Lucia Maya Paintings & Artwork for Sale | Lucia Maya Art Value Price Guide

Nov. 18, 2021
Lucia Maya (American/Mexican, b. 1953), "Corazones Afines"
Est: $2,500 - $4,000
Lucia Maya (American/Mexican, b. 1953) "Corazones Afines", 1986 portfolio of seven lithographs with hand-coloring on Arches paper each pencil-signed, titled and numbered "47/70" along lower margin, including "Relicario", "Alfiletero", "Sistole", "Diastole", "Vuelo Inesperado", "Tercia de Munecas" and "Hilvanando la Vida", published by Kyron Ediciones Limitades, Mexico, additionally numbered and signed by artist and publisher on colophon page. Unframed and in original purple paper folder. five 14-3/8" x 18-3/4" and two 18-3/4" x 14-3/8" Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana.
New Orleans Auction Galleries
Dec. 17, 2020
1989 Lucia Maya Etching w/ Aquatint "Recuerdos de Sal"
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Recuerdos de Sal", etching with aquatint, drawn on 2 copper plates by the artist, printed on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 4 of 75 in pencil on the lower left. Signed & dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A breathtaking rendering of a female draped in silky, chocolate brown fabric that seems to resolve in organic kelp-like forms suspended below her chest - perhaps Maya's version of an Earth or Sea Mother. She tips her head to her right, and her beautiful face is marked by ruby red lips, an aquiline nose, and a half-closed hazel eye. Wavy brunette locks cascade over her shoulders. The palette is rich - chocolate browns, azure blues, and slate greys. Technique for plate 1: aquatint (blue ink + red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, aquatint (sepia ink). Size: 30.5" L x 23.5" W (77.5 cm x 59.7 cm); 45.375" L x 31.875" W (115.3 cm x 81 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print AND using a dark sepia ink gives the impression that it is black ink where there is hard ground etching the sepia tone comes out where there is aquatint. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143276
Artemis Gallery
Oct. 29, 2020
Lucía Maya. Face
Est: -
Dibujo. Firmado, dedicado y fechado (77) en el ángulo inferior derecho.
Duran Arte y Subastas
Jul. 30, 2020
1989 Lucia Maya Etching w/ Aquatint "Recuerdos de Sal"
Est: $1,400 - $2,100
Lucia Maya (Mexican, b. 1953), "Recuerdos de Sal", etching with aquatint, drawn on 2 copper plates by the artist, printed on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 4 of 75 in pencil on the lower left. Signed & dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A breathtaking rendering of a female draped in silky, chocolate brown fabric that seems to resolve in organic kelp-like forms suspended below her chest - perhaps Maya's version of an Earth or Sea Mother. She tips her head to her right, and her beautiful face is marked by ruby red lips, an aquiline nose, and a half-closed hazel eye. Wavy brunette locks cascade over her shoulders. The palette is rich - chocolate browns, azure blues, and slate greys. Technique for plate 1: aquatint (blue ink + red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, aquatint (sepia ink). Size: 30.5" L x 23.5" W (77.5 cm x 59.7 cm); 45.375" L x 31.875" W (115.3 cm x 81 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print AND using a dark sepia ink gives the impression that it is black ink where there is hard ground etching the sepia tone comes out where there is aquatint. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143276
Artemis Gallery
Jun. 03, 2020
Lucia Maya (Santa Catalina, California 1953) "A face behind the bushes"
Est: €250 - €300
"A face behind the bushes" Ink and watercolor Signed, dedicated and dated in 1977 33 x 41 cm
Goya Subastas
May. 21, 2020
Signed 1989 Lucia Maya Etching Madre Fagia
Est: $1,100 - $1,650
Lucia Maya (Mexican, b. 1953), "Madre Fagia", etching drawn on 2 copper plates by the artist with aquatint on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 35 of 75 in pencil on the lower left. Signed and dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. Lucia Maya's striking rendering of a Frida Kahlo-inspired composition presents a headdless female figure wearing a pink dress with two girls - perhaps identical twins - reaching for her heart from which flowers grow. Perhaps Maya's version of Mother Earth with an "Open Heart" (the subject of a book and video by Maya). One of the girls smiles, while the other playfully sticks her tongue out at us. Technique for plate 1: soft ground etching (red ink) and aquatint (blue ink - dresses and red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, and aquatint (black ink). Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.375" L x 31.75" W (120.3 cm x 80.6 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) The retail value of this print ranges from $2000 to $3000. This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plates by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143275
Artemis Gallery
Oct. 17, 2019
1989 Lucia Maya Etching w/ Aquatint "Recuerdos de Sal"
Est: $1,600 - $2,400
**Originally Listed At $1000** Lucia Maya (Mexican, b. 1953), "Recuerdos de Sal", etching with aquatint, drawn on 2 copper plates by the artist, printed on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 4 of 75 in pencil on the lower left. Signed & dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A breathtaking rendering of a female draped in silky, chocolate brown fabric that seems to resolve in organic kelp-like forms suspended below her chest - perhaps Maya's version of an Earth or Sea Mother. She tips her head to her right, and her beautiful face is marked by ruby red lips, an aquiline nose, and a half-closed hazel eye. Wavy brunette locks cascade over her shoulders. The palette is rich - chocolate browns, azure blues, and slate greys. Technique for plate 1: aquatint (blue ink + red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, aquatint (sepia ink). Size: 30.5" L x 23.5" W (77.5 cm x 59.7 cm); 45.375" L x 31.875" W (115.3 cm x 81 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print AND using a dark sepia ink gives the impression that it is black ink where there is hard ground etching the sepia tone comes out where there is aquatint. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143276
Artemis Gallery
Jul. 11, 2019
Framed Signed Lucia Maya Etching "Madre Fagia" - 1989
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Madre Fagia", etching drawn on 2 copper plates by the artist with aquatint on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 35 of 75 in pencil on the lower left. Signed and dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. Lucia Maya's striking rendering of a Frida Kahlo-inspired composition presents a headdless female figure wearing a pink dress with two girls - perhaps identical twins - reaching for her heart from which flowers grow. Perhaps Maya's version of Mother Earth with an "Open Heart" (the subject of a book and video by Maya). One of the girls smiles, while the other playfully sticks her tongue out at us. Technique for plate 1: soft ground etching (red ink) and aquatint (blue ink - dresses and red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, and aquatint (black ink). Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.375" L x 31.75" W (120.3 cm x 80.6 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) The retail value of this print ranges from $2000 to $3000. This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plates by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143275
Artemis Gallery
May. 09, 2019
L. Maya Etching w/ Aquatint "Madre Corazon" - 1989
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Madre Corazon" (Heart Mother), etching drawn on copper plate by the artist with aquatint and red pencil on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 32 of 75 in pencil on the lower left. Signed and dated in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A large rendering of a Surrealist-inspired composition by Lucia Maya featuring a headdless female wearing a dress and Mary Jane style shoes, and sprouting flowers and foliage from her chest. Perhaps this is Lucia Maya's version of Mother Earth. All is delineated in a soft grey and black palette, but the trim of the dress is outlined in claret red. According to Alejandro Ehrenberg Azcarate who directed Artegrafias Limitadas, this piece involved soft ground etching, hard ground etching, aquatint (black ink), with red line on the dress hand drawn by the artist with pencil on the finished print. Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.5" L x 32" W (120.6 cm x 81.3 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143277
Artemis Gallery
Apr. 25, 2019
Lucia Maya Etching w/ Aquatint "Recuerdos de Sal" 1989
Est: $1,800 - $2,700
Lucia Maya (Mexican, b. 1953), "Recuerdos de Sal", etching with aquatint, drawn on 2 copper plates by the artist, printed on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 4 of 75 in pencil on the lower left. Signed & dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A breathtaking rendering of a female draped in silky, chocolate brown fabric that seems to resolve in organic kelp-like forms suspended below her chest - perhaps Maya's version of an Earth or Sea Mother. She tips her head to her right, and her beautiful face is marked by ruby red lips, an aquiline nose, and a half-closed hazel eye. Wavy brunette locks cascade over her shoulders. The palette is rich - chocolate browns, azure blues, and slate greys. Technique for plate 1: aquatint (blue ink + red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, aquatint (sepia ink). Size: 30.5" L x 23.5" W (77.5 cm x 59.7 cm); 45.375" L x 31.875" W (115.3 cm x 81 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print AND using a dark sepia ink gives the impression that it is black ink where there is hard ground etching the sepia tone comes out where there is aquatint. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143276
Artemis Gallery
Apr. 25, 2019
Framed Signed Lucia Maya Etching "Madre Fagia" - 1989
Est: $1,800 - $2,700
Lucia Maya (Mexican, b. 1953), "Madre Fagia", etching drawn on 2 copper plates by the artist with aquatint on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 35 of 75 in pencil on the lower left. Signed and dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. Lucia Maya's striking rendering of a Frida Kahlo-inspired composition presents a headdless female figure wearing a pink dress with two girls - perhaps identical twins - reaching for her heart from which flowers grow. Perhaps Maya's version of Mother Earth with an "Open Heart" (the subject of a book and video by Maya). One of the girls smiles, while the other playfully sticks her tongue out at us. Technique for plate 1: soft ground etching (red ink) and aquatint (blue ink - dresses and red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, and aquatint (black ink). Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.375" L x 31.75" W (120.3 cm x 80.6 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) The retail value of this print ranges from $2000 to $3000. This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plates by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143275
Artemis Gallery
Feb. 21, 2019
L. Maya Etching w/ Aquatint "Madre Corazon" - 1989
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Madre Corazon" (Heart Mother), etching drawn on copper plate by the artist with aquatint and red pencil on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 32 of 75 in pencil on the lower left. Signed and dated in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A large rendering of a Surrealist-inspired composition by Lucia Maya featuring a headdless female wearing a dress and Mary Jane style shoes, and sprouting flowers and foliage from her chest. Perhaps this is Lucia Maya's version of Mother Earth. All is delineated in a soft grey and black palette, but the trim of the dress is outlined in claret red. According to Alejandro Ehrenberg Azcarate who directed Artegrafias Limitadas, this piece involved soft ground etching, hard ground etching, aquatint (black ink), with red line on the dress hand drawn by the artist with pencil on the finished print. Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.5" L x 32" W (120.6 cm x 81.3 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143277
Artemis Gallery
Feb. 21, 2019
Lucia Maya Etching w/ Aquatint "Recuerdos de Sal" 1989
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Recuerdos de Sal", etching with aquatint, drawn on 2 copper plates by the artist, printed on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 4 of 75 in pencil on the lower left. Signed & dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. A breathtaking rendering of a female draped in silky, chocolate brown fabric that seems to resolve in organic kelp-like forms suspended below her chest - perhaps Maya's version of an Earth or Sea Mother. She tips her head to her right, and her beautiful face is marked by ruby red lips, an aquiline nose, and a half-closed hazel eye. Wavy brunette locks cascade over her shoulders. The palette is rich - chocolate browns, azure blues, and slate greys. Technique for plate 1: aquatint (blue ink + red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, aquatint (sepia ink). Size: 30.5" L x 23.5" W (77.5 cm x 59.7 cm); 45.375" L x 31.875" W (115.3 cm x 81 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plate by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. According to Mr. Azcarate, the red line on the dress was hand drawn by the artist with pencil on the finished print AND using a dark sepia ink gives the impression that it is black ink where there is hard ground etching the sepia tone comes out where there is aquatint. The retail value of this print ranges from $2000 to $3000. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143276
Artemis Gallery
Feb. 21, 2019
Framed Signed Lucia Maya Etching "Madre Fagia" - 1989
Est: $2,000 - $3,000
Lucia Maya (Mexican, b. 1953), "Madre Fagia", etching drawn on 2 copper plates by the artist with aquatint on Arches Cover White 250 gm - 100% cotton paper, 1989. Numbered 35 of 75 in pencil on the lower left. Signed and dated 1989 in pencil on the lower right. Printed by Artegrafias Limitadas, a renowned print workshop in Mexico City that operated from 1982 to 2006. Lucia Maya's striking rendering of a Frida Kahlo-inspired composition presents a headdless female figure wearing a pink dress with two girls - perhaps identical twins - reaching for her heart from which flowers grow. Perhaps Maya's version of Mother Earth with an "Open Heart" (the subject of a book and video by Maya). One of the girls smiles, while the other playfully sticks her tongue out at us. Technique for plate 1: soft ground etching (red ink) and aquatint (blue ink - dresses and red ink - faces). Technique for plate 2: soft ground etching, hard ground etching, and aquatint (black ink). Size: 34.25" L x 23.5" W (87 cm x 59.7 cm); 47.375" L x 31.75" W (120.3 cm x 80.6 cm) framed Born on Santa Catalina Island in California, Maya moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico before the age of 5. She studied art at the Universiyy of Guadalajara as well as the Academia de Bellas Artes San Fernando in Madrid, Spain. She is a painter, sculptor, and lithographer and her work has been exhibited at the Degollado Theatre in Mexico; Turner Carroll Gallery in Santa Fe, New Mexico; Ronna and Eric Hoffman Gallery of Contemporary Art in Portland, Oregon, and the Puerto Rican Museum of Contemporary Art. Most recently, Maya's work was on display at the Museum of Latin American Art in the "Ink: Stories on Skin" exhibit (August 25th to February 3rd, 2019). "In Mexico there are several very interesting exponents of this return to an obstinate severity and discipline, and among them I am glad to find Lucia Maya, in whose drawings one encounters the backdrop of a carefully and delicately cultivated technique. Her themes: the accessories of fantastic corsetry, the broken dolls, the torn fruit, beaten and bleeding, like those of Frida Kahlo, who inspired her, executed in this medium of colored pencils so dear to Dürer, are an exalted tribute to Kahlo. Mayas works, so original and inimitable, contain great poetry, the first condition of authentic art. " (text from Salvador Elizondo) "Lucias paintings are full of symbolism and inner meanings. Her confident brush paints a world w solitude, tension and impassioned freedom are woven together through images of secluded figures, pounding hearts and twisting flowering vines. Her art expresses the spirituality of endurance rather than focusing on objects of a physical nature." (Susanna Kirchberg from El antiQuario) The retail value of this print ranges from $2000 to $3000. This print has been authenticated by Alex Ehrenberg Azcarate, the founder and director of Artegrafias Limitadas, the print shop that worked with Lucia Maya to create this limited edition print. Lucia Maya drew the copper plates by hand, and the piece was etched and hand-printed by Artegrafias Limitadas. Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #143275
Artemis Gallery
Mar. 17, 2018
Lucía Maya. Sin título. Óleo sobre tela. Firmado y fechado 79. Enmarcado. Dimensiones: 60.5 x 80 cm.
Est: $9,000 - $12,000
Lucía Maya (Santa Catalina, California, 1953 - ). Sin título. Óleo sobre tela. Firmado y fechado 79. Enmarcado. Dimensiones: 60.5 x 80 cm. Agradecemos a la Maestra Lucía Maya por la verificación de autenticidad de esta obra, mayo de 2015. "Creo que nunca he sabido pintar hombres. Ciertamente tengo mucho que decir sobre la mujer porque todo mi trabajo es autobiográfico. Me he basado en trabajar con la mujer y no haciendo autorretratos, sino estos personajes inventados por mí, que son como los árboles, y que me dan mucho más libertad para trabajar porque no tengo que ver una fotografía y copiarla. Nunca planeo un cuadro y generalmente no hago bocetos. Si hago un boceto y dejé a la luna en el boceto, entonces ya me da pereza hacer el cuadro. Abordo directamente el lienzo, a veces lo borro completamente y empiezo otro encima, a veces el cuadro está debajo de todos los cuadros". Lucía Maya. Fuente consultada: Lesper, Avelina. "El Milenio visto por el arte. Lucía Maya". México. Grupo Milenio, 2013. Estimado $ 9,000-12,000
Morton Subastas
Dec. 16, 2017
Lucía Maya. Sin título. Óleo sobre tela. Firmado y fechado 79. Enmarcado.
Est: $15,000 - $20,000
Lucía Maya (Santa Catalina, California, 1953 - ). Sin título. Óleo sobre tela. Firmado y fechado 79. Enmarcado. Dimensiones: 60.5 x 80 cm. Agradecemos a la Maestra Lucía Maya por la verificación de autenticidad de esta obra, mayo de 2015. "Creo que nunca he sabido pintar hombres. Ciertamente tengo mucho que decir sobre la mujer porque todo mi trabajo es autobiográfico. Me he basado en trabajar con la mujer y no haciendo autorretratos, sino estos personajes inventados por mí, que son como los árboles, y que me dan mucho más libertad para trabajar porque no tengo que ver una fotografía y copiarla. Nunca planeo un cuadro y generalmente no hago bocetos. Si hago un boceto y dejé a la luna en el boceto, entonces ya me da pereza hacer el cuadro. Abordo directamente el lienzo, a veces lo borro completamente y empiezo otro encima, a veces el cuadro está debajo de todos los cuadros". Lucía Maya. Fuente consultada: Lesper, Avelina. "El Milenio visto por el arte. Lucía Maya". México. Grupo Milenio, 2013. Estimado $ 15,000-20,000
Morton Subastas
Nov. 30, 2016
LUCIA MAYA ETCHING AND AQUATINT (Mexico/California
Est: $200 - $300
LUCIA MAYA ETCHING AND AQUATINT (Mexico/California, born 1953) "Crisol Interno," (Inner Crucible). Pencil signed lower right and dated 1990, numbered P/A 4/7 lower left and titled lower center. Image measures 35.5" x 26". In a wood frame, 48.5" x 38" overall.
O'Gallerie
Nov. 30, 2016
LUCIA MAYA ETCHING AND AQUATINT (Mexico/California
Est: $200 - $300
LUCIA MAYA ETCHING AND AQUATINT (Mexico/California, born 1953) "Refugio de Hechiceras," (Refuge of Sorceresses). Pencil signed lower right and dated 1991, numbered 31/45 lower left, and titled lower center. Image measures 27" x 35". In a wood frame, 40" x 47.5" overall.
O'Gallerie
Oct. 25, 2016
LUCIA MAYA LITHOGRAPH (Mexico/California, born 195
Est: $200 - $300
LUCIA MAYA LITHOGRAPH (Mexico/California, born 1953) "Lilith," a woman with lilies. Image measures 31.5" x 23". Signed lower right, titled lower center, numbered 13/30 lower left. In a silvered wood frame, 38" x 29" overall.
O'Gallerie
Oct. 24, 2016
LUCIA MAYA LITHOGRAPH (Mexico/California, born 195
Est: $200 - $300
LUCIA MAYA LITHOGRAPH (Mexico/California, born 1953) "Digo Luna y no Apiendo los Nombres de la Noche," a man's face in a tree with the moon's tears running down his chin. Image measures 30" x 22". Signed lower right, titled lower center, numbered 31/40 lower left. In a silvered wood frame, 36.25" x 28.75" overall.
O'Gallerie
Oct. 24, 2016
LUCIA MAYA MEZZOTINT (Mexico/California, born 1953
Est: $200 - $300
LUCIA MAYA MEZZOTINT (Mexico/California, born 1953) "La Cena," girls around a table with hearts at the center and lit matches above their heads. Image measures 23.75" x 30.75". Pencil signed lower right and dated 1987, titled lower center, numbered 28/35 lower left. In a wood frame, 33.5" x 42.5" overall.
O'Gallerie
Aug. 20, 2015
LUCÍA MAYA, Sin título, Firmado y fechado 79, Óleo sobre tela, 60 x 78 cm
Est: $20,000 - $30,000
LUCÍA MAYA (Santa Catalina, California, EE.UU., 1953 - ) Sin título Firmado y fechado 79 Óleo sobre tela Agradecemos a la Maestra Lucía Maya por la verificación de autenticidad de esta obra, mayo de 2015. "Creo que nunca he sabido pintar hombres. Ciertamente tengo mucho que decir sobre la mujer porque todo mi trabajo es autobiográfico. Me he basado en trabajar con la mujer y no haciendo autorretratos, sino estos personajes inventados por mí, que son como los árboles, y que me dan mucho más libertad para trabajar porque no tengo que ver una fotografía y copiarla. Nunca planeo un cuadro y generalmente no hago bocetos. Si hago un boceto y dejé a la luna en el boceto, entonces ya me da pereza hacer el cuadro. Abordo directamente el lienzo, a veces lo borro completamente y empiezo otro encima, a veces el cuadro está debajo de todos los cuadros". Lucía Maya. Fuente consultada: LESPER, Avelina. "El Milenio visto por el arte. Lucía Maya". México. Grupo Milenio, 2013. 60 x 78 cm
Morton Subastas
Jan. 23, 2014
LUCÍA MAYA, Frida mamá, Firmado y fechado 84. Lápices de color y grafito sobre papel, 90 x 60 cm
Est: $25,000 - $35,000
LUCÍA MAYA Frida mamá Firmado y fechado 84. Lápices de color y grafito sobre papel. Tiene una mancha poco perceptible del lado inferior derecho. Exhibida en la exposición itinerante "Diálogos con Frida", presentada entre 1986 y 1990 en: - Museo de Arte Moderno, ciudad de México. - Museo de Monterrey. - Museo del Pueblo, Guanajuato. - Museo Regional, INAH, Guadalajara. - Instituto Dominicano de Cultura Hispánica, Santo Domingo. - Lauretian University Museum, Ontario, Canadá. - Cronquist House Multi-Cultural Center, Red Deer, Alberta. - Musee Regional de Rimouski, Québec, Canadá. - Art Gallery, Memorial University of Newfoundland, Canadá. - Canadá Hamilton Gallery, Ontario, Canadá. (N. Santa Catalina, California, EE.UU., 1953 - ) 90 x 60 cm
Morton Subastas
Dec. 06, 2011
Lucia Maya (MEXICAN, 20thCentury) Pencil drawing,
Est: $500 - $700
Lucia Maya (MEXICAN, 20thCentury) Pencil drawing, "red shoes" behind some vines, pencil signed and dated '89, 25"x19"
Bill Hood & Sons Arts & Antiques Auctions
Dec. 06, 2011
Lucia Maya (MEXICAN, 20thCentury) colored etching,
Est: $400 - $600
Lucia Maya (MEXICAN, 20thCentury) colored etching, "El Rubor de la Oscuridad" pencil signed & numbered dated '89 P/A 10/10 paper size 31"x44"
Bill Hood & Sons Arts & Antiques Auctions
Dec. 06, 2011
Lucia Maya (MEXICAN, 20thCentury) colored etching,
Est: $400 - $600
Lucia Maya (MEXICAN, 20thCentury) colored etching, "Recuerdos de Sal" pencil signed & numbered dated '89 10/10, image is 23-1/2"x31" overall 44"x31"
Bill Hood & Sons Arts & Antiques Auctions
Dec. 06, 2011
Lucia Maya (MEXICAN, 20thCentury) colored etching,
Est: $500 - $600
Lucia Maya (MEXICAN, 20thCentury) colored etching, "Espejo de Agua" pencil signed & numbered dated '88 17/30
Bill Hood & Sons Arts & Antiques Auctions
Dec. 06, 2011
Lucia Maya (MEXICAN, 20thCentury) colored etching,
Est: $300 - $600
Lucia Maya (MEXICAN, 20thCentury) colored etching, "Mujier Corazon" pencil signed & numbered dated '88 Xlll/XXX
Bill Hood & Sons Arts & Antiques Auctions
Feb. 26, 2011
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color serie 23/27. Firmada. Fechada 2006. Enmarcada. Dimensiones: 28 x
Est: $600 - $800
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color serie 23/27. Firmada. Fechada 2006. Enmarcada. Dimensiones: 28 x 33.5 cm.
Morton Subastas
Feb. 05, 2011
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmada. Fechada 2006. Enmarcada. Dimensiones: 28 x 33.5 c
Est: $1,300 - $1,500
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmada. Fechada 2006. Enmarcada. Dimensiones: 28 x 33.5 cm.
Morton Subastas
Nov. 27, 2010
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmado. Fechado 2006. Dimensiones: 28 x 33.5 cm.
Est: $2,000 - $3,000
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmado. Fechado 2006. Dimensiones: 28 x 33.5 cm.
Morton Subastas
Nov. 06, 2010
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmado. Fechado 2006. Dimensiones: 28 x 33.5 cm.
Est: $2,300 - $4,000
Lucía Maya (E.U.A., 1953). "El Acoso de Afrodita". Litografía a color 23/27. Firmado. Fechado 2006. Dimensiones: 28 x 33.5 cm.
Morton Subastas
Nov. 26, 2009
Lucía Maya, Duality, signed and dated 89, Mix on paper
Est: $30,000 - $40,000
LUCÍA MAYA, Dualidad, Firmada y fechada 89 Mixta sobre papel, 31 x 41.5 cm LUCÍA MAYA Dualidad Firmada y fechada 89 Mixta sobre papel 31 x 41.5 cm
Morton Subastas
Oct. 03, 2009
Corazones Afines portfolio, 1986
Est: $2,000 - $3,000
Corazones Afines portfolio, 1986 The complete set of seven lithographs with hand-coloring, on Arches paper. 19 x 14 3/4 in. (48.3 x 37.5 cm). All signed, dated, titled and numbered 22/70 (there were also 7 artist's proofs), also numbered and signed by the artist and printer on the colophon, published by Kyron Ediciones Limitadas, Mexico, loose, contained in original purple paper folder.
Phillips
Jan. 24, 2008
LUCÍA MAYA, Madre corazón, Firmado y fechado, 1989 Grabado, Aguafuerte 52/75, 88 x 60 cm
Est: $10,000 - $15,000
LUCÍA MAYA Madre corazón Firmado y fechado, 1989 Grabado, Aguafuerte 52/75 88 x 60 cm
Morton Subastas
Jul. 14, 2007
Lucía Maya. Sentimiento, 1990. Grabado 18/40. Dimensiones: 45 x 56 cm.
Est: -
Lucía Maya. Sentimiento, 1990. Grabado 18/40. Dimensiones: 45 x 56 cm.
Morton Subastas

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