Moshe Maurer Sold at Auction Prices

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      • MOSHE MAURER (1891-1971), THE HARVEST
        Jun. 06, 2024

        MOSHE MAURER (1891-1971), THE HARVEST

        Est: £80 - £120

        MOSHE MAURER (1891-1971)THE HARVEST Oil on boardSigned (lower left)45 x 40cm (17½ x 15½ in.)Growing up in a paintbrush factory alongside his father, Moshe Maurer was surrounded by artists from a young age. He continued the family trade when he moved to London in 1940, making and selling brushes to artists, without ever turning to art himself. It was his wife's unfortunate death in 1962 that spurred Maurer to pick up a brush and paint; she was very keen for him to explore his creativity and put his product to use. He captured his Russian childhood upbringing through the simplistic quality of his work - which has been characterised as 'naïve' art - keeping the memory of his wife and traditional Orthodox Jewish upbringing alive. Finding peace in his art practice, Maurer wrote that he 'woke up in a paradise painting, and through it have found rest, consolation, relaxation and inner satisfaction.' He retired his brush business due to illness and turned to painting full time. In 1955, he had his first solo exhibition at St George's Gallery in London and exhibited in mixed shows with the Artists International Association (AIA), the Royal Society of British Artists, the London Group and the Ben Uri Gallery, where he had a solo exhibition in 1957. Within the first ten years, Maurer had exhibited internationally, with works exhibited in the Netherlands, the USA, and Switzerland, alongside works by Perle Hessing, Dora Holzhandler and Scottie Wilson.Measurements do not include the frame unless specified.

        Dreweatts 1759 Fine Sales
      • MOSHE MAURER (1891-1971), THE FIDDLE PLAYER
        Jun. 06, 2024

        MOSHE MAURER (1891-1971), THE FIDDLE PLAYER

        Est: £80 - £120

        MOSHE MAURER (1891-1971) THE FIDDLE PLAYER Oil on boardSigned (lower left)60 x 50cm (23½ x 19½ in.)Growing up in a paintbrush factory alongside his father, Moshe Maurer was surrounded by artists from a young age. He continued the family trade when he moved to London in 1940, making and selling brushes to artists, without ever turning to art himself. It was his wife's unfortunate death in 1962 that spurred Maurer to pick up a brush and paint; she was very keen for him to explore his creativity and put his product to use. He captured his Russian childhood upbringing through the simplistic quality of his work - which has been characterised as 'naïve' art - keeping the memory of his wife and traditional Orthodox Jewish upbringing alive. Finding peace in his art practice, Maurer wrote that he 'woke up in a paradise painting, and through it have found rest, consolation, relaxation and inner satisfaction.' He retired his brush business due to illness and turned to painting full time. In 1955, he had his first solo exhibition at St George's Gallery in London and exhibited in mixed shows with the Artists International Association (AIA), the Royal Society of British Artists, the London Group and the Ben Uri Gallery, where he had a solo exhibition in 1957. Within the first ten years, Maurer had exhibited internationally, with works exhibited in the Netherlands, the USA, and Switzerland, alongside works by Perle Hessing, Dora Holzhandler and Scottie Wilson.Measurements do not include the frame unless specified.

        Dreweatts 1759 Fine Sales
      • MOSHE MAURER (1891-1971), THE BRUSH SELLER
        Jun. 06, 2024

        MOSHE MAURER (1891-1971), THE BRUSH SELLER

        Est: £80 - £120

        MOSHE MAURER (1891-1971)THE BRUSH SELLER Oil on canvas laid to board Signed and dated 1957 (lower left)60 x 50cm (23½ x 19½ in.)Growing up in a paintbrush factory alongside his father, Moshe Maurer was surrounded by artists from a young age. He continued the family trade when he moved to London in 1940, making and selling brushes to artists, without ever turning to art himself. It was his wife's unfortunate death in 1962 that spurred Maurer to pick up a brush and paint; she was very keen for him to explore his creativity and put his product to use. He captured his Russian childhood upbringing through the simplistic quality of his work - which has been characterised as 'naïve' art - keeping the memory of his wife and traditional Orthodox Jewish upbringing alive. Finding peace in his art practice, Maurer wrote that he 'woke up in a paradise painting, and through it have found rest, consolation, relaxation and inner satisfaction.' He retired his brush business due to illness and turned to painting full time. In 1955, he had his first solo exhibition at St George's Gallery in London and exhibited in mixed shows with the Artists International Association (AIA), the Royal Society of British Artists, the London Group and the Ben Uri Gallery, where he had a solo exhibition in 1957. Within the first ten years, Maurer had exhibited internationally, with works exhibited in the Netherlands, the USA, and Switzerland, alongside works by Perle Hessing, Dora Holzhandler and Scottie Wilson.Measurements do not include the frame unless specified.

        Dreweatts 1759 Fine Sales
      • MOSHE MAURER (1891-1971), THE OBITUARY STAND
        Jun. 06, 2024

        MOSHE MAURER (1891-1971), THE OBITUARY STAND

        Est: £80 - £120

        MOSHE MAURER (1891-1971)THE OBITUARY STAND Oil on board Signed (lower left)46 x 41cm (18 x 16 in.)Growing up in a paintbrush factory alongside his father, Moshe Maurer was surrounded by artists from a young age. He continued the family trade when he moved to London in 1940, making and selling brushes to artists, without ever turning to art himself. It was his wife's unfortunate death in 1962 that spurred Maurer to pick up a brush and paint; she was very keen for him to explore his creativity and put his product to use. He captured his Russian childhood upbringing through the simplistic quality of his work - which has been characterised as 'naïve' art - keeping the memory of his wife and traditional Orthodox Jewish upbringing alive. Finding peace in his art practice, Maurer wrote that he 'woke up in a paradise painting, and through it have found rest, consolation, relaxation and inner satisfaction.' He retired his brush business due to illness and turned to painting full time. In 1955, he had his first solo exhibition at St George's Gallery in London and exhibited in mixed shows with the Artists International Association (AIA), the Royal Society of British Artists, the London Group and the Ben Uri Gallery, where he had a solo exhibition in 1957. Within the first ten years, Maurer had exhibited internationally, with works exhibited in the Netherlands, the USA, and Switzerland, alongside works by Perle Hessing, Dora Holzhandler and Scottie Wilson.Measurements do not include the frame unless specified.

        Dreweatts 1759 Fine Sales
      • Moshe Maurer (1891-1971) Russia/Ukraine, A portrait of a Jewish man playing a wind instrument at dusk, oil on
        Sep. 29, 2021

        Moshe Maurer (1891-1971) Russia/Ukraine, A portrait of a Jewish man playing a wind instrument at dusk, oil on

        Est: £50 - £100

        Moshe Maurer (1891-1971) Russia/Ukraine, A portrait of a Jewish man playing a wind instrument at dusk, oil on canvas, signed, 22" x 18", in a maple frame.

        John Nicholson's Fine Art Auctioneers & Valuers
      • Konvolut. 19 Blatt. Siehe Aufstellung. Aus einer Privatsammlung.
        Sep. 26, 2020

        Konvolut. 19 Blatt. Siehe Aufstellung. Aus einer Privatsammlung.

        Est: -

        Konvolut. 19 Blatt. Siehe Aufstellung. Aus einer Privatsammlung. Moshe MAURER (1891 - 1971). Saul und David. 42,5 cm x 33 cm Rechts unten signiert, links unten "41 / 75". Lithographie. Moshe MAURER (1891 - 1971). Saul und David. 42,5 cm x 33 cm Rechts unten signiert, links unten "42 / 75". Lithographie. Irmgard STÖLZER-FRIESE (1890 -?). "Der Kabarettist ..". 46 cm x 19,5 cm. Holzschnitt. Monogrammiert im Druck. Verso bezeichnet. Nach Lyonel FEININGER (1871-1956). Komposition. 25 cm x 22 cm. Druck. Antonio CALDERARA (1903 - 1978). Lithographie. 41 cm x 41 cm. Links unten Monogrammiert , datiert 1966 und "21 / 100". Antonio CALDERARA (1903 - 1978). Lithographie. 21 cm x 27 cm. Links unten Monogrammiert , datiert 1967 und "55 / 100". Ernst FUCHS (1930 - 2015). Kleine Sphinx, circa 1966. 11cm x 15,5 cm. Radierung auf BFK Rives. "53 / 100". Rechts unten signiert. UNDEUTLICH SIGNIERT. Lithographie von 1968. 55 cm x 32 cm der Druck. "18 / 100". UNDEUTLICH SIGNIERT. Lithographie. 19 cm x 20 cm der Druck. "11 / 20". Alfred FORBAT (1897 - 1972). Linienkomposition. Lithographie. 24 cm x 24 cm. Rechts unten signiert und links unten "7 / 100". Gerhard WENDLAND (1910 - 1986). Linienkomposition 1967. 44,5 cm x 32 cm, Lithographie. Rechts unten signiert und datiert (19)64 und links unten " 89 / 120". UNDEUTLICH SIGNIERT. Lithographie 1969. 40 cm x 51,3 cm die Lithographie, "123 / 150". Antonio CALDERARA (1903 - 1978). Lithographie. 36 cm x 40,5 cm. Links unten Monogrammiert , datiert 1962 und "36 / 200". Alfred FORBAT (1897 - 1972). Interieur. Lithographie. 18 cm x 18 cm. In der Platte ligiert. Handschrift auf Pergament. 71 cm x 32 cm. English Translation Set of 19 sheets. See list. From a private collection. Moshe MAURER (1891 - 1971). Saul und David. 42,5 cm x 33 cm Rechts unten signiert, links unten "41 / 75". Lithographie. Moshe MAURER (1891 - 1971). Saul und David. 42,5 cm x 33 cm Rechts unten signiert, links unten "42 / 75". Lithographie. Irmgard STÖLZER-FRIESE (1890 -?). "Der Kabarettist ..". 46 cm x 19,5 cm. Holzschnitt. Monogrammiert im Druck. Verso bezeichnet. Nach Lyonel FEININGER (1871-1956). Komposition. 25 cm x 22 cm. Druck. Antonio CALDERARA (1903 - 1978). Lithographie. 41 cm x 41 cm. Links unten Monogrammiert , datiert 1966 und "21 / 100". Antonio CALDERARA (1903 - 1978). Lithographie. 21 cm x 27 cm. Links unten Monogrammiert , datiert 1967 und "55 / 100". Ernst FUCHS (1930 - 2015). Kleine Sphinx, circa 1966. 11cm x 15,5 cm. Radierung auf BFK Rives. "53 / 100". Rechts unten signiert. UNDEUTLICH SIGNIERT. Lithographie von 1968. 55 cm x 32 cm der Druck. "18 / 100". UNDEUTLICH SIGNIERT. Lithographie. 19 cm x 20 cm der Druck. "11 / 20". Alfred FORBAT (1897 - 1972). Linienkomposition. Lithographie. 24 cm x 24 cm. Rechts unten signiert und links unten "7 / 100". Gerhard WENDLAND (1910 - 1986). Linienkomposition 1967. 44,5 cm x 32 cm, Lithographie. Rechts unten signiert und datiert (19)64 und links unten " 89 / 120". UNDEUTLICH SIGNIERT. Lithographie 1969. 40 cm x 51,3 cm die Lithographie, "123 / 150". Antonio CALDERARA (1903 - 1978). Lithographie. 36 cm x 40,5 cm. Links unten Monogrammiert , datiert 1962 und "36 / 200". Alfred FORBAT (1897 - 1972). Interieur. Lithographie. 18 cm x 18 cm. In der Platte ligiert. Manuscript on vellum. 71 cm x 32 cm.

        Auktionshaus Oberursel
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