Anthonie de Lorme Paintings & Artwork for Sale | Anthonie de Lorme Art Value Price Guide

Apr. 04, 2023
Antonie de Lorme (Tournai 1610-1673 Rotterdam) A church interior with elegant figures
Est: £1,500 - £2,000
Antonie de Lorme (Tournai 1610-1673 Rotterdam) A church interior with elegant figures oil on panel 66 x 83.9cm (26 x 33 1/16in).
Bonhams
Jun. 09, 2021
Anthonie de LORME Doornik, 1610 - Rotterdam, 1673 Intérieur d'église animé de personnages Huile sur panneau de chêne, parqueté
Est: €12,000 - €15,000
Anthonie de LORME Doornik, 1610 - Rotterdam, 1673 Intérieur d'église animé de personnages Huile sur panneau de chêne, parqueté (Restaurations) Interior of a church, oil on oak panel, by A. de Lorme h: 74 w: 110 cm Provenance : Vente anonyme ; Deauville, Me Fattori, 20 juillet 2014, n°25 ; Acquis lors de cette vente par l'actuel propriétaire ; Collection particulière, Paris Estimation 12 000 - 15 000 €
Artcurial
Jun. 01, 2021
DELORME ANTHONY
Est: €1,000 - €2,000
Animated church interior
Campo & Campo
Jan. 26, 2021
ANTHONIE DELORME (1610 / 1673). "Interior of the Cathedral", 1645
Est: €27,000 - €36,000
Signed and dated in the lower left corner (column base). ANTIQUE AND STYLE PAINTING
Ansorena
Jul. 07, 2020
Antonie de Lorme (Tournai 1610-1673 Rotterdam) A church interior with elegant figures
Est: £3,000 - £5,000
Antonie de Lorme (Tournai 1610-1673 Rotterdam) A church interior with elegant figures oil on panel 66 x 83.9cm (26 x 33 1/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jun. 09, 2020
Anthonie Delorme
Est: €50,000 - €70,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Tournai circa 1610–1673 Rotterdam) The interior of a church with elegant figures, signed and dated lower left: A. de Lorme 163(?)2, oil on panel, 89 x 125 cm, framed Provenance: Private European collection; sale, Sotheby’s, New York, 26 January 2017, lot 149; where acquired by the present owner The present panel depicts an imagined church interior, with elegant figures processing through its nave. The soft rounded arches and deep viewpoints lend the composition an Italianate character, redolent of both Renaissance architecture and Brunelleschi’s experiments with linear perspective. The absence of pulpits, textual decoration, and sober dress which would mark out a Dutch Calvinist church further add to the caprice. Indeed, contemporary inventories of the collections of Dutch connoisseurs describe such views by de Lorme as ‘perspectives’. In the present picture, the animated gestures of the figures evoke the wandelkerk or walking church of the 17th century United Provinces, where churches were places to meet or even discuss business. The figure lifting a paving slab to prepare a tomb, the children playing marbles and the animals all form an ensemble that move between light and shade to further exhibit the artist’s mastery in modelling space. The prominence of the organ on the right, its role still at the time controversial in Calvinist worship, along with the light source of the single chandelier and the shadowed apse adds to a sense of baroque drama. Another composition, related in terms of its interior drawing, shows turbaned Turks along with Jews walking within it. The dating suggests de Lorme executed this piece at the age of 22, making it significant within his early oeuvre as an important testament to the definition of his unique style. De Lorme also depicted existing church interiors with a realism that matched his more celebrated contemporaries such as Pieter Jansz. Saenredem. Important works include his views of Rotterdam’s Laurenskerk (J. Paul Getty Museum, Los Angeles) which were used as records in the re-construction of the church following its destruction in the Second World War.
Dorotheum
Dec. 13, 2019
Anthonie de Lorme (Tournai 1610 - Rotterdam 1673), La cerimonia del Battesimo
Est: €10,000 - €12,000
olio su tavola, cm 71x91, "Il dipinto dovrebbe appartenere agli esordi artistici del Lorme quando le vedute di chiesa sono immaginarie e gli effetti di luce contrastati sono frutto di illuminazioni artificiali. (...)" Expertise Luigi Caretto Provenienza: Collezione Privata, Parigi Asta Loudmer, Parigi, 18/12/1995, lotto n. 65 Esposizioni: Galleria Luigi Caretto, Torino, 37a Mostra Maestri Fiamminghi ed Olandesi del XVI-XVII secolo, 96 Opere d'Autore, Collezionismo Medio n. 19, novembre-dicembre 1996 Pubblicazioni: J. Briels, Peintres flamands au berceau du Siècle d'Or hollandais (1585-1630). Avec biographies en annexe, 1997, pag. 134, ill. 204 Letteratura comparativa: W. Bernt, Die Niederlandische Maler des 17 Jahrhunders, 1979, 3 voll., Vol II, n. 750; W.A. Liedtke, Architectural Painting in Delft, 1982, pagg. 69-71
Cambi Casa d'Aste
Apr. 10, 2013
ANTHONIE DE LORME
Est: £10,000 - £15,000
TOURNAI CIRCA 1610 - 1673 ROTTERDAM THE INTERIOR OF A CLASSICAL CHURCH oil on panel 72 by 94.5 cm.; 25 5/8 by 37 1/4 in.
Sotheby's
Jun. 09, 2010
Anthonie de Lorme (Doornik 1620-1673/6 Rotterdam) and Anthonie Palamedesz. (Delft 1601-1673 Amsterdam)
Est: $250,000 - $350,000
Anthonie de Lorme (Doornik 1620-1673/6 Rotterdam) and Anthonie Palamedesz. (Delft 1601-1673 Amsterdam) The interior of a Renaissance-style church at night with an elegant couple making an entrance indistinctly signed(?) 'A.DE(M?)OR.E' (lower left) oil on panel 46 x 61 7/8 in. (117.5 x 157.2 cm.)
Christie's
May. 28, 2009
ANTHONIE DELORME 1610-1673, tillskriven
Est: kr30,000 - kr40,000
ANTHONIE DELORME 1610-1673, tillskriven Kyrkointeriör Olja på pannå, 28,5 x 20 cm. Attributed. Oil on panel. EXPERTIS: Cabinet Turquin, Stéphane Pinta, Paris PROVENIENS: Konstnären N. J. Oppenheimers samling
Stockholms Auktionsverket
Jul. 05, 2007
The interior of the Laurenskerk, Rotterdam, with the tomb of Admiral Witte Corneliszoon de With
Est: £300,000 - £500,000
Anthonie De Lorme (Doornik 1620-1673/6 Rotterdam) The interior of the Laurenskerk, Rotterdam, with the tomb of Admiral Witte Corneliszoon de With signed and dated 'A. de. Lorme. 1667' (lower left, on the step) oil on canvas 45¾ x 40 1/8 in. (116.2 x 101.9 cm.)
Christie's
May. 08, 2007
Anthonie de Lorme Tournai circa 1610 - 1673 Rotterdam , an interior of a church by night with elegant figures
Est: €80,000 - €120,000
indistinctly signed and dated lower left: A. De. Lorme 1650 and inscribed and dated on a tombstone lower centre: Hier leyt begraven Bartholomeus du Pon/ hij is gestorven des 16. Jaerhunderts Januari 1650/ en begraven Januari van het jaer oil on panel
Sotheby's
Jul. 04, 2006
f - ANTHONIE DE LORME DOORNIK CIRCA 1610-1673 ROTTERDAM
Est: £5,000 - £7,000
ELEGANT FIGURES IN A NOCTURNAL CHURCH INTERIOR measurements note 30 by 40 cm.; 11 3/4 by 15 3/4 in. signed and dated lower left: A. de Lorme 1640 oil on canvas PROVENANCE With Henry Graves and Company, 6 Pall Mall, London (according to the remains of a label on the reverse). NOTE The composition may be compared to another picture by De Lorme, signed and dated 1646, of the same church interior sold New York, Sotheby's, 10 January 1983 lot 25. The figures appear to have been added at a later date, probably during the 18th century.
Sotheby's
Jan. 26, 2006
ANTHONIE DE LORME ANTHONIE PALAMEDESZ. DOORNIK CIRCA 1610-1673 ROTTERDAM DELFT 1601 - 1673 AMSTERDAM
Est: $60,000 - $80,000
PROPERTY FROM THE COLLECTIONS OF THE ZANESVILLE ART CENTER INTERIOR OF A CHURCH BY NIGHT measurements note 32 1/2 by 52 in.; 82.5 by 132 cm. stamped on the reverse with the panel maker's mark oil on panel PROVENANCE Henry Pelham Archibald Douglas Pelham-Clinton, 7th Duke of Newcastle, Clumber, Worksop, Nottinghamshire; Thence by inheritance to the Honourable the Earl of Lincoln; His sale, London, Christie's, June 4, 1937, lot 62; With Frost and Reed, Ltd., London (from a label on the reverse); With Mortimer Brandt, New York, by 1941; From whom purchased in 1941 by the "Friends of Art" for the Art Institute of Zanesville, now the Zanesville Art Center. EXHIBITED London, British Institution, 1866, no. 89; Manchester, Art Treasures Exhibition, 1857, no. 794. LITERATURE G. F. Waagen, Galleries and Cabinets of Art in Great Britain, vol. IV, London 1857, p. 511; Art Institute Zanesville, Ohio, Catalogue 1942, Zanesville 1942, p. 11. NOTE Anthonie de Lorme specialized in interior views of churches, a preoccupation that lasted throughout his lifetime. The works from the early part of his career were characterized by realistic depictions of imagined views. However, at times he would add architectural elements to these imagined views that were borrowed from actual buildings. Around 1650 de Lorme began producing more accurate depictions of churches, such as the Interior of the Laurenskerk, Rotterdam sold in these rooms on January 22, 2004, lot 39. This slight deviation in subject was perhaps a result of the growing influence of Delft painters such as Hendrick van Vliet.
Sotheby's
Nov. 03, 2004
Anthonie de Lorme (Doornik 1610-1673 Rotterdam) and Anthonie Palamedesz. called Stevaerts (Delft
Est: €50,000 - €70,000
Anthonie de Lorme (Doornik 1610-1673 Rotterdam) and Anthonie Palamedesz. called Stevaerts (Delft 1601-1673 Amsterdam) The interior of a Renaissance cathedral by candlelight with the entrance of a dignitary and his entourage signed and dated 'A.de Lorme 1644' and inscribed 'voor den officier H Dullaert' (lower right) oil on panel 112.2 x 157.4 cm. with inscription 'Interior of a Church William, Prince of Orange, represented returning from viewing the tombes of his ancestors. A. de Lorme and Palamedes, PINX' (on a label on the reverse) and with a Hamilton Palace label (on the reverse)
Christie's