Alexander von Liezen-Mayer Sold at Auction Prices

W. KRAUSKOPF (*1847) after LIEZEN-MAYER (*1839), Mother with child in the garden, Lithography

Wilhelm Krauskopf (1847 - 1899 ) after Alexander von Liezen-Mayer (1839 - 1898 ibid.): Lovely scene with mother and child in the garden drying the laundry, 19th century, Lithography Technique: Lithography on Paper Inscription: Repeatedly signed "A. Liezen Mayer del." below the print on the left and "W. Krauskopf sculp." on the right. Date: 19th century Description: The artist's handwritten signature at lower right: "Liezen Mayer". Keywords: 19th century, Biedermeier, Nature, Germany, Size: Paper: 35,3 cm x 25,7 cm (13,9 x 10,1 in), Plate: 26,5 cm x 19,0 cm (10,4 x 7,5 in), Depiction: 21,7 cm x 15,2 cm (8,5 x 6 in)

Liezen-Mayer, Alexander von

(1839 Raab - 1898 München), zugeschr. Kaiser Ferdinand I. Studie zu... Kreide auf Papier. 50 x 34,5 cm. Sammlerstempel re. unten (Lugt 3256), Münchner Künstlergenossenschaft. Von fremder Hand dem Künstler zugeschrieben. - Auf Karton aufgezogen. D

Sánor Liezen-Mayer or Alexander von Liezen-Mayer, Raab 1839 - 1898 Munich, attributed, The Delivery of the Bride

Sánor Liezen-Mayer Bzw. Alexander von Liezen-Mayer Raab 1839 - 1898 Munich, attributed The Handover of the Bride Oil on canvas, relined 186 x 95 cm, with frame 195 x 102 cm Monogrammed lower centre

Liezen-Mayer, Alexander von

(1839 Raab - 1898 München), zugeschr. Kaiser Ferdinand I. Studie zu... Kreide auf Papier. 50 x 34,5 cm. Sammlerstempel re. unten (Lugt 3256), Münchner Künstlergenossenschaft. Von fremder Hand dem Künstler zugeschrieben. - Auf Karton aufgezogen. D

A. LIEZEN-MAYER (*1839), Ekkehard's farewell greeting, collotype, Reproduction

Alexander von Liezen-Mayer (1839 - 1898 ibid.): Ekkehard's farewell greeting, collotype, 19th century, Reproduction Technique: Reproduction on Paper Date: 19th century Description: Scene from the novel "Ekkehard" by Joseph Victor von Scheffel from 1855. In it, the author describes the career of a monk, Ekkehard, who, confused by a love affair, turns away from monastic life and eventually becomes a writer. The sitter, presumably the Duchess Hadwig of Swabia, is sitting on a wall projection with a sad expression. Her head resting in her right hand, she holds a scroll in her left. Probably the named farewell greeting of Ekkehard. Keywords: 19th century, Historicism, People, Germany,

Liezen-Mayer, Alexander von

(1839 Raab - 1898 München), zugeschr. Kaiser Ferdinand I. Studie zu... Kreide auf Papier. 50 x 34,5 cm. Sammlerstempel re. unten (Lugt 3256), Münchner Künstlergenossenschaft. Von fremder Hand dem Künstler zugeschrieben. - Auf Karton aufgezogen. D

A KPM PORCELAIN PLAQUE 'GRETCHEN AT THE SPINNING WHEEL', 19TH CENTURY

KPM Berlin porcelain plaque depicting Gretchen at the spinning wheel after the painting by Alexander von Liezen-Mayer (Hungarian-born, German, 1839 - 1898). Impressed KPM scepter mark. Footnote: Alexander von Liezen-Mayer, portrait and history painter, studied at the academies in Vienna and Munich. Pupil of Eugen von Blaas. From 1862 worked in the studio of Carl Theodor von Piloty. 1884-1898 professor at the Munich Academy.

Liezen-Mayer, Alexander von

(1839 Raab - 1898 München), zugeschr. Kaiser Ferdinand I. Studie zu... Kreide auf Papier. 50 x 34,5 cm. Sammlerstempel re. unten (Lugt 3256), Münchner Künstlergenossenschaft. Von fremder Hand dem Künstler zugeschrieben. - Auf Karton aufgezogen. D

W.KRAUSKOPF (*1847) after LIEZEN-MAYER (*1839), Mother with child in the garden, Lithography

Wilhelm Krauskopf (1847 - 1899 ) after Alexander von Liezen-Mayer (1839 - 1898 ibid.): Lovely scene with mother and child in the garden drying the laundry, 19th century, Lithography Technique: Lithography on Paper Inscription: Repeatedly signed "A. Liezen Mayer del." below the print on the left and "W. Krauskopf sculp." on the right. Date: 19th century Description: The artist's handwritten signature at lower right: "Liezen Mayer". Keywords: 19th century, Biedermeier, Nature, Germany,

A.LIEZEN-MAYER (*1839), Ekkehard's farewell greeting, Collotype, Reproduction

Alexander von Liezen-Mayer (1839 - 1898 ibid.): Ekkehard's farewell greeting, Collotype, 19th century, Reproduction Technique: Reproduction on Paper Date: 19th century Description: Scene from the novel "Ekkehard" by Joseph Victor von Scheffel from 1855. In it, the author describes the career of a monk, Ekkehard, who, confused by a love affair, turns away from monastic life and eventually becomes a writer. The sitter, presumably the Duchess Hadwig of Swabia, is sitting on a wall projection with a sad expression. She is holding her head in her right hand and a scroll in her left. Probably the farewell greeting of Ekkehard. Keywords: 19th century, Historicism, People, Germany, Size: 30,6 cm x 42,2 cm (12 x 16,6 in) Condition: Good condition. The sheet is rolled on paper, the margins are partly weakly rubbed.

Alexander Liezen-Mayer, "Erscheinung. Hexenküche (Faust blickt in den Zauberspiegel)"

Historienmaler (1839 Raab - 1898 München), Radierung von J. Bankel nach Liezen-Mayer/Papier, unten rechts in der Darstellung signiert, darunter in der Platte bezeichnet, um 1885, im Blatt bezeichnet, detailreich illustrierte Szene aus Johann Wolfgang Goethe, Faust. Erster Teil (1808), hier den Protagonisten in Begleitung von Mephisto in der Hexenküche zeigend, wie ihm im Zauberspiegel das Bild einer schlafenden Frau in sinnlicher Schönheit erscheint, welche unstillbare Begierde in ihm weckt, publ. in München (Theodor Stoefer) 1885 und später als Lizenz, guter Zustand, leicht stockfleckig, Darstellung 30,5 x 21,5 cm (HxB), Passepartout, Gesamtmaß 54 x 42,5 cm (HxB); Vision. In the witch's kitchen (Faust looks into the magical mirror), etching after Liezen-Mayer, after 1885, motive signed in the illustration, below denoted, good condition, light foxing, mounted

Liezen-Mayer, Alexander von

Family with child. Charcoal drawing. 69 x 46.5 cm. Signed, on the reverse with estate stamp Princess Pilar v. Bavaria.

Impressive Antique 19th Century Fox Hunt Oil Painting

Large Antique 19th Century oil painting attributed to Alexander von Liezen- Mayer (1869 – 1898) | Genre Painting of Fox Hunt | Oil on Canvas | Signed in lower left of canvas “Liezen Mayer” | Features a fox hunt with red coated riders on horseback with hunting dogs. Man can be seen in the background with the fox and a pack of dogs. | Very well painted with great detail – in very good condition with some craquelure. | Housed in an custom period wooden frame | Measures approx. 48″ x 36″

Impressive Antique 19th Century Fox Hunt Oil Painting

Large Antique 19th Century oil painting by Alexander von Liezen- Mayer (1869 – 1898) | Genre Painting of Fox Hunt | Oil on Canvas | Signed in lower left of canvas “Liezen Mayer” | Features a fox hunt with red coated riders on horseback with hunting dogs. Man can be seen in the background with the fox and a pack of dogs. | Very well painted with great detail – in very good condition with some craquelure. | Housed in an custom period wooden frame | Measures approx. 48″ x 36″

LIEZEN-MAYER, ALEXANDER VON 1839 Raab (Ungarn) -

LIEZEN-MAYER, ALEXANDER VON 1839 Raab (Ungarn) - 1898 München Das Rosenwunder der heiligen Elisabeth. Öl auf Leinwand. 173,5 x 94cm. Originalrahmen. Rückseitig: - Ein altes Etikett der Galerie Heinemann, München; - Ein altes Etikett mit dem Hinweis auf die ehemaligen Eigentümer: Eigentum/ von Prinzessin/ Pilar von Bayern". LIEZEN-MAYER, ALEXANDER VON 1839 Raab (Hungary) - 1898 Munich The Miracle of the Roses of St. Elisabeth. Oil on canvas. 173,5 x 94cm. Original frame. Verso: - An old label of the Gallery Heinemann, Munich; - An old label with reference to the former owner: Property/ of Princess/ Pilar of Bavaria".

Sándor Liezen-Mayer (1839-1898): Waterside Landscape

Sándor Liezen-Mayer (1839-1898): Waterside Landscape s.l.l.: Liezen Mayer S.

Alexander von Liezen-Mayer (Hungarian, 1839-1898)

A stroll in the churchyard signed 'A Liezen-Meyer' (lower left) oil on canvas, unframed 45 1/2 x 32 1/8 in. (115.5 x 81.6 cm.)

Alexander Liezen-Mayer (Austrian, 1839-1898), In the churchyard, oil on canvas, signed, 117 x 81cm