Pedro Laboria Sold at Auction Prices

Sculptor, Wood cutter, b. 1700 - d. 1770

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    • Very important and unpublished group of Archangel Saint Raphael with Tobias, colonial school of New Granada from the 18th century, attributed to Pedro de Laboria (1700-1770), 18th century, Viceroyalty of New Granada, modern-day Colombia
      Oct. 26, 2023

      Very important and unpublished group of Archangel Saint Raphael with Tobias, colonial school of New Granada from the 18th century, attributed to Pedro de Laboria (1700-1770), 18th century, Viceroyalty of New Granada, modern-day Colombia

      Est: €40,000 - €45,000

      Silver power crowning the set, polychrome, stewed and gilded wood. Overall measurements: 54 x 29 x 37 cm. Provenance: important private collection of an important decorator and antique dealer, Madrid. Pedro Laboria (around 1700-1770) was a Spanish sculptor born around 1700 in the Andalusian city of Sanlúcar de Barrameda, in the province of Cádiz. He trained in an Andalusian workshop, probably in Seville. In 1738 he settled in Santafé de Bogotá (Viceroyalty of the New Kingdom of Granada) where he worked mainly for the company of Jesus in the lands of the Viceroyalty of New Granada. Reference bibliography: Colombian art (1985). Francisco Gil Tovar. Louvre Museum, exhibition September 19, 2017 - January 18, 2018: "Pedro Laboria and Neogranadino Art".

      Templum Fine Art Auctions
    • ATTRIBUTED TO PEDRO LABORIA (SANLÚCAR DE BARRAMEDA, CÁDIZ, CIRCA 1700 - BOGOTÁ, COLOMBIA, CIRCA 1770)
      Oct. 05, 2023

      ATTRIBUTED TO PEDRO LABORIA (SANLÚCAR DE BARRAMEDA, CÁDIZ, CIRCA 1700 - BOGOTÁ, COLOMBIA, CIRCA 1770)

      Est: €6,000 - €9,000

      Attributed to Pedro Laboria (Sanlúcar de Barrameda, Cádiz, circa 1700 - Bogotá, Colombia, circa 1770) 'Saint Joseph' Carved and polychrome wooden sculpture. It shows small flaws. Height: 80 cm. Pedro Laboria probably trained in a workshop in Seville, and arrived in South America in 1738, settling in Santa Fe de Bogotá, where he contributed to increasing the influence of Andalusian sculpture in the Viceroyalty of New Granada, becoming one of the principal sculptors of the Colonial period. The sculptor had a strong relationship with the Jesuits. Through the Jesuits of Sanlúcar, he entered into the service of the Jesuits of Bogota. Thanks to the artworks that he made for the Society of Jesus, which at the time renovated the Temple of Saint Ignatius, Laboria became one of the greatest exponents of the sculpture of New Granada. One of his greatest works, for the same temple, is the ecstasy of Saint Ignatius, dated 1749. The depiction of Jesuit saints was a constant in his artistic life. He carved a Saint Francis Borgia, a moribund saint Francis Xavier and two sculptures of Saint Ignatius of Loyola for the Temple of Saint Ignatius. Paintings of the different moments of Sant Francis’ life as Duke of Borgia are kept at the Borgias’ Ducal Palace in Gandia, where he is depicted as a nobleman, in a very similar style to this sculpture.

      La Suite Subastas
    • Attributed to Pedro Laboria (Sanlúcar de Barrameda, Spain, c. 1700 - Bogota, Colombia, c.1770)
      Dec. 15, 2020

      Attributed to Pedro Laboria (Sanlúcar de Barrameda, Spain, c. 1700 - Bogota, Colombia, c.1770)

      Est: €18,000 - €22,000

      Attributed to Pedro Laboria (Sanlúcar de Barrameda, Spain, c. 1700 - Bogota, Colombia, c.1770) "Saint Joseph and Jesus Child". Magnificent carved and polychromed wooden sculpture. Height: 86 cm. Colonial.

      La Suite Subastas
    • PEDRO LABORIA (Sanlúcar de Barrameda hacia 1700-Bogotá, hacia 1770) San Antonio de Padua con el Niño
      Apr. 25, 2018

      PEDRO LABORIA (Sanlúcar de Barrameda hacia 1700-Bogotá, hacia 1770) San Antonio de Padua con el Niño

      Est: -

      Carved, polychromed and stewed wooden sculpture. 132 x 52 x 36 cm. Prcedence: Galería Coll y Cortés, Madrid. Private collection. Bibliography: Las Artes del Nuevo Mundo. Article from Pablo Francisco Amador Marrero. "San Antonio". Edited by Coll y Cortés, p.48. Possibly the best spanish sculptor from Colombia in his time. Pedro Laboria was formed in the sevillian workshops. In 1738 he moved to Bogotá with Cristóbal de Vergara, being fired by La Compañía de Jesús. His work is conserved now in so many convents and churchs in the colombian capital, as in the cathedral.

      Sala Retiro Subastas
    • PEDRO LABORIA (Sanlúcar de Barrameda circa 1700-Bogotá, circa 1770) San Antonio de Padua con el Niño. A polychrome carved wood figure
      Dec. 13, 2017

      PEDRO LABORIA (Sanlúcar de Barrameda circa 1700-Bogotá, circa 1770) San Antonio de Padua con el Niño. A polychrome carved wood figure

      Est: -

      Escultura en madera tallada, policromada y estofada de 132 x 52 x 36cm.Procedencia: Galeria Coll y Cortés, Madrid. - Colección particular.Bibliografía: Las Artes del Nuevo Mundo. Artículo de Pablo FranciscoAmador Marrero. "San Antonio". Edición de Coll y Cortés, p.48.Posiblemente el mejor escultor español en Colombia de su época. Pedro Laboria, formado en los talleres sevillanos en 1738 se traslada aBogotá junto a Cristóbal de Vergara, siendo contratado por la Compañíade Jesús. Su obra se conserva en numerosos conventos e iglesias de la capital colombiana, así como en la catedral.

      Sala Retiro Subastas
    • PEDRO LABORIA
      May. 14, 2013

      PEDRO LABORIA

      Est: -

      (Colombia, s. XVIII). San Antonio con el niño Jesús. En madera tallada, policromada y estofada, 149 cm. alt.

      Sala de Ventas
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