Angelino Medoro Paintings & Artwork for Sale | Angelino Medoro Art Value Price Guide

Apr. 03, 2025
Italian school; Inspired by ANGELINO MEDORO model (Italy, 1567-1631); c. 1600. "Madonna of silence". Oil on copper.
Est: €1,800 - €2,000
Italian school; Inspired by ANGELINO MEDORO model (Italy, 1567-1631); c. 1600. "Madonna of silence". Oil on copper. Measurements: 22,5 x 16,5 cm; 32 x 27 cm (frame). This work follows the model imposed by Angelino Medoro whose work is in the Museum of Fine Arts of Seville and was made around 1622. Although it is true that in this case the presence of Saint Joseph is not appreciated, nor Saint Dominic. In this case the author focuses the scene only on the Virgin, the Child, who is sleeping and St. Johnny who looks directly at the viewer and brings his index finger to his lips demanding silence to whoever observes the scene. Angelino Medoro was an Italian painter of the 17th century, active in Latin America. His work in the Viceroyalty of Peru greatly influenced the artistic movement of the Cuzco school. It is believed that Medoro studied art in Rome, then traveled to Seville and the New Kingdom of Granada (present-day Colombia). His only surviving work of European art was the painting "Flagellation of Christ" (1586) in Seville. Medoro, along with Bernardo Bitti and Matteo da Lecce (or Matteo Perez de Alesio in Spanish) were the three founders of Peruvian colonial painting. His earliest work in America was Virgen de la Antigua (1587-1588) in the church of Santo Domingo in Bogota. In 1617, he painted a portrait of Santa Rosa de Lima in the Sanctuary of Santa Rosa de Lima (also known as the Church of Santa Rosa in Lima). His pupils included Pedro de Loayza (or Pedro Loayza), Luis de Riaño and Juan de Mesa. Medoro returned to Spain after 1620 and died in Seville in 1631.
Setdart Auction House
Mar. 04, 2025
Attributed to ANGELINO MEDORO (Naples, 1567 - Seville, 1631) "Madonna with Child and St. Bernard"
Est: €3,000 - €4,000
Attributed to ANGELINO MEDORO (Naples, 1567 - Seville, 1631) "Madonna with Child and St. Bernard" Oil on copper With important baroque frame 26,5 x 22 cm; frame measures 72 x 52 cm 3.000 - 4.000 €
Bayeu Subastas
Feb. 20, 2025
ANGELINO MEDORO (Naples, 1567 - Seville, 1631) - Rest on the Flight into Egypt
Est: €14,000 - €15,000
Oil on canvas. Dimensions: 154 x 127 cm (with frame)
Templum Fine Art Auctions
Nov. 26, 2024
ATTRIBUTED TO ANGELINO MEDORO (ROME, CIRCA 1565 - SEVILLE, 1632)
Est: €6,000 - €9,000
Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632) 'Our Lady of Silence' Oil on copper. Accompanied by an imposing cornucopia frame in carved and gilded wood. 24 x 19 cm. Frame measurements: 70 x 54 cm. Angelino Medoro was an Italian painter with a wide and diverse repertoire who settled in the Viceroyalty of Peru, via Spain. His art was particularly influential in Peru, fundamentally in the painting of Cusco. In 1587, he moved to Santafé, in the New Kingdom of Granada, after having resided in Seville since his youth. He was also active in Tunja, Cali, and from 1600 in Lima. He returned to Seville in 1629, where he died three years later. The 'Our Lady of the Antigua' that he painted in Santafé in 1587 for the Santo Domingo temple is worth mentioning, because, in Seville style, it was accompanied by the donors Diego Hernández Hervalle and Polonia de Rosa. We are talking about one of the first portraits painted in the New Granada, which gives it immense value for the history of Colombian art, as noted by the Royal Academy of History. There is also significant value in another portrait painted in Lima in 1617, 'Portrait of Isabel Torres de Oliva,' who was the first saint of Latin America, Saint Rose of Lima. 'It was widely distributed not only on the American continent but also in Europe, through engravings.' In addition, other important works are attributed to him such as “a ‘Descent from the Cross’, inspired by the painting with the same theme by Pedro Pablo Rubens for the Cathedral of Antwerp, and a ‘Lamentation’, which now belong to the Convent of Santo Domingo de Tunja”, as well as a “Penitent Mary Magdalene” for the church of San Francisco and the paintings for the Mancipe chapel, which he finished in 1598, a year before his moving to Cali. During his stay of approximately one year in the city, he worked for the Franciscans, making a “Saint Anthony of Padua” and a sculpture of “Our Lady of Perpetual Help”, the only sculpture known to be by him. Once settled in Lima, where he was appointed painter of the Inquisition, he completed several paintings, such as a “Lord of the Column”, the famous 1617 portrait that we mentioned earlier and a “Santa Margarita” that is currently in Bogota, among many other artworks that are currently distributed between various churches and chapels in Lima and Bogota, and in private collections in Bogota and Cali, among other locations. Once settled again in Seville, despite being around seventy years old, he was still given an exam as a painter by, among others, Alonso Cano. He, who was known as 'El Romano', died in 1632. Reference bibliography: - Fajardo de Rueda, Marta. (n.d.). Real Academia de la Historia. https://dbe.rah.es/biografias/52375/angelino-de-medoro. Antiques. Colonial.
La Suite Subastas
Nov. 26, 2024
ATTRIBUTED TO ANGELINO MEDORO (ROMA, CIRCA 1565 - SEVILLA, 1632)
Est: €15,000 - €20,000
Attributed to Angelino Medoro (Roma, circa 1565 - Sevilla, 1632) “Patronage of Our Lady of Mercy” Oil on canvas. relined. 113 x 95 cm. Wonderful canvas from New Spain, richly framed in fine gold, with one of the most popular representations in New Spain art, the so-called Patrocinio, which shows the Virgin (in this case) or a saint protecting under her mantle communities, religious orders, corporations and authorities, (with a clientelistic and corporate scheme typical of the Ancient Regime), main recipients of her heavenly benefits. Our Lady of Mercy and the Redemption of the Captives is the Queen and Lady of the Order of Mercy (in Latin: Ordo Beatæ Mariæ Virginis de Redemptione Captivorum), a Catholic mendicant religious order, founded in 1218 by St. Peter Nolasco (ca. 1180-1245) for the redemption of Christian captives in the hands of Muslims. The Mercedarians committed themselves with a fourth vow, to liberate others weaker in the faith, even if their lives were in danger for it. This Virgin of Mercy, crowned “as queen” of heaven, protects under her wide mantle, raised and supported by two angels, the church and its representatives, the Pope and the King with his subjects. The Pope we see is Gregory IX, who approves this religious order in 1235 with the Bull Devotionis vestrae; and next to him St. Raymond Nonnatus, another of the “principals” of this order; the king, James I of Aragon, known as “the conqueror” and, next to him, its founder St. Peter Nolasco; it seems that St. Mary of Cervellon, founder of the female branch, is under the Virgin's mantle. All, without exception, are prostrate, surrendering to their Virgin and Lady Queen with both knees, an external gesture that expresses the greatest sign of submission. On the floor, scattered shackles, symbols of the redeemed captives. An important 19th century frame, richly stuccoed and gilded, encloses and completes the beauty and devotion of this work. Bibliographic reference: - Ojeda, Almerindo. 2005-2024. Project for the Engraved Sources of Spanish Colonial Art (PESSCA). Website located at colonialart.org. Date accessed: 21/10/2024. Antiques. Colonial.
La Suite Subastas
Sep. 12, 2024
Attributed to Angelino de Medoro (1565 – 1632) New Spain colonial school of the 17th century - Virgin of Silence in oil on copper
Est: €2,500 - €3,500
Exquisite oil painting on copper in which we see Mary, Saint Joseph, the Christ Child and Saint John in the left plane looking at the viewer. Copper only measurements: 24 x 20 cm, frame measurements: 32 x 26 cm. Provenance: important private collection from Seville. Spain.Provenance: property of an important European collector (lots 28 to 60). Previously in a Belgian private collection. Tribal Art - African - Oceania - Asia - China - Ming - Qing.
Templum Fine Art Auctions
Apr. 25, 2024
ATTRIBUTED TO ANGELINO MEDORO (ROME, CIRCA 1565 - SEVILLE, 1632)
Est: €4,500 - €5,500
Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632) 'Our Lady of Silence' Oil on copper. 25 x 19,5 cm. Italian painter who settled in the Viceroyalty of Peru, via Spain. His art was particularly influential in Peru, fundamentally in the painting of Cusco. In 1587, he moved to Santafé, in the New Kingdom of Granada, after having resided in Seville since his youth. He was also active in Tunja, Cali, and from 1600 in Lima. He returned to Seville in 1629, where he died three years later. The 'Our Lady of the Antigua' that he painted in 1587 for the Santo Domingo temple is worth mentioning, because it was accompanied by the donors Diego Hernández Hervalle and Polonia de Rosa. It is one of the first portraits painted in the New Granada, which gives it immense value for the history of Colombian art, as noted by the Royal Academy of History. There is also significant value in another portrait painted in Lima in 1617, 'Portrait of Isabel Torres de Oliva,' who was the first saint of Latin America, Saint Rose of Lima. 'It was widely distributed not only on the American continent but also in Europe, through engravings.' Reference bibliography: - Fajardo de Rueda, Marta. (n.d.). Real Academia de la Historia. https://dbe.rah.es/biografias/52375/angelino-de-medoro. Spanish Americas.
La Suite Subastas
Mar. 13, 2024
Atribuido a Angelino Medoro, S.XVII Madonna (fragmento)
Est: -
Medidas: 72 x 49 cm Buen estado de conservación con faltas. Procedencia: Colección particular.
Lefebre Subastas
Jan. 25, 2024
Mexican Coloanial School - Attributed to Angelino de Medoro (Roma, 1565-Sevilla, d. 1631), Saint Joseph with the Child, New Spain , 16th - 17th century
Est: €6,000 - €6,500
Oil on panel, measures: 137 x 68 cm. Former private collection, Seville.
Templum Fine Art Auctions
Nov. 23, 2023
ATTRIBUTED TO ANGELINO MEDORO (ROME, CIRCA 1565 - SEVILLE, 1632)
Est: €7,000 - €9,000
Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632) 'Our Lady of Silence' Oil on copper. 24 x 19 cm. Italian painter who settled in the Viceroyalty of Peru, via Spain. His art was particularly influential in Peru, fundamentally in the painting of Cusco. In 1587, he moved to Santafé, in the New Kingdom of Granada, after having resided in Seville since his youth. He was also active in Tunja, Cali, and from 1600 in Lima. He returned to Seville in 1629, where he died three years later. The 'Our Lady of the Antigua' that he painted in 1587 for the Santo Domingo temple is worth mentioning, because it was accompanied by the donors Diego Hernández Hervalle and Polonia de Rosa. It is one of the first portraits painted in the New Granada, which gives it immense value for the history of Colombian art, as noted by the Royal Academy of History. There is also significant value in another portrait painted in Lima in 1617, 'Portrait of Isabel Torres de Oliva,' who was the first saint of Latin America, Saint Rose of Lima. 'It was widely distributed not only on the American continent but also in Europe, through engravings.' Reference bibliography: - Fajardo de Rueda, Marta. (n.d.). Real Academia de la Historia. https://dbe.rah.es/biografias/52375/angelino-de-medoro
La Suite Subastas
Jul. 26, 2023
Attributed to Angelino de Medoro (Roma, 1565-Sevilla, d. 1631), Saint Joseph with the Child, New Spanish Mexican colonial school, 16th - 17th century
Est: €4,500 - €6,500
Oil on panel, measures: 137 x 68 cm. Former private collection, Seville.
Templum Fine Art Auctions
Feb. 16, 2023
ATTRIBUTED TO ANGELINO MEDORO (NAPLES, 1567 - SEVILLE, 1631)
Est: €2,500 - €3,000
Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632) "Our Lady of Silence" Oil on copper. 23 x 19 cm. With a chased and embossed silver 18th century frame. Frame measurements: 54,5 x 38 cm. Colonial Art.
La Suite Subastas
Jul. 07, 2022
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631)
Est: €3,500 - €6,500
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) "The Virgin of Silence" Oil on copper. 28,5 x 22,5 cm. Colonial.
La Suite Subastas
May. 05, 2022
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631)
Est: €9,000 - €12,000
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) "Our Lady of Silence" Oil on panel. This painting is comparable to Angelino Medoro’s Our Lady of Silence, which is kept at the Museum of Fine Art in Seville. 63 x 51 cm. Photo credits: - Our Lady of Silence, Angelino Medoro (c. 1622). Museo de Bellas Artes de Sevilla. Colonial.
La Suite Subastas
Apr. 07, 2022
VIRGIN WITH CHILD AND SAINT JOHN, SEVILLIAN SCHOOL OF THE 17TH CENTURY, CIRCLE OF ANGELINO MEDORO (NAPLES, 1567 - SEVILLE, 1631)
Est: €3,000 - €4,000
Oil on canvas. Framed measurements: 90 x 70, canvas measurements: 82 x 61 cm
Templum Fine Art Auctions
Mar. 03, 2022
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631)
Est: €9,000 - €12,000
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) "Madonna of the book with Saint Francis of Assisi and Saint Jerome" Oil on copper. 25 x 20 cm. Italian painter who settled in the Viceroyalty of Peru, via Spain. His art was particularly influential in Peru, fundamentally in the painting of Cusco. Colonial.
La Suite Subastas
Dec. 16, 2021
ANGELINO MEDORO (1567 / 1631) "The Flagellation of Christ", 1586
Est: €60,000 - €80,000
Signed and dated lower right: "MEDORVS ANGELINVS/ROMANVS. FACIEBAT.A.D.1586" A very important painter for the development of the art of painting in the New World. Born in Rome, he soon moved to Seville and later, in 1587, to Santafé, in the New Kingdom of Granada. There he carried out a prolific activity, receiving numerous commissions. He also worked in the viceroyalty of Peru before returning to Seville in 1622. The present work is of great importance for the study of Medoro's oeuvre, as it is the only work signed and dated in Europe and documents his first stay in Seville in 1586, just before he embarked for America. Provenance: -Collection Tristán -Acquired in the antiques market in Écija, Seville around 1976 -Private collection, Malaga Exhibitions: - "Velázquez and Seville", Andalusian Centre of Contemporary Art, Seville, October, 1999, pp. 74-75 Bibliography: -Soria, M.S., "La pintura del siglo XVI en Sudamérica", Buenos Aires, 1956 -Mesa-Gisbert, J. and MªJ., "El pintor Angelino Medoro y su obra en Sudamérica, Buenos Aires, 1964, p. 45 -Arenado, F., "Nuevos datos sobre el pintor Angelino Medoro", Archivo Hispalense. 2º época, Tomo LX, nº 184, Seville 1977, pp. 103-112 -Clavijo García, A., "Una pintura inédita del italiano Angelino Medoro (1567-1633) en colección particular malagueña", Baetica. Estudios de Arte, Geografía e Historia, Universidad de Málaga, 1978, no. 1, pp. 44-50 -Wuffarden, L. E., "La impronta italianista" in "Pintura en Hispanoamérica. 1550 - 1820". Edited by L. E. Alcalá and J. Brown. Madrid, Ediciones El Viso, 2014, pp. 266-67, fig. 10. Oil on canvas. 245 x 202,5 cm
Ansorena
Nov. 25, 2021
ATTRIBUTED TO ANGELINO MEDORO (NAPLES, 1567 - SEVILLE, 1631)
Est: €3,000 - €3,500
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) "Agony in the garden" Oil on panel. Cradled. 37,5 x 28 cm
La Suite Subastas
Jun. 08, 2021
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631)
Est: €5,000 - €7,000
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) Viceroyalty of Peru. Late 16th century. Oil on canvas. 118 x 97 cm.
La Suite Subastas
Mar. 23, 2021
ANGELINO DE MEDORO Naples 1567 - Seville 1631 Rectum: Virgin with Child ~ Virgin of t
Est: -
ANGELINO DE MEDORO Naples 1567 - Seville 1631 Rectum: Virgin with Child ~ Virgin of the milk Verse: modern pencil inscriptions Before 1587 Black pencil, pen and brown ink wash on laid paper. Revised in pencil Sizes 16.9 x 11.2 cm < Attached is a large study carried out by an expert in ancient drawing in which he corroborates the authorship of the work.
Subastas Segre
Mar. 04, 2021
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) Viceroyalty of Peru. Late 16th century.
Est: €3,500 - €5,500
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631). Viceroyalty of Peru. Late 16th century. “Virgin of the Silence” Oil on copper. 32 x 22,7 cm. Based on Wierix’s famous engraving, The Virgin and Sleeping Christ Child, in which we only see Mary praying, contemplating and protecting her son as he sleeps. The artist includes an original devotional addition by adding Saint John the Baptist to the composition, inviting us, with his gesture, to be quiet, as well as angels crowning the Virgin as Queen of all Creation. Italian painter who installed himself in the Viceroyalty of Peru, via Spain. His art was extremely influential there, especially in the art of Cuzco.
La Suite Subastas
Dec. 15, 2020
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631)
Est: €2,500 - €3,500
Attributed to Angelino Medoro (Naples, 1567 - Seville, 1631) Viceroyalty of Peru. End of the 16th century. "The Virgin with Child and Saint John" Oil on copper. 19.8 x 15 cm.
La Suite Subastas
Jun. 25, 2020
Attributed to Angelino Medoro (Naples, 1567 – Seville, 1631)
Est: €1,800 - €2,500
Attributed to Angelino Medoro (Naples, 1567 – Seville, 1631) Viceroyalty of Peru. Late 16th century. "Virgin Mary" Oil on panel. Italian painter who installed himself in the Viceroyalty of Peru, via Spain. His art was extremely influential there, especially in the art of Cuzco. 40 x 31 cm. Colonial Art. Painting.
La Suite Subastas