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Israel Lipshitz Art for Sale and Sold Prices

Sculptor, Wood cutter, Painter

Israel-Isaac Lipshitz, known as Lippy Lipshitz (8 May 1903 – 17 May 1980)[2] was a South African sculptor, painter and printmaker. He is considered to be one of the most important South African sculptors, along with Moses Kottler and Anton van Wouw.

Israel-Isaac Lipshitz was born on 8 May 1903 as the second son of Shlomeh Josef Lipshitz of Dvinsk and Chayah Meray Faktor of Plunge, Lithuania. His paternal grandparents were of the Jewish Chassidic sect, while his maternal grandparents were of the Misnaged sect in February 1904, Israel's father set out for Cape Town in search of better prospects than were available to him in Plunge. He left his wife and the infant with the paternal grandfather Yankeh Fivah Faktor for the next four-and-a-half years. In his care the young Israel was taught to draw, carve wood and model in dough and candle grease. His grandfather had built the synagogue in Plungian, and it was in the decorative art of the synagogue that Israel first felt the impetus to artistic expression

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About Israel Lipshitz

Sculptor, Wood cutter, Painter

Aliases

Israel Lipschitz, Israel Isaak Lipshitz, Lippy Lipshitz

Biography

Israel-Isaac Lipshitz, known as Lippy Lipshitz (8 May 1903 – 17 May 1980)[2] was a South African sculptor, painter and printmaker. He is considered to be one of the most important South African sculptors, along with Moses Kottler and Anton van Wouw.

Israel-Isaac Lipshitz was born on 8 May 1903 as the second son of Shlomeh Josef Lipshitz of Dvinsk and Chayah Meray Faktor of Plunge, Lithuania. His paternal grandparents were of the Jewish Chassidic sect, while his maternal grandparents were of the Misnaged sect in February 1904, Israel's father set out for Cape Town in search of better prospects than were available to him in Plunge. He left his wife and the infant with the paternal grandfather Yankeh Fivah Faktor for the next four-and-a-half years. In his care the young Israel was taught to draw, carve wood and model in dough and candle grease. His grandfather had built the synagogue in Plungian, and it was in the decorative art of the synagogue that Israel first felt the impetus to artistic expression