Mark Klett Paintings & Artwork for Sale | Mark Klett Art Value Price Guide

Oct. 19, 2024
Mark Klett Desert Citizens, No. 45
Est: $500 - $1,000
Mark Klett (American, b. 1952) Desert Citizens, No. 45 Photogravure on tissue mounted on mat board ed. 15 of 40 Signed in pencil Mark Klett, lower right "#45" written in pencil, lower left.
Larsen Art Auction
Oct. 19, 2024
Mark Klett Desert Citizens, No. 27
Est: $500 - $1,000
Mark Klett (American, b. 1952) Desert Citizens, No. 27 Photogravure on tissue mounted on mat board ed. 15 of 40 Signed in pencil Mark Klett, lower right "#27" written in pencil, lower left.
Larsen Art Auction
Oct. 19, 2024
Mark Klett Desert Citizens, No. 43
Est: $500 - $1,000
Mark Klett (American, b. 1952) Desert Citizens, No. 43 Photogravure on tissue mounted on mat board ed. 15 of 40 Signed in pencil Mark Klett, lower right "#43" written in pencil, lower left.
Larsen Art Auction
Oct. 19, 2023
Mark Klett (born 1952) Natalie Throwing Rocks, Aravalpa Canyon, 1996
Est: $3,000 - $5,000
Mark Klett (born 1952) Natalie Throwing Rocks, Aravalpa Canyon, 1996 Gelatin silver print, printed c. 1996, signed, titled, dated and numbered '1/50' in silver ink in the margin; signed, dated and numbered '1/50' in pencil on the verso. image: 18 1/4 x 22 3/4in. (46.4 x 57.8cm.); sheet: 20 x 24in. (50.8 x 61cm.) Provenance: With Pace MacGill Gallery, New York, acquired 1999 The most prevalent way of working in photography right now is project oriented: you go after an idea. I like the old way, the intuitive approach. You follow your nose and take pictures and see what emerges. MARK KLETT
Hindman
Mar. 29, 2023
MARK KLETT (Albany, United States, 1952). “Balancing Rocks, road to Lee's Ferry”, “Marble Canyon, Arizona”, “Untitled”. 1986. Photography (Triptych). Copy 16/50. Provenance: Estheryoh Stern Gallery (Arizona).
Est: €6,000 - €7,000
MARK KLETT (Albany, United States, 1952). "Balancing Rocks, road to Lee's Ferry", "Marble Canyon, Arizona", "Untitled". 1986. Photograph (Triptych). Copy 16/50. Provenance: Estheryoh Stern Gallery (Arizona). With label from Estheryoh Stern Gallery (Arizona). Two of the photographs are titled at the lower left. One of the photographs is dated in the lower area. Size: 50 x 40 cm (x3). Triptych made up of three photographs dominated by a large natural formation, which varies in each case, forcing the spectator to reflect on the perspective and the point of view from which specific moments are observed or captured. All three pieces are finished in black and white, in such a way as to give a sense of documentary photography, reminiscent in some ways of the industrial landscapes of Bernd and Hilla Becher, but in this case focusing the gaze on the natural. He lives in Temple (Arizona, USA), where he is Regents Professor of Art at Arizona State University. He is interested in the intersection of culture, landscape and time. Klett began working as a photographer in the 1960s. Previously, he had worked as a geologist. In 1984, he published Second View, a vast project to re-photograph the scenery of the American West that well-known photographers such as Timothy O'Sullivan, among others, recorded in the course of expeditions commissioned by the Federal Government during the second half of the 19th century. With this project, Klett generated, at the same time, three important elements: the methodology necessary to develop the rigorous genre of rephotography, the human team necessary to encompass the ambitious aims of his projects, and a discourse on the construction of the collective imaginary. At the end of the 1990s, Klett took up the same work again, which led him to publish the monograph Third Views, Second Sights, which brings together the images made in the 19th century, those of the 1970s and those of the end of the 20th century.
Setdart Auction House
Oct. 22, 2022
Mark Klett Night storm over Glendale
Est: $500 - $1,000
Mark Klett (American, b. 1952) Night storm over Glendale, 1993 Gelatin silver print ed. of 50 Signed, verso Titled, dated and located Glendale in silver ink, lower margin. From the "Revealing Territory" series.
Larsen Art Auction
Oct. 22, 2022
Mark Klett (3) Night storm over Glendale, Crescent moon at Twilight & Evening storm passing south
Est: $1,000 - $3,000
Mark Klett (American, b. 1952) (3) Night storm over Glendale, Crescent moon at Twilight & Evening storm passing south, 1993, 1987 & 1983, printed 1997 Gelatin silver prints eds. of 50 Signed, verso of each photograph Titled, located and dated in silver ink, lower margin of each work. "Night storm over Glendale" and "Crescent moon at twilight" are from the "Revealing Territory" series.
Larsen Art Auction
Sep. 08, 2022
MARK KLETT (Albany, United States, 1952). “Balancing Rocks, road to Lee's Ferry”, “Marble Canyon, Arizona”, “Untitled”. 1986. Photography (Triptych). Copy 16/50. Provenance: Estheryoh Stern Gallery (Arizona).
Est: €6,000 - €7,000
MARK KLETT (Albany, United States, 1952). "Balancing Rocks, road to Lee's Ferry", "Marble Canyon, Arizona", "Untitled". 1986. Photograph (Triptych). Copy 16/50. Provenance: Estheryoh Stern Gallery (Arizona). With label from Estheryoh Stern Gallery (Arizona). Two of the photographs are titled at the lower left. One of the photographs is dated in the lower area. Size: 50 x 40 cm (x3). Triptych made up of three photographs dominated by a large natural formation, which varies in each case, forcing the spectator to reflect on the perspective and the point of view from which specific moments are observed or captured. All three pieces are finished in black and white, in such a way as to give a sense of documentary photography, reminiscent in some ways of the industrial landscapes of Bernd and Hilla Becher, but in this case focusing the gaze on the natural. He lives in Temple (Arizona, USA), where he is Regents Professor of Art at Arizona State University. He is interested in the intersection of culture, landscape and time. Klett began working as a photographer in the 1960s. Previously, he had worked as a geologist. In 1984, he published Second View, a vast project to re-photograph the scenery of the American West that well-known photographers such as Timothy O'Sullivan, among others, recorded in the course of expeditions commissioned by the Federal Government during the second half of the 19th century. With this project, Klett generated, at the same time, three important elements: the methodology necessary to develop the rigorous genre of rephotography, the human team necessary to encompass the ambitious aims of his projects, and a discourse on the construction of the collective imaginary. At the end of the 1990s, Klett took up the same work again, which led him to publish the monograph Third Views, Second Sights, which brings together the images made in the 19th century, those of the 1970s and those of the end of the 20th century.
Setdart Auction House
May. 24, 2022
MARK KLETT (Albany, United States, 1952). “Balancing Rocks, road to Lee's Ferry”, “Marble Canyon, Arizona”, “Untitled”. 1986.
Est: €6,000 - €7,000
MARK KLETT (Albany, United States, 1952). "Balancing Rocks, road to Lee's Ferry", "Marble Canyon, Arizona", "Untitled". 1986. Photograph (Triptych). Copy 16/50. Provenance: Estheryoh Stern Gallery (Arizona). With label from Estheryoh Stern Gallery (Arizona). Two of the photographs are titled at the lower left. One of the photographs is dated in the lower area. Size: 50 x 40 cm (x3). Triptych made up of three photographs dominated by a large natural formation, which varies in each case, forcing the spectator to reflect on the perspective and the point of view from which specific moments are observed or captured. All three pieces are finished in black and white, in such a way as to give a sense of documentary photography, reminiscent in some ways of the industrial landscapes of Bernd and Hilla Becher, but in this case focusing the gaze on the natural. He lives in Temple (Arizona, USA), where he is Regents Professor of Art at Arizona State University. He is interested in the intersection of culture, landscape and time. Klett began working as a photographer in the 1960s. Previously, he had worked as a geologist. In 1984, he published Second View, a vast project to re-photograph the scenery of the American West that well-known photographers such as Timothy O'Sullivan, among others, recorded in the course of expeditions commissioned by the Federal Government during the second half of the 19th century. With this project, Klett generated, at the same time, three important elements: the methodology necessary to develop the rigorous genre of rephotography, the human team necessary to encompass the ambitious aims of his projects, and a discourse on the construction of the collective imaginary. At the end of the 1990s, Klett took up the same work again, which led him to publish the monograph Third Views, Second Sights, which brings together the images made in the 19th century, those of the 1970s and those of the end of the 20th century.
Setdart Auction House
Sep. 30, 2020
MARK KLETT Bullet Riddled Saguaro 1982
Est: $1,200 - $1,800
MARK KLETT Bullet Riddled Saguaro near Fountain Hills AZ., 11/21/82, 16x20" Gelatin Silver Print. Signed, titled, dated, silver ink front, '©1982' verso pencil. ASG# MK2/1020 A classic early revealing the subtlety of man's bullet marks on the landscape. Mark Klett's (b.1952) landscape photography is informed equally by irony, criticism, conservationism, and residual pastoral romanticism. Like the New Topographics photographers, he considers history and human activity part of the natural landscape. He photographs evidence of human interaction with the land, using formal beauty to invite the critical reflection of the spectator. Klett, born in Albany, New York, earned a B.S. in geology in 1974 from St. Lawrence University and an MFA in photography from the State University of New York, Buffalo, in conjunction with the Visual Studies Workshop in Rochester in 1977. From 1977-79, he worked as a field assistant for the United States Geological Survey in Denver. In 1977, with Ellen Manchester and Jo Ann Verburg, Klett conceived and initiated the Rephotographic Survey Project, which was funded by Polaroid and the National Endowment for the Arts. The project, which retraced the work of nineteenth-century geological survey photographers, was published under the title Second View in 1984. More than 120 of the sites of these initial documentary images--taken by William Henry Jackson, Timothy O'Sullivan, and Alexander Gardner, and others--were photographed, and the book pairs the images for comparison. Klett has received four National Endowment for the Arts Fellowships, and was named photographer of the year by the Friends of Photography in 1993. Since 1982, he has been at the School of Art at Arizona State University. He has published 16 books and been in hundreds of exhibitions and in in the collections of most major art museums in the United States.Lisa Soccio credit https://www.icp.org/browse/archive/constituents/mark-klett?all/all/all/all/0
Andrew Smith Gallery Photography Auctions, LLC
Sep. 23, 2020
Mark Klett "Grave of Hi-Jolly" Photograph
Est: $600 - $800
Mark Klett (b. 1952). Silver gelatin print photograph titled "Grave of Hi-Jolly: Desert Camel Driver," depicting the gravesite of Hadji Ali, nicknamed Hi Jolly, in Quartzsite, Arizona, USA. Hi Jolly was the Syrian caretaker brought over to the United States during Jefferson Davis' Camel Experiment in 1856. When he passed away, locals gathered to create a pyramid tomb topped with a metal camel silhouette, which you can see through the trees in Klett's photograph. Provenance: Distinguished corporate collection, Minnesota. Sight; height: 19 in x width: 14 3/4 in. Framed; height: 26 in x width: 21 1/2 in.
Revere Auctions
Jul. 25, 2020
Mark Klett. Washington, D.C. Panorama Photographs
Est: $1,000 - $2,000
(American, b. 1952). 1992-1993, ed. 2/50, "The Washington Panorama: Three Seasons, Two Administrations", fourteen Carbo II Evercolor pigment prints mounted onto 2 panels; with original portfolio including frontispieces, each photograph: 20 x 16 in., each panel 133 1/5 x 27 1/2 in., framed.
Alex Cooper
Nov. 16, 2019
Mark Klett. Washington, D.C. Panorama Photographs
Est: $4,000 - $6,000
(American, b. 1952). 1992-1993, ed. 2/50, "The Washington Panorama: Three Seasons, Two Administrations", fourteen Carbo II Evercolor pigment prints mounted onto 2 panels; with original portfolio including frontispieces,each photograph: 20 x 16 in., each panel 133 1/5 x 27 1/2 in., framed
Alex Cooper
Oct. 26, 2019
Mark Klett "Entering a Narrow Cave" Photograph
Est: $400 - $800
Included in this lot we have this Mark Klett "Entering a Narrow Cave" Photograph. "Entering a Narrow Cave" was photographed in Salt Creek, Utah by renowned American photographer. Klett was born in Albany, New York. In 1977, he completed the MFA program at Visual Studies Workshop in Rochester, New York studying with Nathan Lyons. This gelatin silver contact print, number 34/50, is titled and dated in silver ink. This wonderful photo displays a man standing in a narrow crevasse of the rock with excellent contrasting seen in the image. This piece is dated 5/9/90 and the back of the piece shows a gallery sticker for Fraenkel Gallery. The art measures 19 1/2" in height by 15 3/4" wide. The frame measures 22" in height by 18 1/2" wide .
North American Auction Company
Oct. 24, 2019
Mark Kleet. Balancing rocks, 1986
Est: -
KLETT, MARK (1952). "Balancing rocks, road to Leed´s Ferry, 1986". Gelatina de plata con estampados vintage. Tres fotografías donde se lee respectivamente: "Balancing rocks, road to Leed's Ferry", "Marble Canyon, Arizona" y fechado 5/10/86. Mark Klett es conocido por gotografías de paisajes desérticos situados en el sudoeste de Estados Unidos, siguiendo las condiciones de iluminación del siglo XIX y de fotógrafos como William Henry Jackson o Timothy O'Sullivan. Estas fotos representan los cambios en el paisaje, en la estética, en la representación y en la percepción. Klett ha colaborado con varios artistas, entre ellos Byron Wolfe, con quien ha realizado proyectos fotográficos en el Gran Cañón, Yosemite y otros paisajes históricos. También ha trabajado en Portugal, donde fotografió viñedos y vistas en la región del río Duero, y en Japón, donde fotografió los restos del terremoto en Kobe. Su obra se expone en importantes museos como el MOMA en New York, Art Institute of Chicago, Tokyo Metropolitan Museum of Modern Art o el Victoria and Albert Museum de Londres. Además de numerosas exposiciones individuales. 50 x 40 cm
Duran Arte y Subastas
Oct. 19, 2019
Mark Klett, (American, b. 1952), Small Pool and Contrail, Muley Pt Utah 5/23/88, photograph, 11"H x 14"W
Est: $300 - $500
Mark Klett (American, b. 1952) Small Pool and Contrail, Muley Pt Utah 5/23/88 photograph Titled lower left. Dated lower right. Pencil signed, dated and "FOP (Friends of Photography) Special Ed," on verso. 11"H x 14"W
Ripley Auctions
Oct. 19, 2019
Mark Klett. Washington, D.C. Panorama Photographs
Est: $8,000 - $12,000
(American, b. 1952). 1992-1993, ed. 2/50, "The Washington Panorama: Three Seasons, Two Administrations", fourteen Carbo II Evercolor pigment prints mounted onto 2 panels; with original portfolio including frontispieces,each photograph: 20 x 16 in., each panel 133 1/5 x 27 1/2 in., framed
Alex Cooper
Oct. 19, 2019
Mark Klett and Byron Wolf. "Point Sublime..."
Est: $5,000 - $7,000
Mark Klett (American, b. 1952) with Byron Wolf (American, b. 1967). 2007, ed. 1/25, "Details from the view at Point Sublime on the north rim of the Grand Canyon, based on the panoramic drawing by William Holmes(1882). William Henry Holmes, 1882. Sheets XV, XVI, XVII. Panorama of Point Sublime. From Clarence Dutton, Atlas to Accompany the Monograph on the Tertiary History of the Grand Canyon District", digital inkjet print, signed in plate "WHH", 24 x 96 in., framed
Alex Cooper
May. 30, 2019
Mark Kleet. Balancing rocks, 1986
Est: -
KLETT, MARK (1952). "Balancing rocks, road to Leed's Ferry, 1986". Gelatina de plata con estampados vintage. Tres fotografías donde se lee respectivamente: "Balancing rocks, road to Leed's Ferry", "Marble Canyon, Arizona" y fechado 5/10/86. Mark Klett es conocido por gotografías de paisajes desérticos situados en el sudoeste de Estados Unidos, siguiendo las condiciones de iluminación del siglo XIX y de fotógrafos como William Henry Jackson o Timothy O'Sullivan. Estas fotos representan los cambios en el paisaje, en la estética, en la representación y en la percepción. Klett ha colaborado con varios artistas, entre ellos Byron Wolfe, con quien ha realizado proyectos fotográficos en el Gran Cañón, Yosemite y otros paisajes históricos. También ha trabajado en Portugal, donde fotografió viñedos y vistas en la región del río Duero, y en Japón, donde fotografió los restos del terremoto en Kobe. Su obra se expone en importantes museos como el MOMA en New York, Art Institute of Chicago, Tokyo Metropolitan Museum of Modern Art o el Victoria and Albert Museum de Londres. Además de numerosas exposiciones individuales. 50 x 40 cm
Duran Arte y Subastas
Mar. 28, 2019
KLETT, MARK (1952). "Balancing rocks, road to Leed's Ferry, 1986". Gelatina de plata con estampados vintage. Tres fotografías donde se lee respectivamente: "Balancing rocks, road to Leed's Ferry", "Marble Canyon, Arizona" y fechado 5/10/86. Mark Klett es conocido por gotografías de paisajes desérticos situados en el sudoeste de Estados Unidos, siguiendo las condiciones de iluminación del siglo XIX y de fotógrafos como William Henry Jackson o Timothy O'Sullivan. Estas fotos representan los cambios en el paisaje, en la estética, en la representación y en la percepción. Klett ha colaborado con varios artistas, entre ellos Byron Wolfe, con quien ha realizado proyectos fotográficos en el Gran Cañón, Yosemite y otros paisajes históricos. También ha trabajado en Portugal, donde fotografió viñedos y vistas en la región del río Duero, y en Japón, donde fotografió los restos del terremoto en Kobe. Su obra se expone en importantes museos como el MOMA en New York, Art Institute of Chicago, Tokyo Metropolitan Museum of Modern Art o el Victoria and Albert Museum de Londres. Además de numerosas exposiciones individuales. 50 x 40 cm
Est: -
Mark Kleet. Balancing rocks, 1986
Duran Arte y Subastas
Oct. 04, 2018
MARK KLETT - Around Toroweap Point, just before and after sundown, beginning and ending with views used by J.K. Hillers over 100 years ago, Grand Canyon, 1986
Est: $7,000 - $9,000
MARK KLETT - Around Toroweap Point, just before and after sundown, beginning and ending with views used by J.K. Hillers over 100 years ago, Grand Canyon, 1986
Phillips
May. 06, 2017
Mark Klett Playing Desert Golf, Moab, Utah, May 21, 1989
Est: $400 - $800
Klett, Mark (American, born 1952); Playing Desert Golf, Moab, Utah, May 21, 1989, black and white photographs, 15.5 x 19.5 inches Provenance: Silver Eye Center for Photography Auction; A Pittsburgh Corporate Collection
Concept Art Gallery
May. 06, 2017
Mark Klett Peering Over Comb Ridge Near Bluff, Utah, 1989
Est: $400 - $800
Klett, Mark (American, born 1952); Peering Over Comb Ridge Near Bluff, Utah, 1989 , black and white photograph, 15.5 x 19.5 inches Provenance: Silver eye Center for Photography Auction; A Pittsburgh Corporate Collection
Concept Art Gallery
Nov. 12, 2016
Mark Klett, (American, b. 1952), #27, #43, #45 (suite of three works), photogravures, 18.75" x 14.5"
Est: $1,000 - $2,000
Mark Klett (American, b. 1952) #27, #43, #45 (suite of three works) photogravures signed, titled and numbered, edition of 40 18.75" x 14.5"
Toomey & Co. Auctioneers
Oct. 08, 2016
Klett and Wolfe: A world turned upside down, Glen Canyon and Lake Powell, 2012, 2012, archival pigment print, ed. 1/20
Est: $2,200 - $3,200
A world turned upside down, Glen Canyon and Lake Powell, 2012, 2012, archival pigment print, ed. 1/20, signed verso, Image size: 22"x34.25"; Sheet Size: 24"x36.5"
The Photo Review
Jan. 13, 2015
Mark Klett (b. 1952) Sears hat at White House ruin
Est: $1,500 - $2,500
Mark Klett (b. 1952) Sears hat at White House ruins, Canyon de Chelly, Arizona, 1987 titled and dated (in the print) and signed, dated and numbered '13/50' in pencil (on the verso) 16 x 19¾ in. (40.6 x 50.2 cm.) (2)
Christie's
Oct. 17, 2014
KLETT, MARK (1952- ) "Beneath the Great Arch, near Monticello, Utah" * "Camp 3 at Lake Powell, near the mouth of West Canyon."
Est: $2,000 - $3,000
KLETT, MARK (1952- ) "Beneath the Great Arch, near Monticello, Utah" * "Camp 3 at Lake Powell, near the mouth of West Canyon." Together, 2 silver prints, 16x19 3/4 and 13 7/8x16 3/4 inches (40.6x50.2 and 35.2x42.5 cm.), each with Klett's title and date, in silver ink, on recto, and with his signature and date, in pencil, on verso; the second also with additional notations and an edition notation 32/50, in pencil, on verso. 1982 and 1984
Swann Auction Galleries
Sep. 16, 2014
MARK KLETT, (AMERICAN B. 1952), "STEPH BENEATH THE GREAT SANDSTONE ARCH"
Est: $400 - $600
MARK KLETT (american b. 1952)/span "STEPH BENEATH THE GREAT SANDSTONE ARCH" 1982/1983. Titled and dated recto and again verso. Dye transfer print. 15 1/4 x 19 5/8 in. (38.7 x 49.8cm) Unframed
Freeman's | Hindman
Jan. 15, 2014
KLETT, MARK (b. 1952) Longest Day: Last Light of the Summer Solstice, Carefree, AZ 6/21/84. Gelatin silver print from Polaro...
Est: $800 - $1,200
KLETT, MARK (b. 1952) Longest Day: Last Light of the Summer Solstice, Carefree, AZ 6/21/84. Gelatin silver print from Polaroid negative, 20 x 16 inches, recto signed, titled, and dated on the lower margin in silver ink, numbered 4 from the edition of 50. Framed, size 26 1/2 x 20 inches. Provenance: Pace/MacGill Gallery C The Yale R. Burge Collection
DOYLE Auctioneers & Appraisers
Apr. 12, 2013
Mark Klett, (American, 20th century), The Complete Collection of Twelve Works from the Series, Tallahassee: Amid, 1989
Est: $500 - $700
Mark Klett (American, 20th century) The Complete Collection of Twelve Works from the Series, Tallahassee: Amid, 1989 silver and gelatin prints 16 x 20 inches.
Hindman
Dec. 19, 2011
MARK KLETT (B. 1952)
Est: $2,000 - $3,000
MARK KLETT (B. 1952) Checking Roadmap, Monument Valley; and Motorcycle Speeding Past on Dirt Road near Apache Junction, Arizona, 1982 2 gelatin silver prints each titled and dated in silver ink (on the recto); signed and dated in pencil (on the verso) each 16 x 19¾in. (40.7 x 50.4cm.) (irregular) (2)
Christie's
Oct. 22, 2011
Mark Klett: Moment of Intersection, 2010, toned silver print, signed verso
Est: $700 - $1,400
Mark Klett: Moment of Intersection, 2010, toned silver print, signed verso, 9"x7"
The Photo Review
Oct. 21, 2011
MARK KLETT, (AMERICAN B. 1952), "STEPH BENEATH THE GREAT SANDSTONE ARCH"
Est: $800 - $1,200
MARK KLETT (american b. 1952)/span "STEPH BENEATH THE GREAT SANDSTONE ARCH" Titled and dated 6/21/82, signed and dated verso, printed in 1983. Dye transfer print. 15 1/4 x 19 5/8 in. (38.7 x 49.8cm) Unframed
Freeman's | Hindman
Apr. 30, 2011
MARK KLETT (b. 1952): VIEW OF GRAND CANYON IN HOMAGE TO WILLIAM BELL
Est: $400 - $600
Gelatin silver print, 16 x 20 in. (sheet), titled and dated '88 and signed, dated and numbered 6/50 on verso.
STAIR
Apr. 30, 2011
MARK KLETT (b. 1952): CAMPSITE/WATERY CANYONS AND FIRST DAY OF SUMMER
Est: $800 - $1,200
Two dye-transfer photographs, 16 x 20 in. (sheet), each from an edition on twenty, signed, titled and dated in silver ink on the image and signed and dated on verso.
STAIR
Apr. 30, 2011
MARK KLETT (b. 1952): "SPIRAL CARVING FACING EAST, SIGNAL HILL, SAGUARO, AZ"
Est: $200 - $400
Gelatin silver print, 16 x 20 in. (sheet), signed in silver ink, titled and dated 1983 on the image and signed and dated on verso.
STAIR
Apr. 30, 2011
MARK KLETT (b. 1952): "STEPH BENEATH THE GREAT SANDSTONE ARCH"
Est: $600 - $800
Dye-transfer print, 14 1/4 x 18 1/2 in. (sight), titled, inscribed and dated 6/21/82 recto.
STAIR
Apr. 30, 2011
MARK KLETT (b. 1952): DISSIPATING CLOUD, SUNSET: BLACK CANYON, NV
Est: $600 - $800
Gelatin silver print, 14 3/4 x 18 3/8 in. (sight). Provenance: Robert Burge, NY.
STAIR
Jan. 28, 2011
Mark Klett (American, b. 1952) Spiral Carving Facing East - Signal Hill, 1983. Titled in silver pen (within the image) l.l., titled ...
Est: $300 - $350
Mark Klett (American, b. 1952) Spiral Carving Facing East - Signal Hill, 1983. Titled in silver pen (within the image) l.l., titled and dated "...5/7/83" in silver pen (within the image) l.r., signed "Mark Klett" in pencil on the reverse, dated "(c) 1983" in pencil on the reverse. Gelatin silver print, image/sheet size 16 x 19 7/8 in. (40.5 x 50.5 cm), unmatted, unframed. Condition: Minor wear to edges (primarily at the corners). Provenance: From the collection of Austin Lamont, by family descent.
Skinner
Feb. 08, 2010
Mark Klett (American, born 1952); Panorama of San Francisco, from California Street Hill; (9)
Est: $1,000 - $2,000
Panorama of San Francisco, from California Street Hill, 1990 San Francisco, Fraenkel Gallery, San Francisco, 1990. eight gelatin silver prints (of 13), each flush-mounted, edition number 20/50, signed by the artist and edition number in pencil on the colophon page, each in excellent condition, each framed. In 1878 Eadweard Muybridge climbed with his cumbersome wooden view camera to the top of California Street in San Francisco to make a 360-degree panorama of the city. In 1990 Mark Klett revisited the idea with Panorama of San Francisco. Klett's goal was to match Muybridge's photographs-something no longer possible in 1990 from the same spot because of the skyline created during the century spanning the two projects. (9) 19 1/2 x 16in each
Bonhams
Oct. 22, 2009
KLETT, MARK (1952- ) "Beneath the Great Arch Near Monticello, Utah."
Est: $2,000 - $3,000
KLETT, MARK (1952- ) "Beneath the Great Arch Near Monticello, Utah." Silver print, 16x20 inches (40.6x50.8 cm.), with Klett's title and date, in silver ink, on recto and his signature and date, in pencil, on verso. 1982
Swann Auction Galleries
May. 11, 2009
Mark Klett (American, born 1952); Numbers 27; 43; 45; (3)
Est: $3,000 - $5,000
Numbers 27; 43; 45, 1997 The complete suite, comprising 3 photogravures printed on tissue thin paper to wove support, each signed in pencil, titled, and annotated 'PP 1/3' (aside from an edition of 40), published by Segura Publishing Company, Mesa, Arizona, with full margins, in apparently excellent condition, each framed (not examined out of frames). (3) 18 3/4 x 14 1/2in each
Bonhams
Oct. 21, 2008
KLETT, MARK (1952- ) "Longest Day: Last Light of the Solstice, Carefree, AZ."
Est: $2,000 - $3,000
KLETT, MARK (1952- ) "Longest Day: Last Light of the Solstice, Carefree, AZ." Silver print, 19 3/4x15 3/4 inches (50.2x40 cm.), with the title and date, in silver ink, on recto and Klett's signature, date and edition notations 4/50, in pencil, on verso. 1984
Swann Auction Galleries
Nov. 18, 2007
Mark Klett (American, born 1952); Two Evenings Past the New Moon, Sears Point;
Est: $300 - $500
Two Evenings Past the New Moon, Sears Point , 1988 Gelatin silver print, signed, titled, and dated in silver ink on the image; signed, titled, dated and edition numbered 10/50 in pencil on verso, in pristine condition, not framed. 16 x 19 7/8in
Bonhams
Apr. 15, 2007
Mark Klett
Est: $600 - $800
Two Evenings Past the New Moon, Sears Point , 1988 Gelatin silver print, signed, titled, and dated in silver ink on the image; signed, titled, dated and edition numbered 10/50 in pencil on verso, in pristine condition, not framed. 16 x 19 7/8in
Bonhams
Mar. 13, 2007
f - MARK KLETT
Est: €1,300 - €1,800
B. 1952 STORM CLOUDS OVER EASTERN IDAHO: NEAR CRATERS OF THE MOON 40,5 by 50,5 cm. silver print, titled and dated 8/18/80 in silver ink; signed and dated 1980 in pencil on the reverse, 1980
Sotheby's
Dec. 07, 2006
KLETT, MARK (1952- ) "Storm Clouds over Eastern Idaho: Near Craters of the Moon."
Est: $3,000 - $4,500
KLETT, MARK (1952- ) "Storm Clouds over Eastern Idaho: Near Craters of the Moon." Silver print, 16x20 inches (40.6x50.8 cm.), with title and date, in silver ink, on recto, and Klett's signature and date, in pencil, on verso. 1980 All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues and are posted below.
Swann Auction Galleries
May. 18, 2006
KLETT, MARK (1952- ) Beneath the Great Arch, near Monticello, Utah.
Est: $4,000 - $6,000
KLETT, MARK (1952- ) "Beneath the Great Arch, near Monticello, Utah." Silver print, 16x20 inches (40.5x50.8 cm.), with Klett's title and date, in silver ink, on recto and his signature and copyright, in pencil, on verso. 1982
Swann Auction Galleries

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