José López Enguídanos Sold at Auction Prices

Painter, copperplate engraver

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    • JOSÉ LÓPEZ ENGUÍDANOS (Valencia, 1760 - Madrid, 1812). "Still life of watermelons". Oil on canvas. Relined. It has Repainting and restorations on the pictorial surface. It has a frame of c. 1800 with faults and damage.
      Oct. 01, 2024

      JOSÉ LÓPEZ ENGUÍDANOS (Valencia, 1760 - Madrid, 1812). "Still life of watermelons". Oil on canvas. Relined. It has Repainting and restorations on the pictorial surface. It has a frame of c. 1800 with faults and damage.

      Est: €3,000 - €4,000

      JOSÉ LÓPEZ ENGUÍDANOS (Valencia, 1760 - Madrid, 1812). "Still life of watermelons". Oil on canvas. Relined. It has Repainting and restorations on the pictorial surface. It has a frame of c. 1800 with faults and damage. Measurements: 37 x 71 cm; 47 x 82, 5 cm (frame). On an undetermined surface and cut out by a dark background behind, there are several watermelons. As it is usual in the examples of still lifes of Spanish school that follow the baroque tradition of the XVII century, the neutral background and a humble horizontal surface emphasize the objects that compose the painting. The still life in Spain was one of the most characteristic genres and, due to its special peculiarities, it is clearly different from this same theme in workshops in the rest of Europe. In this particular case, both the main presence of the watermelon and the technique bring us closer to the work of José López Enguídanos, an example of this is the painting "Still life with watermelon and rabbit that belongs to the collection of the Academia de Bellas Artes de San Fernando Madrid (Nº0053) or "Still life with watermelons and figs (Nº0050). Painter and engraver brother of the engravers Vicente and Tomás. He was formed in the Academy of San Carlos of Valencia and in the Royal Academy of Fine Arts of San Fernando of Madrid where he was a disciple of Mariano Salvador Maella. He also collaborated with Antonio Ponz when the latter was Secretary of the Royal Academy of Madrid, and accompanied him on some trips. He was named Academician of Merit in the Madrid institution in 1795, and obtained, in an honorary capacity, the position of painter of chamber by having the protection of Manuel Godoy. He also made numerous engravings on various subjects and drawings for other engravers, as well as several works with didactic intent. Although he dealt with history, painted copies of outstanding works and made several portraits, he was best known for his still lifes, which brought him notable success. His work received several awards such as the General Painting Competitions of 1781 and 1784. Today his work is preserved in certain private collections and in institutions such as the Academia de Bellas Artes de San Fernando in Madrid or the Casita del Príncipe de El Monasterio de El Escorial, in the Fundación Ignacio Larramendi, engravings in the Biblioteca Nacional de Madrid, etc. It has Repainting and restorations on the pictorial surface. It has a frame from c. 1800 with faults and flaws.

      Setdart Auction House
    • Attributed to JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still lifes". Oils on canvas.
      Nov. 15, 2023

      Attributed to JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still lifes". Oils on canvas.

      Est: €3,000 - €3,200

      Attributed to JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still lifes". Oil on canvas. Sizes: 52 x 32 cm; 67 x 47 cm (frame), each one. Pair of still lifes with the same vertical format and a similar aesthetic composition, although the elements that make up the scene differ in each of the paintings. In both pieces, the main elements of the still life are located in the frontal foreground, on a wooden table, a common element in Baroque still life painting. The flowers, which seem to obey a certain disorder, follow a classical pyramidal composition. In both cases, the intense white and pink colouring stands out against the dark background that covers both scenes, and another noteworthy aspect is the delicacy of the vase in both still lifes, which indicates the quality of the painter's hand. A characteristic that was common in the Spanish Baroque still life scene is the passage of time, as can be seen in the fallen leaves of the flowers, as this suggestion imbued the images with a certain morality, alluding to the passage of time, or tempus Fugit, and of course to religion. As is usual in examples of Spanish school still lifes that follow the 17th-century Baroque tradition, the dark background and humble horizontal surface emphasise the objects that make up the painting. The still life in Spain was one of the most characteristic genres and, due to its special characteristics, is clearly different from the same subject in workshops in the rest of Europe. José López Enguídanos was a painter and engraver who was the brother of the engravers Vicente and Tomás. He trained at the San Carlos Academy in Valencia and at the San Fernando Royal Academy of Fine Arts in Madrid, where he was a pupil of Mariano Salvador Maella. He also collaborated with Antonio Ponz when the latter was Secretary of the Royal Academy in Madrid, and accompanied him on a number of trips. He was appointed a Merit Academician at the Madrid institution in 1795 and was given the honorary post of painter of the chamber under the protection of Manuel Godoy. He also produced numerous engravings on a variety of subjects and drawings for other engravers, as well as several didactic works. Although he dealt with historical subjects, painted copies of outstanding works and executed several portraits, he was best known for his still lifes, which were to bring him notable success. His work received several prizes such as the General Painting Competitions of 1781 and 1784. Today his work is preserved in certain private collections and in institutions such as the Academia de Bellas Artes de San Fernando in Madrid or the Casita del Príncipe de El Monasterio de El Escorial, in the Fundación Ignacio Larramendi, engravings in the Biblioteca Nacional de Madrid, etc.

      Setdart Auction House
    • ATTR. JOSÈ LOPEZ ENGUIDANOS (VALENCIA, 1760 - MADRID, 1812) - PAIR OF STILL LIFE
      Jun. 27, 2023

      ATTR. JOSÈ LOPEZ ENGUIDANOS (VALENCIA, 1760 - MADRID, 1812) - PAIR OF STILL LIFE

      Est: €3,000 - €4,500

      Attr. JosÈ Lopez Enguidanos (Valencia, 1760 - Madrid, 1812) - Pair of still life Oil on canvas Each oil measures: 41 x 51 cm PROVENANCE: Antichit‡ Oddone, Genoa (label on the reverse) Private collection, Genoa

      Art-Rite
    • "Saint Joseph with the Christ Child"
      Oct. 26, 2022

      "Saint Joseph with the Christ Child"

      Est: €2,000 - €2,500

      Attributed to José López Enguidanos (Valencia 1760 - Madrid 1812) "Saint Joseph with the Christ Child" Pencil drawing 30 x 14 cm 2.000 - 2.500 €

      Greco Subastas
    • JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still life". Oil on canvas.
      Jun. 22, 2022

      JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still life". Oil on canvas.

      Est: €7,000 - €8,000

      JOSÉ LÓPEZ ENGUIDANOS (Valencia, 1760 - Madrid, 1812). "Still lifes". Oil paintings on canvas. Sizes: 38 x 63 cm (x2); 54 x 81 cm (frames, X2). Pair of still lifes with the same landscape format, and a similar aesthetic composition, although the elements that make up the scene differ in each of the paintings. In both pieces, the main elements of the still life are located in the frontal foreground, on a wooden table, a common element in Baroque still life painting. The fruits, which seem to be in a certain disorder, follow a classical pyramid-shaped composition. In both cases, the intense green and yellow colours stand out against the dark background that covers both scenes, and another noteworthy aspect is that in both still lifes the fruit is chopped, indicating the passage of time. This characteristic was common in the Spanish still life scene of the Baroque period, as this suggestion imbued the images with a certain morality, alluding to the passage of time, or tempus Fugit, and of course to religion. As is usual in examples of Spanish school still lifes that follow the 17th-century Baroque tradition, the dark background and humble horizontal surface emphasise the objects that make up the painting. The still life in Spain was one of the most characteristic genres and, due to its special characteristics, is clearly different from the same subject in workshops in the rest of Europe. José López Enguídanos was a painter and engraver who was the brother of the engravers Vicente and Tomás. He trained at the San Carlos Academy in Valencia and at the San Fernando Royal Academy of Fine Arts in Madrid, where he was a pupil of Mariano Salvador Maella. He also collaborated with Antonio Ponz when the latter was Secretary of the Royal Academy in Madrid, and accompanied him on a number of trips. He was appointed Académico de Mérito at the Madrid institution in 1795 and was awarded the honorary post of painter de cámara under the protection of Manuel Godoy. He also produced numerous engravings on a variety of subjects and drawings for other engravers, as well as several didactic works. Although he dealt with historical subjects, painted copies of outstanding works and executed several portraits, he was best known for his still lifes, which were to bring him notable success. His work received several prizes such as the General Painting Competitions of 1781 and 1784. Today his work is preserved in certain private collections and in institutions such as the Academia de Bellas Artes de San Fernando in Madrid or the Casita del Príncipe de El Monasterio de El Escorial, in the Fundación Ignacio Larramendi, engravings in the Biblioteca Nacional de Madrid, etc.

      Setdart Auction House
    • ATTRIBUTED TO JOSÉ LOPEZ ENGUÍDANOS 1759 / 1812
      Jan. 27, 2021

      ATTRIBUTED TO JOSÉ LOPEZ ENGUÍDANOS 1759 / 1812

      Est: €12,000 - €16,000

      "Couple de bodegones" Couple of oil paintings on canvas PAINTING S.XIX-XX

      Ansorena
    • Attributed to José López Enguidanos (Valencia 1760 - Madrid 1812) "Saint Joseph with the Christ Child"
      Jun. 02, 2020

      Attributed to José López Enguidanos (Valencia 1760 - Madrid 1812) "Saint Joseph with the Christ Child"

      Est: €2,400 - €2,500

      "Saint Joseph with the Christ Child" Pencil drawing 29,7 x 14 cm

      Goya Subastas
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