Adriaen Lommelin Paintings & Artwork for Sale | Adriaen Lommelin Art Value Price Guide

Oct. 16, 2024
Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, circa 1645
Est: £300 - £400
Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, circa 1645 * Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), indistinct collectors ink stamp to verso, plate size 282 x 200 mm (11 1/8 x 7 7/8 ins), sheet size 305 x 220 mm (12 1/8 x 8 5/8 ins), together with Jode (Petrus de, 1570-1634). Beatrice de Cusance, Princess of Cantecroix, Antwerp, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 250 x 200 mm (9 7/8 x 7 7/8 ins), sheet size 420 x 317 mm (16 1/2 x 12 1/2 ins), Neeffs (Jacobus, 1610- after 1660). Marie-Marguerite de Berlaymont, [Antwerp]: Joannes Meyssens, circa 1649, engraving on laid paper after Anthony van Dyck (with jester/fool watermark), plate size 278 x 202 mm (11 x 8 ins), sheet size 363 x 268 mm (14 1/4 x 10 1/2 ins), Bolswert (Schelte Adams, 1586-1659). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1677, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 243 x 183 mm (9 5/8 x 7 2/8 ins), sheet size 332 x 260 mm (13 x 10 1/4 ins), Bailliu (Pieter de, 1613- after 1660). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1650, engraving on laid paper after Anthony van Dyck, verso strengthened at head and foot (creased at foot), trimmed to plate mark, plate/sheet size 475 x 331 mm (18 3/4 x 13 ins), Bolswert (Schelte Adams, 1586-1659). Landscape by moonlight with horse grazing from the Small Landscapes series, 1650 or later, etching on laid paper after Peter Paul Rubens (1577-1640) published by Gillis Hendricx, trimmed to plate mark and laid down on mount board, plate/sheet size 317 x 455 mm (12 1/2 x 18 ins) QTY: (6)
Dominic Winter Auctions
Jul. 25, 2024
Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, circa 1645
Est: £300 - £400
Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, circa 1645 * Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), indistinct collectors ink stamp to verso, plate size 282 x 200 mm (11 1/8 x 7 7/8 ins), sheet size 305 x 220 mm (12 1/8 x 8 5/8 ins), together with: Jode (Petrus de, 1570-1634). Beatrice de Cusance, Princess of Cantecroix, Antwerp, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 250 x 200 mm (9 7/8 x 7 7/8 ins), sheet size 420 x 317 mm (16 1/2 x 12 1/2 ins), Neeffs (Jacobus, 1610- after 1660). Marie-Marguerite de Berlaymont, [Antwerp]: Joannes Meyssens, circa 1649, engraving on laid paper after Anthony van Dyck (with jester/fool watermark), plate size 278 x 202 mm (11 x 8 ins), sheet size 363 x 268 mm (14 1/4 x 10 1/2 ins), Bolswert (Schelte Adams, 1586-1659). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1677, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 243 x 183 mm (9 5/8 x 7 2/8 ins), sheet size 332 x 260 mm (13 x 10 1/4 ins), Bailliu (Pieter de, 1613- after 1660). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1650, engraving on laid paper after Anthony van Dyck, verso strengthened at head and foot (creased at foot), trimmed to plate mark, plate/sheet size 475 x 331 mm (18 3/4 x 13 ins), Bolswert (Schelte Adams, 1586-1659). Landscape by moonlight with horse grazing from the Small Landscapes series, 1650 or later, etching on laid paper after Peter Paul Rubens (1577-1640) published by Gillis Hendricx, trimmed to plate mark and laid down on mount board, plate/sheet size 317 x 455 mm (12 1/2 x 18 ins) QTY: (6)
Dominic Winter Auctions
Jun. 10, 2023
A. LOMMELIN (17th) after DYCK (*1599), Marie de Barbançon, Copper engraving
Est: €120 - €200
Adriaen Lommelin (17th century) after Anthonis van Dyck (1599 Antwerp - 1641 London): Portrait of Marie de Barbançon (1754-1793), Princess of Arenberg Half portrait in half profile, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below the image in the printing plate with "Maria die Gratiâ Princeps Comes Arenbergiæ Princeps Barbansonia etca.". Signed below by the artist with "Ant. va Dÿck pinxit. Adrian Lommelin sculpsit.". Date: 18th century Description: Half-portrait in half-profile, seated in richly decorated dress and draped with numerous pearls. Keywords: 18th century, Baroque, Portraits, Belgium,
Fichter Kunsthandel
Mar. 31, 2023
ADRIAEN LOMMELIN
Est: CHF400 - CHF600
ADRIAEN LOMMELIN (Amniens, c. 1637–1675/77 Antwerp) Margareta Lemon. After Anton van DYCK. Etching on laid paper with watermark: crowned coat of arms with three crosses, held by two lions (fragmented). 26.1 x 18.6 cm. Dutuit 113; Mauquoy-Hendrickx 111 II (of II). - A fine, strong, even and clear impression with small margins around the platemark. Evenly browned in the mat window and with some occasional stains. With smoothed central fold. Older annotations in pencil on the verso. Overall still in good condition. - Very rare. Provenance: - Collection of P. Davidsohn (1839-before 1924) Danzig, Vienna, Berlin, Lugt 654. - Private collection, Switzerland. --------------- ADRIAEN LOMMELIN (Amniens, um 1637–1675/77 Antwerpen) Margareta Lemon. Nach Anton van DYCK. Radierung auf Bütten mit Wz. Bekröntes Wappen mit drei Kreuzen, von zwei Löwen gehalten (fragmentiert). Im unteren Bildrand gestochen betitelt und signiert: Ant. van Dÿck pinxit. Adrian Lommelin sculpsit, Gillis Hendricx excudit. 26,1 x 18,6 cm. Dutuit 113; Mauquoy-Hendrickx 111 II (von II). - Schöner, kräftiger, gleichmässiger und klarer Druck mit kleinem Rändchen um die Plattenkante. Im Passepartoutausschnitt gleichmässig gebräunt und stellenweise etwas fleckig. Mit geglätteter Mittelfalte. Verso mit Bleistift ältere Annotationen. Insgesamt noch in guter Erhaltung. - Sehr selten. Provenienz: - Sammlung P. Davidsohn (1839-vor 1924) Danzig, Wien, Berlin, Lugt 654. - Privatbesitz Schweiz. ---------------
Koller Auctions
Nov. 20, 2021
A.LOMMELIN (17th) after DYCK (*1599), Portrait of Marie de Barbançon, Copper engraving
Est: €135 - €225
Adriaen Lommelin (17th century) after Anthonis van Dyck (1599 Antwerpen - 1641 London), Portrait of Marie de Barbançon, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below the image in the printing plate with "Maria die Gratiâ Princeps Comes Arenbergiæ Princeps Barbansonia etca.". Signed below by the artist with "Ant. va Dÿck pinxit. Adrian Lommelin sculpsit.". Date: 18th century Description: Half-portrait in half-profile, seated in richly decorated dress and draped with numerous pearls. Keywords: 18th century, Classicism, Portraits, Belgium, Size: 31,0 cm x 22,0 cm, Plate: 28,2 cm x 19,8 cm, Depiction: 25,8 cm x 19,3 cm Condition: Very good Condition. Some light foxing is visible. The lower right corner is slightly creased. The image makes an impeccable impression.
Fichter Kunsthandel
Dec. 14, 2020
"Horses", 17th Century
Est: €300 - €400
Horses', 17th Century A pair of coloured engravings 34 x 52 cm
Goya Subastas
Jul. 20, 2019
Adriaen Lommelin (Belgian, 1637- circa 1673), Les Poulins (The Foals)
Est: $25 - $25,000
Adriaen Lommelin (Belgian, 1637- circa 1673), Les Poulins (The Foals) hand-colored copperplate engraving, from a 17th or 18th-century edition, published in William Cavendish, Duke of Newcastle's book on horse training titled La MÃ©thode et Invention Nouvelle de Dresser les Chevaux, sheet with center crease as issued, matted and framed. DOA 29 3/4 x 44 1/4 in. From the Estate of the late Owen Russel Best Jr., of Charlottesville, Virginia An electrical engineer by profession, Owen Best's long-time passion for and knowledge of horses, horse drawn carriages, and antiques led to his position of Curatorial Services and as Director of the Carriage Museum at Morven Estate, Charlottesvile, Virginia. John Kluge, the owner of the museum and estate, expressed indebtedness to Owenâs expertise, his commitment to the development of the Carriage Museum and his attention to the many details associated with it. Additional high-resolution photos are available at LelandLittle.com
Leland Little Auctions
May. 02, 2019
Van Dyck portrait of Philippe Le Roy - Ca 1660.
Est: €150 - €200
Portrait of Philippe Le Roy, three-quarter length directed to left but looking at the viewer, with moustache and pointed beard, wearing a cloak and lace collar and cuffs, fondling the ear of a dog in lower left, a bas-relief beyond to the left. Print made by Adriaen Lommelin (possibly) after Vorsterman and Pontius who engraved after Anthony van Dyck Engraving. Reference: New Hollstein (Dutch & Flemish) 142 (Van Dyck), Mauquoy-Hendrickx 1991 167.
Old Master Print
Apr. 16, 2019
Van Dyck portrait of Philippe Le Roy - Ca 1660.
Est: €150 - €200
Portrait of Philippe Le Roy, three-quarter length directed to left but looking at the viewer, with moustache and pointed beard, wearing a cloak and lace collar and cuffs, fondling the ear of a dog in lower left, a bas-relief beyond to the left. Print made by Adriaen Lommelin (possibly) after Vorsterman and Pontius who engraved after Anthony van Dyck Engraving. Reference: New Hollstein (Dutch & Flemish) 142 (Van Dyck), Mauquoy-Hendrickx 1991 167.
Old Master Print
May. 09, 2009
ADRIAEN LOMMELIN Das Urteil des Paris (Detur Pulcherrimae).
Est: - €220
ADRIAEN LOMMELIN Amiens 1637 - 1673 Antwerpen Das Urteil des Paris (Detur Pulcherrimae). Seitenverkehrter Kupferstich nach dem Gemälde von P. P. Rubens um 1665. Hollst. 33, III. Mit den Namenszügen der Künstler, lat. Titel, Verlegeradresse von Gillis Hendricx (Antwerpen) und Widmung in der Platte. Darstellung: 43,7 x 62,2 cm. Mit kleinem Rändchen um die Darstellung bzw. Text und aufgezogen. Schwach fleckig und mit vereinzelten winzigen Druckauslassungen. [ms]
Winterberg-Kunst