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Queenie Mckenzie Sold at Auction Prices

b. 1915 - d. 1998

Queenie McKenzie (1915- 1998) was born at Old Texas Downs Station on the Ord River, to the south-east of Turkey Creek. She grew up among Gija people and speaks Gija as her first language. Queenie was the first women painter to gain prominence in the East Kimberley school of painting. A close and long-time friend of reknown Aboriginal artist Rover Thomas, she worked with him on the Texan Downs cattle station.

As a young woman, McKenzie was a camp cook for the stockmen on the cattle station. She fondly remembered an incident that occurred about 1954, when she saved Rover’s life. He had been thrown from a horse and had scalped himself. She sewed his scalp back on so expertly that, even though she had never done such a thing before, doctors were later amazed. In time the incident became the subject of a number of her paintings. Queenie and her husband moved to Warmun in the 1970’s. Although never having children of her own she nevertheless ‘grew up’ lots of other children, whose mothers were unable to look after them.

When Rover Thomas began painting for the public domain, his work inspired Queenie McKenzie to take up painting herself. She preferred using natural pigments and included distinctive powdery pink and pale violet colours made from ochres that she mined herself. As she said, these colours appealed to her sense of beauty. In her compositions, she usually placed images of geographic features in rows against monochrome grounds. Queenie passed away in November 1998, less than a month after she had been awarded the rare honour of being appointed as an official “Living Treasure”.

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        • Queenie McKenzie, (1916-1998), Texas Station Hills, natural earth pigments on canvas, 60 x 89 cm
          Nov. 25, 2024

          Queenie McKenzie, (1916-1998), Texas Station Hills, natural earth pigments on canvas, 60 x 89 cm

          Est: $8,000 - $12,000

          Queenie McKenzie (1916-1998) Texas Station Hills natural earth pigments on canvas inscribed and titled verso 'Queenie McKenzie, Texas Station Hills, Warmun'

          Shapiro Auctioneers
        • QUEENIE MCKENZIE NAKARRA, JUTANY COUNTRY, 1995
          Nov. 12, 2024

          QUEENIE MCKENZIE NAKARRA, JUTANY COUNTRY, 1995

          Est: $14,000 - $16,000

          QUEENIE MCKENZIE NAKARRA 1915-1998 JUTANY COUNTRY, 1995 ochre on linen 60 x 90 cm; 64 x 94 cm (framed) signed verso 'Queenie' PROVENANCE Waringarri Aboriginal Arts, WA Cat No. AP0521 Private Collection, Qld Private Collection, NSW Accompanied by a faxed copy of the certificate of authenticity from Waringarri Aboriginal Arts ©Queenie McKenzie Nakarra / Copyright Agency, 2024 Queenie McKenzie was born c.1930 at the Old Texas station, on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. In the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school, where she taught Gija language and cultural traditions. She was encouraged to paint her first artistic experiments by Rover Thomas, with whom she had worked in the stock camps for much of her life. This painting demonstrates her strong love and attachment to country. Here, Queenie has painted the rocky hills on the edge of the desert plain in the country of her childhood and early working life near Old Texas Downs cattle station. This piece is a fine example of an Australian Aboriginal artwork.

          Art Leven (formerly Cooee Art)
        • QUEENIE MCKENZIE NAKARRA, FOLIO OF 20 DRAWINGS, 1995
          Nov. 12, 2024

          QUEENIE MCKENZIE NAKARRA, FOLIO OF 20 DRAWINGS, 1995

          Est: $20,000 - $30,000

          QUEENIE MCKENZIE NAKARRA 1915-1998 FOLIO OF 20 DRAWINGS, 1995 felt-tipped pen on paper various signed and titled verso PROVENANCE Drawn at the Warmun School, WA Private Collection, Vic ©Queenie McKenzie Nakarra / Copyright Agency, 2024 1. “God and Angels Presents for the Jesus Baby. He Came across from the Sky His Hair Got Caught up in the Cloud”, 34 x 51 cm 2. “God Man in the Sky. Bodies of People Funeral”, 57 x 38.5 cm 3. “Angels above in the Sky Mr Jobst our God Man from Broome”, 39 x 43 cm 4. “3 Wisemen”, 36 x 50 cm 5. “Untitled”, 28.5 x 37.5 cm 6. “That Young Kids Get Baptised to the God Star”, 29 x 51 cm 7. “Mother Mary Jesus Baby and Mary’s Husband the God Man”, 35.5 x 26 cm 8. “Jesus God Man and the Angels”, 40 x 30 cm 9. “Praying Time with the God Jesus”, 35 x 25 cm 10. “Jesus on the Cross”, 41 x 60 cm (irregular) 11. “Jesus Said Stop Fighting Make Friends Come to Church next Sunday” 51 x 33.5 cm 12. “Jesus and the Gifts from the Three Wise Men”, 39 x 27 cm 13. “Jesus Visiting the Bow Shed his Second Home”, 36 x 28 cm 14. “God Carrying Presents Given to Jesus by the Wise Men”, 50 x 35 cm 15. “God and Sheep. Presents forJesus in the Bed”, 51 x 33.5 cm 16. “Blackfellows Creek. Road to Home Country from Warmup to Texas”, 32 x 43.5 cm 17. “Archbishop Jobst from Broome we call Peacock Man He Parked his Car Long Way, and Walk up the Road Like a Jesus Man. With the White Dress Little Bit Dirty from the Walk. He Teach us the Bible Dance”, 40 x 56 cm 18. “God in the Clouds Looking Down with the Bible Book”, 51 x 34 cm 19. “The God Jesus Man in the Sky and Carrying the Sheep to the Manger Sheep Woman and Man Mr Jobst our Second Teacher with Two Sheeps”, 58 x 38 cm 20. “God is Sad Today you Kids Didn’t Come to School You Just Mucking About too Much”, 51 x 33 cm Queenie McKenzie Nakarra was born on Old Texas Station on the Ord River in the northwest of Western Australia. As a young girl, she lived her life cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, McKenzie, then in her fifties, became actively involved in the community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the ‘two-way’ education model. This approach helped to maintain ancient knowledge of sacred sites and the Dreaming mythology. It seamlessly intertwined with the biblical stories, providing the young with spiritual awareness and encouraging their involvement in community activities. Queenie McKenzie Nakarra earned worldwide acclaim for her distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She was, in her lifetime and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on “Australian” history and culture. The works on paper in this collection were all created at the Warmun school in 1995. McKenzie chronicles encounters with God in the Kimberly, perhaps in the form of Bishop Jobst who at the time had recently visited. She recalls his visit in the subtle and palpable details:“Archbishop Jobst from Broome we call Peacock Man He Parked his Car Long Way, and Walk up the Road Like a Jesus Man. With the White Dress Little Bit Dirty from the Walk. He Teach us the Bible Dance,”or depicts the “God in the Cloud” looking down from the Heavens and weeping because the students are “Just Mucking About Too Much” instead of going to school. In this suite McKenzie marries traditional Gija culture with the missionary-imported Christianity. The mythology is a lot more practical than mainstream Christianity, as is the case in many First Nations belief systems, be it tracing maps to water sources created by living spirits, or utilising concrete teaching stories about survival and food gathering. The series presents her connection to the Christian God much more practical and immediate than is common. Here, the Holy Trinity, consisting of her version of Jesus Man, The God Man/God in the Cloud, and the God Jesus Baby, resides closer to Earth with a concrete impact on daily life. In one work, Jesus “Pushes the School Bus Toyota” when it stalls and speaks to the youth: “Jesus Said Stop Fighting Make Friends Come to Church next Sunday.” This God doesn’t feel all powerful, distant and sublime: he helps carry the presents from the three wise men, he smiles over the “Bible Dance,” and despairs as children “Muck About.” McKenzie’s God resides in the everyday. This piece is a fine example of an Australian Aboriginal artwork.

          Art Leven (formerly Cooee Art)
        • QUEENIE MCKENZIE NAKARRA, HIGH COUNTRY ON TEXAS DOWNS, 1998
          Nov. 12, 2024

          QUEENIE MCKENZIE NAKARRA, HIGH COUNTRY ON TEXAS DOWNS, 1998

          Est: $22,000 - $25,000

          QUEENIE MCKENZIE NAKARRA 1915-1998 HIGH COUNTRY ON TEXAS DOWNS, 1998 ochre on canvas 80.5 x 100 cm; 86 x 105.5 cm (framed) artwork cataloguing details verso PROVENANCE The Estate of the late Queenie McKenzie (QE): in possession of the artist at the time of her death Waringarri Aboriginal Arts, WA Cat No. AP1884 Red Rock Art, WA Cat No. QE63 The Jacquie McPhee Collection, WA Accompanied by a certificate of authenticity from Red Rock Art EXHIBITED Queenie McKenzie, Red Rock Art Gallery, August 2009 ©Queenie McKenzie Nakarra / Copyright Agency, 2024 Queenie McKenzie Nakarra was born c.1930 at the Old Texas station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending to and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her fifties, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught the Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the young with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. This piece is a fine example of an Australian Aboriginal artwork.

          Art Leven (formerly Cooee Art)
        • QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...
          Jun. 27, 2024

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...

          Est: $300 - $500

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, FRAME SIZE: 59 X 75CM

          Leonard Joel
        • QUEENIE McKENZIE NAKARRA (c1915-1998), Diamond Mine (Argyle) 1997
          Jun. 26, 2024

          QUEENIE McKENZIE NAKARRA (c1915-1998), Diamond Mine (Argyle) 1997

          Est: $10,000 - $15,000

          PROPERTY FROM A PRIVATE COLLECTION, SYDNEY QUEENIE McKENZIE NAKARRA (c1915-1998) Diamond Mine (Argyle) 1997 natural earth pigments on canvas 101.0 x 100.0 cm signed verso: Queenie bears inscription verso: 100x100/ 17.6.97/ "DIAMOND MINE"/ (ARGYLE)/ QM1153 accompanied by a certificate of authenticity from Narrangunny Art Traders, Western Australia

          Menzies
        • QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...
          Jun. 20, 2024

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...

          Est: $420 - $600

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, FRAME SIZE: 59 X 75CM

          Leonard Joel
        • QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...
          May. 30, 2024

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, F...

          Est: $600 - $800

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 X 30CM, FRAME SIZE: 59 X 75CM

          Leonard Joel
        • QUEENIE MCKENZIE, MINGMARRIYA COUNTRY 1996, LITHOGRAPH ED. 25/40, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 35.5 X 38CM, FRAME SIZE:...
          May. 23, 2024

          QUEENIE MCKENZIE, MINGMARRIYA COUNTRY 1996, LITHOGRAPH ED. 25/40, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 35.5 X 38CM, FRAME SIZE:...

          Est: $700 - $900

          QUEENIE MCKENZIE, MINGMARRIYA COUNTRY 1996, LITHOGRAPH ED. 25/40, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 35.5 X 38CM, FRAME SIZE: 83 X 72.5CM

          Leonard Joel
        • QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 x 30CM, F...
          May. 23, 2024

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 x 30CM, F...

          Est: $700 - $900

          QUEENIE MCKENZIE, JOODAL COUNTRY - TICK DREAMING 1995, LITHOGRAPH ED. 4/38, SIGNED, TITLED AND EDITIONED BELOW IMAGE, 28.5 x 30CM, FRAME SIZE: 59 X 75CM

          Leonard Joel
        • QUEENIE MCKENZIE, THE HORSO CREEK MASSACRE (1880'S), SCREENPRINT ED. A/P 3, TITLED AND EDITIONED BELOW IMAGE, ARTIST'S FINGERPRINT L.
          Mar. 21, 2024

          QUEENIE MCKENZIE, THE HORSO CREEK MASSACRE (1880'S), SCREENPRINT ED. A/P 3, TITLED AND EDITIONED BELOW IMAGE, ARTIST'S FINGERPRINT L.

          Est: $800 - $1,200

          QUEENIE MCKENZIE, THE HORSO CREEK MASSACRE (1880'S), SCREENPRINT ED. A/P 3, TITLED AND EDITIONED BELOW IMAGE, ARTIST'S FINGERPRINT LOWER RIGHT, 65 X 84.5CM (REVEAL), FRAME SIZE: 86 X 104CM

          Leonard Joel
        • Queenie McKenzie Nakarra (1916-1998) The Horso Creek Massacre 1880s
          Nov. 20, 2023

          Queenie McKenzie Nakarra (1916-1998) The Horso Creek Massacre 1880s

          Est: $600 - $800

          colour screenprint, ed: 48/55, signed, titled and editioned under image 'Queenie, The Horso Creek Massacre 1880s, 48/55'

          Shapiro Auctioneers
        • Rover Thomas; Queenie McKenzie Nakarra & Churchill Cann (Yoonany) - Untitled - Texas Downs, 1997
          Nov. 08, 2023

          Rover Thomas; Queenie McKenzie Nakarra & Churchill Cann (Yoonany) - Untitled - Texas Downs, 1997

          Est: $18,000 - $22,000

          Churchill Cann was born on Texas Downs Station where his father was a stockman and his mother worked in the homestead. He spent most of his working life on Texas as a stockman and horse-breaker, mustering and driving cattle across to the abattoirs at Wyndham. While still a teenager, he worked alongside his father and uncle and their contemporaries Rover Thomas and Queenie McKenzie. Living on country, working cattle in the saddle out bush, Churchill absorbed knowledge about Dreaming stories, traditional healing practices, and sites of special cultural significance from his Elders. From his uncle and grandfather, he learned to make artefacts, repair them with sugarbag wax, prepare kangaroo sinew, and straighten bamboo spears before decorating them with traditional designs.

          Cooee Art
        • QUEENIE MCKENZIE (1930-1998), Rainbow Snake Wulunguwari Country, 1996
          Oct. 29, 2023

          QUEENIE MCKENZIE (1930-1998), Rainbow Snake Wulunguwari Country, 1996

          Est: $10,000 - $15,000

          QUEENIE MCKENZIE (1930-1998) Rainbow Snake Wulunguwari Country, 1996 natural earth pigments and ochre on canvas bears artists name and title verso 64 x 78.5cm PROVENANCE Private Collection, Melbourne © Queenie McKenzie/Copyright Agency, 2023

          Gibson's
        • QUEENIE MCKENZIE (1930-1998), Country near Lissadel Station Going Towards Texas Behind, 1996
          Oct. 29, 2023

          QUEENIE MCKENZIE (1930-1998), Country near Lissadel Station Going Towards Texas Behind, 1996

          Est: $15,000 - $18,000

          QUEENIE MCKENZIE (1930-1998) Country near Lissadel Station Going Towards Texas Behind, 1996 natural earth pigments and ochre on canvas bears artists name and title verso 65.5 x 128cm PROVENANCE Private Collection, Melbourne © Queenie McKenzie/Copyright Agency, 2023

          Gibson's
        • QUEENIE MCKENZIE (1930-1998), The Archbishop from Broome at Frog Hollow Near Warmun, 1996
          Oct. 29, 2023

          QUEENIE MCKENZIE (1930-1998), The Archbishop from Broome at Frog Hollow Near Warmun, 1996

          Est: $10,000 - $15,000

          QUEENIE MCKENZIE (1930-1998) The Archbishop from Broome at Frog Hollow Near Warmun, 1996 natural earth pigments and ochre on canvas bears artists name and title verso 64 x 80.5cm PROVENANCE Private Collection, Melbourne © Queenie McKenzie/Copyright Agency, 2023

          Gibson's
        • QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas 60 x 80cm
          Sep. 28, 2023

          QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas 60 x 80cm

          Est: $5,500 - $7,500

          QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas inscribed verso with artist's name and Waringarri Aboriginal Arts cat. no. AP0801 60 x 80cm PROVENANCE: Waringarri Aboriginal Arts, Western Australia Niagara Galleries, Melbourne (stamp verso) William Mora Galleries, Melbourne (stamp verso) Private collection, New South Wales OTHER NOTES: © Queenie McKenzie/Copyright Agency, 2023

          Leonard Joel
        • QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas 60 x 80cm
          Aug. 28, 2023

          QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas 60 x 80cm

          Est: $8,000 - $12,000

          QUEENIE MCKENZIE (c.1915-1998) (Language group: Gija) Untitled natural earth pigments on canvas inscribed verso with artist's name and Waringarri Aboriginal Arts cat. no. AP0801 60 x 80cm PROVENANCE: Waringarri Aboriginal Arts, Western Australia Niagara Galleries, Melbourne (stamp verso) William Mora Galleries, Melbourne (stamp verso) Private collection, New South Wales OTHER NOTES: © Queenie McKenzie/Copyright Agency, 2023

          Leonard Joel
        • Queenie McKenzie Nakara - Various Titles, 1995
          Jun. 20, 2023

          Queenie McKenzie Nakara - Various Titles, 1995

          Est: $8,000 - $12,000

          1. 'Jesus the God Man and Angel from the Cloud', 36 x 26 cm (irregular) 2. 'Father Jobst Brings The Gospel', 28.5 x 39 cm 3. 'Visiting the God Jesus baby with presents in Heaven', 29.5 x 40 cm 4. 'Jesus and the God Man Look Like Each Other, What you Reckon', 40 x 31 cm Queenie McKenzie was born c.1930 at the Old Texas station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her fifties, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the young with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She died in 1998, the year the Warmun art centre was formally established. In 1995, the year this work was painted, she worked at the pensioner unit where she lived with Rover Thomas and his wife Rita. Here she painted the majority of her major works for entrepreneurs who visited the community from time to time. In an interview towards the end of her life she reminded us that the only word she had ever learnt to read and write was her own name, as it was required to sign her paintings. Yet she was, in her lifetime and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on Australian history and culture.

          Cooee Art
        • Queenie McKenzie Nakara - Texas Station Country, 1993
          Jun. 20, 2023

          Queenie McKenzie Nakara - Texas Station Country, 1993

          Est: $20,000 - $25,000

          Queenie McKenzie was born on Old Texas Station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her fifties, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the young with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She was in her lifetime, and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on Australian history and culture.

          Cooee Art
        • Queenie McKenzie Nakara - Mook Mook Owl From Pompei Pillar Near Turnoff to Argyle Mine, 1995
          Jun. 20, 2023

          Queenie McKenzie Nakara - Mook Mook Owl From Pompei Pillar Near Turnoff to Argyle Mine, 1995

          Est: $8,000 - $12,000

          Queenie McKenzie was born on Old Texas Station on the Ord River in the north west of Western Australia. As a young girl she rode and tended horses and cooked for the stockmen as they drove cattle across the vast pastoral region of the north. The Mook Mook Owl's, mother and baby, are found in a cave at the Blue Tongue Lizard Dreaming site, adjacent to Pompei Pillar near the turnoff to the Argyle Diamond Mine. The cave site is called Tunnel Creek. Owls are associated with birth and death amongst Gija people. In the Narrangunny (Dreaming story), an Aboriginal woman was sitting at a waterhole fishing for bream. She heard a fearsome noise coming from above and thinking it was the 'devil-devil', she threw everything in the air and ran to her camp screaming. The bravest men investigated the frightening sound only to find owls, 'damboyn' sitting in the darkness in a small cave above the fishing hole, making their 'mook-mook' call – the sound being amplified by the cave walls.

          Cooee Art
        • Queenie McKenzie Nakara - Joseph and Mary, 1997
          Jun. 20, 2023

          Queenie McKenzie Nakara - Joseph and Mary, 1997

          Est: $6,000 - $8,000

          Queenie McKenzie was born c.1930 at the Old Texas station on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. In the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school, where she taught Gija language and cultural traditions. She was encouraged to paint her first artistic experiments by Rover Thomas, with whom she had worked in the stock camps for much of her life. This artwork is an example of Queenie's 'two way' belief in the Christian gospel as well as her Gija Dreaming. Her portrayal of Mary and Joseph. with its starry backdrop, palm trees and sheep, has an image of baby Jesus in the foreground.

          Cooee Art
        • QUEENIE McKENZIE "TEXAS STATION COUNTRY" C 1996
          Jun. 04, 2023

          QUEENIE McKENZIE "TEXAS STATION COUNTRY" C 1996

          Est: $6,000 - $9,000

          Natural earth ochres on paper 103cm x 64.5cm

          Phillip Caldwell Auctioneers
        • QUEENIE MCKENZIE 1930-1988
          May. 23, 2023

          QUEENIE MCKENZIE 1930-1988

          Est: $800 - $1,200

          "Purnalulu" Ochre on canvas, 25 x 30cm Provenance: Certificate of Authenticity: Aboriginal Arts Enterprise, May 1988 (gift from the artist).

          McKenzies Auctioneers
        • Queenie McKenzie (Nakarra), "Jimbamiling"
          Oct. 26, 2022

          Queenie McKenzie (Nakarra), "Jimbamiling"

          Est: $2,000 - $4,000

          (1916-1998) Ohcre acrylic on handmade paper, dated to 1995 and titled/labeled on verso. Housed in a simple wooden frame, matted and under plexiglass. Size of work: 22.5" ht. x 30" wd., framed size: 30" ht. x 37" wd.

          Caza Sikes
        • Queenie McKenzie Nakara - Limestone Country - Old Texas, 1994
          Oct. 11, 2022

          Queenie McKenzie Nakara - Limestone Country - Old Texas, 1994

          Est: $12,000 - $17,000

          Queenie McKenzie was born c.1930 at the Old Texas station, on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. In the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school, where she taught Gija language and cultural traditions. She was encouraged to paint her first artistic experiments by Rover Thomas, with whom she had worked in the stock camps for much of her life. This painting demonstrates her strong love and attachment to country. Here, Queenie has painted the rocky hills on the edge of the desert plain in the country of her childhood and early working life near Old Texas Downs cattle station.

          Cooee Art
        • Queenie McKenzie Nakara - Hills of Texas, 1995
          Oct. 11, 2022

          Queenie McKenzie Nakara - Hills of Texas, 1995

          Est: $10,000 - $15,000

          Queenie McKenzie was born on Old Texas Station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her 50s, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the youth with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She was in her lifetime, and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on Australian history and culture. These are the hills of Old Texas Station. The hills are depicted in a variety of colours. The trees are the old ghost gums that grow here. Queenie remembered being tied to one when she was young after trying to run away from the Police. Horseshoe Creek is shown running between the hills. There was an anthill on the way to this place. It was small when Queenie was a little girl and it grew bigger and bigger as she progressed throughout her life.

          Cooee Art
        • McKENZIE Queenie Nakarra (Aboriginal 1930-1999), 'Argyle Diamond Mine,' 1997., Natural Earth Pigments & Synthetic Binder on Linen, 1.
          Aug. 21, 2022

          McKENZIE Queenie Nakarra (Aboriginal 1930-1999), 'Argyle Diamond Mine,' 1997., Natural Earth Pigments & Synthetic Binder on Linen, 1.

          Est: $8,000 - $12,000

          McKENZIE, Queenie Nakarra (Aboriginal 1930-1999) 'Argyle Diamond Mine,' 1997. Signed verso, inscribed with size and date 4.6.97, and with Narrangunny Art Traders cat #QM1151. Natural Earth Pigments & Synthetic Binder on Linen 160x91.5cm PROVENANCE: Narrangunny Art Traders, Kununurra, Western Australia (cat #QM1151); Chapman Gallery, Canberra; private collection, Canberra; Shapiro auctions, Sydney, 3 December 2002 (lot 197); CBUS Collection. EXHIBITIONS: 'Mute Reason,' Latrobe Regional Gallery, April-Aug 2013.

          Davidson Auctions
        • McKENZIE Queenie (Aboriginal 1930-1998), 'Jewijgunning (Bower Bird Dreaming)' 1997., S/Print 26/50, 62x76cm (image)
          Jul. 03, 2022

          McKENZIE Queenie (Aboriginal 1930-1998), 'Jewijgunning (Bower Bird Dreaming)' 1997., S/Print 26/50, 62x76cm (image)

          Est: $800 - $1,200

          McKENZIE, Queenie (Aboriginal 1930-1998) 'Jewijgunning (Bower Bird Dreaming)' 1997. S/Print 26/50 62x76cm (image)

          Davidson Auctions
        • QUEENIE NAKARRA MCKENZIE (1930-1998) Purnululu (Bungle Bungle Ranges) 1994 lithograph, ed. 49/50
          Jun. 16, 2022

          QUEENIE NAKARRA MCKENZIE (1930-1998) Purnululu (Bungle Bungle Ranges) 1994 lithograph, ed. 49/50

          Est: $300 - $500

          QUEENIE NAKARRA MCKENZIE (1930-1998) Purnululu (Bungle Bungle Ranges) 1994 lithograph, ed. 49/50 32 x 49cm (image) PROVENANCE: Gallerie Australis, Adelaide The Kelton Foundation, United States of America

          Leonard Joel
        • QUEENIE MCKENZIE (1930 - 1998) The Great Flood of 1922, 1998 screenprint, ed. 47/55 59 x 69 cm (frame: 84 x 93 x 2 cm) artists thumb...
          May. 26, 2022

          QUEENIE MCKENZIE (1930 - 1998) The Great Flood of 1922, 1998 screenprint, ed. 47/55 59 x 69 cm (frame: 84 x 93 x 2 cm) artists thumb...

          Est: $400 - $600

          QUEENIE MCKENZIE (1930 - 1998) The Great Flood of 1922, 1998 screenprint, ed. 47/55 59 x 69 cm (frame: 84 x 93 x 2 cm) artists thumbprint to lower right, certificate of authenticity

          Lawsons
        • QUEENIE MCKENZIE (1930 - 1998) Rover Thomas Story lithograph, ed. 9/40 76 x 112 cm (frame: 102 x 136 x 4 cm) artists thumbprint to l...
          May. 26, 2022

          QUEENIE MCKENZIE (1930 - 1998) Rover Thomas Story lithograph, ed. 9/40 76 x 112 cm (frame: 102 x 136 x 4 cm) artists thumbprint to l...

          Est: $1,000 - $1,500

          QUEENIE MCKENZIE (1930 - 1998) Rover Thomas Story lithograph, ed. 9/40 76 x 112 cm (frame: 102 x 136 x 4 cm) artists thumbprint to lower right, certificate of authenticity

          Lawsons
        • McKENZIE Queenie (Aboriginal 1930-1998), 'Jewijgunning (Bower Bird Dreaming)' 1997., S/Print 29/50, 62x76cm (image)
          May. 22, 2022

          McKENZIE Queenie (Aboriginal 1930-1998), 'Jewijgunning (Bower Bird Dreaming)' 1997., S/Print 29/50, 62x76cm (image)

          Est: $1,000 - $2,000

          McKENZIE, Queenie (Aboriginal 1930-1998) 'Jewijgunning (Bower Bird Dreaming)' 1997. S/Print 29/50 62x76cm (image)

          Davidson Auctions
        • Queenie McKenzie (circa 1930-1998) North of Purnululu (Bungle Bungles), 1994
          May. 11, 2022

          Queenie McKenzie (circa 1930-1998) North of Purnululu (Bungle Bungles), 1994

          Est: $10,000 - $15,000

          Queenie McKenzie (circa 1930-1998) North of Purnululu (Bungle Bungles), 1994 inscribed verso: 'KIMBERLEY / ART / QM05/94' natural earth pigments on linen 92.0 x 163.0cm (36 1/4 x 64 3/16in). For further information on this lot please visit the Bonhams website

          Bonhams
        • QUEENIE McKENZIE NAKARRA, THEGOOWIYENG (KELLY’S KNOB), 1994
          Mar. 30, 2022

          QUEENIE McKENZIE NAKARRA, THEGOOWIYENG (KELLY’S KNOB), 1994

          Est: $10,000 - $15,000

          QUEENIE McKENZIE NAKARRA (c.1915 - 1998) THEGOOWIYENG (KELLY’S KNOB), 1994 natural earth pigments on canvas 50.0 x 70.0 cm bears inscription verso: artist’s name, size and Waringarri Aboriginal Arts cat. AP0307 and S638 PROVENANCE Waringarri Aboriginal Arts, Kununurra, Western Australia The Gallery, Canberra Gallery School, Canberra Private collection, Canberra, acquired from the above in October 1994 EXHIBITED Kimberley to Canberra, Our Place, The Gallery, Canberra Grammar School, Canberra, 31 August - 11 September 1994 This work is accompanied by a copy of the certificate of authenticity from Waringarri Aboriginal Arts which states: 'This painting is of Kelly's Knob - called Thegoowiyeng by the Miriwoong. It is a tall red rocky hill right in the town of Kununurra. It is one of the places mentioned by Rover Thomas in the Goorirr-goorirr song cycle.' © courtesy of The Estate of Queenie McKenzie

          Deutscher and Hackett
        • Queenie McKenzie Nakara - Dahloo near Old Texas Homestead, 1995
          Mar. 08, 2022

          Queenie McKenzie Nakara - Dahloo near Old Texas Homestead, 1995

          Est: $24,000 - $28,000

          92 x 122 cm, 94 x 125 cm (framed)

Queenie McKenzie was born c.1930 at the Old Texas station on the Ord River north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie played a leading role in community affairs, and experimented with representational art as one way to educate the local school where she taught Gija language and cultural traditions. By this time, Rover Thomas was receiving recognition and income from his painting practice and he encouraged Queenie to embark on her first artistic experiments. Mixing the traditional ochres herself, Queenie liked to create unique colours, particularly the soft pinks and purples which became the recognisable hallmark of her style. In the accompanying certificate of authenticity from Warmun Traditional Artists, it states that ‘Queenie tells us of “Woman’s Country” on Texas Downs Station around Winnabun Springs, where men must not go because women hold ceremonies there.’ Just below where the spring (the black line running down the middle) comes out of the hills to join Blackfella Creek, we see a white flat rock. This is where the clear fresh water is collected all year round.

          Art Leven (formerly Cooee Art)
        • Queenie McKenzie Nakara - Texas Station Country, 1995
          Mar. 08, 2022

          Queenie McKenzie Nakara - Texas Station Country, 1995

          Est: $12,000 - $16,000

          60 x 75 cm, 61.5 x 77 cm (framed) Queenie McKenzie was born on Old Texas Station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her fifties, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the young with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She was in her lifetime, and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on Australian history and culture.

          Cooee Art
        • Queenie McKenzie Nakara - History Painting - Hiding Place, 1995
          Jun. 08, 2021

          Queenie McKenzie Nakara - History Painting - Hiding Place, 1995

          Est: $8,000 - $12,000

          Cooee Art Indigenous Fine Art Auction "Queenie McKenzie, was born on old Texas Downs on the Ord River in the rugged East Kimberley. She lived there all her life whist working as a cook in the stock and droving camps. In the early 1970s, the 'Texas Downs mob' all moved to the Warmun Community at Turkey Creek, which was located on an adjacent property. It was a landscape that she knew intimately. This singularly close relationship with her country, prompted Queenie to take up painting toward the end of a full and energetic life. The hill in the top right of this image has a big cave where Gidja people hid from the white police in the mid 1930s, when Queenie was a young girl. Nearly 60 years later, she related the story of how she was discovered and tied to a boab tree for two days, so that she could not warn others that they were about to be rounded up and possibly killed. The story Queenie gave after painting this work at the pensioner unit in Turkey Creek has been recorded on the back of the painting." Contact Cooee Art for more information on this Aboriginal artwork.

          Cooee Art
        • Queenie McKenzie Nakara - Country around Ruby Plains, 1995
          Jun. 08, 2021

          Queenie McKenzie Nakara - Country around Ruby Plains, 1995

          Est: $10,000 - $15,000

          Cooee Art Indigenous Fine Art Auction "Queenie McKenzie, was born on old Texas Downs on the Ord River in the rugged East Kimberley. She lived there all her life whist working as a cook in the stock and droving camps. In the early 1970s, the 'Texas Downs mob' all moved to the Warmun Community at Turkey Creek, which was located on an adjacent property. Her singularly close relationship with her country prompted Queenie to take up painting toward the end of a full and energetic life. In this work, Queenie depicts country around Ruby Pains, the site of a well documented massacre that forms part of the narrative of the Krill Krill ceremony, devised by the founding artist of the East Kimberley art movement, Rover Thomas. The station owner shot dead and murdered several Indigenous men in 'retaliation' for the killing of a bullock at this place. The incident was part of a long standing and continued pattern of violence toward Aboriginal people in the East Kimberley, especially endemic between the 1880s and 1930s." Contact Cooee Art for more information on this Aboriginal artwork.

          Art Leven (formerly Cooee Art)
        • QUEENIE McKENZIE NAKARRA, TJOOWISHGUNNAN (BOWER BIRD HILLS), 1996
          Dec. 08, 2020

          QUEENIE McKENZIE NAKARRA, TJOOWISHGUNNAN (BOWER BIRD HILLS), 1996

          Est: $10,000 - $15,000

          QUEENIE McKENZIE NAKARRA (c.1915 – 1998) TJOOWISHGUNNAN (BOWER BIRD HILLS), 1996 natural earth pigments with synthetic binder on canvas 91.5 x 121.5 cm signed verso: Queenie bears inscription verso: title, date, size and Warmun Traditional Artists cat. QM0008 PROVENANCE Warmun Traditional Artists, Turkey Creek, Western Australia Pearlers Row Gallery, Broome Private collection, Melbourne, acquired from the above in 1999 This work is located at our Melbourne Gallery © courtesy of The Estate of Queenie McKenzie

          Deutscher and Hackett
        • Queenie McKenzie Nakara - Mook Mook Owls with Young, 1996
          Oct. 20, 2020

          Queenie McKenzie Nakara - Mook Mook Owls with Young, 1996

          Est: $6,000 - $8,000

          The Mook Mook Owls, mother and baby, are found in a cave at the Blue Tongue Lizard Dreaming site, adjacent to Pompei Pillar near the turnoff to the Argyle Diamond Mine. The cave site is called Tunnel Creek. Owls are associated with birth and death amongst Gija people. In the Narrangunny (Dreaming story), an Aboriginal woman was sitting at a waterhole fishing for bream. After catching a few fish, she heard a fearsome noise coming from above. Thinking it was the 'devil-devil', she threw everything in the air and ran to her camp screaming. A few of the bravest men were dispatched to investigate the frightening sound, only to find, while checking a small cave above the fishing hole, owls, 'damboyn' sitting in the darkness making their 'mook-mook' call – the sound was merely being amplified by the cave walls.

          Cooee Art
        • Queenie McKenzie Nakara - The Three Wise Men Visit Jesus Near Warmun, 1945-1995
          Oct. 20, 2020

          Queenie McKenzie Nakara - The Three Wise Men Visit Jesus Near Warmun, 1945-1995

          Est: $25,000 - $35,000

          Queenie McKenzie was born c.1930 at the Old Texas station on the Ord River in the north west of Western Australia. As a young girl she began her life of cooking for the stockmen, tending and riding horses, and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, Queenie, then in her fifties, played a leading role in community affairs and experimented with representational art as an educational tool in the local school. She taught Gija language and cultural traditions as part of the 'two-way' education given at the school. Besides helping to maintain ancient knowledge of sacred sites and the Dreaming mythology, it seamlessly paralleled bible stories and provided the young with both a spiritual awareness and an involvement in community activities. She participated in both traditional ceremonies and the Pentecostal gatherings that were held near Frog Hollow about a half hour from Warmun. Queenie McKenzie earned world wide acclaim with distinct and influential artworks depicting the country of her childhood and early working life around Texas Station, as well as other sites throughout the East Kimberley region. She died in 1998, the year the Warmun art centre was formerly established. In 1995, the year this work was painted, she worked at the pensioner unit where she lived with Rover Thomas and his wife Rita. Here she painted the majority of her major works for entrepreneurs who visited the community from time to time. In an interview towards the end of her life she reminded us that the only word she had ever learnt to read and write was her own name, as it was required to sign her paintings. Yet she was, in her lifetime and still to this day, recognised as a spiritual and cultural icon, whose commitment to art has left an indelible impact on Australian history and culture.

          Art Leven (formerly Cooee Art)
        • Queenie McKenzie Nakara - Texas Hills (Carboyd Ranges), 1995
          Oct. 20, 2020

          Queenie McKenzie Nakara - Texas Hills (Carboyd Ranges), 1995

          Est: $4,000 - $6,000

          Queenie McKenzie was born c.1930 at the Old Texas station, on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. In the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school, where she taught Gija language and cultural traditions. She was encouraged to paint her first artistic experiments by Rover Thomas, with whom she had worked in the stock camps for much of her life. This painting demonstrates her strong love and attachment to country. Here, Queenie has painted the rocky hills on the edge of the desert plain in the country of her childhood and early working life near Old Texas Downs cattle station.

          Cooee Art
        • QUEENIE MCKENZIE (1915-1998) Bungle Bungles 1995 natural ochres on canvas
          Sep. 22, 2020

          QUEENIE MCKENZIE (1915-1998) Bungle Bungles 1995 natural ochres on canvas

          Est: $4,000 - $5,000

          QUEENIE MCKENZIE (1915-1998) Bungle Bungles 1995 natural ochres on canvas artist's name and Waringarri Aboriginal Arts cat. no. AP0986, Aboriginal Galleries of Australia cat. no. AGA8087, and unknown cat. no. CMS64411 inscribed verso 51 x 71cm PROVENANCE: Waringarri Aboriginal Arts, Western Australia Hogarth Galleries, Sydney Aboriginal Galleries of Australia, Melbourne (accompanied by a certificate of authenticity) Private collection, Melbourne

          Leonard Joel
        • Queenie McKenzie Nakara - Winnabun Springs
          Jun. 23, 2020

          Queenie McKenzie Nakara - Winnabun Springs

          Est: $20,000 - $30,000

          Queenie McKenzie was born c.1930 at the Old Texas station on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. During the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school where she taught Gija language and cultural traditions. By this time, Rover Thomas was receiving recognition and income from his painting practice and he encouraged Queenie’s first artistic experiments. Mixing the traditional ochres herself, Queenie liked to create unique colours, particularly the soft pinks and purples which became the recognisable hallmark of her style. In her paintings, she would often return to the country of her youth: her birthplace and its geographical location in relation to Blackfella's Creek; the large termite mound that was small when she was a child but grew bigger and bigger throughout her life; the hills of Rosewood Station, where she had worked as a cook for the Aboriginal stockmen; Old Texas Station, where men would collect white quartz used for spear heads; Corella, Echidna, and Bowerbird Dreaming sites, along with many other important sites in the region. This painting is accompanied by a certificate of authenticity from Warmun Traditional Artists that states: 'Queenie tells us of “Woman's Country” on Texas Downs Station around Winnabun Springs, where men must not go because women hold ceremonies there.' Just below where the spring (the black line running down the middle) comes out of the hills to join Blackfella Creek, we see a white flat rock. This is where the clear fresh water is collected all year round.

          Cooee Art
        • Queenie McKenzie Nakara - Limestone Hills, Texas
          Jun. 23, 2020

          Queenie McKenzie Nakara - Limestone Hills, Texas

          Est: $8,000 - $10,000

          Queenie McKenzie was born c.1930 at the Old Texas station, on the Ord River in the north-west of Western Australia. As a young girl, she cooked for the stockmen, tending and riding horses and journeying as they drove cattle across the vast pastoral region of the north. In the 1970s, the establishment of the Warmun community drew her tribe together once more, becoming a cultural focal point within the Kimberley area. Queenie played a leading role in restoring her people’s culture and working toward a secure future. Involvement in community affairs led her to experiment with representational art as an educational tool in the local school, where she taught Gija language and cultural traditions. She was encouraged to paint her first artistic experiments by Rover Thomas, with whom she had worked in the stock camps for much of her life. This painting demonstrates her strong love and attachment to country. Here, Queenie has painted the rocky hills on the edge of the desert plain in the country of her childhood and early working life near Old Texas Downs cattle station.

          Cooee Art
        • Queenie McKenzie Nakara - Domboyn - Owls
          Jun. 23, 2020

          Queenie McKenzie Nakara - Domboyn - Owls

          Est: $10,000 - $12,000

          The Mook Mook Owls, mother and baby, are found in a cave at the Blue Tongue Lizard Dreaming site, adjacent to Pompei Pillar near the turnoff to the Argyle Diamond Mine. The cave site is called Tunnel Creek. Owls are associated with birth and death amongst Gija people. In the Narrangunny (Dreaming story), an Aboriginal woman was sitting at a waterhole fishing for bream. After catching a few fish, she heard a fearsome noise coming from above. Thinking it was the 'devil-devil', she threw everything in the air and ran to her camp screaming. A few of the bravest men were dispatched to investigate the frightening sound only to find, while checking a small cave above the fishing hole, owls, 'damboyn' sitting in the darkness making their 'mook-mook' call – the sound was merely being amplified by the cave walls.

          Cooee Art
        • Queenie McKenzie (1916-1998)
          May. 26, 2020

          Queenie McKenzie (1916-1998)

          Est: $12,000 - $18,000

          Maburra, Konkerberry Trees, Ord River, 1996 ochre on canvas, inscribed verso 'Queenie, 1/6/96, Maburra, Konkerberry Trees, Ord River'

          Shapiro Auctioneers
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