Painter, Sculptor, Etcher, Lithographer, Wood cutter, Illustrator, Engraver, Still life painter, Flower painter, b. 1869 - d. 1954
Artist Henri Matisse was one of the leaders of the Fauvist school of art, and a leading figure in modern art in general. His career spanned over half a century, beginning with traditional painting and ending with cut-paper work. Despite being a leader of the Fauvists, artist Henri Matisse created his most successful works after the decline of the movement. As his career progressed, his use of color, flattened shapes, and controlled lines distinguished his work from other Post-Impressionists. Henri Matisse's portrait paintings often depict his wife Amelie or his daughter Marguerite.
With ill health curtailing his ability to paint, Matisse turned to collage, cutting gouache-coated paper into various abstract patterns to create artworks. However, Henri Matisse drawings for sale or at auction are some of his most collectible works. Be a savvy art enthusiast and find many vintage and collectible nude prints for sale at online galleries to add to your growing collection.
HENRI MATISSE (French, 1869-1954) "Maison de la Pense Francaise" - Vintage lithograph reproduction on paper printed by Galerie Mourlot (Paris). Unframed. 19.75 x 15.75 inches. Very good condition, minor handling marks noted, pin holes in the upper corners, some rough edges lower left. Being sold on behalf of the University of Saskatchewan Art Galleries with all proceeds going to the Jean Johnston Memorial Fund dedicated to student enrichment within the fine arts.
Artist: Henri Matisse, After, French (1869 - 1954) Title: Le Buffet Year: 1929 Medium: Color Pochoir Size: 6.5 x 7.75 in. (16.51 x 19.69 cm) Frame Size: 11.75 x 13.5 inches Description: A lovely little color pochoir after Henri Matisse. The work is beautifully framed in gold as shown.
Artist: Henri Matisse, After, French (1869 - 1954) Title: Formes (Forms) Portfolio: Jazz Year: Of Original: 1947 | Year Printed: 1983 Medium: Lithograph Image Size: 14.5 x 21 inches Size: 15.25 x 23.5 in. (38.74 x 59.69 cm) Frame Size: 19.25 x 27.5 inches Printer: Ernst Wartelsteiner, Munich, West Germany Publisher: George Braziler Inc. Description: This plate is one of twenty made to illustrate Henri Matisse's groundbreaking book "Jazz". Despite its musical title - likely named for the experimental, improvisational nature of its compositions - the book's dominant themes are the circus and theater. The illustrations derive from maquettes of cut and pasted colored papers. From Edition for MoMA 1983 published by George Brazilier. Nicely Framed
Artist: Henri Matisse, After, French (1869 - 1954) Title: Le Lagon III (Lagoon) Portfolio: Jazz Year: Of Original: 1947 | Year Printed: 1983 Medium: Lithograph Size: 15.25 x 23.5 in. (38.74 x 59.69 cm) Frame Size: 19.25 x 27.5 inches Printer: Ernst Wartelsteiner, Munich, West Germany Publisher: George Braziler Inc. Description: This plate is one of twenty made to illustrate Henri Matisse's groundbreaking book "Jazz". Despite its musical title - likely named for the experimental, improvisational nature of its compositions - the book's dominant themes are the circus and theater. The illustrations derive from maquettes of cut and pasted colored papers. From Edition for MoMA 1983 published by George Brazilier. Nicely Framed
HENRI MATISSE (1869-1954) 1943 Offset lithograph after a drawing, from ''Dessins: Themes et Variations,'' Paris, Martin Fabiani, 1943. Paper size is 12-3/4 x 9-3/4in. Very light sun-toning right edge. Hardly notice it.
HENRI MATISSE (1869-1954) 1943 Offset lithograph after a drawing, from ''Dessins: Themes et Variations,'' Paris, Martin Fabiani, 1943. Paper size is 12-3/4 x 9-3/4in. VG
1. Humbert, Agnes. Henri Matisse Dessins. Fernand Hazan, Paris, 1956. 2. Henri Matisse Lithographies rares. Berggruen, & Cie, Paris, 1954. Measures 7 x 4.5 and 8.75 x 4.5 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
1. Chapelle Du Rosaire Des Dominicaines de Vence par Henri Matisse (Rosary Chapel of the Dominican Sisters of Vence by Henri Matisse). Mourlot Freres, Paris, 1955. 2. Albert Skira. Vingt ans d'activite (Twenty Years of Activity). Geneva, 1948. Illustrated with nine tabbed in color plates and numerous black and white illustrations. 3. Stations of the Cross (in the Chapel of the Rosary Vence). Image measures 5 x 8, sheet is 7 x 10 inches. Booklets measure 8 x 5.75 and 10 x 7.25 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Henri Matisse (France, 1869-1954) Matisse, Henri. Pierre a Feu, Draeger Freres, Montrouge, Paris 1947. Numbered 26 in an edition of 950 books. As noted on the title page: 'One Frontispiece and one original lithograph outside the text, one woodcut and 14 unpublished heliogravures were composed and laid out by HENRI MATISSE. The printing of the illustrations and texts was done by DRAEGER BROTHERS.' 'Nine hundred and ninety-nine copies were printed, of which forty-nine were signed by Henri Matisse and numbered from I to XLIX and nine hundred and fifty on Superior Vellum numbered from 1 to 950. The lithographic stone printed by Mourlot brothers, the engraved wood and the heliogravure coppers were scratched after printing.' Measures 9.5 x 8.25 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Henri Matisse (France, 1869-1954) HENRI MATISSE PAPIERS DECOUPES 1953/54 Original catalog for the exhibition by Matisse at the Gallery Berggruen in Paris, France. Illustrated with 14 handmade stencils. From an edition of only 1000. Translated from back page annotation 'This booklet, printed in a run of a thousand copies, was printed on the presses of the union printing house, Paris, in January 1953. The cut-out papers were colored by hand in the Coloris Moderne Workshops under the direction of Y. F. Wils.' Measures 8.75 x 4.75 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Henri Matisse (France, 1869-1954) 1) Color lithograph with edge tears titled La Vierge et L'Enfant (1949), published in an edition of 60 prints, signed by the artist in ink below the image lower right. Image measures 8.5 x 15.5, sheet size 9.25 x 15.5 inches. Matted, no frame. 2) Les Peintres Temoins de Leur Temps (1952) exhibition poster for Ville de Nice, Gallerie Des Ponshettes August 31, 1953. Printed signature and date lower left. 3) Maison de la Pensee, Paris exhibition poster (1950). Posters measure 20 x 14.75 and 20 x 15.75 inches. This is an estimate, not a quote. We charge the actual cost of shipping, plus cost to pack. So the final cost to ship could (and probably will) be different (up or down) depending on final packed dimensions, weight, value and destination. UPS GROUND :: $57.31 (total including packing and shipping). Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
An original painting, signed H. Matisse upper left corner. Verification has been done on the painting, which is very similar to his earliest works, believed to have been painted between 1891 and 1896. The report indicated that this painting is 'very probable' done by Henri Matisse. We have also taken the initiative the obtain various reports to authenticate the painting. 1) Issues and Legal Obstacles to Painting Certification 2) Signature Authentication 3) Signature Verification Signed in Upper Left Corner of Painting 4) Ultraviolet Light test 5) Similarities to a Certified Matisse Painting in Paint Applied to the Back of the Canvas 6) X-Ray of Painting 7) Probable Location Painted by Henri Matisse Identified 8) Similarities with Other Paintings done by Henri Matisse regarding Building, Window and Roof Shapes 9) Early Henri Matisse Paintings 10) Painting Style and Brush Strokes 11) Carbon Dating of Canvas. An analysis has been done on the canvas which has certified as true to period. An analysis has been done on the paint which has been certified as true to period. An analysis has also been done on the signature. "Based on all of the above testing, nothing has been found that would lead one to believe that the painting is not an original Henri Matisse Painting. As has been stated by some very experienced art experts, “ it doesn’t make any sense that a forger would paint this as a Henri Matisse rather than what he was famous for.” This is actually a very logical and significant statement as even experts who aren’t willing to give the painting their certification for legal and liability reasons, still feel it makes more sense that it is real." Signature Analysis: "A certified company called CCHA – Canadian Centre for Handwriting Analysis was hired to do a handwriting analysis of the Henri Matisse signature on the painting being authenticated. They were contracted on April 15, 2023 to do the analysis and issued a report on April 26, 2023 in regards to the analysis of the signature. The full report is available, but in their expert opinion after a very thorough analysis they concluded that it is highly probable that the signature of Henri Matisse on the painting was executed by Henri Matisse. Some of the paintings that he signed in the upper left corner are: 1) Blue Pot and Lemon from 1897 2) Still Life with Oranges circa 1899 Both of these above paintings were painted in and around the time frame that we feel our painting was painted so in that perspective it is highly reasonable to believe that it could have been Henri Matisse that signed our painting in the Upper Left Corner. There is certainly no evidence to believe it was not him signing in the Upper Left Corner." Ultraviolet Light Test: The use of UV light is commonly used to identify the authenticity of works of art or to inspect damaged or repaired paintings. Longwave ultraviolet light helps to detect overpainting, repairs and forged signatures that are normally invisible to the naked eye. The slightest alteration will stand out with extreme clarity under UV light. Due to the different chemical properties, modern paint will fluoresce or glow under UV, while older paints will not. It can therefore be determined whether a painted object is an antique or a newer reproduction. UV can also be used to identify whether a painting has been repaired and if so, how extensive was the repair. A piece of art can be easily scanned with a hand-held UV lamp in a dark room. If there are dark blotches, they indicate over painting and over cleaning. Bluish-white spots indicate the presence of lining compound, dark bluish-violet indicates picture repair, and very small blue dots are dust. A chartreuse haze indicates old varnish, which shows that no recent restoration work has been done. The UV test was conducted on May 10, 2023, and the painting was gone over in detail with a UV light both on the front and the back. No irregularities or fluorescence was found with the paint on either the front or the back leaving us with the decision that the paint and signature were all original and hadn’t been tampered with in any way. Similarities to a Certified Matisse Painting in Paint Applied to the Back of the Canvas One very interesting thing about our Henri Matisse signed painting is that the back of the canvas has also been painted. We originally thought it might have been done to slow down the drying on the front side of the canvas where a thicker coat of paint had been used for the painting. During our research, we found a certified painting by Henri Matisse that was called Le pont Saint Michel, Paris circa 1895 that was also unique in that paint had been applied to the back of that Henri Matisse painting as well. Some felt that it may have been done to determine initial paint use. It is significant to note that the date of this painting again matches with our painting and the similarities in using the back of the canvas for painting. This again shows the uniqueness of this Henri Matisse painting and its connection and verification to properties similar with other certified Henri Matisse paintings. X-Ray of Painting An X-Ray of the painting was done by Barrie Animal Hospital on May 17th, 2023 to conduct a radiograph series of X-Rays on our Henri Matisse painting. They used a Fixed X-ray machine which was a Vet-Ray Technology (by Sedecal) Standard Vet Model. The images were taken using chest or canine thorax setting as had been recommended by art experts. There were a total of 4 images taken. One taken for each of the top left, the top right, the bottom left and the bottom right. This allowed us to cover all of the painting with the 4 X-rays. On the two top X-rays, the wire at the back of the painting was visible. Other than that, nothing showed other than the original Henri Matisse painting that was on the canvas. Nothing else was painted in the background or on the canvas. The X-ray test showed that there were no issues in regards to the possible authenticity of our Henri Matisse painting. Probable Location Painted by Henri Matisse Identified Extensive research and investigation was done in regards to the areas that Henri Matisse travelled to and painted at various times. Some of this information was collected from other certified Henri Matisse paintings where there was background information. From that information, we were able to determine that one of his regular and favourite spots to paint was in Cagnes-sur-Mer, Nice. Henri Matisse painted a number of paintings in this area over his career. This area has been a famous spot to paint for many artists over the years. Each artist has their own painter’s eye in what they see and then put to canvas. It is this perspective that makes what each painter does special in their own way. Henri Matisse himself would have looked at this scene and fashioned his own perception of what he saw. The important part is looking at the layout and overall setting of the painting in relation to the actual location. Look at the background hills, the trees, the buildings and you can see what he was seeing. We have included a number of photos of the area that depict what we feel Henri Matisse was looking at when he did this painting. This would have been done very early in his career when he was still focusing on landscapes and still life’s in earth tones. The other thing you will find in the next verification section is the many similarities in buildings, roofs and windows that are found in other Henri Matisse paintings over the years. Some of the photos included have been cropped to highlight the exact view that Henri Matisse would have been looking at when the painting was done. Based on what we have found we feel strongly that this painting was done in Cagnes-sur-Mer, Nice. As part of our investigation, we looked at other paintings done by Henri Matisse that had similarities to our Painting. In regards to Building Shape, Windows and the Roofs, a number of paintings done by Henri Matisse over the years all showed some similarities in regards to certain aspects of the paintings. Some of those paintings by Henri Matisse are: 1) Landscape- Autumn in Cagnes-sur-Mer. Circa 1918: 2) Collioure en Aout, circa 1911: 3) Saint Tropez 1904: These paintings were done at different times and in different locations, but the important thing to note is how Henri Matisse would draw the building and window shapes along with the special way he rounded his roofs. This seems to be part of his style and how he viewed these things in his painter’s eye. Early Henri Matisse Paintings Painting Style and Brush Strokes The investigation into painting style and brush strokes for Henri Matisse paintings in his early years was made difficult due to the lack of comparisons to be found. There is very limited information on the paintings that Henri Matisse did prior to 1900 and especially prior to 1895 during his first 5 years of beginning to paint. What we did find though is a number of paintings done in the period around 1895 to 1897 that all were done in the earth tones he was known to be painting during the early part of his career where he focused on landscapes and still life. The brush strokes in these earlier paintings were also very different to his later paintings and are more similar to his brush stroke technique used in our painting.
Henri MATISSE (1869-1954),d’Après. Sans titre. Lithographie sur papier vélin, porte le cachet de la signature en bas à droite. Edité par la SPADEM. Cachet en creux S¨PADEM Paris. Numéroté 20/55 exemplaires. 70 x 50 cm
Henri Matisse, French (1869 - 1954) Offset Lithograph on Paper "Femme A La Chaisse Rouge" Signed in the Plate. COA attached en verso. Sight measures 9-1/4" x 6". Frame measures 26" x 21-5/8". Condition: Good condition Estimate 200 - 400 Domestic shipping third party
Henri Matisse (French, 1869-1954) Visage 1946 Lithograph printed in sanguine on Lana wove paper One of a s set of 14 from 'Henri Matisse', Visages, [Paris], les editions du Chene Edition 250 (D.G. 11) Provenance: Lumley Cazalet Ltd, London Dimensions: (Frame) 23 in. (H) x 19.75 in. (W) (Paper) 13 in. (H) x 10 in. (W)
Henri Matisse (1869-1954) lithograph titled Window in Tahiti. It is after the original which was painted in 1935 and hangs in Musee Matisse in Nice, France. It measures 19 inches x 21 inches. It is triple matted and framed under glass in an ornate frame. Acquired from a Virginia estate.
Henri Matisse (1869-1954) original Exhibition poster for the Virginia Museum of Fine Art (VMFA) in Richmond, VA. The underlying piece is titled Interior, which is after the original which was painted in 1919 and currently hangs in the VMFA. This poster was produced on heavy stock 300 gsm, museum paper, and it measures 31 inches x 38 inches with the frame. It is framed under glass in a simple blue frame. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.
Henri Matisse (1869-1954) titled Pasiphae Plate 2 after the original which was produced in 1944. This piece was produced in France in 1989/1990 and it measures 29 inches x 36 inches. It is matted and framed under glass in a black frame. Acquired from a Metro Washington DC area estate.
Henri Matisse (1869-1954) original Exhibition poster from the National Gallery of Art in Washington, DC. The underlying piece is The White Plumes, which is after the original which was painted in 1919. This poster was produced on heavy stock 300 gsm, museum paper, and it measures 30 inches x 39 inches with the frame. It is framed under glass in an ornate, gold tone frame. It was produced in 1986, under the auspices of the Board of Trustees of the National Gallery of Art. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.
Color Lithograph by Henri Matisse (1869-1954). Entitled "La Perruche et La Sirene". First Edition - Printed by Mourlot in Paris. Comes with COA from Global Fine Art. Measures 24" tall x 41" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping options, please read the shipping terms to understand your options. We also offer Pick-Ups Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.
Matisse, Henri (French, 1869-1954), Teeny (Duthuit #723), originally 1938, this edition printed in 1959, linocut in black ink, image size 11.75x 8.8 inches, unframed. This work is from the edition of approximately 1500 published in XXe Siecle, signed and dated in the plate H.M. 38. Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980. Alexina Teeny Duchamp (1906-1995) was the second wife of artist and chess player, Marcel Duchamp. She was born Alexina Sattler in Cincinnati, Ohio in 1906. In 1929 Teeny married Pierre Matisse, the eldest son of Henri Matisse. They had three children: Jacqueline, Paul, and Peter. In 1949 Pierre and Teeny separated due to Pierre's infidelity with Patricia Matta. She received in the subsequent divorce settlement including many important paintings. She worked for a time as an agent/broker for artists such as Constantin Brancusi and Joan Miró. In the autumn of 1951 she was invited by Dorothea Tanning to go on a weekend trip. It was on that trip that she once again met Duchamp, and romance developed shortly thereafter. They were both avid chess players. Teeny and Duchamp married in New York City on January 16, 1954. They were together until his death in 1968. Henri Matisse was very fond of his daughter in law and this portrait depicts her.
Matisse, Henri (French, 1869-1954), Teeny (Duthuit #723), originally 1938, this edition printed in 1959, linocut in black ink, image size 11.75x 8.8 inches, unframed. This work is from the edition of approximately 1500 published in XXe Siecle, signed and dated in the plate H.M. 38. Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980. Alexina Teeny Duchamp (1906-1995) was the second wife of artist and chess player, Marcel Duchamp. She was born Alexina Sattler in Cincinnati, Ohio in 1906. In 1929 Teeny married Pierre Matisse, the eldest son of Henri Matisse. They had three children: Jacqueline, Paul, and Peter. In 1949 Pierre and Teeny separated due to Pierre's infidelity with Patricia Matta. She received in the subsequent divorce settlement including many important paintings. She worked for a time as an agent/broker for artists such as Constantin Brancusi and Joan Miró. In the autumn of 1951 she was invited by Dorothea Tanning to go on a weekend trip. It was on that trip that she once again met Duchamp, and romance developed shortly thereafter. They were both avid chess players. Teeny and Duchamp married in New York City on January 16, 1954. They were together until his death in 1968. Henri Matisse was very fond of his daughter in law and this portrait depicts her.
Monte Carlo: Andre Sauret. 1954. Matisse's last artist book illustrated with an original lithograph in frontispiece and specially designed cover by Matisse. With 60 plates in black and white and 33 plates in color of portraits by Matisse. Loose as issued, wraps with glassine jacket, hard chemise. 12.6 x 10in
Henri Matisse (1869-1954) Hindoue à la Jupe de Tulle (Duthuit 510) Lithograph, 1929, signed and inscribed 'Essai' in pencil, one of ten trial proofs aside from the edition of 50, printed by Atelier Duchâtel, Paris, on China paper, with full margins, sheet 417 x 517mm (16 3/8 x 20 3/8in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Henri Matisse (1869-1954) Nu Assis – Les Yeux Noir (Duthuit 97) Drypoint, 1926, signed and numbered from the edition of 25 in pencil, on wove paper, with full margins, sheet 382 x 280mm., 15 x 11in. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Henri Matisse (1869-1954) Vierge et Enfant sur Fond de Fleurs et d'Étoiles (Duthuit 646) Lithograph, 1950-1951, signed in pencil, numbered from the edition of 200, on chine collé supported on Arches paper, with full margins, sheet 490 x 375mm (19 1/4 x 14 3/4in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Henri Matisse (1869-1954) Visage de trois quarts (Duthuit 297) Etching on chine collé, 1946, signed and dedicated 'à Pierre Matisse' in pencil, numbered from the edition of 25, on Arches paper, with full margins, sheet 283 x 223mm (11 1/8 x 8 3/4in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Henri Matisse (1869-1954) Étude pour Poèmes de Charles d'Orléans (Duthuit 560) Lithograph on chine collé, 1942-1943, signed in pencil, numbered from the edition of 25, on Arches paper, with full margins, sheet 518 x 360mm (20 3/8 x 14 1/8in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
"Still Life: Bouquet and Compotier" by Henri Matisse, 2003 Unsigned Offset Lithograph. Paper size is 18 x 24 inches, with an image size of 13 x 16.25 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Poster created for the Dallas Museum of Art.
"Nude Model" by Henri Matisse, 1993 Unsigned Offset Lithograph. Paper size is 18 x 24 inches, with an image size of 13 x 19.75 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Published by Bruce McGaw Graphics. Raised edge around the image and "Henri Matisse" in raised lettering in the bottom border.
"Nu Assis I" by Henri Matisse, 1989 Unsigned Serigraph. Paper size is 48 x 34 inches, with an image size of 43 x 26 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: "Nu Assis I" is a large serigraph reproduction by Henri Matisse, utilizing his renowned cut-out technique. Released by Silvio Zamorani Editore in Italy, this print has the approval of the Estate of Henri Matisse. The original artwork was created by Matisse between 1941 and 1942, a period marked by his exploration of cut-outs which allowed him to experiment with form and abstraction in new ways.
"Mille et Une Nuits" by Henri Matisse, 1994 Unsigned Serigraph. Paper size is 34.5 x 83.5 inches, with an image size of 34.5 x 83.5 inches. The Serigraph is from an edition size of 250 and is not framed. The condition was rated A: Mint. Additional details: Henri Matisse's "One Thousand and One Nights" (1950) is a celebrated work from his renowned cut-out period, created in his room overlooking the Bay of Angels in Nice. This piece reflects the freedom and energy of his late artistic phase, utilizing vibrant compositions crafted from gouache-painted paper cut-outs. In 1994, to commemorate the 40th anniversary of Matisse's passing, Nouvelles Images in Paris published a limited edition 15-color silkscreen print of this masterpiece, with the approval of Matisse's heirs. The serigraph was printed on Arches vellum 100% rag paper (250g), with 250 unnumbered serigraphs on heavy textured linen paper. The vivid, organic shapes, abstract stars, and flowing lines closely resemble the original cut-outs, evoking the imaginative spirit of the tales from "One Thousand and One Nights." Its bold, dynamic design celebrates Matisse’s mastery of storytelling through abstract art.
"Le Gouter" by Henri Matisse, 1999 Unsigned Offset Lithograph. Paper size is 35.5 x 27.5 inches, with an image size of 26.5 x 21.5 inches. The Offset Lithograph is from an edition size of 1000 and is not framed. The condition was rated A: Mint. Additional details: Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. The museum features temporary and permanent exhibitions of German and international art, offering impressive modern installations and interactive displays. The artists whose works you can see displayed at the museum include Kandinsky and Picasso. The permanent exhibitions include works of expressionist and impressionist painters.
"Decorative Figure" by Henri Matisse, 2003 Unsigned Offset Lithograph. Paper size is 24 x 24 inches, with an image size of 23 x 23 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Poster for the Nasher Sculpture Center, Dallas. Published by the Artists Rights Society.
"Danse" by Henri Matisse, 2000 Unsigned Serigraph. Paper size is 39.5 x 47.5 inches, with an image size of 39.5 x 47.5 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Henri Matisse's "La Danse" is one of the most celebrated and recognizable works of the 20th century. Originally created in 1910, this vibrant and dynamic composition captures the essence of movement and joy, featuring five nudes holding hands in a circular dance. The painting is renowned for its bold use of color and expressive forms, showcasing Matisse's mastery in conveying emotion and rhythm through minimalistic yet powerful imagery. Top Art, an Italian publishing company, is known for producing high-quality art reproductions. Their version of "La Danse" utilizes advanced printing techniques to replicate the vivid colors and intricate details of Matisse's original work. The reproduction allows art enthusiasts and collectors to appreciate Matisse's masterpiece in a more accessible format, maintaining the integrity and impact of the original piece.
"Anemones and Chinese Vase" by Henri Matisse, 2005 Unsigned Offset Lithograph. Paper size is 26 x 34 inches, with an image size of 22.25 x 34 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A: Mint. Additional details: This is a reproduction of Henri Matisse's early painting Anemones and Chinese Vase, originally created in 1918. Published in 2005, this reproduction captures the essence of Matisse’s Fauvist period, showcasing his mastery in vibrant color and bold composition. The painting, part of the permanent collection at the Baltimore Museum of Art, depicts a lively still life with an emphasis on the rich hues and dynamic forms characteristic of Matisse's work during this period.
Henri Matisse (1869 - 1954), litho produced in 1950, Elle vit a parai tre le matin elle se tut discretement, signed in the stone lower right ,edition unknown, dim. 31 x 82 cm. (framed 61 x 110 cm.) Henri Matisse (1869 - 1954), litho produced in 1950, Elle vit a parai tre le matin elle se tut discretement, signed in the stone lower right ,edition unknown, dim. 31 x 82 cm. (framed 61 x 110 cm.)
after: Henri Matisse, French (1869 - 1954) Offset Lithograph "Odalisque on a Couch". Unsigned.. .Framed, matted and presented under glass screen. Good condition. Measures 4-1/2" x 6-1/2" (sight), frame measures11" x 13". LA/B13/SH:17B
after: Henri Matisse, French (1869 - 1954) Offset Lithograph "Studio Interior". Signed in plate. COA affixed to verso.Framed, matted and presented under glass screen. Good condition. Measures 8-1/2" x 7" (sight), frame measures14" x 12-1/2". LA/B13/SH:17B
after: Henri Matisse, French (1869 - 1954) Offset Lithograph "Still Life with Aubergines". Signed in plate. Framed, matted and presented under glass screen. Good condition. Measures 7-3/4" x 8-1/2" (sight), frame measures 15" x 16". LA/B13/SH:17B
after: Henri Matisse, French (1869 - 1954) Offset Lithograph "Blue Dress in Ochre Armchair". Signed in plate. Framed, matted and presented under glass screen. Good condition. Measures 9" x 7" (sight), frame measures 14-3/4" x 12-1/2". LA/B13/SH:17B
A vintage etching on paper signed Henri Matisse. Study for The Dream, 1939. The artwork depicts an elegant portrait of a sleeping woman. Signed in pencil H. Matisse lower right. Henri Matisse, 1869 to 1954, was a French artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Collectible French Graphic Art Prints and Portraiture.
