ket (1902-1940) A still life with flowers and two bottles oil on canvas, mounted on board, 35x27 cm Painted circa 1925 Literature: -A. Ottevanger, M. Mekkink, 'Dick Ket, over zijn leven, ideeën en kunst', Arnhem, 1994, oeuvrecatlogus no. 26 on p. 153, as: 'Stilleven met Oostindische kers in potje en twee flessen'. Provenance: -Collection L. Ket, Bennekom, circa 1941. -Collection W.G. Kan, Bennekom since circa 1960. He was the general practitioner of the Ket family in Rotterdam. By the 1960's, he received this painting from the father of the artist. studio stamp 'Atelier Dick Ket' (lower left); stamp 'Catalogus Dick Ket Nr. Reg. R.M.K.M. O.' (on the reverse)

[FINE ARTS: 20TH-CENTURY GRAPHIC ARTS (LITHOGRAPHS, ETCHINGS, ETC.)] DICK KET (1902-1940)

Twelve linoleum cuts. Arnhem, Museum voor Moderne Kunst, 2001. Cloth slip case with 12 loose linoleum cuts. 49 x 38.5 cm. No. 88 from an issue of 100. Cloth with few small stains.

Dick Ket, Still life with ginger jar and wine bottles

Dick Ket. 1902 - 1940. Still life with ginger jar and wine bottles. Oil on linen. Dimensions: H 60 x W 50 cm. In good condition.

Ket, D. (1902-1940). Twaalf linoleumsneden. Arnhem, Museum voor Moderne Kunst, 2001, 12 linocuts, a

Ket, D. (1902-1940). Twaalf linoleumsneden. Arnhem, Museum voor Moderne Kunst, 2001, 12 linocuts, all "28/100" in pencil, all under passepartout, textbooklet (22p.), published in 100 numb. copies, together loosely inserted in orig. cl. portfolio, folio.

Ket, D. (1902-1940). "Sneeuw op het pleintje". Linocut, 1929, 17,2x24,5 cm., on Chinese, under passe

Ket, D. (1902-1940). "Sneeuw op het pleintje". Linocut, 1929, 17,2x24,5 cm., on Chinese, under passepartout, signed "D. Ket 1928", titled and "Hand II 10' in pencil. - Partly vaguely foxed. = Mekkink 504: "Twee andere contemporaine drukken bekend. Totaal aantal drukken onbekend".

DICK KET (1902-1940) Zelfportret (?). Pastel op karton. Getekend en gedateerd 'D Ket/32'. Beschadigde boord onderaan. In kader. 455 x 405 mm

DICK KET (1902-1940) Selfportrait (?). Pastel on cardboard. Signed and dated. Lower border damaged. Framed. 455 x 405 mm

[DRAWING] – KET, D. (Dick) (1902-1940) (attributed).

Drawing in black ink & charcoal. Ca. 27,5 x 23 cm. Behind passepartout & framed. (Interior of a church in Hoorn). ¶ With extensive annotation (mentioning Dick Ket as draftsman) mounted on verso frame (not examined out of frame).

Dick Ket (1902-1940) - Tree by a bridge. Signed and dated 1922 lower right. -

Dick Ket (1902-1940) Tree by a bridge. Signed and dated 1922 lower right. Pentekening 32,5 x 23 cm.

Dick Ket (1902-1940)

Wilgen in landschap met sloot in de nabijheid van Hoorn' niet get. inkttekening, 14x19 cm Herkomst: - uit de collectie Th. Bombeeck, vrienden van de ouders van de kunstenaar. - Veiling P. Brandt, november 1963, lot 163. - Thans uit privé collectie.

Ket, D. (1902-1940). "Oud-Scheveningen". Linocut, 11,7x16,5 cm., signed, titled and "'27" in pencil, on Chinese, tipped onto mount. - Sl. foxed/ yellowed; sm. owner's stamp in outer lower right blank corner. = Mekkink 279 (Oude huizen te

Ket, D. (1902-1940). "Oud-Scheveningen". Linocut, 11,7x16,5 cm., signed, titled and "'27" in pencil, on Chinese, tipped onto mount. - Sl. foxed/ yellowed; sm. owner's stamp in outer lower right blank corner. = Mekkink 279 (Oude huizen te Scheveningen).

Dick Ket (1902-1940)

Dick Ket (1902-1940) Wilgen in landschap met sloot in de nabijheid van Hoorn' niet get. inkttekening, 14x19 cm Herkomst: uit de collectie Th. Bombeeck, vrienden van de ouders van de kunstenaar. Veiling: P. Brandt, november 1963, lot 163. Thans uit privé collectie.

Dick Ket (1902-1940), 'Zelfportret', gesigneerd m.o. en gedateerd 1930, lin

Dick Ket (1902-1940), 'Zelfportret', gesigneerd m.o. en gedateerd 1930, linoleumsnede, afm. 140 x 100 cm.

Dick Ket (1902-1940), 'Heidegezicht bij Ede', niet gesigneer

Dick Ket (1902-1940), 'Heidegezicht bij Ede', niet gesigneerd, pentekening, afm. 20,5 x 14,5 cm. Vermoedelijk gemaakt in 1926. Tentoonstellingen: Gemeente Museum Arnhem 1962/63, Cultureel Centrum de Beyerd Breda 1963 en Singer Memorial Foundation Laren 1963.

Ket, D. (1902-1940). Twaalf linoleumsneden. Arnhe

Ket, D. (1902-1940). Twaalf linoleumsneden. Arnhem, Museum voor Moderne Kunst, 2001, 12 linocuts, all "2/100" in pencil, all under passepartout, textbooklet (22p.), published in 100 numb. copies, together loosely inserted in orig. cl. portfolio, folio.

Portrait of a man by Dick Ket

KET, Dick (Dutch 1902 - 1940). Self-portrait (?), 1929. Drawing, charcoal on cardboard, signed in initials 'D.K' and dated ''29' (lower left) and numbered (?) 'K99' (lower left, partly lost), 21 x 16 cm.

Two fine drawings by Dick Ket (on both sides of paperboard!)

KET, Dick (Dutch 1902 - 1940). Self-portrait (?), 1926. Drawing, pencil, ink and white chalk on cardboard, signed and dated 'DKet 1926' (lower right), 21 x 16.3 cm., with another drawing of a beach scene on the reverse, also in pencil, ink and chalk, very fine and detailed, remains of tape along the edges (only on the reverse).

Path with trees by Dick Ket

KET, Dick (Dutch 1902 - 1940). Path with trees, 1926. Drawing, ink on paper, signed 'D Ket 1926' (lower right), 22 x 15.7 cm., paper browned (except edges).

Original drawing by Dick Ket

KET, Dick (Dutch 1902 - 1940). A tree in the meadow, 1926. Drawing, ink on paper, signed 'D Ket 1926' (lower right), 21 x 16 cm., paper browned (except edges).

Ket, D. (1902-1940). Zelfportret (met hand en penseel). Linocut on thin Japanese, COUNTERPROOF, illegibly monogrammed in the block, signed "Dick Ket" in pencil, 14x10 cm. - Very fine. Below passepartout: print tape on recto along outer blank margins.

Ket, D. (1902-1940). Zelfportret (met hand en penseel). Linocut on thin Japanese, COUNTERPROOF, illegibly monogrammed in the block, signed "Dick Ket" in pencil, 14x10 cm. - Very fine. Below passepartout: print tape on recto along outer blank margins. = Mekkink (1994) 506: "Acht andere contemporaine drukken bekend (...) Totaal aantal drukken onbekend". Very rare counterproof, from the collection of Jan Reinier Voûte (without his collector's mark). SEE ILLUSTRATION PLATE LXI.

Ket, D. (1902-1940). (Still life of flowers in a

Ket, D. (1902-1940). (Still life of flowers in a pot). Oil on canvas, 38,5x29,5 cm., framed. - Sm. restored spot on verso. = Mekkink 24 (dating the painting ±1921-1925). SEE ILLUSTRATION PLATE LV.

KET DICK (1902 - 1940) litho : 'Boom' - 33 x 26

KET DICK (1902 - 1940) litho : 'Boom' - 33 x 26 met atelierstempel lithograph-with atelier stamp

DICK KET

DICK KET 1902 - 1940 KNOTWILG IN DE SNEEUW oil on paper 48 by 31,5 cm Executed circa 1927/28.

Dick Ket (1902-1940)

Dick Ket (1902-1940) Stilleven met fluit: a still life with flute signed and dated 'D Ket 1932' (lower right) oil on canvas 57 x 46.5 cm.

Ket, D. (1902-1940). (Forest). Drawing, brown

Ket, D. (1902-1940). (Forest). Drawing, brown crayon and brush and black ink, 22,5x28 cm., signed and "1927" in black ink, framed. = Dick Ket 1902-1940, exhib. cat. Gemeentemus. Arnhem 1968, 221; cat. Herdenkingstentoonstelling Dick Ket 1941, 76a. Verso w. exhib. ticket of the Gemeentemus. Arnhem. SEE COLOUR ILLUSTRATION PLATE XLIV.

Dick Ket (Dutch, 1902-1940)

Zelfportret met hand en penseel signed and dated 'Dik Ket 30 (lower right), and inscribed with title and numbered 'lino 9' (lower left) linocut on Japan S. 14.4 x 9.4 cm.; To be sold with a letter from the artist attached to the backing. (2)

DICK KET (1902-1940)

MENUKAART; STILLEVEN MET FLES, GLAS EN PEREN 17,5 by 11,5 cm. inscribed vrij naar R. Hynckes watercolour, black chalk and pencil on paper Executed in 1932. PROVENANCE Mevrouw N.J Nagelen-Schilt, Velp EXHIBITED Arnhem, Gemeente Museum, Dick Ket, 1994-1995 LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 186, no. 418

DICK KET (1902-1940)

MENUKAART; ZELFPORTRET 17,5 by 11,5 cm. watercolour, wax crayon and pencil on paper Executed in 1932. PROVENANCE Mevrouw N.J. Hagelen-Schilt, Velp EXHIBITED Arnhem, Gemeentemuseum; Breda, Cultureel Centrum De Beyerd; Laren, Singer Museum, Dick Ket, 1902-1940, 1962 -1963 LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 186, no. 419 L. van Heijningen, Het abstract realisme van Dick Ket, Tableau 8 (1986), pp. 82-85, illustrated NOTE This work was made for the occasion of the wedding of Cor Schilt and Bas Koopman in 1932 and can be compared with Zelfportret (met Bolskruik) now part of the collection Westfries Museum, Hoorn

DICK KET (1902-1940)

KERK TE SCHEVENINGEN 22 by 16,5 cm. (2) indian ink and red chalk on paper Executed circa 1926. PROVENANCE Mevrouw N.J. Hagelen-Schilt, Velp EXHIBITED Arnhem, Gemeentemuseum; Breda, Cultureel Centrum De Beyerd; Laren, Singer Museum, 1962-1963, Dick Ket, no. 212 LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 177, no.306 NOTE Added: an Indian ink drawing by the same artist portraying Miss Nel Schilt, the former fiancé of Dick Ket.

DICK KET (1902-1940)

BIDDENDE MAN BIDDENDE MAN 13,5 by 9 cm. (4) ink on paper Executed circa 1924. PROVENANCE Mevrouw N. J. Hagelen-Schilt, Velp LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 169, nos.193, 194, 195, 196 NOTE Added: three works on paper by the same artist

DICK KET (1902-1940)

VUURTOREN TE SCHEVENINGEN 22 by 16,5 cm.(3) indian ink and red chalk on paper Executed circa 1926. PROVENANCE Mevrouw N.J. Hagelen-Schilt, Velp EXHIBITED Arnhem, Gemeentemuseum; Breda, Cultureel Centrum De Beyerd; Laren, Singer Museum, 1962-1963, Dick Ket 1902-1940, no. 213, illustrated no. 74 LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 178, no. 307 NOTE Added: two works on paper by the same artist each depicting Scheveningen.

DICK KET (1902-1940)

STRAND TE SCHEVENINGEN STRAND TE SCHEVENINGEN 140 by 100 mm. (7) The linocut, 1929, with margins, on wove, in good condition EXHIBITED Arnhem, Gemeentemuseum / Breda, Cultureel Centrum De Beyerd / Laren, Singer Museum, December 1962 - May 1963, Dick Ket, no. 291, illustrated no. 113 NOTE Added: five linocuts and one lithograph by the same artist

DICK KET (1902-1940)

BADSTRAND TE SCHEVENINGEN 17,5 by 25 cm. Indian ink and red chalk on paper Executed in 1926. PROVENANCE Mevrouw N.J. Hagelen-Schilt, Velp EXHIBITED Arnhem, Gemeentemuseum; Breda, Cultureel Centrum De Beyerd; Laren, Singer Museum, 1962 -1963, Dick Ket, no. 211, no. 71, illustrated LITERATURE A. Ottevanger, M. Mekkink, Dick Ket over zijn leven, ideeën en kunst, Zwolle 1994, p. 177, no. 304, illustrated

Dick Ket (1902-1940)

Dick Ket (Den Helder 1902-1940 Bennekom)

Self-portrait with a bread roll with inscription by the father of the artist 'Schets van Dick Ket' (on the reverse) oil on canvas 31 x 26 cm. (121/4 x 9 7/8 in.) Executed circa 1934-1937. PROVENANCE Estate of the artist. A gift from the parents of Dick Ket to J. van Booren - Ten Kate around 1943. Anonymous Sale; Christie's, Amsterdam, 26 27 May 1988, lot 165 (to Dreesmann). Dr Anton C.R. Dreesmann (inventory no. C-185). LITERATURE W. J. de Gruyter and J. Mekking, Dick Ket 1902-1940, Wageningen 1962, no. 21. Alied Ottevanger, De wet der verevening: over de betekenis van een natuurkundige wet voor filosofie en het werk van Dick Ket, Jong Holland, 15, 1989. Alied Ottevanger, Dick Ket: vier studies, thesis, The Hague 1995, p. 42-43. Alied Ottevanger, Dick Ket over zijn leven, idee‰n en kunst, Zwolle 1994, p. 102, p. 103, p. 162, no. 117. EXHIBITION Arnhem, Gemeentemuseum Arnhem, Dick Ket 1902-1940, 16 December 1962 - 17 February 1963, no. 21. NOTES The self-portrait is an important and recurrent genre in Dick Ket's oeuvre. Shortly after an exhibition held at Kunstzaal Van Lier in Amsterdam in January 1934, he embarked on a series of three small self-portraits with attributes, of which the present lot is one. He worked on them until 1937, but then decided to execute an almost identical series on coarser canvas, and left the original versions unfinished. The posters by Cassandre in the background of the first versions no longer appear in the second series. We know from Ket's correspondence that the idea for the three self-portraits took shape gradually. The self-portrait with a bread roll followed those with a paintbrush and with medicines, which he had conceived some time earlier. The self-portrait with a bread roll, which Ket also referred to as 'the eater', shows him with his head turned to the right and therefore belongs on the left of the triptych. Ket must initially have played with the idea of hanging it on the right, as he also made a version with his head inclined to the left (Alied Ottevanger, op. cit. cat. no. 116). Ket never completed the first versions, but hung them separately in his living room. They were never exhibited during his lifetime. The three later self-portraits (now at the Gemeentemuseum in Arnhem, cat. no. 132) were placed in a single frame. Though they are perhaps technically more proficient than the first series, Ket remained attached to their predecessors, which he felt had more 'warmth'. The second versions were never quite finished either, and remained unsigned. After the death of their son, Ket's parents presented the three paintings from the first series to friends and acquaintances. The self-portrait with a bread roll thus came into the possession of the Van Booren-Ten Kate family.

Dick Ket (Dutch, 1902-1940)

A still life with apples and a delftware bowl signed and dated 'D.Ket. 1926' (lower right), and with studio stamp (lower left) oil on canvas laid down on cardboard 34.5 x 29 cm.

Dick Ket (Dutch, 1902-1940)

A still life with amaryllis in a glass vase, a green jar and lemons on a plate signed and dated 'DKet 25' (lower right), and with studio stamp (lower left) oil on canvas 117 x 80 cm.