Carlo Lodi Paintings & Artwork for Sale | Carlo Lodi Art Value Price Guide

Jun. 13, 2024
Carlo Lodi 1701 Bologna-1765 Bologna Paesaggio fluviale con figure di contadini
Est: €7,000 - €9,000
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Cambi Casa d'Aste
May. 28, 2024
CARLO LODI (attr.a)
Est: €50 - €70
(Bologna, 1701 - 1765) Veduta costiera di fantasia Olio su tela, cm 80X176
Wannenes Art Auctions
May. 30, 2018
CARLO LODI (attr. a)
Est: €700 - €900
(Bologna, 1701 - 1765) Coppia di paesaggi Olio su tela, cm 52X90 (2) Di stile prettamente rococò, le tele si allineano a quel gusto paesistico emiliano e bolognese diffuso da Carlo Lodi. La pittura di paesaggio fu coltivata a Bologna con maestria da un piccolo gruppo di specialisti, variamente legati agli ambienti del teatro e della scenografia, e con l¿intervento di importanti pittori di figura che, a differenza dei loro colleghi romani, non disdegnarono di collaborare con i loro personaggi a decorazioni paesistiche. Bibliografia di riferimento: R. Grandi, 'L'Arte del Settecento Emiliano', nel catalogo della mostra 'Architettura, Scenografia e Pittura di Paesaggio', Bologna 1980, p. 334 A. Ottani Cavina, E. Calbi, 'La pittura di paesaggio in Italia. Il Settecento', Milano 2005, p. 245 A.M. Matteucci, 'I decoratori di formazione bolognese tra Settecento e Ottocento. Da Mauro Tesi ad Antonio Basoli', Milano 2002, pp. 180, 276, 460, 498
Wannenes Art Auctions
Mar. 21, 2018
CARLO LODI (attr. a)
Est: €1,000 - €2,000
(Bologna, 1701 - 1765) Coppia di paesaggi Olio su tela, cm 52X90 (2) Di stile prettamente rococ˜, le tele si allineano a quel gusto paesistico emiliano e bolognese diffuso da Carlo Lodi.Ê Bibliografia di riferimento: R. Grandi, 'L'Arte del Settecento Emiliano', in 'Architettura, Scenografia e Pittura di Paesaggio', catalogo della mostra, Bologna 1980, p. 334 A. Ottani Cavina, E. Calbi, 'La pittura di paesaggio in Italia. Il Settecento', Milano 2005, p. 245Ê A.M. Matteucci, 'I decoratori di formazione bolognese tra Settecento e Ottocento. Da Mauro Tesi ad Antonio Basoli', Milano 2002, pp. 180, 276, 460, 498
Wannenes Art Auctions
Mar. 03, 2018
N. Bertuzzi/C. Lodi, Capriccio with Capuccine Monk, Oil,18th C.
Est: €14,000 -
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) – Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) – Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna
Amadeus Auction
Nov. 28, 2016
N. Bertuzzi/C. Lodi, Capriccio with Capuccine Monk, Oil,18th C.
Est: €11,200 - €14,000
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna The present work shows a capriccio with enchanted ruins in a magical atmosphere. The Bolognese painter Carlo Lodi thereby followed the tradition of his time and rated as one of the most sought-after virtuosos regarding the treatment of light. From 1753 he started a fruitful collaboration with Nicolas Bertuzzi, called l'Anconitano, since his figures were recognizable for their typical verve and characteristic for their very volatile gestures. Here, the artist has described the prayer of a capuccine monk, surrounded by a reverently listening community. The presence of the painter in Carlo Lodis canvases reveals not only the fruitful collaboration of both artists, but also their high standards of artistic finesse that enthused the Bolognese clientele. Condition: The painting is in good condition, consistent with age. The canvas is relined and slightly wavy along the edges, due to the underlying stretcher. Inspection under UV light reveals areas of retouching to the sky and to the landscape; some of them are slightly discolored. Besides, there are faint abrasions of paint in the lower right corner, the varnish is slightly darkened. The craquelure is even and very fine. Nicolas Bertuzzi (1710-1777) Nicola Bertuzzi was born in Ancona in 1710. He studied at the Bologna Academy under Donato Creti and Vittorio Maria Bigari. In 1752 he became an honorary member of the Academy of Arts and a short time later was appointed director of the Classe di Figura. In 1774 he was finally honored with the title Principe, the highest academic position. Nicola Bertuzzi is one of the greatest exponents of landscape painting in Bologna in the 18th century, who worked also in close cooperation with the landscape and architectural painter Carlo Lodi. Carlo Lodi (1701-1765) Born in Bologna Carlo Lodi was fist schooled by Angelo Michele Cavazzoni, followed by an education by the leading landscape painter Nunzio Ferrajuoli degli Afflitti. Soon after finishing his studies he became a successful painter, his works were extremely popular with the public. He created with preference scenery-like landscapes with figure staffage in bright colors. He is considered as one of the most prominent representatives of landscape painting in Bologna in the 18th century. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 30, 2016
Carlo Lodi, 1701 Bologna – 1765
Est: €35,000 - €45,000
Carlo Lodi, 1701 Bologna – 1765 Gemäldepaar FLUSSLANDSCHAFTEN MIT FIGUREN Öl auf Leinwand. Jeweils 92 x 127 cm. Beigegeben eine Expertise von Prof. Giancarlo Sestrieri. Diesen beiden Fantasielandschaften, die Flussläufe, Ruinen und ruhende Figuren darstellen, verweisen eindeutig auf den Stil Carlo Lodis, einem der brillantesten „Capriccio Arcitettonico“-Spezialisten der Emilia - neben der Bibbiena Dynastie, Pietro Paltronieri, genannt „Il Mirandolese“ und Vittorio Maria Bigari - des 18. Jahrhunderts. Carlo Lodi vereinte geschickt die traditionelle Landschaftsdarstellung des Seicento mit dem Stil von Jan Frans van Bloemen (1662 - 1749), Pieter Mulier (genannt „Il Tempesta“, um 1616 - 1670) und vor allem Marco Ricci (1676 - 1729), wie es die beiden vorliegenden bezaubernden Gemälde gut zu verdeutlichen wissen. Wahrscheinlich handelt es sich hier um zwei Spätwerke des Künstlers, da die zierlichen Figuren an die Galanterie eines Francois Boucher erinnern und wahrscheinlich von seinem exzellenten Schüler Nicola Bertuzzi (1710 - 1777) gemalt wurden. Beide Gemälde leben von der Spannung zwischen den imposanten architektonischen Überresten im Vordergrund und der weitläufigen Landschaft dahinter. Beides verweist eindeutig auf weitere Werke von Carlo Lodi, wie zum Beispiel „Landschaft mit Fischern und Hirten“ in der Sammlung Venturoli Mattei und der Serie von Temperagemälden, die sich im Besitz der Cassa di Risparmio di Bologna befinden und ebenfalls in Zusammenarbeit mit Bertuzzi entstanden. (1061493) (21) Carlo Lodi 1701 Bologna – 1765 A pair of paintings RIVERSCAPES WITH FIGURES Oil on canvas. 92 x 127 cm each. Accompanied by an expert's report by Professor Giancarlo Sestieri. These two fantasy landscapes featuring rivers, ruins and resting figures are unmistakably in the style of Carlo Lodi, one of the most brilliant “Capriccio architettonico“ (Architectural cappricio) painters of 18th century Emilia-Romagna, alongside the Bibbiena dynasty, Paolo Paltronieri (also known as “il Mirandolese“) and Vittorio Maria Bigari. Lodi skilfully combined traditional Seicento landscape painting with the styles of Jan Frans van Bloemen, Pieter Mulier (also known as „il Tempesta“) and, above all, Marco Ricci as is illustrated by the offered paintings. They are probably late works since the delicately-rendered figures evoke the gallantry of Boucher, and were probably painted by Lodi's excellent student Nicola Bertuzzi. Both compositions play on the tension between the impressive architectural ruins in the foreground and the vast landscape in the background. This recalls other works by Carlo Lodi, such as Landscape with Fishermen and Shepherds (Venturoli-Mattei collection) and a series of tempera paintings in the Cassa di Risparmio di Bologna that were also painted in collaboration with Bertuzzi.
Hampel Fine Art Auctions
May. 30, 2016
N. Bertuzzi/C. Lodi, Capriccio with Capuccine Monk, Oil,18th C.
Est: €18,000 - €23,400
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) – Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) – Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna The present work shows a capriccio with enchanted ruins in a magical atmosphere. The Bolognese painter Carlo Lodi thereby followed the tradition of his time and rated as one of the most sought-after virtuosos regarding the treatment of light. From 1753 he started a fruitful collaboration with Nicolas Bertuzzi, called l'Anconitano, since his figures were recognizable for their typical verve and characteristic for their very volatile gestures. Here, the artist has described the prayer of a capuccine monk, surrounded by a reverently listening community. The presence of the painter in Carlo Lodi’s canvases reveals not only the fruitful collaboration of both artists, but also their high standards of artistic finesse that enthused the Bolognese clientele. Condition: The painting is in good condition, consistent with age. The canvas is relined and slightly wavy along the edges, due to the underlying stretcher. Inspection under UV light reveals areas of retouching to the sky and to the landscape; some of them are slightly discolored. Besides, there are faint abrasions of paint in the lower right corner, the varnish is slightly darkened. The craquelure is even and very fine. The stretcher measures 135 x 155.5 cm and the framed overall dimensions are 154 x 174.5 cm. Nicolas Bertuzzi (1710-1777) Nicola Bertuzzi was born in Ancona in 1710. He studied at the Bologna Academy under Donato Creti and Vittorio Maria Bigari. In 1752 he became an honorary member of the Academy of Arts and a short time later was appointed director of the Classe di Figura. In 1774 he was finally honored with the title ‘Principe’, the highest academic position. Nicola Bertuzzi is one of the greatest exponents of landscape painting in Bologna in the 18th century, who worked also in close cooperation with the landscape and architectural painter Carlo Lodi. Carlo Lodi (1701-1765) Born in Bologna Carlo Lodi was fist schooled by Angelo Michele Cavazzoni, followed by an education by the leading landscape painter Nunzio Ferrajuoli degli Afflitti. Soon after finishing his studies he became a successful painter, his works were extremely popular with the public. He created with preference scenery-like landscapes with figure staffage in bright colors. He is considered as one of the most prominent representatives of landscape painting in Bologna in the 18th century. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 16, 2016
N. Bertuzzi/C. Lodi, Capriccio with Capuccine Monk, Oil,18th C.
Est: €14,000 - €18,200
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) – Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) – Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna Estimate by Auctionata Expert: 28,000 Euro The present work shows a capriccio with enchanted ruins in a magical atmosphere. The Bolognese painter Carlo Lodi thereby followed the tradition of his time and rated as one of the most sought-after virtuosos regarding the treatment of light. From 1753 he started a fruitful collaboration with Nicolas Bertuzzi, called l'Anconitano, since his figures were recognizable for their typical verve and characteristic for their very volatile gestures. Here, the artist has described the prayer of a capuccine monk, surrounded by a reverently listening community. The presence of the painter in Carlo Lodi’s canvases reveals not only the fruitful collaboration of both artists, but also their high standards of artistic finesse that enthused the Bolognese clientele. Condition: The painting is in good condition, consistent with age. The canvas is relined and slightly wavy along the edges, due to the underlying stretcher. Inspection under UV light reveals areas of retouching to the sky and to the landscape; some of them are slightly discolored. Besides, there are faint abrasions of paint in the lower right corner, the varnish is slightly darkened. The craquelure is even and very fine. The stretcher measures 135 x 155.5 cm and the framed overall dimensions are 154 x 174.5 cm. Nicolas Bertuzzi (1710-1777) Nicola Bertuzzi was born in Ancona in 1710. He studied at the Bologna Academy under Donato Creti and Vittorio Maria Bigari. In 1752 he became an honorary member of the Academy of Arts and a short time later was appointed director of the Classe di Figura. In 1774 he was finally honored with the title ‘Principe’, the highest academic position. Nicola Bertuzzi is one of the greatest exponents of landscape painting in Bologna in the 18th century, who worked also in close cooperation with the landscape and architectural painter Carlo Lodi. Carlo Lodi (1701-1765) Born in Bologna Carlo Lodi was fist schooled by Angelo Michele Cavazzoni, followed by an education by the leading landscape painter Nunzio Ferrajuoli degli Afflitti. Soon after finishing his studies he became a successful painter, his works were extremely popular with the public. He created with preference scenery-like landscapes with figure staffage in bright colors. He is considered as one of the most prominent representatives of landscape painting in Bologna in the 18th century. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 16, 2015
N. Bertuzzi/C. Lodi, Capriccio with Capuccine Monk, Oil,18th C.
Est: €10,000 - €13,000
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) – Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) – Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna Estimate by Auctionata Expert: 60.000 Euro The present work shows a capriccio with enchanted ruins in a magical atmosphere. The Bolognese painter Carlo Lodi thereby followed the tradition of his time and rated as one of the most sought-after virtuosos regarding the treatment of light. From 1753 he started a fruitful collaboration with Nicolas Bertuzzi, called l'Anconitano, since his figures were recognizable for their typical verve and characteristic for their very volatile gestures. Here, the artist has described the prayer of a capuccine monk, surrounded by a reverently listening community. The presence of the painter in Carlo Lodi’s canvases reveals not only the fruitful collaboration of both artists, but also their high standards of artistic finesse that enthused the Bolognese clientele. Condition: The painting is in good condition, consistent with age. The canvas is relined and slightly wavy along the edges, due to the underlying stretcher. Inspection under UV light reveals areas of retouching to the sky and to the landscape; some of them are slightly discolored. Besides, there are faint abrasions of paint in the lower right corner, the varnish is slightly darkened. The craquelure is even and very fine. The stretcher measures 135 x 155.5 cm and the framed overall dimensions are 154 x 174.5 cm. Nicolas Bertuzzi (1710-1777) Nicola Bertuzzi was born in Ancona in 1710. He studied at the Bologna Academy under Donato Creti and Vittorio Maria Bigari. In 1752 he became an honorary member of the Academy of Arts and a short time later was appointed director of the Classe di Figura. In 1774 he was finally honored with the title ‘Principe’, the highest academic position. Nicola Bertuzzi is one of the greatest exponents of landscape painting in Bologna in the 18th century, who worked also in close cooperation with the landscape and architectural painter Carlo Lodi. Carlo Lodi (1701-1765) Born in Bologna Carlo Lodi was fist schooled by Angelo Michele Cavazzoni, followed by an education by the leading landscape painter Nunzio Ferrajuoli degli Afflitti. Soon after finishing his studies he became a successful painter, his works were extremely popular with the public. He created with preference scenery-like landscapes with figure staffage in bright colors. He is considered as one of the most prominent representatives of landscape painting in Bologna in the 18th century. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.
Auctionata Paddle8 AG
Jun. 16, 2015
N. Bertuzzi/C. Lodi, Capriccio With A Conert, 18th Century
Est: €15,000 - €19,500
Oil on canvas, relined Italy, 2nd half 18th century Carlo Lodi (1701-1765) – Important landscape painter of the School of Bologna Nicolas Bertuzzi, called l'Anconitano (1710-1777) – Figure painter of the School of Bologna This work is accompanied by a scientific essay by Prof. Giancarlo Sestieri, Rome (available as a copy) Dimensions: 135 x 155.5 cm Original gilt stucco frame: 154 x 174.5 cm Good condition Pictorial composition by Carlo Lodi, who was a true master of fantastic architectural landscapes and often collaborated with Nicolas Bertuzzi, one of the best figure painters in Bologna Estimate by Auctionata Expert: 30.000 Euro The present work shows a capriccio with ancient ruins in an evening atmosphere. The Bolognese painter Carlo Lodi thereby followed the tradition of his time and rated as one of the most sought-after artists due to his virtuoso use of light. From 1753 he started a fruitful collaboration with Nicolas Bertuzzi, called l'Anconitano, whose figures were recognizable for their typical verve and characteristic volatile gestures. Here, the artist has described a small concert society at the foot of a temple or an ancient palace compound. The presence of the painter in Carlo Lodi’s canvases reveals not only the fruitful collaboration of both artists, but also their high standards of artistic finesse that enthused the Bolognese clientele. Condition: The painting is in good condition, consistent with age. The canvas is relined and slightly wavy along the edges, due to the underlying stretcher. Inspection under UV light reveals areas of retouching especially to the sky; some of them are slightly discolored. The craquelure is even and very fine. The stretcher measures 135 x 155.5 cm and the framed overall dimensions are 154 x 174.5 cm. Nicolas Bertuzzi (1710-1777) Nicola Bertuzzi was born in Ancona in 1710. He studied at the Bologna Academy under Donato Creti and Vittorio Maria Bigari. In 1752 he became an honorary member of the Academy of Arts and a short time later was appointed director of the Classe di Figura. In 1774 he was finally honored with the title ‘Principe’, the highest academic position. Nicola Bertuzzi is one of the greatest exponents of landscape painting in Bologna in the 18th century, who worked also in close cooperation with the landscape and architectural painter Carlo Lodi. Carlo Lodi (1701-1765) Born in Bologna Carlo Lodi was fist schooled by Angelo Michele Cavazzoni, followed by an education by the leading landscape painter Nunzio Ferrajuoli degli Afflitti. Soon after finishing his studies he became a successful painter, his works were extremely popular with the public. He created with preference scenery-like landscapes with figure staffage in bright colors. He is considered as one of the most prominent representatives of landscape painting in Bologna in the 18th century. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Oct. 24, 2013
Carlos LODI. Ecole du début du XXème siècle
Est: €200 - €300
Carlos LODI. Ecole du début du XXème siècle Immeuble Art Déco Aquarelle sur papier, signée en bas à droite et datée 1933 71 cm x 101 cm
Artemisia Auctions
May. 22, 2013
[attribuito a] Lodi, Carlo (Bologna 1701 - 1765)
Est: €350 - €450
[attribuito a] Lodi, Carlo (Bologna 1701 - 1765) PAESAGGIO CON CAPRICCIO ARCHITETTONICO Penna e inchiostro bruno su carta vergellata. ...
Pandolfini Casa d'Aste
Nov. 29, 2006
Carlo Lodi (Bologna 1701-1765)
Est: €25,000 - €30,000
Paesaggio fluviale con pastori e pescatori olio su tela, in prima tela 63.5 x 82.5 cm. reca iscrizione 'Sig. Baldini' (sul retro sul telaio)
Christie's