Carlo Labruzzi Paintings & Artwork for Sale | Carlo Labruzzi Art Value Price Guide

Nov. 14, 2024
Carlo Labruzzi A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Est: €200 - €300
Etching, approx. 49.5 x 66.5 cm. Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William Palmer in 1794. Printed on laid paper. Restored sheet but in good condition.
Bertolami Fine Art s.r.l.
Oct. 29, 2024
CARLO LABRUZZI Rome, Italy (1748) / (1817) "Camera Sepolcrale nella Vigna Casali mano destra della Via Appia", c.1800
Est: €450 - €600
Engraving The paper has occasional oxidation stains Measurements: Paper: 44.5 x 57.5 cm
Ansorena
Oct. 20, 2024
Carlo LABRUZZI (1747/48-1810/17)
Est: €2,000 - €3,000
Carlo LABRUZZI (1747/48-1810/17) Suite de 23 planches présentant sa visite de la Via Appia en Italie . Eau-forte Sujet : 43 x 54 cm Feuillet : 56 x 81 cm (pliures et taches) Carlo Labruzzi était un peintre et graveur romain et directeur de l'académie de dessin de Pérouse. La série de dessins de la voie Appia a été réalisée en 1789 pendant son voyage avec l'archéologue anglais sir Charles Colt Hoare avec lequel il avait entrepris la visite de la Voie Appienne de Rome à Bénévent.
Osenat
Sep. 19, 2024
Attributed to Carlo Labruzzo (1748 - 1817), figures in a landscape
Est: £200 - £400
Attributed to Carlo Labruzzo (1748 - 1817) Figures in a landscape Ink and grey wash on paper Inscribed, 'C.Labruzzi' verso Dimensions: 10 in. (H) x 13.5 in. (W)
Sloane Street Auctions
Sep. 19, 2024
Carlo Labruzzi - Three prints
Est: €10 - €20
32 x 38.5 cm each inscribed and titled below:Carlo Labruzzi drewandParboni and Poggoli engraved; Tomb of the Orazi and Curiazi on the Appian Way; Tomb of Pompey commonly known as Ascanius to the left of the Via Appia; and Leftovers of the Baths of Pompey in today's Church of San Pietro on the right of the Via Appia
Finarte
Feb. 20, 2024
Carlo Labruzzi A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Est: €200 - €300
Etching, approx. 49.5 x 66.5 cm Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William Palmer in 1794. Printed on laid paper. Sheet restored, in good general condition.
Bertolami Fine Art s.r.l.
Feb. 01, 2024
CARLO LABRUZZI (ROME 1748-1817) The entrance to the Roman Tunnel of Lake Al
Est: $2,000 - $3,000
CARLO LABRUZZI (ROME 1748-1817) The entrance to the Roman Tunnel of Lake Albano graphite, pen and brown ink, brown wash, pen and brown ink framing lines, watermark coat of arms with beehive 17 ½ x 21 7⁄8 in. (45 x 65 cm)
Christie's
Feb. 01, 2024
CARLO LABRUZZI (ROME 1748-1817) Washerwomen and other figures in a landscap
Est: $2,000 - $3,000
CARLO LABRUZZI (ROME 1748-1817) Washerwomen and other figures in a landscape with a tower near Castel... graphite and watercolor, graphite framing lines 16 ½ x 22 in. (42 x 56 cm)
Christie's
Dec. 06, 2023
Carlo Labruzzi (Italian, 1748-1817) An Italianate landscape with travellers on a country path; and An Italianate landscape with a drover and his herd (2)
Est: £12,000 - £18,000
Carlo Labruzzi (Italian, 1748-1817) An Italianate landscape with travellers on a country path; and An Italianate landscape with a drover and his herd each signed with initials 'C.L' (lower right) a pair, oil on canvas 34.5 x 43.5cm (13 9/16 x 17 1/8in). (2)
Bonhams
Nov. 23, 2023
Christ and the Woman of Samaria
Est: €1,500 - €2,500
Oil on canvas cm. 54x88. Framed The painting is accompanied by a critical statement by Prof. Pier Andrea De Rosa. The painting bears a monogram and date in the bottom left-hand corner on the stone where Christ sits: "CL / 1799".
Bertolami Fine Art s.r.l.
Nov. 17, 2023
Carlo Labruzzi (1748 Rom - Perugia 1817) – Ruinen an der Via Appia nahe Rom (Ruins of the Via Appia near Rome)
Est: €1,000 - €1,200
Watercolour over pencil on laid paper with watermark "coat of arms with a beehive". 40.9 x 33.4 cm (sheet size). With a margin line in brown ink (trimmed on the left). Numbered "184" upper right outside of the depiction.
Karl & Faber
Jul. 19, 2023
Carlo Labruzzi, An Italian landscape with ruins and figures
Est: £1,000 - £1,500
Carlo Labruzzi, Italian 1748-1817- An Italian landscape with ruins and figures; pencil, watercolour and grey wash on laid paper, numbered '128' (on the upper margin), with a rough pencil sketch of a landscape on the reverse, 40.5 x 55.8 cm. Provenance: David Carritt. Lady Alexandra Naldera Metcalfe, CBE (1904-1995). By descent to the present owner. Note: Carlo Labruzzi was a highly talented artist and topographical draughtsman, who constituted a serious rival to other such foreign topographers as Giovanni Battista Busiri (1698-1757), Charles-Louis Clérisseu (1721-1820), Abraham-Louis-Rodolphe Ducros (1748-1810), Giovanni Battista Lusieri (1755-1821) and Gaspare Vanvitelli (1653-1736) – all active in Italy at this time. Labruzzi was largely forgotten in Britain until an album of a hundred of his drawings was broken up and sold in an exhibition entitled 'Carlo Labruzzi: An Exhibition of Fine Water Colour Drawings of the Appian Way' at 71 New Bond Street, London, in 1960. Labruzzi was born in Rome, the son of Giuseppe, a weaver. Little is known of his early life. He was initially intended for the Church but trained as a painter and engraver, spending time in Nuremburg and returning in 1780/81 when he was admitted to the Congregazione dei Virtuosi al Pantheon. Like Thomas Patch (1725-1782) he may have spent some time in the studio of Claude-Joseph Vernet (1714-1789). At some point before this he appears to have left Rome to work for the Russian and Polish courts. His pictures can be found there at Pavlosk near St Petersburg and at Willanou and Potecki, near Warsaw. His delightfully fresh drawings, made ‘en plein air’, anticipate the Impressionists' approach by a century. His work can be found in the British Museum, Vatican Library, Victoria and Albert Museum, Stourhead, and the Whitworth Art Gallery. David Carritt (1927-1982) was a distinguished dealer, art historian, critic, and a chairman of Christie's. He was known for his discoveries of works by major artists over the course of the 20th century, including those by Rogier van der Weyden (1399-1464), Giovanni Battista Tiepolo (1696-1770), and Jean-Honoré Fragonard (1732-1806). Lady Alexandra Naldera Metcalfe (née Curzon) was the third daughter of George Curzon, 1st Marquess Curzon of Kedleston and Viceroy of India, and Lord Curzon's first wife, the American mercantile heiress, Mary Victoria Curzon, Baroness Curzon of Kedleston (née Leiter). She was named after her godmother, Queen Alexandra and her place of conception, Naldehra, India. She and her two older sisters were the subjects of a biography by Anne de Courcy in 'The Viceroy's Daughters: The Lives of the Curzon Sisters'.
Roseberys
May. 04, 2023
Carlo Labruzzi (Roma 1748 - 1817), da, Coppia di importanti paesaggi con figure e architetture
Est: €80,000 - €120,000
La coppia è proveniente da un palazzo di proprietà della famiglia Strozzi
Telearte
Apr. 27, 2023
CARLO LABRUZZI (Roma, 1748 – Perugia, 1817)
Est: €2,500 - €3,500
Christ and the Samaritan woman at the well Oil on canvas, cm. 54x88. Framed The painting is accompanied by a critical statement by Prof. Pier Andrea De Rosa. The painting bears a monogram and date in the bottom left-hand corner on the stone where Christ sits: "CL / 1799".
Bertolami Fine Art s.r.l.
Dec. 14, 2022
Labruzzi Carlo, Paesaggio con contadine e pastori
Est: €3,000 - €4,000
olio su tela, W. 98 - H. 72 Cm
Cambi Casa d'Aste
Nov. 22, 2022
Carlo Labruzzi (1748-1817): A VIEW OF THE PALATINE HILL, THE AQUEDUCT OF THE ACQUA CLAUDIA THE AMPITHEATRE…
Est: -
Carlo Labruzzi (1748-1817) A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre… Etching, 49,5 x 66,5 cm ca. Plate n. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William Palmer in 1794. Printed on laid paper. Sheet restored, in good condition.
Bertolami Fine Art s.r.l.
Jul. 05, 2022
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) A village on a river with a three-a
Est: £3,000 - £4,000
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) A village on a river with a three-arched bridge beside a small church and a... black chalk, pen and black ink, grey wash, watermark ‘JHONIG/ &/ ZOON [EN]’ (Heawood 3345) 29.4 x 48 cm (11 1/4 x 19 in.)
Christie's
Jul. 05, 2022
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) View of Lake Nemi looking towards R
Est: £5,000 - £7,000
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) View of Lake Nemi looking towards Rome black chalk, watercolour, watermark ‘[JHONIG/ &/] ZOONEN’ (Heawood 3345) 37.8 x 52.8 cm (14 7/8 x 20 7/8 in.)
Christie's
Jul. 05, 2022
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) A view of a villa from a terrace wi
Est: £5,000 - £7,000
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) A view of a villa from a terrace with a balustrade surrounded by statues... black chalk, pen and black ink, grey wash, watermark encircled fleur-de-lys 29 x 48 cm (11 1/2 x 19 in.)
Christie's
Jul. 05, 2022
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) The so-called Temple of Venus at Ba
Est: £5,000 - £7,000
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) The so-called Temple of Venus at Baiae, with a boat and two fishermen in the... black chalk, pen, grey and brown ink, brown wash 25.1 x 36.5 cm (9 7/8 x 14 3/8 in.)
Christie's
Jul. 05, 2022
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) The so-called Temple of Venus at Ba
Est: £6,000 - £8,000
CARLO LABRUZZI (ROME 1748-1810 PERUGIA) The so-called Temple of Venus at Baiae, with tourists preparing to disembark... black chalk, pen and brown ink, brown wash 36 x 50 cm (14 1/4 x 19 3/4 in.)
Christie's
Jun. 03, 2022
Labruzzi, Carlo: Sitzende Frau in antikischem Gewand mit einem Tamburin.
Est: €500 - €750
Sitzende Frau in antikischem Gewand mit einem Tamburin. -- Feder in Braun, braun laviert. 23,3 x 18,7 cm. Unten teils unleserlich bez. "punti dati dal' [...]". Um 1796. Wz. Wappen mit Posthorn. -- -- -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 13, 2022
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817), ATTRIBUTED TO
Est: €240 - €300
Forest path with figure in the background Ink and watercolour on paper, cm. 36,3x52,5. Framed
Bertolami Fine Art s.r.l.
Feb. 22, 2022
Attribué à Carlo LABRUZZI Rome, 1748 - Pérouse, 1817 Scène animée probablement au bord du lac Albano Plume et lavis brun
Est: €800 - €1,200
Attribué à Carlo LABRUZZI Rome, 1748 - Pérouse, 1817 Scène animée probablement au bord du lac Albano Plume et lavis brun Sans cadre h: 32 w: 51 cm Estimation 800 - 1 200 €
Artcurial
Feb. 10, 2022
Carlo Labruzzi (Italian, 1748-1817) Ruins between the Villa Quintilii and the Ca
Est: $800 - $1,200
Carlo Labruzzi (Italian, 1748-1817) Ruins between the Villa Quintilii and the Castle Rotondo Watercolor over pencil on laid paper 14-1/2 x 20-3/4 inches (36.8 x 52.7 cm); sight PROVENANCE: John Manning, London; Private collection, United Kingdom, acquired from the above, 1960; Thence by descent to the present owner. HID01801242017
Heritage Auctions
Dec. 09, 2021
Carlo Labruzzi (Italian, 1748-1817) Ruins between the Villa Quintilii and the Ca
Est: $1,000 - $1,500
Carlo Labruzzi (Italian, 1748-1817) Ruins between the Villa Quintilii and the Castle Rotondo Watercolor over pencil on laid paper 14-1/2 x 20-3/4 inches (36.8 x 52.7 cm); sight PROVENANCE: John Manning, London; Private collection, United Kingdom, acquired from the above, 1960; Thence by descent to the present owner. HID01801242017
Heritage Auctions
Nov. 03, 2021
CARLO LABRUZZI (Rome 1748-1817 Perugia) Group of 4 gouache drawings with Roman sites.
Est: $3,000 - $5,000
CARLO LABRUZZI (Rome 1748-1817 Perugia) Group of 4 gouache drawings with Roman sites. Avanzo del Tempio della Concordia * Cascatelle nella Villa Maecenas a Tivoli * Tempio della Fortuna Virile * Arco di Galliano. Each gouache on heavy cream laid paper. Each approximately 93x143 mm; 3 3/4x5 3/4 inches. Provenance: Each private collection, New York. Though largely forgotten during the 19th and much of the 20th century, Labruzzi was once among the most sought-after and successful topographical painters of his day. His views in and around Rome were immensely popular among the English and others on the Grand Tour. Two scholarly articles published in 1960 helped Labruzzi's regain his place as a historically significant artist: Watson, "A Forgotten Artist of the 18th-Century: Carlo Labrussi," The Antique Collection, June 1960, pages 95-101; and Sutton, "An 18th-Century Artist Rediscovered," Country Life, June 1960, pages 1438 and 1439.
Swann Auction Galleries
Jun. 25, 2021
Roma - Labruzzi, Carlo - Monuments and ruins that can be seen along the sides of the first two miles of the Via Appia
Est: €1,600 - €2,000
Rome, Puccinelli Typography, 1844. In 2 ° oblong (715 x 528 mm). Frontispiece contained in typographic frame, dedication card to Maria Cristina di Borbone, 8 text cards, and 25 etched plates, each with caption in English and Italian below the engraved part, bottom left of plate 15 anagram by Labruzzi, editorial paperback in yellow cardboard with title on the upper plate in a frame of typographic friezes preserved in a modern binding in red Moroccan, on the front plate frame of threads and phytomorphic wheel imprinted in gold, paperback with defects and restorations, beautiful binding of the century . XX in red morocco, with gold embossed decoration.
Finarte
Jun. 15, 2021
PITTORE DEL XVIII-XIX SECOLO
Est: €400 - €700
Paesaggio con cacciatori Olio su tela, cm 51,5X61,5 La tela reca un'attribuzione storica a Carlo Labruzzi (Roma, 1747 - Perugia, 1817), uno dei protagonisti del paesaggismo in età neoclassica, tanto che nel 1789 l'archeologo inglese Richard Colt Hoare chiese all'artista di accompagnarlo lungo la via Appia per descriverne le bellezze naturali e archeologiche seguendo l'itinerario descritto da Orazio nel suo viaggio del 38 avanti Cristo. Bibliografia di riferimento: E. Calbi, Carlo Labruzzi, in La pittura di Paesaggio in Italia. Il Settecento, a cura di A. Ottani Cavina ed E. Calbi, Milano 2005, pp. 238 ; 240
Wannenes Art Auctions
May. 14, 2021
A. APSE OF THE CHURCH OF SAN MARCIANO IN BENEVENTO. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. ROMAN THEATER OF BENEVENTO. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Apse of the church of San Marciano in Benevento. The drawing is reduced along the entire left margin. B. Roman theater of Benevento. The drawing is reduced along the entire left margin. A.Watercolor on paper, cm. 38x32. Framed B. Watercolor on paper, cm. 38,5x32. Framed A. Dated lower central: "18 MARZO 1796". LITERATURE: P.A. De Rosa - B. Jatta, La Via Appia nei disegni di Carlo Labruzzi alla Biblioteca Apostolica Vaticana, Città del Vaticano, Biblioteca Apostolica Vaticana, 2013, TAV. 222, p. 462 (three versions in seppia, BAV + 2 ASL). PROVENANCE: Private collection, Rome. B. Upper a pen inscription: "223". LITERATURE: De Rosa - Jatta, TAV. 214, p. 452 (only version in sepia BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. AMPHITHEATER OF CAPUA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT AND RIGHT MARGINS. B. OCTAGONAL BUILDING OF THE TERME DI CAPUA
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Amphitheater of Capua. The drawing is reduced along the entire left and right margins. B. Octagonal building of the Terme di Capua A. Watercolor on paper, cm. 39x33. Framed B. Watercolor on paper, cm. 37,5x33,5. Framed A. Lower an antique inscription perhaps autographed: "ANFITEATRO DI CAPUA DALL'ORIENTE / 26". Upper a pen inscription: "207". BIBLIOGRAPGHY: De Rosa - Jatta, TAV. 200, p. 436 (two versions in sepia at BAV and ASL). PROVENANCE: Private collection, Rome. B. Lower an antique inscription perhaps autographed: "TEMPIO VICINO LA MADONNA DELLE GRAZIE / CAPUA VECCHIA / DETTO CATABOLO / 29". Upper a pen inscription: "210". LITERATURE: De Rosa - Jatta, TAV. 203, p. 439 (uonly a version in sepia at BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. ARCH OF ENTRY TO CAPUA. THE DESIGN IS REDUCED ALONG THE ENTIRE LEFT AND RIGHT MARGIN. B. AMPHITHEATER OF CAPUA FROM THE SOUTH. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Arch of entry to Capua. The design is reduced along the entire left and right margin. B. Amphitheater of Capua from the South. The drawing is reduced along the entire left margin. A. Watercolor on paper, cm. 37x32. Framed B. Watercolor on paper, cm. 38x33,5. Framed A. Lower an antique inscription perhaps autographed: "ARCO FRONATLE ANTICO SOPRA LA VIA APPIA / FRA CAPUA NOVA E VECHIA". LITERATURE: De Rosa - Jatta, TAV. 196, p. 432 (only one version in sepia at BAV). PROVENANCE: Private collection, Rome. B. Lower antique inscription perhaps autographed: "ANFITEATRO DI CAPUA DALLA PORTA DI PONENTE / 24". Upper a pen inscription: "205". LITERATURE: De Rosa - Jatta, TAV. 199, p. 435 (two versions in sepia at BAV and ASL). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. AMPHITHEATER OF MINTURNO. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. THEATER OF MINTURNO. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Amphitheater of Minturno. The drawing is reduced along the entire left margin. B. Theater of Minturno. The drawing is reduced along the entire left margin. A.Watercolor on paper, cm. 38x30. Framed B. Watercolor on paper, cm. 37x32. Framed A. Lower antique inscription perhaps autographed: "ANFITEATRO A MINTURNO AQUEDOTTO ANTICO / NELLA DISTANZA IL PAESE DI FRAIETTO ED IL TUFO / 20". In alto iscrizione a penna: "201". LITERATURE: De Rosa - Jatta, TAV. 194, p. 428 -429 (three versions in sepia at BAV, ASL, Goethe House plus a polichrome copy at BAV). PROVENANCE: Private collection, Rome. B. Lower an inscription perhaps autographed: "ANFITEATRO / A MINTURNO VICINO IL GARILIANO / 21". Upper a pen inscription: "202". LITERATURE: De Rosa - Jatta, TAV. 195, pp. 430-431 (two versions in sepia at BAV and ASL plus a polychrome copy at BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. VIEW OF A LARGE SEPULCHER BEYOND MOLA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. RUINS OF TORRE GIANOLA
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. View of a large sepulcher beyond Mola. The drawing is reduced along the entire left margin. B. Ruins of Torre Gianola A. Watercolor on paper, cm. 37,5x32,5. Framed B. Watercolor on paper, cm. 37,5x35. Framed A. Lower center an ancient inscription perhaps autographed: "MONUMENTO CIRCHA TRE MIGLIA DA MOLO / 18". Above inscription in pen: "199". LITERATURE: De Rosa - Jatta, TAV. 192, p. 425 (only version in sepia plus a polychrome copy today at the BAV). PROVENANCE: Private collection, Rome. B. LITERATURE: De Rosa - Jatta, TAV. 192, p. 425 (only a versione in sepia plus one polychrome copy at BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A.THE MAUSOLEUM OF SEMPRONIO ATRATINO IN GAETA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. MAUSOLEUM OF MUNAZIO PLANCO IN GAETA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT AND RIGHT MARGINS.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A.The Mausoleum of Sempronio Atratino in Gaeta. The drawing is reduced along the entire left margin. B. Mausoleum of Munazio Planco in Gaeta. The drawing is reduced along the entire left and right margins. A. Watercolor on paper, cm. 37,5x30. Framed B. Watercolor on paper, cm. 32,5x27,5. Framed A. Lower antique inscription perhaps autographed: "SEPOLCRO ANTICO DETTO DI ATRETINO CHIAMATO / IL MOLINO A VENTO SOPRA IL BORGO DI GAETA / 13". LITERATURE: De Rosa - Jatta, TAV. 188, pp. 420-421 (two versions in sepia BAV and ASL plus a polychrome copy at BAV). PROVENANCE: Private collection, Rome. B. Lower an antique inscription perhaps autographed: "SEPOLCRO ANTICO DI (...) / LA TORRE D'ORLANDO SOPRA AL MONTE DI GAETA / 15". Upper a pen inscription: "189". LITERATURE: De Rosa - Jatta, TAV. 189, p. 422 (two versions in sepia at BAV and ASL). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. MINOR NYMPHAEUM OF VILLA RUBINO IN FORMIA B. RUINS OF THE VILLA KNOWN AS CICERO IN CAPOSELE. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Minor nymphaeum of Villa Rubino in Formia B. Ruins of the villa known as Cicero in Caposele. The drawing is reduced along the entire left margin. A. Watercolor on paper, cm. 29x40. Framed B. Watercolor on paper, cm. 37,5x33. Framed A. On the back pencil inscription: "193 / CMERE CENTIRCHE DI (…)NI DENTRA IL GIARDINO DELL' DUCA MARGANO A CASTELLONE". LITERATURE: De Rosa - Jatta, TAV. 181, p. 409 (only version in sepia BAV). PROVENANCE: Private collection, Rome. B. Lower an antique inscription perhaps autographed: "CAMERE DE BEGNI ANTICHI CON (…) / DELL' GIARDINO DI LAGNI AL (…)". In alto iscrizione a penna: "195". LITERATURE: De Rosa - Jatta, TAV. 183, p. 411 -412 (only one version in sepia plus one plychrome copy, BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. THE SO CALLED CICERO TOMB BEFORE FORMIA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. RUINS OF ROMAN TOMBS BEFORE FORMIA. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN.
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. The so called Cicero tomb before Formia. The drawing is reduced along the entire left margin. B. Ruins of Roman tombs before Formia. The drawing is reduced along the entire left margin. A. Watercolor on paper, cm. 38x32. Framed B. Watercolor on paper, cm. 37,5x33,5. Framed A. Upper a pen inscription: "184". LITERATURE: De Rosa - Jatta, TAV. 174, p. 402 (only a version in sepia at BAV). PROVENANCE: Private collection, Rome. B. Lower antique inscription perhaps autographed: RUINA SOPRA LA MONTAGNIA DI RIMPETTO TUMOLO DI CICERONE COGNOMINATA / IL TIUSO DELLA TORRE DI POMPEO / 4". Upper pen inscription: "183". LITERATURE: De Rosa - Jatta, TAV. 175, p. 403 (only one autographed version in sepia plus a polychrome copy, both at BAV). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
A. REMAINS OF THE VILLA OF MARIBELLA AFTER ITRI. THE DRAWING IS REDUCED ALONG THE ENTIRE LEFT MARGIN. B. ENTRANCE ARCH OF VILLA SAN MARTINO AFTER ITRI
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Remains of the Villa of Maribella after Itri. The drawing is reduced along the entire left margin. B. Entrance arch of Villa San Martino after Itri A. Watercolor on paper, cm. 38x32. Framed B. Watercolor on paper, cm. 37x32. Framed A. Lower antique inscription perhaps autograpehd: "CONSERVE ANTICHE SOPRA LA VIA APPIA UN MIGLIO LONTANO DA ITRI PER ANDARE A MOLO". Upper a pen inscription: "181". LITERATURE: De Rosa - Jatta, TAV. 172, p. 399 (only one version in sepia at BAV). PROVENANCE: Private collection, Rome. B. LITERATURE: De Rosa - Jatta, TAV. 173, p. 400 (two versions in watercolor sepia and a pencil drawing). PROVENANCE: Private collection, Rome
Bertolami Fine Art s.r.l.
May. 14, 2021
A. VILLA OF DOMITIAN IN CASTEL GANDOLFO B. RUINS OF THE MAUSOLEUM OF GALLIENO AT THE CASALE DI FIORANO AT THE NINTH MILE OF THE VIA APPIA
Est: €1,200 - €1,600
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) A. Villa of Domitian in Castel Gandolfo B. Ruins of the Mausoleum of Gallieno at the Casale di Fiorano at the ninth mile of the Via Appia A. Watercolor on paper, cm. 38x53. Framed B. Watercolor on paper, cm. 36,5x52. Framed An exceptional group of twenty large watercolors is presented in ten distinct and successive lots, which are part of the very copious series of archaeological views executed by Carlo Labruzzi starting from 1789 following the assignment received by Sir Richard Coalt Hoare, an English amateur archaeologist and painter. Labruzzi made no less than four series of drawings for a total of about 800 sheets, in which he alternated various formats, preferring the watercolor technique, in sepia or polychrome. The project involved the systematic reconnaissance, census and visual documentation of all the Roman monuments that were along the Via Appia up to Brinidisi, following the itinerary undertaken by Orazio in the company, among others, of Eliodoro, Mecenate, Cocciaio Nerva and Virgil and narrated by the great Latin poet in the first book of the Satires (Quinta Satira). Thus it was that Hoare and Labruzzi embarked on a joint journey that began on Saturday 31 October 1789 and which, due to a series of circumstances, did not come to an end, stopping in Benevento. Various nucleus in the following centuries have been reassembled following sales and passages on the market, the most consistent of which are preserved today at the Museum of Rome, the Academy of San Luca, the British Museum in London and above all in the Vatican Apostolic Library which holds an exceptional collection of 226 sheets from the collection of the great English archaeologist Thomas Ashby). A. Upper a pen inscription: "109". On the back a pensil study of a tower in a landscape. LITERATURE: De Rosa - Jatta, TAV. 100, pp. 298-299 (two versions in sepia at BAV and ASL). PROVENANCE: Private collection, Rome. B. This view was later engraved by Labruzzi in a third series of etchings dedicated to the Via Appia, which, however, unlike the two previous ones, was never published. Labruzzi LITERATURE: De Rosa - Jatta, TAV. 74, p. 257-258 (three versions in sepia, BAV, ASL and Apolloni, plus a watercolor print of the Museo di Roma). PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
May. 14, 2021
TEMPLE OF THE DIOSCURI AT THE ROMAN FORUM
Est: €600 - €1,000
CARLO LABRUZZI (Rome, 1748 - Perugia, 1817) Temple of the Dioscuri at the Roman Forum Watercolor on paper, cm. 70x50. Framed PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Mar. 18, 2021
CARLO LABRUZZI
Est: €2,000 - €3,000
(Roma, 1747 - Perugia, 1817) Veduta del Monte Gennaro e del Lago dei Taratari con Ninfe e Sileno Olio su tela, cm 66X78,5 Bibliografia: P. A. De Rosa e B. Jatta, La Via Appia nei Disegni di Carlo Labruzzi alla Biblioteca Apostolica Vaticana, Roma 2013, p. 33 Di ragguardevole qualità e buona conservazione, il dipinto è una rilevante e rara testimonianza dell'arte pittorica di Carlo Labruzzi, per lo più noto come abile disegnatore e acquarellista. L'immagini descrive una veduta del Monte Gennaro sullo sfondo ed il Lago dei Taratari e le tre colline dei monti Cornicolani con Montecelio, Sant'Angelo Romano e Poggio Cesi, mete predilette dei viaggiatori del Grand Tour alla ricerca delle antiche vestigia e dei luoghi pittoreschi citati dalla letteratura latina. E su questa spinta poggia il gusto paesistico neoclassico di cui il nostro fu indubbiamente uno dei più apprezzati esponenti, tanto che nel 1789 l'archeologo inglese Richard Colt Hoare chiese all'artista di accompagnarlo lungo la via Appia per descriverne le bellezze naturali e archeologiche seguendo l'itinerario descritto da Orazio nel suo viaggio del 38 avanti Cristo. Si spiega così la straordinaria fortuna collezionistica britannica da lui ottenuta e la tela in esame ben evocano l'elogio di Hartmann, che rammenta come il Labruzzi amasse andare in campagna e per ville a studiare sul vero senza aver avuto in tal genere altro maestro che la natura (Hartmann 1976, pp. 356-357). Le opere di Labruzzi, quindi, seguono questa direttrice culturale e, come si evince osservando le sue creazioni, sono tratte dal vero anche se il filone possiede una celebre tradizione illustrativa. La smagliante luminosità dei paesaggi ha in più il pregio di unire una volontà descrittiva di gusto haeckertiano con una sorprendente vivacità di tocco e qualità pittorica e non è certamente un caso che il nome del Labruzzi era equiparato a quello di Pompeo Batoni, come si evince dal taccuino di viaggio stilato nel 1779 da Lord Herbert conte di Pembroke (E. Calbi, 2005, p. 238). Bibliografia di riferimento: A. Cera, La pittura neoclassica italiana, Milano 1987, ad vocem G. Sestieri, Repertorio della pittura romana della fine del Seicento e del Settecento, Torino 1994, I, pp. 97; II figg. 557 - 560 E. Calbi, Carlo Labruzzi, in Un paese incantato. Italia dipinta da Thomas Jones a Corot, a cura di A. Ottani Cavina, Milano 2002, pp. 6 - 7 E. Calbi, Carlo Labruzzi, in La pittura di Paesaggio in Italia. Il Settecento, a cura di A. Ottani Cavina ed E. Calbi, Milano 2005, pp. 238 - 240
Wannenes Art Auctions
Mar. 18, 2021
CARLO LABRUZZI
Est: €1,500 - €2,500
(Roma, 1747 - Perugia, 1817) Il ritorno di Diana dalla caccia Olio su tela, cm 100X136 La tela reca un'attribuzione storica a Carlo Labruzzi in virtù di esser stata riconosciuta con quella citata dalla Gazzetta Universale del 5 gennaio 1782, p. 32 e così descritta: avendo il virtuoso paesista romano Sig. Carlo Labruzzi per commissione di incognito riguardevole personaggio terminato con lode universale de' professori e dilettanti di pittura un quadro in tela rappresentante il Ritorno di Diana dalla caccia con avervi espresso delle boscarecce attorno a un lago con dell'erbe, il tutto con la maggiore vivacità, e naturalezza lo ha questo negli scorsi giorni presentato al Santo Padre, che oltre aver lodato moltissimo l'opera animì il professore, con assicurarlo della sua Apostolica procezione. Questo riferimento è stato poi approfondito dal De Rosa che oltre a confermare l'autografia del dipinto, reputa che così puntuale testimonianza d'epoca, precisi echi ed evidenti concordanze situazionali e descrittive con il dipinto in esame... permettono di giustificare quanto da me affermato in apertura sulla obiettiva appartenenza di quest'opera alla mano di Carlo Labruzzi, opera che inoltre costituisce un utile presagio, veicolo e contributo a futuri studi ed approfondimenti di questa precisa categoria dell'arte del maestro romano. Il dipinto è corredato da una scheda critica di Pier Andrea De Rosa. Bibliografia di riferimento: G. A. Guattani, Memorie enciclopediche romane sulle Belle Arti, Roma 1807, tomo IV, p. 146 Gazzetta Universale, Roma 12 gennaio 1782, p. 32 F. J. B. Watson, Carlo Labruzzi (1748-1817). An exhibition of fine watercolour drawings of the Appian Way, 9 June - 16 July 1960, John Manning, London 1960 P. A. De Rosa, Carlo Labruzzi, in La Campagna romana da Hackert a Balla, Roma 2001-2002, pp. 262 - 264 P. A. De Rosa, Carlo Labruzzi (1748-1817) per un catalogo dell'opera I in Strenna dei Romanisti, Roma 2003, pp. 221 - 230 S. Papetti, Gli amori sfortunati nelle favole mitologiche di Casa Sorbello a Perugia in Casa Museo di Palazzo Sorbello a Perugia, Ugoggione Ranieri di Sorbello Foundation, Perugia 2010, pp. 83 - 88 C. Pazzini, Carlo Labruzzi in Casa Museo di Palazzo Sorbello a Perugia, Perugia 2010, pp. 116 - 121 Carlo Labruzzi. The Grand Tour, catalogo a cura di Sir T. Clifford, Dickinson Gallery, London 2012. P. A. De Rosa, B. Jatta, La Via Appia nei disegni di Carlo Labruzzi alla Biblioteca Apostolica Vaticana con il contributo di Lorenzo Quilici, Biblioteca Apostolica Vaticana, Documenti e Riproduzioni 13, Città del Vaticano 2013
Wannenes Art Auctions
Mar. 17, 2021
Carlo Labruzzi (Roma 1748 - Perugia 1817), Lungo l'Appia Antica
Est: €800 - €1,000
matita nera, penna e inchiostro bruno su carta, mm 380x540 Roma, 1790 circa
Cambi Casa d'Aste
Nov. 18, 2020
Labruzzi, Carlo - Monuments and ruins that can be seen along the sides of the first two miles of the Via Appia
Est: -
Rome, Puccinelli Typography, 1844. In 2 ° oblong (715 x 528 mm). Title page contained in a typographic frame, dedication card to Maria Cristina di Borbone, 8 text cards, and 25 etched plates, each with caption in English and Italian below the engraved part, bottom left of table 15 anagram by Labruzzi, editorial paperback in yellow cardboard with title on the upper plate in a frame of typographic friezes preserved in a modern binding in red Moroccan, on the front plate frame of threads and phytomorphic wheel imprinted in gold, paperback with defects and restorations, beautiful binding of the century . XX in red morocco, with gold-stamped decoration.
Finarte
Oct. 09, 2020
* Labruzzi (Carlo). Figure Di Carlo Labruzzi, 1788
Est: £300 - £500
* Labruzzi (Carlo). Figure Di Carlo Labruzzi, 1788, 8 sepia etched plates with aquatint, some with etched numerals to upper right and line borders, some lined to verso, approximately 120 x 170 mm, together with Carlo Labruzzi fece a Roma 1794, comprising 13 sepia etched plates, some with etched numerals to upper right and close-trimmed to image, few lined to verso, 125 x 185 mm and smaller, and 14 other sepia etched plates of figure studies in a country landscape, etched numerals to upper right, few lined to verso, 70 x 90 mm Qty: (35)
Dominic Winter Auctions
Jun. 04, 2020
Labruzzi, Carlo: Via Appia illustrata ab Urbe Roma ad Capuam
Est: €900 - €1,200
Via Appia illustrata ab Urbe Roma ad Capuam. 8 (von 24) Radierungen auf Velin. Je ca. 45,5 x 62 cm. Wz. "P M". Die 1794 in Rom erschienene Serie von Carlo Labruzzi zeigt Ansichten der antiken Bauten und Gräber entlang der Via Appia. Das Werk war dem Antiquar Sir Richard Hoare gewidmet, der Labruzzi 1789 dazu eingeladen hatte, ihn auf den Spuren von Horaz von Rom nach Brindisi zu begleiten. Die Unternehmung musste zwar in Benevent abgebrochen werden, doch die auf der Reise entstandenen Zeichnungen dienten dem Künstler als Vorlage für zahlreiche Werke. - Nummern 3, 8, 11-14, 22, 23 der Folge in prachtvollen, satten Drucken mit schmalem Rand um die Plattenkante. Überwiegend im weißen Rand etwas stockfleckig und angestaubt, die Ränder minimal angebräunt und bestoßen, Blatt 11, 22 und 23 je mit kurzem Randeinriss, weitere geringe Alters- und Gebrauchsspuren, sonst sehr gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 03, 2020
Carlo Labruzzi Italian, 1748-1817 Seated Woman Holding a Tablet
Est: $600 - $900
Carlo Labruzzi Italian, 1748-1817 Seated Woman Holding a Tablet Brown wash over pencil on paper Sight 8 x 6 3/4 inches (23 x 17.3 cm) Provenance: Hill-Stone Inc., New York Estate of Robin R. Henry
DOYLE Auctioneers & Appraisers
May. 23, 2020
Carlo LABRUZZI (1748-1817). Paysage avec cascade, plume et encre brune, lavis gris et brun, aquarelle sur esquisse au crayon noir. 36 x 48,6 cm. Expert : Cabinet de Bayser.
Est: €1,000 - €1,500
Carlo LABRUZZI (1748-1817). Paysage avec cascade, plume et encre brune, lavis gris et brun, aquarelle sur esquisse au crayon noir. 36 x 48,6 cm. Expert : Cabinet de Bayser.
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