This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
This delightful, originally hand-colored bird lithograph is from J. G. Keuleman's Onze Vogels in Huis en Tuin. The work was published in Leyden (Leiden), Netherlands by P. W. M. Trap between 1869 and 1876. Keulemans created the original drawings and lithographed outlines, with Trap completing the lithography. Keulemans colored the plates by hand himself - "A collection of colored prints of various birds by a celebrated artist. Keulemans not only lithographed the original outlines but afterwards colored them by hand." (Wood 416) John Gerrard Keulemans (1842-1912) is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. According to Jackson (Bird Illustrators, p. 90) “The great value of Keulemans' work as an ornithological draughtsman lay in his sureness of design of the plate and his accuracy in portraying the birds themselves. The bird figures were carefully drawn and executed down to the last scales on the feet. The feathering was neatly delineated with the different plumes receiving sympathetic treatment.” Provenance: The Ken Harte Collection of Natural History
Two engravings from Brown including Great Ceylonese Eared Owl Crested Cardinal This originally hand-colored engraving is from Peter Brown's New Illustrations of Zoology, Containing fifty coloured plates of new, curious, and non-descript birds, with a few quadrupeds, reptiles, and insects. Together with a short and scientific description of the same. The title reads in French, Nouvelles Illustrations de Zoologie, Contenant Cinquante Planches Enluminées d'Oiseaux Curieux, Et Qui Non Étés Jamais Descrits, Et Quelques de Quadrupèdes, de Reptiles Et d'Insectes, Avec de Courtes Descriptions Systématiques). This is the first edition published in London by Benjamin Wright in 1776. The engravings were printed by William Bowyer and John Nichols. The engravings will typically include a text page that features titles and text in parallel French and English. Most of the engravings from the work also show the signature P. Brown or Peter Brown. Some of the plates from it are dated to early 1775. Brown based his drawings upon the collections of Marmaduke Tunstall, Thomas Pennant, the Royal Museum, and the Royal Society. His work also included 20 plates based upon drawings by Pieter Cornelis de Bevere, a native of Ceylon (Sri Lanka), who observed the collection of John Gideon Loten, Ceylon's Dutch East India administrator. Thomas Pennant contributed most of the text for the work. There are animals illustrated in the work from South Carolina, Florida, Surinam, Brazil, Jamaica, Angola, Ceylon (Sri Lanka), and Java. Two Toucan engravings from Martinet & Buffon: This magnificent, copperplate engraving featured here displays remarkable, original hand-coloring. It is from Francois Martinet's work with Buffon Histoire Naturelle des Oiseaux. The work was published between 1765 and 1780 by Edme Louis Daubenton in France. Each plate features a delicate yellow border, which many believe led to the development of French matting. Each plate is on fine chain-linked, watermarked paper. Martinet was a prominent ornithological artist of the 1700s. He work closely with Count Georges-Louis Leclerc du Buffon on Histoire Naturelle des Oiseaux. The work is considered one of the most influential bird books of all time. Martinet also created work for Marmontel, Voltaire, and Philidor. Fringilline Lory from Mivart & Keulemans: This hand-colored lithograph is A Monograph of the Lories, or Brush-tongued Parrots. The work was authored by St. George Jackson Mivart and the celebrated John Gerrard Keulemans provided the images. This first edition, first issue was published in London by R. H. Porter in 1896. Keulemans is one of the most respected bird artists whose images were noted for their fine detail. He contributed to some of the best known ornithological works including those of Elliot, Buller, Dresser, and The Ibis. A Monograph of the Lories, according to Sacheverell Sitwell (writing in Fine Birds Books), included Keulemans 'best work'. The artist shows a masterful grasp of composition, balancing the need to show the birds in characteristic pose, whilst giving the maximum amount of information about the beautiful plummage that is so typical of the Loriidae family, but without losing sight of the importance of retaining the harmony of the image as a whole. The author, Mivart, describes the Loriidae family as 'a very attractive group of rather small birds' varying 'from the size of a Turtle-Dove to about that of a Sparrow', and consisting 'of 75 more or less distinct species. The family is remarkable for its brilliancy and gay coloration', and its friendliness: 'Some of them will spontaneously approach human dwellings, and most of them make excellent pets'. Their feeding habits are a special feature: 'The lories are very choice feeders, living as they do on the nectars and pollen of flowers. Their tongue is very remarkable, as it is formed as a kind of brush, which is no doubt destined to extract the nectar'. Cf. Fine Bird Books (1990) p.94; cf.T.Keulemans & J.Coldewey. Feathers to Brush p.64; cf.Nissen IVB 640; cf.Wood p.468; cf.Zimmer p.439 Mottled Owl, Lark, Creeper, & Warbler. 19 Hawk, Chuck-wills-widow, & Warblers. 54 From Wilson: This exceptional originally hand-colored engraving is from Alexander Wilson’s American Ornithology; or the Natural History of the Birds of the United States; Plates Engraved and Colored from Original Drawings Taken from Nature. This edition was published in 1871 in Philadelphia by Porter & Coates. Alexander Wilson is known as the “Father of American Ornithology.” He spent a decade traversing the Eastern United States studying the birds and discovered 26 previously unknown species. Wilson’s work, American Ornithology, was the first focused on only American birds. Scientist and historian Dr. Elliott Coues noted of Wilson's work, "Perhaps no other work on ornithology of equal extent is equally free from error, and its truthfulness is illuminated by a spark of the 'fire divine'." Wilson drew most of the birds for the work himself and employed Alexander Lawson and John G. Warnicke for the engraving. Wilson died in 1813 and his friend George Ord made it to press. Prince Charles Lucien Bonaparte (Napoleon's nephew, who took refuge in America after his defeat, undertook the supplement to the work, which was completed in 1833. Frank L. Burns, in his bibliography of Wilson, writing of the present edition, notes that it is "a reprint of Ord's fine 1828-29 edition, with the interpolation of Baird's Catalogue of North American Birds, reprinted from the 8vo edition of 1858, and the addition of Bonaparte's work. The original plates of Wilson's work were purchased at a cost of $1700, but as Bonaparte's beautiful plates had been melted and sold for old copper, resource was made to photography and electrotyping to reproduce the latter." (rank L. Burns, "Alexander Wilson. [Part] VII: Biographies, Portraits, and a Bibliography of the Various Editions of his Works")
This lush folio lithograph is from Daniel Giraud Elliot's A Monograph of the Bucerotidae, or Family of the Hornbills. The work was published in New York by Taylor & Francis of London between 1877 and 1882. The originally hand-colored lithographs were printed by M. & N. Hanhart. John Gerard Keulemans composed the plates and they were hand-colored by Mr. Smith. The lithograph is from the first edition of this "comprehensive treatment of the entire family of hornbills" (Zimmer) from one of the best known American ornithologists of the second half of the nineteenth century, with illustrations by Keulemans, the most popular ornithological artist of the period. This is an important first monograph on this widely scattered family of extraordinary birds. "The Bucerotidae are pretty equally divided at the present day between the Ethiopian and Oriental Regions, the first having twenty-seven and the latter twenty-nine species, while but a few... are scattered about the islands of the Malay archipelago" (introduction). Hornbills are extraordinary not only for their physical appearance but also for their behavior - the most noteworthy shared trait amongst the species is the male's habit of "enclosing the female in the hollow of some tree, firmly fastening her in by a wall of mud, and keeping her close prisoner until the eggs are hatched" (introduction). The male will feed the female through a slit in the wall whilst she incubates the eggs. She will only break through the wall of mud and leave the nest once the young have hatched, at which point the wall is rebuilt and remains in place until the young are ready to fly. The bizarre beauty of this species is here ably captured by Keulemans highly accurate and beautifully observed plates. Keulemans was born in Rotterdam, Holland, in 1842, but worked and lived chiefly in England, working on most of the important ornithological monographs and periodicals published between about 1870 and his death in London in 1912. He was "undoubtedly the most popular bird artist of his day as well as being the most prolific. He was gifted with a superb sense of draughtsmanship and revealed his considerable versatility in capturing the significant subtleties of color, form, and expression in the birds... represented in his various illustrations" (Feathers to brush p. 47) BM(NH) I,p.522; Fine Bird Books (1990) p.95; T. Keulemans & J. Coldewey, Feathers to brush... John Gerrard Keulemans, 1982, p.61; Nissen IVB 297; Wood p.331; Zimmer p.207.
Johannes Gerardus Keulemans (Dutch, 1842-1912) Grey Partridge signed lower left 'FKeulemans' watercolour 32 x 48cm Provenance: The Moorland Gallery Ltd, London
2 John Gerardus Keulemans (1842-1912) Original hand colored Lithographs “Indian broad Billed Roller.” and "Azure Broad Billed Roller" From A Monograph of the Coraciidae or the Family of Rollers. Keulemans lithographer and Hanhart Im.
2 John Gerardus Keulemans (1842-1912) Original hand colored Lithographs “Rufous Crowned Roller ” and "Short legged Pitta Roller" From A Monograph of the Coraciidae or the Family of Rollers. Keulemans lithographer and Hanhart Im.
John Gerardus Keulemans (1842-1912) hand colored Burmese Roller Lithograph From A Monograph of the Coraciidae or the Family of Rollers. Keulemans lithographer and Hanhart Im. Artists initials lower left and center , print 11.25" X 15"
2 John Gerardus Keulemans (1842-1912) Original hand colored Lithographs “Solomon Island Broad Billed Roller ” and "Scaly Pitta Roller" From A Monograph of the Coraciidae or the Family of Rollers. Keulemans lithographer and Hanhart Im. scien
JOHANNES GERARDUS KEULEMANS (ROTTERDAM 1842-1912 ILFORD) JOHANNES GERARDUS KEULEMANS (ROTTERDAM 1842-1912 ILFORD) Sweet-hearts Titled (lower centre), signed FGKeulemans and dated April 1897 (lower right). watercolour 20 x 30.2 cm
KEULEMANS, Johannes Gerardus (Dutch, 1842-1912). The Kakapo or Owl Parrot. Watercolor on paper. Signed lower left: "JG Keulemans". ca. 1900. 14 1/4" x 19" sheet, 27" x 22" framed. This watercolor is the most iconic image of the kakapo ever created & the finest watercolor ever painted of a New Zealand bird. The kakapo (Strigops habroptila, G.R. Gray, 1845) or “owl parrot” is one of the rarest and most extraordinary parrot species, and is considered the heaviest non flying parrot in the world. There are only 149 kakapos alive today. Its name is the English transliteration of “kākāpō” which is derived from the Māori terms kākā (“parrot”) and pō (“night”). As an indigenous species to New Zealand, the kakapo has evolved to occupy an ecological niche normally filled by mammals. For example, by being nocturnal and a ground dwelling (although it is also an accomplished climber), he kakapo has distinct facial disc of sensory, vibrissa-like feathers, a large grey beak, short legs, large feet, wings and a tail of relatively short length. Its diet is completely vegetarian which creates a musty-sweet odor. With an average lifespan of 90 years, the kakapo reaches one of the highest ages of all birds. Curious towards humans, it is said the individuals have distinct personalities and as a pet have been known to behave as "showing its attachment by playfulness and fondling is more like that of a dog than a bird". Kakapo used to be widespread; they were well evolved to avoid predation from native birds of prey. When threatened, it freezes, depending on their camouflage as their plumage blends into the forest vegetation. Despite this, the population has declined massively since the appearance of mankind who introduced new predators. While this survival strategy worked with birds of prey that hunt by sight, it is completely ineffective to avoid mammalian predators that hunt by smell. This great threat began when European settlers in the 1840's brought dogs, cats, black rats and stoats to New Zealand. The parrots' habitat shrunk as forests were turned into farmland. In the late 19th century, the kakapo became well known as a scientific curiosity, and thousands were captured or killed for zoos, museums and collectors. They also breed rarely, in some cases only once in five years, depending on the riping of the rimu fruit. This complex breeding behavior results in having one of the lowest rates of reproduction among birds. Consequently, the kakapo population declined making the species extremely rare. From 1894 onwards, multiple rescue attempts were made by relocating them from the mainland to the predator-free islands. However, disaster struck. In some cases, stoats swam to the islands and killed the few individuals that lived there. This brought the parrot to the brink of extinction; the lowest in 1995 when only 49 birds remained. Fortunately, nowadays the surviving kakapos are successfully managed by the Kakapo Recovery Programme on three predator-free islands: Codfish (Whenua Hou), Anchor, and Little Barrier islands. All kakapos carry radio transmitters and are intensively monitored throughout their lifetime. They have been given names, which is an affectionate way for the conservation staff to refer to individual birds, and provides stark reminder of how few remain. This watercolor is the most iconic image of the kakapo ever created. It is illustrated in the second edition of the first and most important ornithological monograph on New Zealand. The author, Sir Walter Lawry Buller (1838-1906), was born in Hokianga, New Zealand and is acclaimed for his first-hand observations on the birds, as well as in their rapid decline. With his first monograph, Buller became the leading authority on this ornithologic field. In the introduction of A History of the Birds of New Zealand (1872-1873), Buller notes that, "some of these remarkable forms have already become almost, if not quite, extinct, and others are fast expiring. It has been the author's desire to collect and place on record a complete life-history of these birds before their final extirpation shall have rendered such a task impossible". The second edition has even more lithographs and are of a greater quality than the first. In his description of the kakapo, Buller states that the first skin arrived at the British Museum in 1845. He notes how dogs were a major threat, leading to their extinction, only a mere three decades after their discovery. Earlier depictions of kakapo show incorrect features of the bird, illustrating them as too slim and in and wrong body posture (see ill. 1 and 2). In contrast, Keulemans' watercolor depicts the robust physique of the kakapo accurately. Keulemans illustrated many the best-known ornithology books of the nineteenth century, and Buller's monograph is no exception (ill. 3). In this piece, the kakapo lives up to its scientific name, as its head, posture and soft feathers resemble that of an owl. Keulemans pays detail to the intricate pattern of the yellowish moss-green and dark brownish plumage as well as the different structure of its' feathers; the beak is surrounded by "whiskers", while the ends of the tail feathers worn due to the continual dragging of its' plumage on the ground. The shadowing in his piece is beautifully done, providing the bird with great dimensionality. It is standing with one foot on a branch on the forest floor, which accurately depicts the bird in its' natural habitat. This is considered a remarkable achievement, as Keulemans never set foot on New Zealand himself. Keulemans is able to create an eye-catching portrait of the kakapo, making it stand out, despite the birds' excellent ability to camouflage. Just like with his kea, he knows how to let the parrot stare into the eyes of the observer. It is not a coincidence that his kakapo has been the most well-known scientific illustration of the parrot in over a hundred years.
AFTER JOHANNES GERARDUS KEULEMANS (NETHERLANDIC, 1842-1912) Pair of 19th century hand-colored lithographs of Longtail Rollers "Coracias Spatulatus" and "Coracias Caudatus", set behind glass in wooden frames.
JOHN GERRARD KEULEMANS (DUTCH 1842-1912) JOHN GERRARD KEULEMANS (DUTCH 1842-1912) A Monograph of the Loriidae - Brush-tongued Parrots: six plates (Pl. IV; X; XXI; XXXV; XXXIX; LVI) published by St. George Jackson Mivart & R.H. Porter, London lithographs in colours with additional hand-colouring on wove papers 27 x 21 cm (6) PROVENANCE: Christie's, New York, 3 February 2003, lot 237
Four Natural History Prints of Parrots. John Gerrard Keulemans (1842-1912) (artist and lithographer). Hand colored antique prints, London, 1896. Sights 12" x 8 1/2", overall 16 1/2" x 13".
a) Aethopyga Shelleyi, Eudrepanis Dubia Dinagat Yellow-backed Sun-Bird Captain G. E. Shelley & John Gerard Keulemans from George Ernest Shelley’s “A Monograph of The Nectariniidae or Family of Sun-Birds”. Publication Date: London, 1876. This bird is now known as the Lovely Sunbird and is known to inhabit Palawan b) Lansium Domesticum (Lanzones) chromolithograph finished by hand from Fleurs, Fruits et Feuillages choisis de la flore et de la pomone....... Brussels: Faubourg de Louvain, 1866
