William (1740) Marlow Paintings & Artwork for Sale | William (1740) Marlow Art Value Price Guide

Nov. 13, 2024
WILLIAM MARLOW (BRITISH 1740-1813)
Est: £10,000 - £15,000
WILLIAM MARLOW (BRITISH 1740-1813) WESTMINSTER BRIDGE ON THE RIVER THAMES, WESTMINSTER ABBEY IN THE DISTANCE Oil on canvas 61cm x 84cm (24in x 33in)
Lyon & Turnbull
Oct. 02, 2024
WILLIAM MARLOW R.A. (BRITISH 1740-1813)
Est: £600 - £800
WILLIAM MARLOW R.A. (BRITISH 1740-1813) STUDY OF A GARDENER SEATED watercolour over pencil on laid paper 14.5 x 9.5cm; 5¾ x 3¾in together with two further watercolours: Sir Robert Ker Porter (1777-1842) a soldier seated on a rock, signed and dated 1798, and attributed to William Anderson (1757-1837) figures in a tavern various sizes, all unframed (3) Provenance the first: Leonard Gordon Duke (1890-1971), inventory no. D308, signed with initials LGD, titled and inscribed in his hand on the mount cf Marlow' Sketch Book in the Brit Mus
Olympia Auctions
Oct. 02, 2024
WILLIAM MARLOW, R.A. (BRITISH 1740-1813) A FOLIO OF DRAWINGS OF VIEWS ON THE ITALIAN COAST NEAR NAPLES, AT ST. CLOUD, VENICE, PROCITA, ROME, THE PANTHEON, AVIGNON AND NEAR TURIN
Est: £400 - £600
WILLIAM MARLOW, R.A. (BRITISH 1740-1813) A FOLIO OF DRAWINGS OF VIEWS ON THE ITALIAN COAST NEAR NAPLES, AT ST. CLOUD, VENICE, PROCITA, ROME, THE PANTHEON, AVIGNON AND NEAR TURIN A FOLIO OF DRAWINGS OF VIEWS ON THE ITALIAN COAST NEAR NAPLES AND FRANCE including views of Venice, Procita, Rome, Turin, The Pantheon, Avignon and St Cloud and two maps, one of the river Thames some inscribed various sizes, all unframed (10)
Olympia Auctions
Sep. 19, 2024
William Marlow (1740 - 1815), A bridge over river
Est: £3,000 - £5,000
William Marlow (1740 - 1815) A bridge over river Oil on canvas Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Frame) 23 in. (H) x 29 in. (W) (Canvas) 14 in. (H) x 21 in. (W)
Sloane Street Auctions
Mar. 10, 2023
William Marlow (British, 1740-1813), The
Est: £200 - £300
William Marlow (British, 1740-1813), The Thames at Henley, signed l.r., titled verso, watercolour, 24 by 32cm, framed
Kinghams Auctioneers
Feb. 01, 2023
Attributed to William Marlow (British, 1740-1813) A bridge on the Thames, London 14 x 14in (35.6 x 35.6cm)
Est: $2,500 - $3,500
Attributed to William Marlow (British, 1740-1813) A bridge on the Thames, London oil on canvas 14 x 14in (35.6 x 35.6cm)
Bonhams
Nov. 16, 2022
William Marlow, British 1740-1813 Near Naples; and Vesuvius; r
Est: £400 - £600
William Marlow, British 1740-1813 Near Naples; and Vesuvius; pencil and grey and brown ink on paper, the first inscribed 'Drawn large size in watercolours' (lower edge) and 'N. Nap' (upper edge), the second inscribed 'Montagna di somas d Vesuvia' (upper edge), the first 12 x 17.5 cm., the second 9.9 x 17.5 cm., two (2). Provenance: with Abbott and Holder [no.14049].; Private Collection, UK. Note: The UK Government Art Collections holds views in oils by Marlow of Mount Vesuvius (British Embassy, Rome, no.GAC 3370) and of The Bay of Naples from the water (Foreign Commonwealth & Development Office no.GAC3975).
Roseberys
Apr. 06, 2022
William Marlow Signed and Numbered Print
Est: $50 - $100
William Marlow Signed and Numbered Print [Buffalo Zone, 183/500]. Measures 9.5-in. x 18-in. image size. EX+/NrMt. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Grant Zahajko Auctions, LLC
Mar. 24, 2022
ATTRIBUTED TO WILLIAM MARLOW (LONDON 1740-1813) Temple of Mars, Rome penci
Est: £5,000 - £8,000
ATTRIBUTED TO WILLIAM MARLOW (LONDON 1740-1813) Temple of Mars, Rome pencil, pen and ink and watercolour heightened with bodycolour on paper watermarked 'JWHATMAN' 20 3/4 x 14 1/8 in. (52.7 x 36 cm.)
Christie's
Mar. 22, 2022
Follower of William Marlow, British 1740-1813- The London riverfront with the Adelphi and Waterl
Est: £800 - £1,200
Follower of William Marlow, British 1740-1813- The London riverfront with the Adelphi and Waterloo Bridge; and A View of Blackfriars Bridge and St Paul's Cathedral, London; oils on canvas, the first 29 x 51.5 cm., the second 29 x 54.8 cm., two (2). Note: William Marlow painted these same views on a number occasions. The view of the London riverfront with the Adelphi and Waterloo Bridge was a subject he turned to at least five times: two versions were in the Westminster (later National Westminster, now National Provincial) Bank collection, a third is in a private collection, a fourth is in the London Museum [A25874], and a fifth appeared at Christie's, London, 29 October 2015, lot 163. The present work must date to after 1817 when the old Waterloo Bridge opened. The second subject was similarly treated by Marlow several times: see, for example, versions in the Guildhall Art Gallery [2185], at Yale [B1976.7.54], and one which came up at Sothebyâs, London, 6 June 2007, lot 73. Oval variations are with the Corporation of London and at Castle Howard, and a watercolour and preliminary sketch for the scene are in an album of London drawings by the artist in the British Museum. Blackfriars Bridge was designed by Robert Mylne and was opened on 19th November 1769, though was later replaced between 1864-9 by another bridge of the same name. It owes its name to an old monastery situated on the north bank of the river which dated from the end of the twelfth century. The original bridge, shown here, consisted of nine arches, was 995 feet in length from wharf to wharf, and was built at a cost of Â£152,840, 3 shillings and 10 pence. Marlow exhibited views of the Bridge at the Society of Artists in 1772 and 1774, on both occasions with a companion picture of Westminster Bridge. Please refer to department for condition report
Roseberys
Jan. 12, 2022
William Marlow Signed and Numbered Print
Est: $80 - $125
William Marlow Signed and Numbered Print [Buffalo Zone, 183/500]. Measures 9.5-in. x 18-in. image size. EX+/NrMt. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Grant Zahajko Auctions, LLC
Nov. 23, 2021
WILLIAM MARLOW (ENGLISH 1740-1813)
Est: £500 - £700
WILLIAM MARLOW (ENGLISH 1740-1813) Property from an English Private Collection WILLIAM MARLOW (ENGLISH 1740-1813) Vesuvius and Near Naples inscribed montagna di somas d Vesuiva (upper centre); inscribed Drawn large [...] in watercolours (lower left) pencil 9.7 x 17.3 cm (3 3/4 x 6 3/4 in); 11.8 x 17.4 cm (4 5/8 x 6 7/8 in) (2)
Chiswick Auctions
Aug. 12, 2021
William Marlow British, 1740-1813 (i) The Grand Canal at Santa Maria della Salute (ii) Study of a Dome and Lantern
Est: $200 - $400
William Marlow British, 1740-1813 (i) The Grand Canal at Santa Maria della Salute Signed W. Marlow (ll); inscribed extensively with color instructions Brown ink over graphite pencil on paper 9 3/8 x 7 1/2 inches (23.8 x 19 cm) (ii) Study of a Dome and Lantern Inscribed extensively Brown ink and wash on paper 6 3/4 x 7 3/8 inches (17.3 x 18.7 cm) C An Upper East Side Private Collection
DOYLE Auctioneers & Appraisers
Aug. 12, 2021
William Marlow British, 1740-1813 Three works
Est: $800 - $1,200
William Marlow British, 1740-1813 (i) Recto: The Bois de Boulogne, Paris; verso: One-Horse Carriage Recto inscribed Bois de Boulogne (uc) Graphite pencil and gray wash on paper Sight 4 3/4 x 7 1/4 inches (12 x 18.3 cm) (ii) The Pont du Gard Circa 1765-66 Inscribed Pont du Gar [sic] (uc) Gray ink and wash over graphite pencil on paper 7 1/2 x 10 1/2 inches (19 x 26.7 cm) Provenance: Martyn Gregory, London Mrs. Elizabeth Finch, London, thence by descent to her granddaughter (iii) A View of a Dutch Town Signed with initials W. M. (ll) Graphite pencil and ink on paper Approximately 4 1/2 x 7 3/4 inches (11.4 x 19.7 cm) C An Upper East Side Private Collection
DOYLE Auctioneers & Appraisers
Aug. 12, 2021
William Marlow English, 1740-1813 Pastoral Landscapes: Three drawings on two sheets
Est: $400 - $600
William Marlow English, 1740-1813 Pastoral Landscapes: Three drawings on two sheets (i) Peasants and Cattle before a Ruined Abbey and Cattle and Sheep with a Castle in the Distance on one sheet (ii) Cattle in a Picturesque Landscape on the other Both sheets inscribed with marginalia in the artist's hand Each brown ink and gray wash on paper, ovoid The sheet with the single drawing 4 x 3 1/4 inches (10.2 x 8.3 cm); the sheet with two together 4 x 6 1/4 inches (10.2 x 16 cm) Mounted in two frames C An Upper East Side Private Collection
DOYLE Auctioneers & Appraisers
Jul. 09, 2021
William Marlow (British 1740-1813)
Est: £400 - £600
William Marlow (British 1740-1813) William Marlow (British 1740-1813) A Hulked Merchant Ship Under Repair, anchored off an unidentified coastal town Watercolour over pencil 22.4 by 37 cm.; 8 8/10 by 14Â½ in. unframed
Chiswick Auctions
Apr. 23, 2021
WILLIAM MARLOW (LONDON 1740-1813 TWICKENHAM, NEAR LONDON) The Bay of Naples
Est: $40,000 - $60,000
WILLIAM MARLOW (LONDON 1740-1813 TWICKENHAM, NEAR LONDON) The Bay of Naples with Santa Maria degli Angeli; and The Arno towards the Ponte... oil on canvas the first: 20 x 30 in. (50.52 x 76.5 cm) the second: 19 7/8 x 29 in. (50.5 x 73.5 cm.) (2)
Christie's
Nov. 27, 2019
WILLIAM MARLOW (BRITISH, 1740-1813) LUDLOW CASTLE, SHROPSHIRE
Est: £4,000 - £6,000
signed "W Marlow" lower left oil on canvas (Dimensions: 40 x 52 cm) (40 x 52 cm) Footnote: Provenance: Geoffrey Hutchinson, 12 Church Row, London, NW3 (by 1956); P & D Colnaghi & Co Ltd, 14 Old Bond St, London, W1 (label verso); Spink, King Street, St James's, London, W1 (label verso) Exhibited: London, Guildhall Art Gallery, 'William Marlow Exhibition', 1956, as "Ludlow Castle" Condition report: Good old labels. Condition appears fine. Gilt frame has small chips.
Cheffins
Apr. 10, 2019
William Marlow (Southwark 1740-1813 Twickenham) A distant view of Rome from the North
Est: £10,000 - £15,000
William Marlow (Southwark 1740-1813 Twickenham) A distant view of Rome from the North oil on canvas101.6 x 127.3cm (40 x 50 1/8in). Provenance: Jeremiah Harman (d. 1844), London (according to an old inscription on the stretcher bar, verso)With Thomas Agnew and Sons, London, by 1978The Collection of Sir Sidney Barratt, Crowe Hall, BathExhibitedPossibly, London, Society of Artists, 1769, no. 92London, Thomas Agnew and Sons, Three Centuries of British Painting, 1978, no. 31Marlow travelled to Italy and France in the 1760s on the advice of the Duchess of Northumberland, and many of his Italian views remain at Alnwick Castle. A similar view by Marlow was offered at Sotheby's London on 13 June 2002, lot 6. The present work and the Sotheby's work relate to a drawing from circa 1766, which is now in the Oppé Collection, Tate Gallery.
Bonhams
Dec. 05, 2018
William Marlow (Southwark 1740-1813 Twickenham) A distant view of Rome from the North
Est: £20,000 - £30,000
William Marlow (Southwark 1740-1813 Twickenham) A distant view of Rome from the North oil on canvas101.6 x 127.3cm (40 x 50 1/8in). Provenance: Jeremiah Harman (d. 1844), London (according to an old inscription on the stretcher bar, verso)With Thomas Agnew and Sons, London, by 1978ExhibitedPossibly, London, Society of Artists, 1769, no. 92London, Thomas Agnew and Sons, Three Centuries of British Painting, 1978, no. 31Marlow travelled to Italy and France in the 1760s on the advice of the Duchess of Northumberland, and many of his Italian views remain at Alnwick Castle. A similar view by Marlow was offered at Sotheby's London on 13 June 2002, lot 6. The present work and the Sotheby's work relate to a drawing from circa 1766, which is now in the Oppé Collection, Tate Gallery.
Bonhams
Dec. 02, 2017
After William Marlow (1740-1813) British. A London Street Scene, Engraved by Thomas Morris, 20" x 16".
Est: £20 - £40
After William Marlow (1740-1813) British. A London Street Scene, Engraved by Thomas Morris, 20" x 16".
John Nicholson's Fine Art Auctioneers & Valuers
Oct. 31, 2017
William Marlow (London 1740-1813 Twickenham) - Saint Peter's, Rome
Est: $120,000 - $180,000
William Marlow (London 1740-1813 Twickenham) Saint Peter's, Rome oil on canvas 35 5/8 x 49 ¾ in. (90.5 x 126.4 cm.)
Christie's
Jun. 28, 2017
William Marlow (1740-1813) British. 'A Ship Ablaze at Night in a Town Harbour', Oil on Canvas, Inscribed on labels on the reverse, 15" x 17".
Est: £2,000 - £3,000
William Marlow (1740-1813) British. 'A Ship Ablaze at Night in a Town Harbour', Oil on Canvas, Inscribed on labels on the reverse, 15" x 17".
John Nicholson's Fine Art Auctioneers & Valuers
May. 03, 2017
William Marlow (1740-1813) British. 'A Ship Ablaze at Night in a Town Harbour', Oil on Canvas, Inscribed on labels on the reverse, 15" x 17".
Est: £3,000 - £5,000
William Marlow (1740-1813) British. 'A Ship Ablaze at Night in a Town Harbour', Oil on Canvas, Inscribed on labels on the reverse, 15" x 17".
John Nicholson's Fine Art Auctioneers & Valuers
Nov. 01, 2016
William Marlow (1740-1813) A river landscape with a ferry and sev
Est: €2,000 - €4,000
William Marlow (1740-1813) A river landscape with a ferry and several figures with a donkey, probably Ville Neuve near Avignon. Verso: a label of art dealer A. F. T. Thompson, Montreal, dated 30th of May 1914. Provenance: presumably Christie's, London, 5th of March 1803, lot 46; Christie's London, 23rd of June 1804, lot 96; Christie's, London, 22nd of March 1805, lot 86. Christie's, London, 8th of July 2014, lot 467. Doek 41 x 65 cm.
Vendu Rotterdam
May. 18, 2016
WILLIAM MARLOW (BRITISH 1740-1813) VIEW OF ROME WITH ST PETER'S AND THE CASTEL SANT' ANGELO 51cm x 73cm (20in x 28.75 in) and a comp.
Est: £30,000 - £50,000
WILLIAM MARLOW (BRITISH 1740-1813) VIEW OF ROME WITH ST PETER'S AND THE CASTEL SANT' ANGELO Oil on canvas 51cm x 73cm (20in x 28.75 in) and a companion 'View of the Bay of Naples with Santa Maria degli Angeli' (2)
Lyon & Turnbull
May. 17, 2016
William Marlow Publ. View of Fish Street Hill from Gracechurch Street, 1792, 21.5 x 16.5in.
Est: £100 - £150
William Marlow Publ. hand coloured engraving, View of Fish Street Hill from Gracechurch Street, 1792, 21.5 x 16.5in.
Gorringes
Dec. 01, 2015
Follower of William Marlow, British 1740-1813- Tra
Est: £500 - £700
Follower of William Marlow, British 1740-1813- Travellers with a coastal landscape with Palladian house and mountains in the distance; oil on panel, 39x57.2cm
Roseberys
Jun. 13, 2015
View Near Blackfriars Bridge
Est: $500 - $600
William Marlow (engraved by V. Green & F. Jukes). Engraving, inked by hand. London: J. Boydell, 1777. 18 1/4 x 22 3/4 inches, 28 x 32 1/2 inches framed. Striking view showing Blackfriars Bridge and St Paul's Cathedral dome in London.
Arader Galleries
Oct. 13, 2014
WILLIAM MARLOW (1740-1813) Somerset House, The
Est: €8,000 - €12,000
WILLIAM MARLOW (1740-1813) Somerset House, The Strand Oil on canvas, 71 x 91.5cm Signed. Inscribed label verso 'St. Mary Le Strand's Somerset House by Marlow'
Adam's
Aug. 09, 2014
Three Framed Abstract Paintings by Willie Marlow
Est: $150 - $300
Willie Marlow (American (New York/North Carolina), b. 1943- ). Three abstract acrylic on paper works comprising of "Test Tube Flower I", "Maya Myth: Wind Water" and "Maya Heart". Each work monogrammed in lower right corner. Works contained in matching frames with original artist's label on verso. Framed 11.75" square. Unframed approximately 5" square. Provenance: Blue Pony Gallery, Charlotte, North Carolina whereby acquired by consignor in January of 1998.
Ahlers & Ogletree Inc.
Jun. 05, 2013
William Marlow (London 1740-1813 Twickenham)
Est: -
William Marlow (London 1740-1813 Twickenham) A view on the coast, probably St. Margaret's Bay, Kent oil on canvas 9¾ x 14¼ in. (24.7 x 36.1 cm.)
Christie's
Mar. 20, 2013
William Marlow (British, 1740-1830) Study of a man walking with a cane
Est: £80 - £120
William Marlow (British, 1740-1830) Study of a man walking with a cane watercolour on octagonal paper 4 3/4 x 2 1/2in. (12 x 6.5cm.); together with two other similar figural studies by the same hand, all bearing St. Helier Galleries labels verso, all framed; and a sketch of two French dandies conversing, pen and ink and wash, inscribed 'Beau Tracy 1750', 6 x 7 3/8in. (15.25 x 18.25cm.), unframed. (4)
Martel Maides
Sep. 20, 2012
William Marlow (British, 1740-1813) - View in London of Henry VII's Chapel at the East End of Westminster Abbey - oil on canvas
Est: £3,000 - £5,000
William Marlow (British, 1740-1813) London, the East End of Westminster Abbey with Henry VII's Chapel seen from Old Palace Yard signed with initials lower right "WM" oil on canvas, in an 18th century frame h:47 w:68 cm Provenance: As lot 393 Other Notes: This previously unrecorded painting shows the east end of Westminster Abbey as it appeared in the eighteenth century from Old Palace Yard, with the steeply pitched roof of the nave and the pinnacles of the north transept visible beyond the Tudor Perpendicular architecture of Henry VII's Chapel. The Georgian houses to the left conceal the Chapter House which can now be seen from the where this view is painted. These houses, along with the buildings beyond the Chapel, were demolished when the site was remodelled by a scheme to clear away the buildings encroaching on the Abbey which was initiated in the 1790s. An old label on the back of the cross-member of the stretcher describes the composition as "Westminster Abbey before the restoration": it must have been added in the nineteenth century after the architectural changes to the area were carried out in the 1800s, or it may refer to the restoration which was carried out to the decaying stonework of Henry VII's Chapel between 1809 and 1822. At the right of the view, beyond the trees and the figure carrying panniers, it is just possible to make out the buildings in the north-east corner of Old Palace Yard which housed some of the offices for the old House of Commons: these seem to be the architecturally undistinguished buildings that were replaced by a taller, classically articulated design by John Vardy known as the 'Stone Building' (because it was faced in Portland stone with Palladian features) which was completed between 1768 and 1770 (Howard Colvin ed., History of The King's Works 1660-1782, vol 5, 1976, pp 429-430; the John Vardy building is shown clearly in a watercolour by Thomas Malton Junior dating from around 1790 in the Parliamentary Art Collection, WOA 6927: www.parliament.uk/worksofart/artwork/thomas-malton-jnr/old-palace-yard-westminster/6927 ). As it appears here, therefore, the topography of Old Palace Yard shows it as it was in the mid-eighteenth century, before the new Stone Building was finished in 1770. William Marlow served his apprenticeship with the London view-painter Samuel Scott from 1756 to 1763, and worked as an assistant in his studio before setting up independently from 1764. He exhibited with the Society of Artists in 1764 and 1765, and then travelled through France to Italy in 1765 with support from the Duchess of Northumberland, returning to England in 1766. Thereafter he regularly exhibited French and Italian landscapes and view-paintings at the Society of Artists, and later at the Royal Academy, as well as some English subjects and views of London and Twickenham. He frequently painted the London Thames, especially river scenes including Westminster Abbey and St Paul's Cathedral. This painting is, however, the only one by him at present known which shows part of Westminster Abbey seen from a street viewpoint. Topographical evidence, however, is not always accurate, and artists who painted London views sometimes relied on drawings or studies they had made earlier than a finished picture. In this case a date in the 1770s might be suggested by the distinctive form of the fashionable phaeton at the left, which appears to be an example of the early type known as a crane-neck phaeton on account of its high seat, small wheels at the front and distinctive suspension, a design which was notably fast but was also prone to tipping over at speed. While the architectural detail implies a date before 1768-70, the painting itself may have been done a little later, or the phaeton added subsequently to a picture. In its general tonality, palette and in the quality of its handling, the painting is comparable to other relatively early views by William Marlow. We are grateful to Professor Michael Liversidge FSA, University of Bristol, School of Arts/History of Art Department for his assistance with the catalogue entry.
Cheffins
Jun. 06, 2012
William Marlow (London 1740-1813 Twickenham)
Est: $7,000 - $10,000
William Marlow (London 1740-1813 Twickenham) A view on the coast, probably St. Margaret's Bay, Kent oil on canvas 9¾ x 14¼ in. (24.7 x 36.1 cm.)
Christie's
Feb. 02, 2012
Attributed to William Marlow (1740-1813) Ladies and gallants on the river, 11 x 14in.
Est: £500 - £800
Attributed to William Marlow (1740-1813) oil on oak panel, Ladies and gallants on the river, 11 x 14in.
Gorringes
Jan. 26, 2012
William Marlow (London 1740-1813 Twickenham)
Est: $12,000 - $18,000
William Marlow (London 1740-1813 Twickenham) A view of the Tiber with Saint Peter's and the Castel Sant'Angelo, Rome in the distance signed 'W Marlow' (lower left) pencil and grey, blue and pink wash 13 7/8 x 21 in. (35.4 x 53.4 cm.)
Christie's
Jul. 07, 2011
GEORGE ROMNEY
Est: £3,000 - £5,000
PROPERTY OF A GENTLEMAN DALTON 1734 - 1802 KENDAL STUDY OF THE WARREN FAMILY together with George Romney R.A. (Dalton 1734-1802 Kendal) Study of a Death-Bed Composition, Traditionally identified as the Death of Cordelia; John Townsend (fl. 1814-1850) View from the Promenade at Vevay; William Marlow (Southwark 1740-1813 Twickenham) Study of Soldiers and a Horse and Carriage; and William Henry Hunt O.W.S. (London 1790-1864) A Milkmaid Quantity: 5 Each pencil; the third inscribed in pencil, lower left: View from the Promenade at Vevay The first 135 by 230 mm; the second 149 by 120 mm; the third 148 by 237 mm; the fourth 101 by 170 mm; the fifith 98 by 72 mm
Sotheby's
Jul. 07, 2011
WILLIAM MARLOW
Est: £5,000 - £7,000
LONDON 1740 - 1813 LAKE AVERNUS, LOOKING TOWARDS THE ISLAND OF CAPRI Watercolour over pencil, on laid paper watermarked: TW, original wash-line mount, unframed; inscribed with artist's notes; further inscribed, on the mount, lower centre: MONTE NOVO, LAGO DI AVERNO, CAPO DI MISENO, E L'ISOLA DI CAPREA. / 1 Monte Nuovo, / 2 L'Isola di Caprea, / 3 Capo di Miseno e Castello di Baia, / 4 Boua della Grotta di Sibele, / Tempio di Proserpina, 6 Lago di Averno 231 by 373 mm
Sotheby's
Dec. 16, 2010
Circle of William Marlow (London 1740-1813 Twickenham)
Est: £3,000 - £5,000
Circle of William Marlow (London 1740-1813 Twickenham) A coastal landscape near Terracina, Italy oil on canvas 14½ x 20 7/8 in. (37.1 x 52.7 cm)
Christie's
Dec. 16, 2010
William Marlow (London 1740-1813 Twickenham)
Est: £15,000 - £25,000
William Marlow (London 1740-1813 Twickenham) View of the coast near Naples, with figures in rowing boats in the foreground indistinctly signed (lower centre, on the boat) oil on canvas 31 x 41 7/8 in. (78.7 x 106.4 cm.)
Christie's
Dec. 09, 2010
WILLIAM MARLOW
Est: £20,000 - £30,000
WILLIAM MARLOW LONDON 1740 - 1813 VIEW OF MATLOCK, DERBYSHIRE inscribed on an old label, verso: MATLOCK, / DERBYSHIRE, / WITH RIVER AND HOUSE / BY / MARLOW / 7877 oil on canvas 38 by 53.5 cm.; 15 by 21 in.
Sotheby's
Nov. 28, 2010
WILLIAM MARLOW (1740-1813), 'Kirkham Abbey', oil
Est: £3,000 - £5,000
WILLIAM MARLOW (1740-1813), 'Kirkham Abbey', oil on canvas, 24cm x 34cm, signed and dated 1763, on stretcher, framed, Agnews label to verso, supported with copies of purchase receipts,
Lots Road Auctions
Oct. 28, 2010
WILLIAM MARLOW
Est: £4,000 - £6,000
WILLIAM MARLOW LONDON 1740 - 1813 LANDSCAPE WITH CLASSICAL RUINS, OUTSIDE ROME, WITH THE PYRAMID OF CESTIUS BEYOND inscribed on an old label, verso: William Marlow oil on canvas 46 by 54 cm.; 18 by 21 1/4 in.
Sotheby's
Oct. 28, 2010
WILLIAM MARLOW
Est: £20,000 - £30,000
WILLIAM MARLOW LONDON 1740 - 1813 VIEW OF THE CHATEAU DE PIERRE-ENCISE ON THE RHONE, LYON signed lower right: W. Marlow oil on canvas 74.5 by 99 cm.; 29 1/4 by 39 in.
Sotheby's
Oct. 24, 2010
WILLIAM MARLOW (1740-1813), 'Kirkham Abbey', oil
Est: £3,000 - £5,000
WILLIAM MARLOW (1740-1813), 'Kirkham Abbey', oil on canvas, 24cm x 34cm, signed and dated 1763, on stretcher, framed, Agnews label to verso, supported with copies of purchase receipts,
Lots Road Auctions
Sep. 29, 2010
William Marlow (British, 1740-1813) Tivoli
Est: £2,500 - £3,500
Tivoli signed 'W Marlow' (lower left) watercolour 26 x 37cm (10 1/4 x 14 9/16in).
Bonhams
Sep. 07, 2010
ASCRIBED TO WILLIAM HOARE OF BATH (1706-1795) RED
Est: £150 - £200
ASCRIBED TO WILLIAM HOARE OF BATH (1706-1795) RED CHALK DRAWING ON LAID PAPER Study of a seated female figure 9in x 7 1/2 in (sheet) mounted but unframed, together with ascribed to WILLIAM MARLOW (1740-1813) Pen and grey ink and pencil drawing study of a landscape with camel 3 5/8in x 10in (sight) mounted but unframed (2)
Capes Dunn & Co.