Jack Levine Sold at Auction Prices

Figure painter, Painter, b. 1915 - d. 2010

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  • Jack Levine "Italian General"
    Apr. 24, 2025

    Jack Levine "Italian General"

    Est: $200 - $300

    1965, Color etching. Framed. Editioned lower left "Artist Proof" Signed lower right

    Kiechel Auction
  • Jack Levine "Requiem"
    Apr. 24, 2025

    Jack Levine "Requiem"

    Est: $400 - $600

    1979, Lithograph. Framed. Editioned lower left AP/XX. Signed lower right

    Kiechel Auction
  • Jack Levine "The Rape of Sabines"
    Apr. 24, 2025

    Jack Levine "The Rape of Sabines"

    Est: $200 - $300

    1965, Color etching. Framed. Editioned 97/100 lower left. Signed lower right

    Kiechel Auction
  • Jack Levine "The Rabbi From Amsterdam"
    Apr. 24, 2025

    Jack Levine "The Rabbi From Amsterdam"

    Est: $2,000 - $3,000

    1985, Oil on wood panel. Framed. Signed lower left.

    Kiechel Auction
  • Jack Levine "National Theatre, Oslo"
    Apr. 24, 2025

    Jack Levine "National Theatre, Oslo"

    Est: $500 - $700

    1984, Watercolor and mixed media. Framed. Signed, titled and dated lower left.

    Kiechel Auction
  • Jack Levine "Study of Officers"
    Apr. 24, 2025

    Jack Levine "Study of Officers"

    Est: $400 - $600

    Date unknown, Mixed media on paper. Framed. Signed lower left

    Kiechel Auction
  • Jack Levine Lithograph Signed and Numbered
    Apr. 17, 2025

    Jack Levine Lithograph Signed and Numbered

    Est: $200 - $300

    Jack Levine, American 1915-2010, Lithograph Signed and Numbered 49/100. Framed measures 26 inches x 32 inches, art measures 19 inches x 26 inches. Frame has scratches.

    Greenwich Auction
  • Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l., Frame: 23 3/4 x 30 1/2 in. (60.3 x 77.5 cm.)
    Apr. 08, 2025

    Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l., Frame: 23 3/4 x 30 1/2 in. (60.3 x 77.5 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l.,

    Weschler's
  • Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching, Frame: 16 x 24 1/2 in. (40.6 x 62.2 cm.)
    Apr. 08, 2025

    Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching, Frame: 16 x 24 1/2 in. (40.6 x 62.2 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching,

    Weschler's
  • Jack Levine Lithograph Signed and Numbered
    Apr. 03, 2025

    Jack Levine Lithograph Signed and Numbered

    Est: $200 - $300

    Jack Levine, American 1915-2010, Lithograph Signed and Numbered 49/100. Framed measures 26 inches x 32 inches, art measures 19 inches x 26 inches. Frame has scratches.

    Greenwich Auction
  • JACK LEVINE (AMERICAN 1915-2010) PRINT
    Apr. 01, 2025

    JACK LEVINE (AMERICAN 1915-2010) PRINT

    Est: $50 - $10,000

    Signed by artist to corner, edition 50/100 Frame: H 39.25" x W 26.25" Sight: H 38.5" x W 25.5" Condition: No glass to frame. Light blemishes to metal frame on lower corner. Art not examined outside frame. Presents well overall.

    Westport Auction
  • Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100, Frame: 18 3/4 x 20 3/4 in. (47.6 x 52.7 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100, Frame: 18 3/4 x 20 3/4 in. (47.6 x 52.7 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100,

    Weschler's
  • Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250, Frame: 17 1/4 x 18 3/4 in. (43.8 x 47.6 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250, Frame: 17 1/4 x 18 3/4 in. (43.8 x 47.6 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250,

    Weschler's
  • Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120, Frame: 15 1/4 x 12 1/4 in. (38.7 x 31.1 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120, Frame: 15 1/4 x 12 1/4 in. (38.7 x 31.1 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120,

    Weschler's
  • JACK LEVINE, SWEET BYE AND BYE, ETCHING
    Mar. 30, 2025

    JACK LEVINE, SWEET BYE AND BYE, ETCHING

    Est: $900 - $1,200

    Artist: Jack Levine, American (1915 - 2010) Title: Sweet Bye and Bye Year: 1980 Medium: Etching, signed and numbered in pencil Edition: 77/100 Image Size: 8 x 9.75 inches Size: 15 x 20 in. (38.1 x 50.8 cm)

    RoGallery
  • Jack Levine, (2) ink on paper drawings
    Mar. 28, 2025

    Jack Levine, (2) ink on paper drawings

    Est: $100 - $150

    Jack Levine (American, 1915-2010), Draft horse, brown ink on J. Green & Son wove paper, inscribed to Alex (Dobnick) and signed "JLevine", loose and unframed, 22.75"h x 29.5"w (sheet); with, sketch of horse's head, 18"h x 13"w (sheet)

    Millea Bros Ltd
  • Jack Levine, (2) drypoint etchings
    Mar. 27, 2025

    Jack Levine, (2) drypoint etchings

    Est: $100 - $150

    Jack Levine (American, 1915-2010), Study of Heads, 1964, signed and numbered 15/75, and "Nymph and Warlock", 1965, signed and numbered 5/100, each loose and unframed, embossed "ES" to sheets lower right, 22"h x 15"w and 17.75"h x 12.5"w

    Millea Bros Ltd
  • Jack Levine, American (1915-2010), 2 figural sketches, ink and graphite on paper / graphite on paper, 11 3/4"H x 17"W (Sheet), 17"H x 22 1/4"W (Mat, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), 2 figural sketches, ink and graphite on paper / graphite on paper, 11 3/4"H x 17"W (Sheet), 17"H x 22 1/4"W (Mat, Largest)

    Est: -

    Jack Levine American, (1915-2010) 2 figural sketches ink and graphite on paper / graphite on paper One signed lower left. Small paper has drawings on both sides. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 26"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 26"W (one)

    Est: -

    Jack Levine American, (1915-2010) Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966 2 lithographs Pencil signed lower right. Jeme Souviens de Watteau: edition 44/ 100; Brechtiana: edition 45/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Reception in Miami, 1967 / Blue Angel, 1967, 2 lithographs, 21 1/4"H x 27 1/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Reception in Miami, 1967 / Blue Angel, 1967, 2 lithographs, 21 1/4"H x 27 1/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) Reception in Miami, 1967 / Blue Angel, 1967 2 lithographs Blue Angel: pencil signed lower right, artist's proof. Reception in Miami: edition 96/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 3/4"H x 21"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 3/4"H x 21"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) The King - Hebrew King, 1949 / Maimonides II, 1964 2 lithographs Pencil signed lower right. The King: edition 24/50; Maimonides II: edition 44/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 3/4"H x 17 1/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 3/4"H x 17 1/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969 2 etchings Pencil signed lower right. Rape of Sabines: edition 73/100; Woodstock Pastoral: edition 66/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The Art Lover, 1967 / Reception in Miami, 1967, 2 lithographs, 26"H x 18 3/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The Art Lover, 1967 / Reception in Miami, 1967, 2 lithographs, 26"H x 18 3/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) The Art Lover, 1967 / Reception in Miami, 1967 2 lithographs Signed in the plate. The Art Lover: edition 12/100. Reception in Miami: edition 84/120, titled and dated verso. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967, exhibition poster / lithograph, 28"H x 20 3/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967, exhibition poster / lithograph, 28"H x 20 3/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967 exhibition poster / lithograph The Art Lover: artist's proof. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Maimonides II, 1964 / The Prisoner, 1963, lithograph / etching, 26 1/2"H x 21"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Maimonides II, 1964 / The Prisoner, 1963, lithograph / etching, 26 1/2"H x 21"W (one)

    Est: -

    Jack Levine American, (1915-2010) Maimonides II, 1964 / The Prisoner, 1963 lithograph / etching Pencil signed lower right. Maimonides II: edition 75/100; The Prisoner: artist's proof. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969, etching / lithograph, 29 3/4"H x 21 1/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969, etching / lithograph, 29 3/4"H x 21 1/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969 etching / lithograph Pencil signed lower right. The End of the Weimar Republic: Edition 83/100; Warsaw Ghetto: Edition 43/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Volpone II, 1964 / Volpone IV, 1964/65, 2 etchings, 14 3/4"H x 20 3/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Volpone II, 1964 / Volpone IV, 1964/65, 2 etchings, 14 3/4"H x 20 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Volpone II, 1964 / Volpone IV, 1964/65 2 etchings Pencil signed lower right. Volpone II: edition 6/100; Volpone IV: edition 41/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Vernissage, 1967 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 25 1/2"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Vernissage, 1967 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 25 1/2"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Vernissage, 1967 / Brechtiana, 1966 2 lithographs Pencil signed lower right. Vernissage: artist's proof; Brechtiana: edition 91/125. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Daley's Gesture, 1969 / Texas Delegate, 1970, etching / lithograph, 22"H x 27"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Daley's Gesture, 1969 / Texas Delegate, 1970, etching / lithograph, 22"H x 27"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Daley's Gesture, 1969 / Texas Delegate, 1970 etching / lithograph Pencil signed lower right. Daley's Gesture: edition 49/120; Texas Delegate: edition 63/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Judgement of Paris, 1964 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 1 //4"H x 17 3/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Judgement of Paris, 1964 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 1 //4"H x 17 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Judgement of Paris, 1964 / Woodstock Pastoral, 1969 2 etchings Pencil signed lower right. Judgement of Paris: edition 228/250; Woodstock Pastoral: edition 26/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Love Careless Love, 1965 / Artist and the Muse - Self Portrait with Muse, 1966, 2 etchings, 22"H x 29 3/4"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Love Careless Love, 1965 / Artist and the Muse - Self Portrait with Muse, 1966, 2 etchings, 22"H x 29 3/4"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Love Careless Love, 1965 / Artist and the Muse - Self Portrait with Muse, 1966 2 etchings Pencil signed lower right. Love Careless Love: artist's proof; The Artist and his Muse: edition 4/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Cain and Abel I, 1964 / Cain and Abel II, 1969, etching / lithograph, 29 1/2"H x 22 1/4"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Cain and Abel I, 1964 / Cain and Abel II, 1969, etching / lithograph, 29 1/2"H x 22 1/4"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Cain and Abel I, 1964 / Cain and Abel II, 1969 etching / lithograph Pencil signed lower right. Cain and Abel etching: edition 55/80; Cain and Abel lithograph: artist's proof. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), King David, 1963 / Ashkenazi I, 1963 / Bearded Head, 1962, 3 etchings, 20"H x 14 1/2"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), King David, 1963 / Ashkenazi I, 1963 / Bearded Head, 1962, 3 etchings, 20"H x 14 1/2"W (one)

    Est: -

    Jack Levine American, (1915-2010) King David, 1963 / Ashkenazi I, 1963 / Bearded Head, 1962 3 etchings Pencil signed lower right. King David: edition 89/100; Ashkenazi: artist's proof; Bearded Head: edition 9/50. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Meditation, 1964 / Boudoir, 1968, female portraits, 2 etchings, 13 3/4"H x 19 3/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Meditation, 1964 / Boudoir, 1968, female portraits, 2 etchings, 13 3/4"H x 19 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Meditation, 1964 / Boudoir, 1968, female portraits 2 etchings Pencil signed lower right. Meditation: edition 158/250; Budoir: edition 12/50. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The General, 1962/63, etching and aquatint, 13 3/4"H x 25 3/4"W (Sheet)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The General, 1962/63, etching and aquatint, 13 3/4"H x 25 3/4"W (Sheet)

    Est: -

    Jack Levine American, (1915-2010) The General, 1962/63 etching and aquatint Pencil signed lower right. Edition 89/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Prussian General (State Two) "Double Eagle", 1966, 2 etchings, 29 3/4"H x 22"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Prussian General (State Two) "Double Eagle", 1966, 2 etchings, 29 3/4"H x 22"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) The End of the Weimar Republic, 1967 / Prussian General (State Two) "Double Eagle", 1966 2 etchings Pencil signed lower right. The End of the Weimar Republic: edition 82/100; Prussian General: edition76/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The King (King Asa), 1963 / Prussian General (State Two) "Double Eagle", 1966 / Death's Head (Hussar), 1965, 3 etchings, 20 1/2"H x 14 3/4"W (Sheet)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The King (King Asa), 1963 / Prussian General (State Two) "Double Eagle", 1966 / Death's Head (Hussar), 1965, 3 etchings, 20 1/2"H x 14 3/4"W (Sheet)

    Est: -

    Jack Levine American, (1915-2010) The King (King Asa), 1963 / Prussian General (State Two) "Double Eagle", 1966 / Death's Head (Hussar), 1965 3 etchings Pencil signed lower right. Death's Head: edition 48/100; The King: artist's proof; Prussian General: edition 82/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Lenya, etching, 15 1/2"H x 13"W (Sight), 24"H x 21"W (Mat)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Lenya, etching, 15 1/2"H x 13"W (Sight), 24"H x 21"W (Mat)

    Est: -

    Jack Levine American, (1915-2010) Lenya etching Pencil signed lower right. Edition 30/45. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine - Marianne & The Goddess of Liberty - 1967 Lithograph 28" x 21"
    Mar. 18, 2025

    Jack Levine - Marianne & The Goddess of Liberty - 1967 Lithograph 28" x 21"

    Est: $40 - $60

    "Marianne & The Goddess of Liberty" by Jack Levine, 1967 Unsigned Lithograph. Paper size is 28 x 21 inches, with an image size of 28 x 21 inches. The Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: This original lithograph exhibition poster titled Marianne & The Goddess of Liberty was designed by renowned American artist Jack Levine for an exhibition at Atelier Mourlot in New York. The poster was printed in an edition of 1,000, with an additional limited edition of 125 signed and numbered prints featuring the black ink only lithograph, printed on Arches paper, a high-quality medium favored by artists and printmakers. The poster, which blends Levine’s dynamic, expressive style with the symbolic figures of Marianne, the personification of the French Republic, and the Goddess of Liberty, draws from both American and French revolutionary ideals. The imagery invokes themes of freedom, democracy, and resilience, making it a significant piece in both artistic and political contexts.

    DUMBO Auctions
  • Jack Levine, American 1915-2010, Blue Angel and Artist and His Muse, Etchings
    Mar. 05, 2025

    Jack Levine, American 1915-2010, Blue Angel and Artist and His Muse, Etchings

    Est: $200 - $400

    Jack Levine American, 1915-2010 Blue Angel and Artist and His Muse Etchings Both signed in pencil, numbered 62/100 and 87/120. Muse missing glass to frame, stains to paper.

    Nye & Company
  • Jack Levine, American 1915-2010, El Greco, Etching
    Mar. 05, 2025

    Jack Levine, American 1915-2010, El Greco, Etching

    Est: $200 - $400

    Jack Levine American, 1915-2010 El Greco Etching Signed in pencil l.r. numbered 17/100. Together with a Jack Levine etching, numbered 30/109, titled "To Peggy and Gary Plotnick" and a lithograph by Thom O'Connor, titled "The Model". 3 pieces

    Nye & Company
  • Jack Levine Facing East Mixed Media on Paper
    Mar. 04, 2025

    Jack Levine Facing East Mixed Media on Paper

    Est: $50 - $500

    Jack Levine (1915-2010). Pencil and colored pencil on paper titled "Facing East." Drawing is inscribed "At Amelio's, San Francisco" along the lower right. 21 3/4"H x 23 1/2"W.

    Loon Estates
  • Topless
    Feb. 27, 2025

    Topless

    Est: $25,000 - $35,000

    Jack Levine 1915 - 2010 Topless signed Levine (lower left); titled and dated 1969-1972 (on the stretcher) oil on canvas 40 by 36 in. 102 by 91.4 cm. Executed in 1969-72.

    Sotheby's
  • JACK LEVINE O/C PAINTING OF A CIRCUS BAND
    Feb. 15, 2025

    JACK LEVINE O/C PAINTING OF A CIRCUS BAND

    Est: $300 - $600

    SIGNED JACK LEVINE, DEPICTION OF A CIRCUS BAND WITH SURROUNDING PERFORMERS. OIL ON CANVAS, FRAMED, 40"X49"

    Freedom Auction Company
  • Jack Levine, "In the Eye of the Beholder"
    Feb. 08, 2025

    Jack Levine, "In the Eye of the Beholder"

    Est: $150 - $250

    Jack Levine, "In the Eye of the Beholder", 1986, signed in pencil, 10" x 8", overall 17" x 15". Provenance: Deaccessioned from a prominent Massachusetts museum.

    Kaminski Auctions
  • JACK LEVINE, DRESSING ROOM, ETCHING
    Jan. 25, 2025

    JACK LEVINE, DRESSING ROOM, ETCHING

    Est: $350 - $450

    Artist: Jack Levine, American (1915 - 2010) Title: Dressing Room Medium: Etching Image Size: 4 x 3 inches Frame Size: 12 x 11.5 inches

    RoGallery
  • JACK LEVINE, MARIANNE & THE GODDESS OF LIBERTY, LITHOGRAPH POSTER
    Jan. 25, 2025

    JACK LEVINE, MARIANNE & THE GODDESS OF LIBERTY, LITHOGRAPH POSTER

    Est: $275 - $375

    Artist: Jack Levine, American (1915 - 2010) Title: Marianne & The Goddess of Liberty Year: 1967 Medium: Lithograph Poster Edition: 1000 Size: 28 x 21 in. (71.12 x 53.34 cm) Printer: Atelier Mourlot, LTD Publisher: Atelier Mourlot, LTD

    RoGallery
  • Collector's Lot of 5 Artworks
    Dec. 17, 2024

    Collector's Lot of 5 Artworks

    Est: $100 - $200

    Collector's Lot of 5 Artworks. Including: Hananiah Harari (1912-2000) "Sabbath Blessing," etching, signed; Jack Levine (American, 1915-2010) Untitled , (bald man) lithograph, signed; Gertrude Kasebier (American, 1852-1934) "The Crystal Gazer". Original vintage photogravure. c1910. Printed 1910; Leon Hartl, Still Life, 1955, ink on paper; signed; Artist unknown, Head of a Cat , signed lower right "Dauta?" Sizes Ranging From: 6.25'' x 5'', 16 x 13 cm (sight); 13.5'' x 11'', 34 x 28 cm (frame) To 10'' x 8'', 25 x 20 cm (sight); 17'' x 14'', 43 x 36 cm (frame).

    Material Culture
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