Charles Laval Sold at Auction Prices

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    • Charles LAVAL (1862-1994) Porteuses de fruits,1889
      Jun. 18, 2024

      Charles LAVAL (1862-1994) Porteuses de fruits,1889

      Est: €8,000 - €12,000

      Charles LAVAL (1862-1994) Porteuses de fruits,1889 Aquarelle, plume, encre et craie sur papier. Signée et datée en bas à droite. 14,5 x 22 cm Provenance : - Collection Jean Le Corronc, Paris, - Collection particulière, acquis à la vente du précédent, Drouot,30/10/1995, Vente Laurin, Guilloux, Buffetaud, Tailleur, n°3. Exposition : Maité van Dijk et Jooost van der Hoeven, « Gauguin et Laval en Martinique » Van Gogh Museum, Amsterdam, catalogue de l’exposition, octobre 2018 - mars 2019, Editions du Fond Mercator, Bruxelles, illustré p.73 n°40. La signature de ce dessin de Laval est incontestablement de la main d’Émile Bernard. Selon les propos de Chamaillard, Laval revint de la Martinique, quelques mois après Gauguin, en 1888, avec « de charmantes aquarelles, reflétant tout l’esprit de Gauguin. » Mais celles-ci, « trop rares », auraient été « partagées entre les mains de quelques camarades ». Bernard fut sans doute de ceux-là, mais se trompe-t-il de date ? (Comme parfois sur ces toiles), ou bien a-t-il mis tout simplement la date à laquelle le dessin lui fut offert par Charles Laval, c’est-à-dire probablement au café Volpini, où tous les deux entre autres, exposaient en 1889 ? (Les propos de Chamaillard sont rapportés par André Salmon : « Chamaillard et le groupe de Pont-Aven », l’Art vivant, 1er juillet 1925, page 16). [Témoignages recueillis de Victor Merlhès]

      Gros-Delettrez
    • Charles Laval (1862-1894) La Martinique aquarelle sur papier quadrillé 22.3
      Oct. 25, 2023

      Charles Laval (1862-1894) La Martinique aquarelle sur papier quadrillé 22.3

      Est: €2,500 - €3,500

      Charles Laval (1862-1894) La Martinique aquarelle sur papier quadrillé 22.3 x 34.3 cm.

      Christie's
    • Charles LAVAL 1862 - 1894 L'ANSE DU CARBET, MARTINIQUAISE A LA ROBE ROUGE - JUIN 1893 Cire sur carton
      Jun. 05, 2014

      Charles LAVAL 1862 - 1894 L'ANSE DU CARBET, MARTINIQUAISE A LA ROBE ROUGE - JUIN 1893 Cire sur carton

      Est: €25,000 - €30,000

      Charles LAVAL 1862 - 1894 L'ANSE DU CARBET, MARTINIQUAISE A LA ROBE ROUGE - JUIN 1893 Cire sur carton Signé, daté et situé en bas à gauche "C.Laval / 93 / L'anse du Carbet / Martinique" h: 31 w: 19 cm Provenance : Collection particulière, France A l'actuel propriétaire par cessions successives L'authenticité de cette oeuvre a été confirmée par Monsieur Clément Siberchicot, biographe de l'artiste Commentaire : L'authenticité de cette oeuvre a été confirmée par Monsieur Clément Siberchicot, biographe de l'artiste OIL AND WAX ON CARDBOARD; SIGNED, DATED AND LOCATED LOWER LEFT

      Artcurial
    • Bretons se promenant
      May. 23, 2007

      Bretons se promenant

      Est: €60,000 - €80,000

      CHARLES LAVAL (1862-1894) Bretons se promenant signé 'C Laval' (en bas à droite) gouache et aquarelle sur papier fort 38.9 x 59 cm. (15¼ x 23¼ in.) Exécuté vers 1889-90

      Christie's
    • Les joueurs de pétanque en Bretagne
      May. 23, 2007

      Les joueurs de pétanque en Bretagne

      Est: €3,000 - €5,000

      CHARLES LAVAL (1862-1894) Les joueurs de pétanque en Bretagne signé du monogramme et daté 'CL. 1890-' (en bas à gauche) mine de plomb sur papier 27.4 x 41.1 cm. (10¾ x 16¼ in.) Exécuté en 1890

      Christie's
    • CHARLES LAVAL
      Feb. 06, 2001

      CHARLES LAVAL

      Est: $40,000 - $60,000

      1862-1894 paysage de la martinique oil on canvas 92 by 71 cm., 36 1/4 by 28 in. Painted in Martinique in 1887. Provenance Ambroise Vollard, Paris Fabiani, Paris (1939-1945) Meissner Collection, Switzerland Dr. Kisler, Switzerland Hugo Perls, New York (acquired from the above in the early 1950s) Monica Perls, New York (wife of the above) Thence by descent to the present owner Exhibited (possibly) Paris, Cafe Volpini, 1889, no. 89 Vienna, Osterreichische Galerie im Oberen Belvedere, Paul Gauguin 1848-1903, 1960, no. 10 Paris, Galerie Charpentier, Cent oeuvres de Gauguin, 1960, no. 28, illustrated in the catalogue Literature Raymond Nacenta, Gauguin, Paris, 1960, pl. 5, illustrated in colour Alfred Karasek-Langer, Paul Gauguin, Leipzig, 1963, no. 17 Nina S. Zamfirescu, Gauguin, London, 1973, no. 9, illustrated in colour Karen Kristine Rechnitzer Pope, Gauguin and Martinique, unpublished doctoral dissertation, University of Texas, Austin, 1981, pp. 104-111, 231-240 (mentioned) Laval met Paul Gauguin at Pont-Aven in 1886, and in the following year the two artists travelled together to Martinique, where they painted alongside each other, often depicting the same views. Laval was greatly influenced by Gauguin's work, and adopted a style reminiscent of Gauguin's. In fact, the present work was for a long time considered to be by Paul Gauguin, and was included in several exhibitions and illustrated in books as such. Based primarily on stylistic grounds and Gauguin's letters to his friends and fellow artists, scholars have attributed Paysage de la Martinique (the present work) and Paysage panoramique (Georges Wildenstein, Paul Gauguin, Paris, 1964, vol. I, no. 225) to Laval. In her doctoral thesis Gauguin and Martinique, Karen Kristine Rechnitzer Pope discusses and confirms this attribution. This tropical landscape, exemplary of Laval's plein-air style, depicts a view of the Bay of Saint-Pierre, where the artists spent most of their time on Martinique. The rich vegetation is dominated by two elegant, slender palm trees, and the only element suggestive of human presence is the narrow path leading towards the sea.

      Sotheby's
    • CHARLES LAVAL
      Feb. 06, 2001

      CHARLES LAVAL

      Est: £40,000 - £60,000

      CHARLES LAVAL 1862-1894 paysage de la martinique oil on canvas 92 by 71 cm., 36 1/4 by 28 in. Painted in Martinique in 1887. Provenance Ambroise Vollard, Paris Fabiani, Paris (1939-1945) Meissner Collection, Switzerland Dr. Kisler, Switzerland Hugo Perls, New York (acquired from the above in the early 1950s) Monica Perls, New York (wife of the above) Thence by descent to the present owner Exhibited (possibly) Paris, Cafe Volpini, 1889, no. 89 Vienna, Osterreichische Galerie im Oberen Belvedere, Paul Gauguin 1848-1903, 1960, no. 10 Paris, Galerie Charpentier, Cent oeuvres de Gauguin, 1960, no. 28, illustrated in the catalogue Literature Raymond Nacenta, Gauguin, Paris, 1960, pl. 5, illustrated in colour Alfred Karasek-Langer, Paul Gauguin, Leipzig, 1963, no. 17 Nina S. Zamfirescu, Gauguin, London, 1973, no. 9, illustrated in colour Karen Kristine Rechnitzer Pope, Gauguin and Martinique, unpublished doctoral dissertation, University of Texas, Austin, 1981, pp. 104-111, 231-240 (mentioned) Laval met Paul Gauguin at Pont-Aven in 1886, and in the following year the two artists travelled together to Martinique, where they painted alongside each other, often depicting the same views. Laval was greatly influenced by Gauguin's work, and adopted a style reminiscent of Gauguin's. In fact, the present work was for a long time considered to be by Paul Gauguin, and was included in several exhibitions and illustrated in books as such. Based primarily on stylistic grounds and Gauguin's letters to his friends and fellow artists, scholars have attributed Paysage de la Martinique (the present work) and Paysage panoramique (Georges Wildenstein, Paul Gauguin, Paris, 1964, vol. I, no. 225) to Laval. In her doctoral thesis Gauguin and Martinique, Karen Kristine Rechnitzer Pope discusses and confirms this attribution. This tropical landscape, exemplary of Laval's plein-air style, depicts a view of the Bay of Saint-Pierre, where the artists spent most of their time on Martinique. The rich vegetation is dominated by two elegant, slender palm trees, and the only element suggestive of human presence is the narrow path leading towards the sea.

      Sotheby's
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