Emilie Mediz-Pelikan Sold at Auction Prices

Landscape painter, Porträtmaler, Painter, Lithographer

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  • Emilie Mediz-Pelikan: View of the Watzmann from Berchtesgaden
    Dec. 03, 2024

    Emilie Mediz-Pelikan: View of the Watzmann from Berchtesgaden

    Est: €3,000 - €6,000

    Emilie Mediz-Pelikan View of the Watzmann from Berchtesgaden 1905 pastel on paper; framed 35 x 54 cm signed, dated and inscribed on the upper right: E. Pelikan Oktober / 1905 / Berchtesgaden art dealer, Salzburg; private property, Austria

    Im Kinsky
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Sea view color lithography/paper 31 x 40,7 cm signed E. Pelikan sheet size 44,6 x 55,3 cm SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €400 - €800

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Rock near Duino, 1896 pencil/paper 27,6 x 58,4 cm monogrammed E.P., dated Juli 96 SCHÄTZPREIS / ESTIMATE °€ 400 - 800 STARTPREIS / STARTING PRICE °€ 400 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Pine grove color lithography/paper 39,9 x 51 cm signed E. Pelikan sheet size 55,9 x 69,2 cm SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Mountain landscape, 1897 color lithography, handcolored/paper 30 x 38 cm signed E. Pelikan, dated 97 titled Berglandschaft sheet size 45 x 53,5 cm SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €400 - €800

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) View over the valley color lithography/paper 40,5 x 71,3 cm sheet size 49,2 x 80,3 cm partial foxing according to its age SCHÄTZPREIS / ESTIMATE °€ 400 - 800 STARTPREIS / STARTING PRICE °€ 400 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €400 - €800

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Birch forest lithograph, handcoloured/paper 49,5 x 57,8 cm a small corner torn SCHÄTZPREIS / ESTIMATE °€ 400 - 800 STARTPREIS / STARTING PRICE °€ 400 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €200 - €400

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Spring, 1898 lithograph, handcoloured/paper 55 x 39 cm signed E. Pelikan, dated 1898 mounted on cardboard sheet size 65,4 x 48,5 cm SCHÄTZPREIS / ESTIMATE °€ 200 - 400 STARTPREIS / STARTING PRICE °€ 200 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Sitting female nude pencil/paper 34,8 x 22 cm signature stamp Em Pelikan SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Floral frame with landscape, 1894 watercolor, indian ink and pencil/paper 34,7 x 21,9 cm monogrammed E. P., dated 28. Mai 94 Dresden mounted on paper, sheet size 49,2 x 32,7 cm SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)
    Nov. 28, 2024

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Landscape, 1905 colored pencil/paper 19 x 24 cm monogrammed E.P., dated Juli 1905 SCHÄTZPREIS / ESTIMATE °€ 300 - 600 STARTPREIS / STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. The artist Gertrude Honzatko-Mediz was their common daughter. Mediz-Pelikan is classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986, the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also recorded in detailed sketches. Impressive works were created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Emilie Mediz-Pelikan, Vöcklabruck 1861 - 1908 Leubnitz-Neuostra, Brook landscape
    Nov. 26, 2024

    Emilie Mediz-Pelikan, Vöcklabruck 1861 - 1908 Leubnitz-Neuostra, Brook landscape

    Est: €600 - €1,200

    Emilie Mediz-Pelikan Vöcklabruck 1861 - 1908 Leubnitz-Neuostra Brook landscape Oil on cardboard on wood 34.5 x 63.5 cm estate stamp on the reverse

    Tiberius Auctions
  • Emilie Mediz-Pelikan (Austrian, 1861-1908), Sleeping beauty beneath a fountain, pastel on pink paper, 33.5 x 49cm
    Jun. 25, 2024

    Emilie Mediz-Pelikan (Austrian, 1861-1908), Sleeping beauty beneath a fountain, pastel on pink paper, 33.5 x 49cm

    Est: £400 - £600

    Emilie Mediz-Pelikan (Austrian, 1861-1908) Sleeping beauty beneath a fountain pastel on pink paper signed and dated 4th October 1910

    Gorringes
  • EMILIE MEDIZ-PELIKAN: LÄRCHENWALD BEI VOLLMOND
    Jun. 19, 2024

    EMILIE MEDIZ-PELIKAN: LÄRCHENWALD BEI VOLLMOND

    Est: €3,000 - €6,000

    Emilie Mediz-Pelikan Larch forest by full moon 1901 pastel on paper; framed 49.5 x 61.5 cm dated, signed and numbered on the lower right: 1901 E. Pelikan / (18) private property, Austria

    Im Kinsky
  • Emilie Mediz-Pelikan, Birken. Wohl um 1900.
    Jun. 15, 2024

    Emilie Mediz-Pelikan, Birken. Wohl um 1900.

    Est: €350 - €400

    Emilie Mediz-Pelikan 1861 Vöcklabruck – 1908 Dresden Farblithografie auf Japan, koloriert. In Blei unter der Darstellung re. bezeichnet und signiert "verehrungsvollst gewidmet E. Pelikan", am u. Blattrand re. nochmals signiert "E. Pelikan" und darunter von fremder Hand nummeriert "70". Hinter Glas in einer schmalen Leiste gerahmt. Verso mit einem Etikett der Kunsthandlung Emil Richter, Dresden. Emilie Mediz-Pelikan 1861 Vöcklabruck – 1908 Dresden

    Schmidt Kunstauktionen Dresden OHG
  • Mediz-Pelikan, Emilie: Titelentwurf mit Mondlandschaft
    May. 30, 2024

    Mediz-Pelikan, Emilie: Titelentwurf mit Mondlandschaft

    Est: €300 - €450

    Titelentwurf mit Mondlandschaft. Feder in Schwarz über Bleistift auf dünnem Karton. 27 x 20,7 cm. Unten rechts signiert "E. Pelikan". Beigegeben von Emilie Mediz-Pelikan eine weitere signierte Zeichnung: Randeinfassung im ägyptischen Stil mit Löwen. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Mediz-Pelikan, Emilie: Blühende Steineiche bei Duino
    May. 30, 2024

    Mediz-Pelikan, Emilie: Blühende Steineiche bei Duino

    Est: €200 - €300

    Blühende Steineiche bei Duino. Farbige Kreiden und grauer Stift auf festem Velin, verso: Zwei Frauen am Meer in dunkelbrauner Feder. 17,5 x 18,9 cm. Monogrammiert, datiert und eigenh. bez. "Duino 1905 E. P. / Giovanni" sowie "blühender Steineichenbusch ... 28. Mai 1905 E. P." - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Mediz-Pelikan, Emilie: Metaphysische Landschaft ("Dalmatinische Küste)
    May. 30, 2024

    Mediz-Pelikan, Emilie: Metaphysische Landschaft ("Dalmatinische Küste)

    Est: €200 - €300

    Metaphysische Landschaft ("Dalmatinische Küste"). Kreidelithographie auf Velin. 36,6 x 46,2 cm. Unten rechts bewidmet und signiert "verehrungsvollst zugeeignet E. Pelikan". Um 1900. Ausgezeichneter Druck mit breitem Rand. Geringfügig vergilbt, leichte Altersspuren, sonst schönes Exemplar. - Provenienz: Aus der Sammlung Erich Reuter. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Mediz-Pelikan, Emilie: Terrasse am Meer
    May. 30, 2024

    Mediz-Pelikan, Emilie: Terrasse am Meer

    Est: €360 - €450

    Terrasse am Meer. Kreidelithographie in Braun. 41 x 47,3 cm (Darstellung); 52 x 56,2 cm (Blattgröße). (1899). Die oberösterreichische Künstlerin Emilie Mediz-Pelikan war zu Lebzeiten eine hochangesehene Malerin. In einem Nachruf wird die mit 47 Jahren plötzlich Verstorbene als „geniale, unermüdliche Künstlerin“ beschrieben, die „eigene Pfade [zu] wandeln liebte“ (K. F. von Hardenberg in: Deutsche Kunst und Dekoration, Bd. 22 (1908), S. 229f). Zu ihrem Naturverständnis heißt es dort weiter: „Sie ließ die Kinder Floras nicht zu sich kommen, um ihr in einer irisierenden Vase als Noten zu einem Farbakkord zu dienen, sie ging zu ihnen hinaus in die Einsamkeit […]“ (ebd., S. 232). Ihren Weg von impressionistischen Landschaften hin zu symbolistischen Werken fand sie über ihren Mann, dem Maler Karl Mediz, doch entwickelte sie eine von ihm unabhängige Stimme. Das Künstlerpaar nahm an der Eröffnungsausstellung der Wiener Secession teil, eine erste Überblicksschau widmete ihnen 1903 der Hagenbund. Ganz ausgezeichneter Druck mit schmalem Rand. Leicht gebräunt und stockfleckig, je kurzer Randeinriss oben und unten, weitere kleine Randbestoßungen, minimal angestaubt, sonst in gleichwohl guter Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €800 - €1,600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Coast at Duino, 1905 pencil and pastel/paper, 17 x 24,5 cm dated, inscribed and monogrammed 25. Juni 1905 Duino, E. P. ESTIMATE °€ 800 - 1600 STARTING PRICE °€ 800 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €800 - €1,600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Fountain colored pencil/paper, 28 x 26,5 cm monogrammed E. P. ESTIMATE °€ 800 - 1600 STARTING PRICE °€ 800 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €100 - €200

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Birches in Karst, 1898 lithography/paper, 34 x 57,5 cm signed E Pelikan Mediz, dated 1898 mounted on cardboard foxing ESTIMATE °€ 100 - 200 STARTING PRICE °€ 100 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €100 - €200

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Spring lithography/paper, 49,7 x 39 cm mounted on cardboar foxing ESTIMATE °€ 100 - 200 STARTING PRICE °€ 100 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €400 - €800

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Bundle of two interieur scenes Mother with Child pencil and colored pencil/paper, 33 x 21 cm dated 2. Juli 94 u. 13. Juli 94 Bay pencil and colored pencil/paper, 24,7 x 11,.4 cm monogrammed E.P, dated 15.06.94 ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €60 - €100

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Mermaid and centaur lithography/paper, 44,2 x 34,8 cm signed E. Pelikan Mediz, dated 1898 ESTIMATE °€ 60 - 100 STARTING PRICE °€ 60 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €60 - €100

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Birds, 1897 lithography/paper, 30,4 x 42,4 cm signed E. Pelikan, dated 1892 ESTIMATE °€ 60 - 100 STARTING PRICE °€ 60 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden )
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden )

    Est: €300 - €500

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden ) Bundle of two works Peasants I, 1894 red chalk/paper, 37,9 x 10,1 cm monogrammed E.P. Peasants II, 1894 red chalk/paper, 38 x 11,4 cm monogrammed E.P., dated 94 ESTIMATE °€ 300 - 500 STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €500

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Portrait of a man pencil/paper, 25 x 21 cm signed Pelikan, dated 6. Januar 95 Krems ESTIMATE °€ 300 - 500 STARTING PRICE °€ 300 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 28, 2024

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €500 - €1,000

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Bundle of 10 landscape studies 0 - Cover color lithography/paper, 56 x 45,5 cm 1 - Mountain barn, 1883 pencil/paper, 52 x 40 cm dated 1883 2 - Overgrowth, 1883 pencil/paper, 46 x 39 cm dated 1883 3 - Hardwood tree I, 1883 pencil/paper, 59 x 52 cm dated 1883 4 - Hardwood tree II, 1883 pencil/paper, 41 x 35 cm dated 1883 5 - Hardwood tree III, 1883 pencil/paper, 62 x 42 cm dated 1883 6 - Hardwood tree IV, 1883 pencil/paper, 37 x 38,5 cm dated 1883 7 - Hardwood tree V, 1883 pencil/paper, 36 x 42,8 cm dated 1883 8 - Shed pencil/paper, 56 x 39 cm 9 - Forest scene, 1883 pencil/paper, 49,5 x 41 cm dated 1883 10 - Farmhouse, 1883 pencil/paper, 40 x 37,5 cm dated 1883, verso pencil drawing ESTIMATE °€ 500 - 1000 STARTING PRICE °€ 500 Austrian landscape painter. Stayed in the artists colony Dachau and the artists colony Knokke, exhibited in the Vienna Secession and the Hagenbund. Was married to Karl Mediz. Classified stylistically between Art Nouveau, Symbolism, Mood Impressionism and Impressionism. Created drawings and pastels with landscapes such as the birches by Gustav Klimt. Among important female Austrian artists such as Tina Blau, Olga Wisinger-Florian and Marie Egner. Landscapes occupy a central position in the oeuvre of the artist Emilie Mediz-Pelikan, who was born in Vöcklabruck. At 21 she became the last private student of the hoary landscape painter Albert Zimmermann. Mediz-Pelikan studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and Munich. In 1891 she married the painter and graphic artist Karl Mediz, with whom she first lived in Vienna and from 1894 on in Dresden. She was in contact with the Dachau artists' colony and undertook study trips to Paris, Belgium, Hungary and Italy. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was stored in the former GDR until the 1980s, the artist was only rediscovered and re-evaluated relatively late, both in Austrian art history and on the art market. In 1986 the first major exhibitions took place in the Upper Austrian State Museum and in the University of Applied Arts in Vienna. Like many Impressionist painters, Emilie Mediz-Pelikans subject was about nature and its changeability right from the start of her artistic activity. Her works are often immersed in an enraptured atmosphere. The motif of the birch trees, which she and her husband often used, is later also found in depictions by Klimt, Baar and Junk. In a letter to her husband from 1893, she describes her journey to Bohemian Chotěboř and the beauty of the trees in the area. Reading through the correspondence between the couple, the central importance of nature is immediately felt. The descriptions of the landscape and its vegetation are detailed, which Mediz-Pelikan also records in detailed sketches. Impressive works were also created on trips to the Adriatic Sea, to coastal towns such as Duino or Dubrovnik (Lacroma). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Emilie Mediz-Pelikan, Vöcklabruck 1861 - 1908 Dresden, Summer Day by the River
    May. 07, 2024

    Emilie Mediz-Pelikan, Vöcklabruck 1861 - 1908 Dresden, Summer Day by the River

    Est: €1,000 - €1,500

    Emilie Mediz-Pelikan Vöcklabruck 1861 - 1908 Dresden Summer day by the river Oil on wood 12 x 27 cm Artist's label on the reverse

    Tiberius Auctions
  • MEDIZ-PELIKAN, EMILIE: "Blühender Bachrand".
    May. 03, 2024

    MEDIZ-PELIKAN, EMILIE: "Blühender Bachrand".

    Est: CHF1,300 - CHF2,000

    MEDIZ-PELIKAN, EMILIE (Vöcklabruck 1861 - 1908 Leubnitz-Neuostra) : "Blühender Bachrand"; Öl auf Holz; 24x30 cm; verso a. posthumem Künstler-Etikett betitelt

    Dobiaschofsky Auktionen AG
  • Mediz-Pelikan, Emilie (1861-1908) zugeschrieben Rosenstillleben, Öl auf Leinwand, 1897.
    Apr. 13, 2024

    Mediz-Pelikan, Emilie (1861-1908) zugeschrieben Rosenstillleben, Öl auf Leinwand, 1897.

    Est: €800 - €4,000

    Mediz-Pelikan, Emilie (1861-1908) zugeschrieben Rosenstillleben, Öl auf Leinwand, 1897. Gelbe und zart rosafarbene Rosen in Vase auf einem Tisch mit rotem Tuch. Unten rechts monogrammiert "E.M." und datiert "97". L 48 x 40 cm, R 60 x 52 cm. Zu restaurieren, Craquelee. Mediz-Pelikan, Emilie (1861-1908)(1861-1908) inscribed Rosenstillleben, oil on canvas, 1897. Yellow and delicate pink roses in a vase on a table with a red cloth. Monogrammed "E.M." and dated "97" lower right. L 48 x 40 cm, R 60 x 52 cm. To be restored, craqueleur.

    Auktionshaus Karrenbauer
  • EMILIE MEDIZ-PELIKAN: WILLOWS IN THE CREEK BOTTOM (KREMS)
    Nov. 28, 2023

    EMILIE MEDIZ-PELIKAN: WILLOWS IN THE CREEK BOTTOM (KREMS)

    Est: €10,000 - €20,000

    Emilie Mediz-Pelikan Willows in the creek bottom (Krems) 1895 oil on canvas; framed 65 x 85 cm inscribed by hand on exhibition label on the reverse: Emilie Mediz-Pelikan / Weiden am Bachgrund / Krems 1895 / Kat.-Nr. 142, Echtheit beglaubigt Jeikner / 2.11.43 from the estate of the artist; Kunsthandlung Kurt Kalb, Vienna; private collection, Vienna 1943 Dresden, Galeriegebäude auf der Brühlschen Terrasse, no. 142 Eduard Jeikner, Emilie Pelikan - Karl Mediz. Gemälde und Zeichnungen, Katalog zur Ausstellung im Galeriegebäude auf der Brühlschen Terrasse, ed. Heimatwerk Sachsen, Dresden 1943, cat.-no. 142; Oswald Oberhuber/Wilfried Seipel/Sophie Geretsegger, Emilie Mediz-Pelikan (1861 - 1908), Karl Mediz (1868 - 1945), exhibition catalogue (with catalogue raisonné), Österreichisches Museum für angewandte Kunst, Vienna and OÖ Landesmuseum, Landesgalerie Linz, 1986, cat.-no. 232 (bw-ill.); Erich Tromayer, Emilie Mediz-Pelikan. Bilder, Briefe, Gedanken, Vienna 1986, p. 236, no. 244 (b/w-ill.)

    Im Kinsky
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Birch Forest color lithography/paper, 49,5 x 57,8 cm sheet size 58 x 68 cm signed E. Pelikan Mediz ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) View over the Valley color lithography/paper, 40 x 71 cm sheet size 49 x 79 cm ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Chestnut trees lithography/paper, 36 x 60 cm sheet size 54 x 74,5 cm monogrammed EP ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Roman Pine Grove, 1905 color lithography/paper, 26,5 x 41 cm sheet size 32 x 47,5 cm signed E. Pelikan, dated 1905 inscribed roemischer Pinienhain (Roman pine grove) ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Mountain landscape, 1897 color lithography, handcolored/paper, 30 x 38 cm sheet size 45 x 53,5 cm signed E. Pelikan, dated 97 titled Berglandschaft ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    Nov. 23, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Pine Grove color lithography/paper, 39,5 x 51 cm sheet size 53,2 x 65,3 cm signed E. Pelikan, entitled Foehrenhain ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • E. MEDIZ-PELIKAN (*1861) attributed, Eifel landscape, 1906, Pastel
    Jul. 01, 2023

    E. MEDIZ-PELIKAN (*1861) attributed, Eifel landscape, 1906, Pastel

    Est: €4,200 - €5,600

    Emilie Mediz-Pelikan (1861 Vöcklabruck - 1908 Dresden) attributed: Hilly Eifel landscape with meadows and isolated patches of forest in green and blue, 1906, Pastel Technique: Pastel on Paper (blue) Inscription: Lower right monogrammed: "E.P.". Lower right inscribed: "September 1906 Eifel". Date: 1906 Keywords: Nature; Mountains; Eifel; Volcanic landscape; Meadow; Trees; Bushes; Night; Night play, 20th century, Symbolism, Landscape, Germany,

    Fichter Kunsthandel
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €200 - €400

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Spring lithography/paper, 49,7 x 39 cm ESTIMATE °€ 200 - 400 STARTING PRICE °€ 200 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €600 - €1,200

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) At the seashore mixed media/paper, 39,2 x 24,8 cm signed Pelikan ESTIMATE °€ 600 - 1200 STARTING PRICE °€ 600 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €400

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Poster special exhibition lithography/paper, 56 x 37,5 cm inscribed Kunstanstalt Wilhelm Hoffmann A.G. Dresden ESTIMATE °€ 300 - 400 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Pergola in Goerz, 1887 indian ink/paper, 15,5 x 10,3 cm inscribed Goerz, dated 87 ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €300 - €600

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Summer landscape etching/paper, 17 x 27 cm ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €200 - €400

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Sea spray at the coast lithography/paper, 30 x 32 cm signed E. Pelikan ESTIMATE °€ 200 - 400 STARTING PRICE °€ 200 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €400 - €800

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) View over the Valley lithography/paper, 49 x 80 cm dated Mai 1905, inscribed erster Probedruck ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)
    May. 22, 2023

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden)

    Est: €200 - €400

    EMILIE MEDIZ-PELIKAN (Voecklabruck 1861 - 1908 Dresden) Cliff landscape lithography/paper, 36 x 46 cm ESTIMATE °€ 200 - 400 STARTING PRICE °€ 200 Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

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