Andrea Lilio Sold at Auction Prices

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    • Lilio, Andrea (Attrib.): Kreuzigung Christi
      Jul. 26, 2024

      Lilio, Andrea (Attrib.): Kreuzigung Christi

      Est: €8,500 - €17,000

      Lilio, Andrea (Attribution - Crucifixion of Christ (Ancona 1555-1642 Ascoli Piceno) Figural scene with Jesus on the cross in the centre, being stabbed in the side with a spear, the Holy Lance, by Longinus in armour and on horseback, with other observers, the mourning Marys and John on either side. Oil/copper. Verso with old inscription 'Joas. Ands. Anconitanus'. 20 x 30 cm. // Lilio, Andrea (Attrib.) Kreuzigung Christi (Ancona 1555-1642 Ascoli Piceno) Figurenreiche Szenerie mit Jesus am Kreuz im Zentrum, dem von Longinus in Rüstung und zu Pferd mit einem Speer, der Heiligen Lanze, in die Seite gestochen wird, zu beiden Seiten weitere Beobachter, die trauernden Marien und Johannes. Öl/Kupfer. Verso alt bez. ''Joas. Ands. Anconitanus''. 20 x 30 cm.

      Kunstauktionshaus Schlosser
    • ANDREA LILIO
      Apr. 01, 2022

      ANDREA LILIO

      Est: CHF5,000 - CHF7,000

      ANDREA LILIO (Fano 1555–1642 Ascoli Piceno) Ecce homo. Oil on panel. 34.9 × 29 cm. Provenance: Private collection, Switzerland. --------------- ANDREA LILIO (Fano 1555–1642 Ascoli Piceno) Ecce homo. Öl auf Holz. 34,9 × 29 cm. Provenienz: Schweizer Privatsammlung.

      Koller Auctions
    • ANDREA LILIO (attr. a)
      Mar. 05, 2020

      ANDREA LILIO (attr. a)

      Est: €2,000 - €3,000

      (Ancona, 1570 - Roma, 1631) Compianto di San Giovanni Olio su tela, cm 95X182 Il dipinto pur sporco e ossidato permette di osservare la qualità delle stesure, coadiuvate da una luminosità di sapore arcaico che contrasta con il naturalismo della figura. Questi indizi, insieme alla peculiare tipologia dei volti, suggeriscono l'attribuzione ad un artista marchigiano e ad Andrea Lilio (Ancona, 1570 - Roma, 1631). L'autore, formatosi sugli esempi del faentino Ferraù Fenzoni e Francesco Vanni, evidenzia anche inflessioni toscane e del manierismo fiorentino del Rosso, del Pontormo e del Beccafumi.

      Wannenes Art Auctions
    • ANDREA LILIO | Study of a King and Queen
      Jan. 30, 2019

      ANDREA LILIO | Study of a King and Queen

      Est: $6,000 - $8,000

      Pen and brown ink and wash, heightened with white, over black chalk, squared for transfer in black chalk; bears old attribution on the reverse of backing sheet:  Palma Vecchio

      Sotheby's
    • ANDREA LILIO Saint Francis praying
      Jun. 30, 2015

      ANDREA LILIO Saint Francis praying

      Est: £14,000 - £18,000

      ANDREA LILIO Saint Francis praying Oil on canvas It was Luciano Arcangeli who rediscovered this painting and attributed it to Lilio at the opening of the exhibition in Ancona (1985), (Andrea Lilli nella pittura delle Marche tra Cinquecento e Seicento, exhibition booklet, Pinacoteca Civica Francesco Podesti di Ancona, July – Oct. 1985, curated by Luciano Arcangeli and Pietro Zampetti, Rome, 1985, pp. 58-59, 2.). On that occasion, it was repeatedly underscored that the Poverello reflects Counter-reformation ideals, ever more similar to the monk-like and meditative figure of St Jeronim. In addition, the visible flaking of the face, hands and the sackcloth reflect, on the one hand, a deeply Baroque ascendancy on the painter – especially evident in the hues of the chromatic range favouring monochrome - whereas on the other, they are also owed to his stern and pointy Gothic-like graphic style, typical of late Mannerism in central Italy. It is thanks to this chronology that Arcangeli assigned the painting to the late Sistine years and the beginning of the period of the works ascribed by pope Clement VIII Aldobrandini in the central nave of Santa Maria Maggiore in Rome. Recently, art critic Massimo Pulini has attributed this work to Ferraù Fenzoni (Massimo Pulini, Andrea Lilio. Milan, 2003, p. 13 and illustration; p. 240, 7), acknowledging that it is “...a work of high value representing the anti-classicist and anti-reformist streak which swept Rome at the end of 16th century...”. Pulini, in fact, related the present St Francis to a drawing by Fenzoni, showing a monk in the act of reading (Pulini, op. cit., p.13) which might lead to think that this served as an initial sketch to the painter. What emphases further on such possible authorship is the period in which the painting saw the light – first forwarded by Arcangeli and successively confirmed by Pulini - namely, when reciprocal influences between Lilio and Fenzoni became more manifest. In this respect, we maintain that Pulini’s hypothesis is of an absolute importance, although accepting the historical attribution by Arcangeli. In the end, it sounds sensible to compare the suffering and vivid figure of St Francis with the edgy face but smooth - as far as the brushstroke is concerned – of St Rochus and the dog, in the Galleria Nazionale delle Marche, Urbino, signed and dating 1596. cm 88 x 65

      Bertolami Fine Art s.r.l.
    • ANDREA LILIO
      Jul. 05, 2013

      ANDREA LILIO

      Est: £800 - £1,200

      ANCONA  CIRCA  1570  -  AFTER  1631  ASCOLI  PICENO THE  DEAD  CHRIST  FLANKED  BY  TWO  ANGELS  AND  GOD  THE  FATHER Pen  and  brown  ink  and  brown  and  grey  wash,  over  black  chalk;  a  large  pentimento  for  the  figure  of  Christ,  cut  out  and  pasted  on 225  by  133  mm

      Sotheby's
    • ANDREA LILIO
      Jul. 05, 2013

      ANDREA LILIO

      Est: £2,500 - £3,500

      ANCONA  CIRCA  1570  -  AFTER  1631  ASCOLI  PICENO KING  DAVID  AND  MOSES Pen  and  brown  ink  and  wash  heightened  with  white,  squared  for  transfer  in  red  chalk; bears  inscription  in  pen  and  brown  ink:  B 167  by  108  mm

      Sotheby's
    • ANDREA LILIO
      Jul. 05, 2013

      ANDREA LILIO

      Est: £20,000 - £30,000

      ANCONA  CIRCA  1570  -  AFTER  1631  ASCOLI  PICENO ALLEGORY  OF  THE  ORSINI  FAMILY Pen  and  brown  ink  and  wash  over  red  and  black  chalk,  heightened  with  white,  within  red  chalk  and  pen  and  brown  ink  framing  lines; bears  pencil  inscription  on  the  old  backing,  verso:  Possibly  late  Venetian 304  by  419  mm

      Sotheby's
    • Andrea Lilio (Ancona 1560-1609 Ascoli)
      Jan. 27, 2010

      Andrea Lilio (Ancona 1560-1609 Ascoli)

      Est: $6,000 - $8,000

      Andrea Lilio (Ancona 1560-1609 Ascoli) A bearded man in profile facing right black and white chalk on blue paper 11 x 8 1/8 in. (28 x 20.7 cm.)

      Christie's
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