Lambert Kriedemann Paintings & Artwork for Sale | Lambert Kriedemann Art Value Price Guide

Dec. 01, 2024
GANCHO KARABADJAKOV (1951 Yambol)
Est: -
Acryl auf Leinwand, "Adam & Eva am Baum der Erkenntnis", unten mittig monogrammiert "ГК", ca. 120x100cm, gerahmt (121,5x101,5cm)
Auktionshaus Rotherbaum OHG
Oct. 06, 2024
Roman ADGAMOV (né 1951) La côte de Crimée Huile sur toile 59x74 cm
Est: €400 - €600
Roman ADGAMOV (né 1951) La côte de Crimée Huile sur toile 59x74 cm Signé en bas à droite Signé au dos Роман АДГАМОВ (1951 г.р.) Крымское побережье Холст масло 59х74 см Подпись внизу справа Подпись на обратной стороне
Osenat
Sep. 29, 2024
Lambert Kriedemann (South Africa,b 1951) oil painting
Est: $525 - $675
ARTIST: Lambert Kriedemann (South African, born 1951) TITLE: Village Scene with Horse Drawn Cart MEDIUM: oil on canvas CONDITION: Few very minor paint losses by the lower edge. No visible inpaint under UV light. Wear to frame. ART SIZE: 20 x 30 inches / 50 x 76 cm FRAME SIZE: 26 x 36 inches / 66 x 91 cm SIGNATURE: lower right CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132924 US SHIPPING: $120 + insurance. BIOGRAPHY: At an early stage of my career I decided to follow the path taken by Rembrandt, Turner and Monet, beginning with exquisitely naturalistic paintings and gradually leaving out everything inessential until my work bordered on the abstract. Well, that was the plan, anyway...First I set out to really master realism. In the beginning I refused to use photographs, working directly from life wherever possible. Because I knew that in realism drawing is the basis of everything, I learned to draw well in a variety of mediums. Later, feeling a need to go into more detail in my paintings, I began to use photographic reference material combined with sketches or on-the-spot work. Eventually, having become accustomed to photographs, I became a photo-realist. I gradually built a solid career and attracted the support of corporate sponsors as well as major galleries like Everard Read. Finally, in 2002, I achieved one of my important career goals - a one-man show in a recognised European art gallery.Up until my next one-man show in South Africa in 2003, I was well known for my highly finished realistic paintings of a variety of subjects : land- and seascapes, harbour scenes, street scenes, social scenes, portraits and so on. Since 2003 my work has changed dramatically. I've moved from realism to a form of abstraction. Although for the sake of brevity I refer to my "abstracts", my current work cannot easily be categorised as either abstraction or surrealism. Like the work of Max Ernst, it has elements of both.My abstract work itself has changed and developed. I've gradually progressed from miniatures in acrylic on paper to large, multilayered, heavily textured oils on canvas. The technical approach my realistic work gave birth to has carried over into my abstract/fantasy work. I build up my paintings in layers, leaving space for the unexpected, always looking forward to that magical moment when a painting begins to radiate light, and, as Paul Klee puts it, "to look back at you". This concern with light is a common theme in all of my work.I started my earliest experiments with abstract/fantasy painting in 1998. I'd begun by spontaneously playing around with paint and had discovered the unexpected pleasure of keeping the subject matter ambiguous and asking viewers to tell me what they saw. Treating the viewer as a participant in the process of creation opened up a whole new world for me. My paintings seemed to act as more complex equivalents of the Rorschach inkblot test, encouraging viewers to expose and examine their private obsessions.I'd also been intrigued for a number of years by the links between painting and other arts such as music, dance, theatre and the martial arts. I'm fascinated by the multitude of ways in which the energy of life finds expression through the medium of human beings. At an early stage I became aware that fantasy painting allows me to use my sense of drama more fully, while gestural abstraction encourages me to explore painting as movement.To begin with I did these paintings purely as a hobby. As time passed and my experiments grew in size, I realised that they would eventually have to become my mainstream work. I consulted my art dealers. They warned me that such a radical change in style would mean virtually starting over, career wise. In spite of this well-meant advice I persisted in my new direction, driven by a deep inner conviction that this was what I had to do. In time I discovered new markets for my work and began to sell again.In May 2017 I held a successful one-man show at the Cape Gallery. For the first time I showed some of my old realistic paintings alongside my abstract and fantasy work. I also showed a few of my recent experiments with a new form of representational painting which has grown out of my experience with abstraction and fantasy. In my notes to the show I explained that since 2003 I have been on a journey of discovery, experimenting with a variety of new approaches. This exhibition was an invitation to share that journey. The public responded enthusiastically, buying 12 paintings, including the largest and most expensive work on show. What I found particularly encouraging was that the majority of the works sold were in the abstract/fantasy genre.Since 2017 I have participated in group shows and most notably in a three-man show with Simon Jones and Peter van Straten in November 2019. Recently I've returned after many years to a close study of the Impressionists. I'm inspired by the possibility of working even more directly and spontaneously while using a lighter and brighter range of colours. From time to time I work directly from nature, knowing that the secrets I learn there will feed back into my abstract work.
Broward Auction Gallery LLC
Sep. 29, 2024
Lambert Kriedemann (South Africa,b 1951) oil painting
Est: $600 - $750
ARTIST: Lambert Kriedemann (South African, born 1951) TITLE: Hout Bay, Cape Town, South Africa MEDIUM: oil on canvas CONDITION: Very good. No visible inpaint under UV light. Wear to frame. ART SIZE: 20 x 29 inches / 50 x 73 cm FRAME SIZE: 28 x 39 inches / 71 x 99 cm SIGNATURE: lower right CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132925 US SHIPPING: $120 + insurance. BIOGRAPHY: At an early stage of my career I decided to follow the path taken by Rembrandt, Turner and Monet, beginning with exquisitely naturalistic paintings and gradually leaving out everything inessential until my work bordered on the abstract. Well, that was the plan, anyway...First I set out to really master realism. In the beginning I refused to use photographs, working directly from life wherever possible. Because I knew that in realism drawing is the basis of everything, I learned to draw well in a variety of mediums. Later, feeling a need to go into more detail in my paintings, I began to use photographic reference material combined with sketches or on-the-spot work. Eventually, having become accustomed to photographs, I became a photo-realist. I gradually built a solid career and attracted the support of corporate sponsors as well as major galleries like Everard Read. Finally, in 2002, I achieved one of my important career goals - a one-man show in a recognised European art gallery.Up until my next one-man show in South Africa in 2003, I was well known for my highly finished realistic paintings of a variety of subjects : land- and seascapes, harbour scenes, street scenes, social scenes, portraits and so on. Since 2003 my work has changed dramatically. I've moved from realism to a form of abstraction. Although for the sake of brevity I refer to my "abstracts", my current work cannot easily be categorised as either abstraction or surrealism. Like the work of Max Ernst, it has elements of both.My abstract work itself has changed and developed. I've gradually progressed from miniatures in acrylic on paper to large, multilayered, heavily textured oils on canvas. The technical approach my realistic work gave birth to has carried over into my abstract/fantasy work. I build up my paintings in layers, leaving space for the unexpected, always looking forward to that magical moment when a painting begins to radiate light, and, as Paul Klee puts it, "to look back at you". This concern with light is a common theme in all of my work.I started my earliest experiments with abstract/fantasy painting in 1998. I'd begun by spontaneously playing around with paint and had discovered the unexpected pleasure of keeping the subject matter ambiguous and asking viewers to tell me what they saw. Treating the viewer as a participant in the process of creation opened up a whole new world for me. My paintings seemed to act as more complex equivalents of the Rorschach inkblot test, encouraging viewers to expose and examine their private obsessions.I'd also been intrigued for a number of years by the links between painting and other arts such as music, dance, theatre and the martial arts. I'm fascinated by the multitude of ways in which the energy of life finds expression through the medium of human beings. At an early stage I became aware that fantasy painting allows me to use my sense of drama more fully, while gestural abstraction encourages me to explore painting as movement.To begin with I did these paintings purely as a hobby. As time passed and my experiments grew in size, I realised that they would eventually have to become my mainstream work. I consulted my art dealers. They warned me that such a radical change in style would mean virtually starting over, career wise. In spite of this well-meant advice I persisted in my new direction, driven by a deep inner conviction that this was what I had to do. In time I discovered new markets for my work and began to sell again.In May 2017 I held a successful one-man show at the Cape Gallery. For the first time I showed some of my old realistic paintings alongside my abstract and fantasy work. I also showed a few of my recent experiments with a new form of representational painting which has grown out of my experience with abstraction and fantasy. In my notes to the show I explained that since 2003 I have been on a journey of discovery, experimenting with a variety of new approaches. This exhibition was an invitation to share that journey. The public responded enthusiastically, buying 12 paintings, including the largest and most expensive work on show. What I found particularly encouraging was that the majority of the works sold were in the abstract/fantasy genre.Since 2017 I have participated in group shows and most notably in a three-man show with Simon Jones and Peter van Straten in November 2019. Recently I've returned after many years to a close study of the Impressionists. I'm inspired by the possibility of working even more directly and spontaneously while using a lighter and brighter range of colours. From time to time I work directly from nature, knowing that the secrets I learn there will feed back into my abstract work.
Broward Auction Gallery LLC
Sep. 22, 2024
GANCHO KARABADJAKOV (1951 YAMBOL)
Est: -
GANCHO KARABADJAKOV (1951 Yambol) Acryl auf Leinwand, "Adam & Eva am Baum der Erkenntnis", unten mittig monogrammiert "ГК", ca. 120x100cm, gerahmt (121,5x101,5cm)
Auktionshaus Rotherbaum OHG
Jun. 20, 2024
Untitled
Est: $8,000 - $12,000
A Life in Art: The Mallin Collection Kim Dingle b. 1951 Untitled signed and dated 1997 (on the reverse) oil on Belgian linen 71 ½ by 59 ⅝ in. 81.6 by 151.4 cm. Executed in 1997.
Sotheby's
Jun. 06, 2024
λ HENRIETTA YOUNG (BRITISH B. 1951), AMARYLIS IN FLOWER
Est: £100 - £200
λ HENRIETTA YOUNG (BRITISH B. 1951)AMARYLIS IN FLOWERWatercolourSigned and dated 1985 (lower right)45.5 x 29.5cm (17¾ x 11½ in.)Provenance: From a Private Collection Measurements do not include the frame unless specified.
Dreweatts 1759 Fine Sales
Jun. 06, 2024
λ MARZIA COLONNA (ITALIAN B. 1951), NUDE
Est: £600 - £800
λ MARZIA COLONNA (ITALIAN B. 1951) NUDE Bronze Signed and numbered 10/1222cm (8½in.) High inc. baseProvenance: From a Private Collection
Dreweatts 1759 Fine Sales
Jun. 06, 2024
λ DAVID ORD KERR (BRITISH B.1951), TWO HORNBILLS
Est: £3,000 - £5,000
λ DAVID ORD KERR (BRITISH B.1951)TWO HORNBILLSOil on board Signed (lower right)119 x 134cm (46¾ x 52¾ in.)Measurements do not include the frame unless specified.
Dreweatts 1759 Fine Sales
May. 30, 2024
GHIKA (HATZIKYRIAKOS) Nikos (1906 -1994) 'Strepsiadis' 1951
Est: €4,000 - €5,000
Signed & dated ο/tempera on hardboard 72x48 cm
Hellenic Auctions
Mar. 16, 2024
LAMERT KRIEDEMANN 'FISHERMAN' OIL ON CANVAS
Est: $150 - $200
Lambert Kriedemann (Born 1951) oil painting on canvas depicting fisherman at a port. Signed lower right. Viewable measures 28 3/4" x 18 3/4". Frame measures 37 1/2' x 27 1/2".
Antiques & Modern Auction Gallery
Mar. 16, 2024
LAMERT KRIEDEMANN 'HORSE DRAWN CART' OIL ON CANVAS
Est: $150 - $200
Lambert Kriedemann (Born 1951) oil painting on canvas depicting a man with horse drawn cart approaching a small village. Signed lower right. Viewable measures 29" x 19 1/4". Frame measures 36" x 26".
Antiques & Modern Auction Gallery
Nov. 16, 2023
Spoons No. 3
Est: $20,000 - $30,000
Art House: The Collection of Chara Schreyer Hassan Sharif 1951 - 2016 Spoons No. 3 spoons and copper, in 3 parts overall: 27 ⅝ by 31 ⅞ in. 70.2 by 80.9 cm, Executed in 2012.
Sotheby's
Nov. 14, 2023
El animal herido
Est: $70,000 - $90,000
Property of an Important Patron of the Arts Mathias Goeritz 1915 - 1990 El animal herido wood height: 23 ⅝ in. 60 cm. Executed in 1951.
Sotheby's
May. 16, 2023
L'Empire des lumières
Est: $35,000,000 - $55,000,000
René Magritte 1898 - 1967 L'Empire des lumières signed (lower right); titled "L'Empire des lumières," numbered III and dated 1951 (on the reverse) oil on canvas 31 ⅝ by 25 ⅞ in. 80.3 by 65.7 cm. Executed in August—September 1951.
Sotheby's
Apr. 14, 2023
λ ANTHONY FROST (BRITISH B. 1951), WALKING INTO RED
Est: £40 - £60
λ ANTHONY FROST (BRITISH B. 1951)WALKING INTO REDScreenprintSigned in pencil and dated '01 (lower right), titled (lower centre) and numbered 72/75 (lower left)54.5 x 59cm (21¼ x 23 in.) overall including frame
Dreweatts 1759 Fine Sales
Nov. 02, 2022
λ PHIL ROGERS (1951-2020)A GREEN GLAZED RED STONEWARE OVOID VASE
Est: £150 - £200
λ PHIL ROGERS (1951-2020)A GREEN GLAZED RED STONEWARE OVOID VASEWith short neck and incised with a sprig of stylised grassImpressed monogram to footrim19.5cm highAnd another vase, 30.5cm highProvenance: Purchased from the potter April 2001.
Dreweatts 1759 Fine Sales
Oct. 19, 2022
Kriedemann (Lambert, 1951-). Park Monument with Bell
Est: £200 - £300
Kriedemann (Lambert, 1951-). Park Monument with Bell AR * Kriedemann (Lambert, 1951-). Park Monument with Bell, watercolour and gouache on wove paper, signed Lambert Kriedemann lower right, in very good condition (unexamined out of the frame), mount opening 44.5 x 33.5 cm (17 1/2 x 13 1/4 ins), mounted within wooden frame, glazed (74 x 61 cm) QTY: (1) NOTE: Provenance: Johan Coetzee, Stellenbosch (label to verso).
Dominic Winter Auctions
Jul. 21, 2022
AR * Kriedemann (Lambert, 1951-). Park Monument with Bell
Est: £300 - £500
AR * Kriedemann (Lambert, 1951-). Park Monument with Bell Kriedemann (Lambert, 1951-). Park Monument with Bell, watercolour and gouache on wove paper, signed Lambert Kriedemann lower right, in very good condition (unexamined out of the frame), mount opening 44.5 x 33.5 cm (17 1/2 x 13 1/4 ins), mounted within wooden frame, glazed (74 x 61 cm) QTY: (1) NOTE: Johan Coetzee, Stellenbosch (label to verso)
Dominic Winter Auctions
Apr. 20, 2022
λ PHIL ROGERS (1951-2020), A GREEN GLAZED RED STONEWARE OVOID VASE
Est: £150 - £200
λ PHIL ROGERS (1951-2020)A GREEN GLAZED RED STONEWARE OVOID VASEWith short neck and incised with a sprig of stylised grassImpressed monogram to footrim19.5cm highProvenance: Purchased from the potter April 2001.
Dreweatts 1759 Fine Sales
Dec. 05, 2021
許雨仁 HSU Yu-jen (Taiwanese, b.1951)
Est: NT$80,000 - NT$160,000
狂花野芽 Wild Flower Bud Signed and titled on the lower 簽名題識下方
Ravenel
Nov. 25, 2021
ALEXANDRAKIS, A. -1951, Homecoming Year, [κάτω:] Greece.
Est: €600 - €800
Χρωμολιθόγραφη αφίσα, 800 x 605 mm. (μικρά σχισίματα στην πάνω και την κάτω πλευρά, λίγοι μικροί λεκέδες από νερό κάτω δεξιά). Έκδοση της Υπηρεσίας του Έτους Αποδήμου Ελληνισμού.
Vergos Auctions P.C.
Sep. 25, 2021
CLOISONNE LACQUER GOLD FLOWER BUTTERFLY PATTERN POWDER BOX IN THE EARLY DAYS OF 1951
Est: $800 - $1,200
解放初景泰蓝漆金花卉蝴蝶纹饰粉盒 CLOISONNE LACQUER GOLD FLOWER BUTTERFLY PATTERN POWDER BOX IN THE EARLY DAYS OF 1951
Mega International Auction
Jun. 13, 2021
BEGOV Aleksey (1951) - Torfou
Est: €1,000 - €1,500
BEGOV Aleksey (1951) Torfou Huile sur toile Signé, localisé et daté « France, Chapelle, 2004 » au dos. 81 x 100 cm БЕГОВ Алексей Торфус Холст, масло Подпись, Франция, Шапель, 2004 на обороте 81 х 100 см
Osenat
Jun. 08, 2021
λ Alessandro Diaz de Santillana (b.1951), a group of four wall mirrors
Est: £500 - £700
λ Alessandro Diaz de Santillana (b.1951), a group of four wall mirrors, early 21st century, each approximately 91cm square, three with indistinct signatures and dates to rear
Dreweatts 1759 Fine Sales
Mar. 14, 2021
MALTSEVA GALINA (1951) Paysage avec église Huile sur isorel 40 x 32 cm Signé et
Est: €250 - €300
MALTSEVA GALINA (1951) Paysage avec église Huile sur isorel 40 x 32 cm Signé et daté 1995 en bas à droite МАЛЬЦЕВА Галина (1951) Пейзаж с церковью Картон, масло 40 x 32 см Подпись и дата 1995 справа внизу
Osenat
Jan. 21, 2021
Song Wenzhi Landscape
Est: $800 - $1,000
51306 Song Wenzhi Landscape 宋文治运河新貌 68x43cm 来源：马来西亚收藏家款识：一九七五年三月娄江文治写钤印：文治画印宋文治（1919-1999）现代画家。江苏太仓人。早年从张石园学习山水，后得陆俨少指授并拜吴湖帆为师。1951年入江苏省国画院受傅抱石影响，致力于山水画创新。曾任南京大学教授、江苏美协副主席、江苏省国画院副院长等职。
SINGAPORE INTERNATIONAL AUCTION PTE LTD.
Sep. 26, 2020
BANK OF CHINA YEAR 1951 10,000 YUAN CURRENCY
Est: $400 - $500
第一版人民币壹万圆驼队 BANK OF CHINA YEAR 1951 10,000 YUAN CURRENCY
Mega International Auction
Sep. 26, 2020
BANK OF CHINA YEAR 1951 5,000 YUAN CURRENCY
Est: $400 - $500
第一版人民币伍仟元蒙古包 BANK OF CHINA YEAR 1951 5,000 YUAN CURRENCY
Mega International Auction
Mar. 01, 2020
POUSSOVSKI Vladimir (1951) Retour au village Huile panneau Signé
Est: €150 - €200
POUSSOVSKI Vladimir (1951) Retour au village Huile panneau Signé en bas à droite 10 x 27,5 cm ПУССОВСКИЙ Владимир (1951) Возвращение в деревню Дерево, масло Подпись справа внизу 10 x 27,5 см.
Osenat
Jun. 02, 2019
舟越桂 Katsura FUNAKOSHI (Japanese, b. 1951)
Est: NT$220,000 - NT$320,000
在藍森林的地方 & 重要的言語 (兩件一組) At the Blue Forest & The Important Words (a set of 2) 簽名右下：Katsura Funakoshi '13 版次左下：11/25 Signed lower right Katsura Funakoshi in English, dated '13 and numbered lower left 11/25
Ravenel
Apr. 03, 2019
Qi Baishi (1864-1957) Butterflies
Est: HKD20,000 - HKD25,000
Qi Baishi (1864-1957) Butterflies ButterfliesInk and colour on paper, framedInscribed and signed Baishi, with one seal of the artistColophon inscribed and signed Zhidong (b.1951), dated bingxu year (2006), and with two seals of his31.5 x 25.5cm (12⅜ x 10in) 齊白石　故園蛺蝶　設色紙本　鏡框陳滯冬題跋款識：故園蛺蝶最多種，百草長時花亂開。窮巷春風原不到，一雙誰遣過牆來。漁家村漁借放翁詩，以補空。白石。題跋：鳥啄梨花花欲稀，去從何處趁風微。遊人不解春光老，只送清明看雪飛。徐青藤詩。丙戌（2006）秋仲。滯冬。鈐印：（齊）木人（陳）陳滯冬印、蓽屋
Bonhams
Oct. 09, 2018
Dudley Holland - "Shadow"
Est: $300 - $500
Dudley HOLLAND " צל " שמן על עץ חתום ומתוארך 1951 מידות : 35*35 ס"מ Dudley Holland - "Shadow" Oil on wood Signed and dated 1951 size: 35*35 cm
Alma
Jul. 22, 2018
SONG WENZHI LANDSCAPE
Est: S$10,000 - S$15,000
宋文治（1919-1999），现代画家。江苏太仓人。早年从张石园学习山水，后得陆俨少指授并拜吴湖帆为师。1951年入江苏省国画院受傅抱石影响，致力于山水画创新。其早年作品风格疏秀；中年笔墨劲健，意境灵奇，时代气息浓郁；晚年变法，尝试没骨泼彩，格调清新，意境空蒙迷茫。
SINGAPORE INTERNATIONAL AUCTION PTE LTD.
Jun. 16, 2018
Vítězslav Odstrčil (1951-?)
Est: Kč8,000 - Kč16,000
HLAVA - MASKA60. - 70. léta 20. stol.Dřevořezba, š. 62 cm, sign. "VIKI".Stav A.http://viki-sochy.cz/http://viki-sochy.cz/ HEAD - MASK1960`s - 1970`sWooden statue, width 62 cm, signed "VIKI".Condition A.http://viki-sochy.cz/http://viki-sochy.cz/ KOPF - MASKE1960s – 1970sHolzschnitzerei, B. 62 cm, signiert „VIKI“. Frühwerk des Künstlers.Zustand A.
Auction House Zezula
Dec. 27, 2017
A 50th anniversary to KKL, 100 Prutah, metal, includong the original
Est: -
. A 50th anniversary to KKL, 100 Prutah, metal, includong the original cardboard back. 1951. סיכת יובל ה-50 לקהק"ל, מפעל הנוער השנתי, על סך 100 פרוטה. מתכת, כולל הקרטון המקורי. 1951.
CollecTodo Worldwide Collector's House
Dec. 03, 2017
HSU YU-JEN (TAIWANESE, B. 1951) 許雨仁
Est: NT$80,000 - NT$160,000
HSU Yu-jen (Taiwanese, b. 1951) Untitled 許雨仁無題 Signed lower center HSU Yu-jen Chinese, initialed HY in English and dated 2007 簽名中下：許雨仁 HY 2007
Ravenel
Dec. 03, 2017
KATSURA FUNAKOSHI (JAPANESE, B. 1951) 舟越桂
Est: NT$460,000 - NT$550,000
Katsura FUNAKOSHI (Japanese, b. 1951) Untitled 舟越桂無題 Signed lower left KF in English and dated 2007 簽名左下：KF '07
Ravenel
Apr. 05, 2017
Non-traditional kibbutz Haggadah, Ayelet Hashachar, 1951
Est: -
Non-traditional kibbutz Haggadah, Ayelet Hashachar, 1951 A non-traditional kibbutz Haggadah, Ayelet Hashachar, 1951, in very good condition. הגדה קיבוצית לא מסורתית, איילת השחר, תשי"א (1951) הגדה קיבוצית לא מסורתית, איילת השחר, תשי"א (1951), במצב טוב מאוד.
The Bidder
Apr. 05, 2017
Non-traditional Kibbutz Haggadah, Degania Bet, 1951
Est: -
Non-traditional Kibbutz Haggadah, Degania Bet, 1951 A non-traditional Kibbutz Haggadah, Degania Bet, 1951, in very good condition: slight worn marks on edges of cover. הגדה קיבוצית לא מסורתית, דגניה ב', תשי"א (1951) הגדה קיבוצית לא מסורתית, דגניה ב', תשי"א (1951), במצב טוב מאוד: סימני שימוש קלים ודהייה בקצוות הכריכה.
The Bidder
Apr. 05, 2017
Non-traditional kibbutz Haggadah, Na'an, 1951
Est: -
Non-traditional kibbutz Haggadah, Na'an, 1951 A non-traditional kibbutz Haggadah, Na'an, 1951, in good condition: Shlomo, stains on cover. הגדה קיבוצית לא מסורתית, נען, תשי"א (1951) הגדה קיבוצית לא מסורתית, נען, תשי"א (1951), במצב טוב: שלמה, כתמים בכריכה.
The Bidder
Feb. 21, 2017
Lambert Kriedemann (South African 1951 -) BOAT IN A HARBOUR signed and date
Est: R8,000 - R12,000
Lambert Kriedemann (South African 1951 -) BOAT IN A HARBOUR signed and dated 1982 oil on board 37 by 48,5cm
Stephan Welz & Co
Feb. 21, 2017
Lambert Kriedemann (South African 1951 -) PATH TO THE MOUNTAINS signed and
Est: R8,000 - R12,000
Lambert Kriedemann (South African 1951 -) PATH TO THE MOUNTAINS signed and dated 1983 oil on board 44 by 60cm
Stephan Welz & Co
Oct. 18, 2016
Lambert Kriedemann (South African 1951 -) VELDDRIF
Est: R8,000 - R12,000
Lambert Kriedemann (South African 1951 -) VELDDRIF WATERFRONT WITH TREE signed oil on canvas 59 by 72cm
Stephan Welz & Co
Oct. 18, 2016
Lambert Kriedemann (South African 1951 -) BERTIE'S
Est: R12,000 - R15,000
Lambert Kriedemann (South African 1951 -) BERTIE'S LANDING signed; signed and and inscribed with the title on the reverse oil on canvas 92 by 66cm
Stephan Welz & Co
Oct. 18, 2016
Lambert Kriedemann (South African 1951 -) ROCKPOOL
Est: R10,000 - R15,000
Lambert Kriedemann (South African 1951 -) ROCKPOOL NEAR SUTHERLAND signed oil on canvas 50 by 75cm
Stephan Welz & Co