Pieter van Liender Sold at Auction Prices

18th Cent. Dutch oil on canvas - signed Pieter Jan van Liender and dated 1766 prov : Sotheby's - Amsterdam auction dd November 2003 (photo on page 113 of the catalogue)

VAN LIENDER PIETER JAN (1727 - 1779) 18th Cent. Dutch oil on canvas - signed Pieter Jan van Liender and dated 1766 prov : Sotheby's - Amsterdam auction dd November 2003 (photo on page 113 of the catalogue) VAN LIENDER PIETER JAN (1727 - 1779) (NL) origineel olieverfschilderij op doek (op paneel) : "Postkoets bij huis" - 45,5 x 65,5 getekend en gedateerd 1766 door de huidige eigenaar aangekocht bij Sotheby's - Amsterdam dd november 2003 (afgebeeld in de cataloog op pagina 113) nagezien door expert Jean-Pierre De Bruyn

VAN LIENDER PIETER JAN (1727 - 1779) 18th Cent. Du…

18th Cent. Dutch oil on canvas - signed Pieter Jan van Liender and dated 1766 prov : Sotheby's - Amsterdam auction dd November 2003 (photo on page 113 of the catalogue) VAN LIENDER PIETER JAN (1727 - 1779) (NL) origineel olieverfschilderij op doek (op paneel) : "Postkoets bij huis" - 45,5 x 65,5 getekend en gedateerd 1766 door de huidige eigenaar aangekocht bij Sotheby's - Amsterdam dd november 2003 (afgebeeld in de cataloog op pagina 113) nagezien door expert Jean-Pierre De Bruyn

Liender, Pieter Jan van (1727-1779) (attrib.). (View of the Amsterdamse Poort).

Liender, Pieter Jan van (1727-1779) (attrib.). (View of the Amsterdamse Poort). Drawing, pen, brush and black ink, grey wash, 21,5x30,5 cm. - Drawing trimmed to the framing line. = On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.

Liender, Pieter Jan van (1727-1779) (attrib.). "Kerck tot Zantvoort".

Liender, Pieter Jan van (1727-1779) (attrib.). "Kerck tot Zantvoort". Drawing, pen, brush and brown ink, brown wash, 15,2x23 cm. (incl. double framing line), titled and "1728" in sm. cartouche in border, with reference to the "De Tombe-kapel van P. Loot" in upper right corner. - Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed. = In the early 18th century, the church was restored at the expense of Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.

PIETER JAN VAN LIENDER (UTRECHT 1727-1779) An inn in a forest with figures

PIETER JAN VAN LIENDER (UTRECHT 1727-1779) An inn in a forest with figures black chalk, black and gray wash, black ink framing lines 5 3/4 x 8 1/2 in. (14.5 x 21.5 cm)

Pieter Jan van Liender (1727-1779)

A view of Utrecht with the Catharijnepoort; A view of the surroundings of Utrecht with the city in the distance, the first signed and dated 'P.J.v. Liender f 1759' (lower left); the second signed and indistinctly dated 'P.J.v. Liender' (lower left), both oil on panel (2), 21x29 cm, Provenance: -Private Collection, the Netherlands.

Pieter Jacobsz van Liender (1727-1779) Tienhoven on the Sea, Ink and wash on laid paper,

Pieter Jacobsz van Liender (1727-1779) Tienhoven on the Sea, Ink and wash on laid paper, Signed, titled and dated on verso. H: 5 1/2 W: 7 3/4 in.

Liender, Pieter van

Liender, Pieter van (Utrecht 1727–1779 Haarlem) Bauerngruppe vor einem alten Schloss. Aquarell über brauner Feder. 22x28 cm. Gerahmt. - Alt aufgezogen.

Liender, P.J. van (1727-1779). "Kasteel te monfoord d. 27 Aug. 1751". Drawing, pencil (and sm. part in pen and ink), 15,5x21,2 cm., titled in pencil, "Pieter van Liender del: ad: viv:" in pencil on verso, monogrammed "HG. S. Fecit" in pencil on

Liender, P.J. van (1727-1779). "Kasteel te monfoord d. 27 Aug. 1751". Drawing, pencil (and sm. part in pen and ink), 15,5x21,2 cm., titled in pencil, "Pieter van Liender del: ad: viv:" in pencil on verso, monogrammed "HG. S. Fecit" in pencil on recto. = Later attribution or owner's mark "HG Schutter" in pen and ink over the old signature on verso. AND 10 similar drawings, prob. by the same, all pencil sketches, a few w. pen and ink. = Two drawings with annotations in similar hand: "Bunnik den 24. Aug. 1752" and "'t Dorp Doorn d.26.Julij 1753". The following views with annotations in different 18th cent. hand: "Het Huijs te Vleúten", "Rijnaúwen", "Huijs te Harmelen", "Het hof ter Wijde een oud adelijk gebouw". Two drawings with modern annotations: "Molenstein" and "Hardenbroek". And two views without any annotation.

Pieter Jan van Liender (Utrecht 1727-1779)

Pieter Jan van Liender (Utrecht 1727-1779) View of the Gaardbrug, Utrecht watercolour on paper 235 x 355 mm.

Pieter Jan van Liender (Utrecht 1727-1779)

Pieter Jan van Liender (Utrecht 1727-1779) View of the Gaardbrug, Utrecht watercolour on paper 235 x 355 mm.

FOLLOWER OF PIETER JAN VAN LIENDER (1727-1779)

FOLLOWER OF PIETER JAN VAN LIENDER (1727-1779) FIGURES CONVERSING ON A DUTCH STREET A pair, watercolour each 12.75 x 17.75cm. (2) ++ Good condition; slightly pal e

f - PIETER JAN VAN LIENDER UTRECHT 1727 - 1779

FIGURES NEAR A WAYSIDE HOUSE AMONGST TREES, A STREAM WITH A WEIR TO THE LEFT measurements note 146 by 237 mm pen and black ink and grey wash over traces of black chalk

PIETER JAN VAN LIENDER (Utrecht 1727-1779 Utrecht) View of a Tree-lined Street through a Village. Pen and black ink and gray wash on cream laid paper. 105x170 mm; 4x6 inches.

PIETER JAN VAN LIENDER

(Utrecht 1727-1779 Utrecht) View of a Tree-lined Street through a Village. Pen and black ink and gray wash on cream laid paper. 105x170 mm; 4 1/8x6 3/4 inches.

Pieter Jan van Liender (Utrecht 1727-1779 Utrecht)

The Stadhuisbrug, Utrecht, with house Lichtenberch and house Hasenberch on the left, the Oudegracht on the right, the vismarkt and the Domtoren in the background signed and dated 'P.V.Liender.f.1756.' (lower centre) oil on panel 28.3 x 37.3 cm. (111/4 x 143/4 in.). PROVENANCE Anonymous sale; Christie's, London, 14 December 1984, lot 178 (to Dreesmann). Dr Anton C.R. Dreesmann (inventory no. A-65). NOTES Another version, signed and dated 1764, on canvas, 60 x 83 cm., is in the Centraal Museum Utrecht (J. de Meyere, Utrecht op schilderijen - zes eeuwen topografische voorstellingen van de stad Utrecht, Utrecht, 1988, p. 159 and p. 164, fig. 13). A watercolour of 1762 of the same subject is in the collection of Her Majesty The Queen of the Netherlands (see I.J. Soer, catalogue of the exhibition, Jacobus van Liender, Pieter Jan van Liender, Paul van Liender en de stad Utrecht, 11 March 27 April 1978, p. 64, no. 41, illustrated). The artist specialised in topographical views and is known to have painted Rotterdam, Delft, Gouda, Rhenen, Emmerich, Amsterdam and his native town Utrecht. His views of the inner city of Utrecht date mainly from the 1750s and 1760s, when he was living on the Oudegracht. After an apprenticeship with his uncle Jacob van Liender and with his brother Paulus van Liender, he travelled through France and he made trips along the Rhine in Germany in 1752, 1753 and 1763. In an extensive decorative cycle that Van Liender painted for the Regentenkamer of the Diaconie-Weeshuis, Breestraat 36, Utrecht (since 1954 in the Centraal Museum Utrecht) he combined elements of the Utrecht cityscape with foreign elements and capriccio views.