Atta Kwami Sold at Auction Prices

b. 1956 -

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  • Atta Kwami, Agenda X 3, 2017
    Nov. 21, 2024

    Atta Kwami, Agenda X 3, 2017

    Est: £250 - £350

    Atta Kwami, Ghanaian 1956-2021, Agenda X 3, 2017; etching and collograph in colours on BFK Rives 250gsm wove, signed and numbered 1/10 in pencil, image: 22.7 x 12cm, sheet: 41.5 x 35.5cm, (framed) Provenance: Beardsmore Gallery, London. 

    Roseberys
  • Atta Kwami (Ghanaian, 1956-2021) Of Tones Deep and Blue
    Oct. 16, 2024

    Atta Kwami (Ghanaian, 1956-2021) Of Tones Deep and Blue

    Est: £6,000 - £8,000

    Atta Kwami (Ghanaian, 1956-2021) Of Tones Deep and Blue signed and dated 'KWAMI '82' (upper left); signed, dated and titled 'KWAMI 82/ OF TONES DEEP AND BLUE' (lower right) oil and ink wash on board 63 x 79cm (24 13/16 x 31 1/8in).

    Bonhams
  • Atta Kwami (Ghanaian, 1956-2021) Untitled (Pampaso) (unframed)
    Oct. 16, 2024

    Atta Kwami (Ghanaian, 1956-2021) Untitled (Pampaso) (unframed)

    Est: £7,000 - £10,000

    Atta Kwami (Ghanaian, 1956-2021) Untitled (Pampaso) signed, titled, dated 'ATTA KWAMI PAMPASO/UNTITLED 2008-2010, Acrylic on linen/ 53 x 78 cm' (verso) acrylic on canvas 53.5 x 78.5cm (21 1/16 x 30 7/8in). (unframed)

    Bonhams
  • Ansaku
    Sep. 27, 2024

    Ansaku

    Est: £30,000 - £50,000

    Atta Kwami Ghanaian (1956-2021) Ansaku signed, titled and dated 2017 (on the reverse) oil on linen 92 by 60cm., 36¼ by 23⅝in.

    Sotheby's
  • Atta Kwami, Father’s House, 1992/3;  
    Sep. 04, 2024

    Atta Kwami, Father’s House, 1992/3;  

    Est: £300 - £500

    Atta Kwami, Ghanaian 1956-2021, Father’s House, 1992/3;   monochrome stone lithograph on Fabriano cotton wove, signed in pencil, numbered 2/6 and dedicated 'For Sue Clive with thanks', sheet: 37.5 x 51.5 cm,  (framed)

    Roseberys
  • Atta Kwami,  Agenda X 3, 2017; 
    Sep. 04, 2024

    Atta Kwami,  Agenda X 3, 2017; 

    Est: £400 - £500

    Atta Kwami,  Ghanaian 1956-2021,  Agenda X 3, 2017;  etching and collograph in colours on BFK Rives 250gsm wove,  signed and numbered 1/10 in pencil,  image: 22.7 x 12cm,  sheet: 41.5 x 35.5cm,  (framed)  Provenance: Beardsmore Gallery, London. 

    Roseberys
  • ATTA KWAMI (1956-2021) Zongo III acrylic on canvas 35 x 31 in. (88.9 x78.7
    May. 21, 2024

    ATTA KWAMI (1956-2021) Zongo III acrylic on canvas 35 x 31 in. (88.9 x78.7

    Est: $3,000 - $5,000

    ATTA KWAMI (1956-2021) Zongo III acrylic on canvas 35 x 31 in. (88.9 x78.7 cm.)

    Christie's
  • Atta Kwami (Ghanaian, 1956-2021) Road Through Dunkwa, 1989 (unframed)
    Oct. 12, 2023

    Atta Kwami (Ghanaian, 1956-2021) Road Through Dunkwa, 1989 (unframed)

    Est: £6,000 - £9,000

    Atta Kwami (Ghanaian, 1956-2021) Road Through Dunkwa, 1989 signed and dated 'KWAMI 89' (lower left); inscribed, titled and dated 'A. Kwami: 'Road Through Dunkwa' 1989' (verso) oil on canvas 50.5 x 50.5cm (19 7/8 x 19 7/8in). (unframed)

    Bonhams
  • § ATTA KWAMI (GHANAIAN 1956-2021)
    Nov. 30, 2022

    § ATTA KWAMI (GHANAIAN 1956-2021)

    Est: £300 - £500

    § ATTA KWAMI (GHANAIAN 1956-2021) ATTA KWAMI (GHANAIAN 1956-2021) Theresa's Fruit Bowl numbered 1/4 (lower left); titled Theresa's Fruit Bowl (lower centre); signed and dated ATTA KWAMI '92 (lower right) linocut in colours on wove sheet, framed 40.5 x 37.8 cm (16 x 14 3/4 in)

    Chiswick Auctions
  • ATTA KWAMI (1956-2021) Atonsu Agogo oil on canvas 47 3/4 x 29 3/4in. (121.5
    Oct. 13, 2022

    ATTA KWAMI (1956-2021) Atonsu Agogo oil on canvas 47 3/4 x 29 3/4in. (121.5

    Est: £20,000 - £30,000

    ATTA KWAMI (1956-2021) Atonsu Agogo oil on canvas 47 3/4 x 29 3/4in. (121.5 x 75.7cm.)

    Christie's
  • ATTA KWAMI (GHANAIAN 1956-2021)
    Oct. 05, 2022

    ATTA KWAMI (GHANAIAN 1956-2021)

    Est: £300 - £500

    ATTA KWAMI (GHANAIAN 1956-2021) ATTA KWAMI (GHANAIAN 1956-2021) Theresa'a Fruit Bowl 1992 signed, dated, titled and numbered 1/4 in pencil linocut in colours on wove sheet 40.5 x 37.8cm framed

    Chiswick Auctions
  • ATTA KWAMI, GHANAIAN, ACCRA 1956-2021, SUITE INDIVIDUALLY TITLED: KPONG, KPETOE, VANE, TSITO AND JUAPONG, 2006, Linocut, 13 x 10 in. (33.02 x 25.40 cm.)
    Apr. 27, 2022

    ATTA KWAMI, GHANAIAN, ACCRA 1956-2021, SUITE INDIVIDUALLY TITLED: KPONG, KPETOE, VANE, TSITO AND JUAPONG, 2006, Linocut, 13 x 10 in. (33.02 x 25.40 cm.)

    Est: $800 - $1,200

    ATTA KWAMI GHANAIAN, ACCRA, 1956-2021 SUITE INDIVIDUALLY TITLED: KPONG, KPETOE, VANE, TSITO AND JUAPONG, 2006 Linocut Each signed, dated, numbered and titled: "Kpong;" lower left numbered: 4/8; lower center titled; lower right signed and dated "06; "Kpetoe;" lower left numbered 4/8; lower center titled; lower right signed and dated "06; "Vane;" left sided numbered: 1/6; center titled; lower right signed and dated "06; "Tsito;" lower left numbered: 1/6; center titled; lower right signed and dated "06; and "Juapong;" lower left numbered: 3/4; center titled; lower right signed and dated "06 Note: The Metropolitan Museum of Art has one of these series in its collection (Acc no. 2008.293.1–.5) (5)

    Potomack Company
  • ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.
    Apr. 29, 2020

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.

    Est: $600 - $800

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in. Unframed; verso titled, dated and signed on the overlap: 13. VICTOR II, 2006, oil on canvas, 61.2 x 82, ATTA KWAMI; Note: "The qualities I seek in my work are: clarity, simplicity, intensity, subtlety, architectonic structure, musicality (rhythm and tone), wholeness and spontaneity. So many strands inevitably manifest themselves in painting: jazz, the timbre of Ghanaian music (Koo Nimo), improvisation, arrangements of merchandise and so forth. I also see corresponding aesthetic commonalities with wall paintings and music from northern Ghana, the limited range of earth colors and the pentatonic scale of the xylophone. Poetry is able to sustain the life of language through new forms of usage. In painting it is also re-interpretation, improvisation and variation that affect innovation and development." Atta Kwami

    Potomack Company
  • ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.
    Jul. 30, 2019

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.

    Est: $800 - $1,200

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in. Unframed; verso titled, dated and signed on the overlap: 13. VICTOR II, 2006, oil on canvas, 61.2 x 82, ATTA KWAMI; Note: "The qualities I seek in my work are: clarity, simplicity, intensity, subtlety, architectonic structure, musicality (rhythm and tone), wholeness and spontaneity. So many strands inevitably manifest themselves in painting: jazz, the timbre of Ghanaian music (Koo Nimo), improvisation, arrangements of merchandise and so forth. I also see corresponding aesthetic commonalities with wall paintings and music from northern Ghana, the limited range of earth colors and the pentatonic scale of the xylophone. Poetry is able to sustain the life of language through new forms of usage. In painting it is also re-interpretation, improvisation and variation that affect innovation and development." Atta Kwami

    Potomack Company
  • ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.
    Jun. 15, 2019

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in.

    Est: $1,500 - $3,000

    ATTA KWAMI (GHANAIAN, BORN ACCRA, 1956-) VICTOR II, 2006 Oil on canvas: 24 x 32 1/4 in. Unframed; verso titled, dated and signed on the overlap: 13. VICTOR II, 2006, oil on canvas, 61.2 x 82, ATTA KWAMI; Note: "The qualities I seek in my work are: clarity, simplicity, intensity, subtlety, architectonic structure, musicality (rhythm and tone), wholeness and spontaneity. So many strands inevitably manifest themselves in painting: jazz, the timbre of Ghanaian music (Koo Nimo), improvisation, arrangements of merchandise and so forth. I also see corresponding aesthetic commonalities with wall paintings and music from northern Ghana, the limited range of earth colors and the pentatonic scale of the xylophone. Poetry is able to sustain the life of language through new forms of usage. In painting it is also re-interpretation, improvisation and variation that affect innovation and development." Atta Kwami

    Potomack Company
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