Claes Cornelisz. Moeyaert Paintings & Artwork for Sale | Claes Cornelisz. Moeyaert Art Value Price Guide

Sep. 27, 2024
Moeyaert, Claes Cornelisz.
Est: €1,000 - €1,500
(1592/93 Amsterdam 1655). Abraham verstößt Hagar. Radierung Ca. 11,2 x 20 cm. Wurzbach 6, van der Kellen 6, Hollstein 6 I (von III). Aus der 5 Blatt umfassenden Geschichte Abrahams; vor der Adresse von Clemendt de Jonghe. - Ganz ausgezeichneter, kräftiger und gleichmäßiger Druck. R
Kiefer Buch- und Kunstauktionen
Jul. 05, 2024
Moeyaert, Claes Cornelisz.
Est: €1,200 - €1,800
(1592/93 Amsterdam 1655). Abraham verstößt Hagar. Radierung Ca. 11,2 x 20 cm. Wurzbach 6, van der Kellen 6, Hollstein 6 I (von III). Aus der 5 Blatt umfassenden Geschichte Abrahams; vor der Adresse von Clemendt de Jonghe. - Ganz ausgezeichneter, kräftiger und gleichmäßiger Druck.
Kiefer Buch- und Kunstauktionen
Dec. 14, 2023
Pieter Nolpe - Allegory on France - Henri IV as Hercules with broken Gallia
Est: €220 - €360
Allegory on the Discord in France; a large globe representing 'Gallia' with a large crack at center, Henri IV as Hercules standing at left and consulting with Minerva and Mars how to fix the crack, Justice lying on the floor at right, a female personification of France standing behind her, the Olympian Gods on looking from clouds above. Signed in lower right: "CL M. Inv. This is one from a series of plates showing the festivals and ceremonies given to Marie de Medici by the city of Amsterdam during her visit from 31 August to 5 September 1638. Engraved by Pieter Nolpe after the designs Nicolaes Moyaert, published by Blaeu in 1638 in Kaspar van Baerle's work on the festivities 'Medicea Hospes'. This is one of nine large engravings by Pieter Nolpe (Hollstein 95-103).
Old Master Print
Dec. 14, 2023
Pieter Nolpe, Nicolaes Moeyaert - Allegory on the Discord in France
Est: €220 - €360
Allegory on the Discord in France; a large globe representing 'Gallia' lying broken at center, Marie de Medici at right and pleading with the gods to send help, Henri IV as Hercules standing at left. Signed in lower right: "CL M. Inv. This is one from a series of plates showing the festivals and ceremonies given to Marie de Medici by the city of Amsterdam during her visit from 31 August to 5 September 1638. Engraved by Pieter Nolpe after the designs Nicolaes Moyaert, published by Blaeu in 1638 in Kaspar van Baerle's work on the festivities 'Medicea Hospes'. This is one of nine large engravings by Pieter Nolpe (Hollstein 95-103).
Old Master Print
Dec. 14, 2023
Pieter Nolpe - Allegory on France - Henri IV as Hercules repairing the broken globe
Est: €220 - €360
Allegory on the Discord in France; Henri IV as Hercules repairing the broken globe representing 'Gallia' by forging a band around it, Minerva and Mars at left assisting him, Marie de Medici standing at right, a female personification of France at left, the Olympian Gods on looking from the clouds above. Signed in lower right: "CL M. Inv. This is one from a series of plates showing the festivals and ceremonies given to Marie de Medici by the city of Amsterdam during her visit from 31 August to 5 September 1638. Engraved by Pieter Nolpe after the designs Nicolaes Moyaert, published by Blaeu in 1638 in Kaspar van Baerle's work on the festivities 'Medicea Hospes'. This is one of nine large engravings by Pieter Nolpe (Hollstein 95-103).
Old Master Print
Sep. 22, 2023
CLAEZ NICOLAES CORNELISZ MOEYAERT
Est: CHF600 - CHF800
CLAEZ NICOLAES CORNELISZ MOEYAERT (Durgerdam, c. 1591–1655 Amsterdam) Biblical scene with two dignitaries and a group of working artists. Black chalk, the framing line in brown pen. Inscribed in pencil at upper left and in brown pen on verso: Bramer. 15.5 x 23.5 cm. Provenance: - Collection of Ulrich Beck, Augsburg, not in Lugt. --------------- CLAEZ NICOLAES CORNELISZ MOEYAERT (Durgerdam, um 1591–1655 Amsterdam) Biblische Szene mit zwei Würdenträgern und einer Gruppe von arbeitenden Künstlern. Schwarze Kreide, die Einfassungslinie mit brauner Feder. Oben links mit Bleistift und verso mit brauner Feder bezeichnet: Bramer. 15,5 x 23,5 cm. Provenienz: - Sammlung Ulrich Beck, Augsburg, nicht bei Lugt. ---------------
Koller Auctions
Jul. 07, 2023
CLAES CORNELISZ MOEYAERT (DURGERDAM, NEAR AMSTERDAM 1591-1655 AMSTERDAM) El
Est: £20,000 - £30,000
CLAES CORNELISZ MOEYAERT (DURGERDAM, NEAR AMSTERDAM 1591-1655 AMSTERDAM) Eliezer presenting gifts to the parents of Rebecca oil on canvas 42 1/8 x 58 1/2 in. (107 x 148.5 cm.)
Christie's
Mar. 31, 2022
Dutch School (circle of ? Claes Moeyaert, 1591 Durgerdam - 1669 Amsterdam), 17th century - Arcadian landscape with herdsmen and cows
Est: €2,500 - €3,000
Oil on panel. 52 x 72 cm. 71 x 91 cm. Restored. Damaged. Framed.
Neumeister
May. 27, 2020
CLAES MOEYAERT (DURGERDAM 1591-1655 AMSTERDAM) Le Repas chez Simon le Pharisien plume et encre brune, lavis brun, sur papier verni légèrement jauni 18,9 x 29,8 cm. (7 ½ x 11 ¾ in.)
Est: €1,500 - €2,500
CLAES MOEYAERT (DURGERDAM 1591-1655 AMSTERDAM) Le Repas chez Simon le Pharisien avec inscription 'Rembrant' plume et encre brune, lavis brun, sur papier verni légèrement jauni 18,9 x 29,8 cm. (7 ½ x 11 ¾ in.)
Christie's
Oct. 19, 2019
Circle of MOEYAERT, Nicolaes Cornelisz. Esau meeting Jacob. [Amsterdam] c.
Est: €300 - €400
Circle of MOEYAERT, Nicolaes Cornelisz. Esau meeting Jacob. [Amsterdam] c. 1607-1655 Drawing, black chalk, pencil, grey wash, framelines in pen and brown ink, 20,2 x 24,9 cm, laid down on thicker sheet of paper, unsigned (some old repairs at lower left corner, minor abrasions to the right lower corner, some brown foxing spots to the sheet throughout, sm. ink stain at left lower centre under Esau's chest). Upper edges under passe-partout. An expertly executed sheet depicting the meeting between Esau and Jacob, surrounded by a large crowd. The horizontal hatchings, general compositions, the subtle use of wash and the ideosyncratic faces are all traits which recall the style of Nicolaes Moeyaert (1592-1655), a student of Pieter Lastman. Stylistically comparable drawings are "The banishment of Hagar and Ishmael" in the National Gallery of Edinburgh (inv. inv./cat.nr RSA 1125) or "King Jeroboam points to the prophet" in the Kunstsammlung der Universität Göttingen (inv. H7). Ref. RKD https://rkd.nl/explore/artists/56541. - A. Tümpel, "Claes Cornelisz. Moeyaert", Oud Holland 88 (1974), p. 1-163.
Arenberg Auctions
Mar. 26, 2019
Claes Cornelisz. Moyaert (Amsterdam circa 1592-1655) The competition between Apollo and Marsyas 14 1/8 x 19 1/2in (35.9 x 49.6cm)
Est: $4,000 - $6,000
Claes Cornelisz. Moyaert The competition between Apollo and Marsyas oil on panel14 1/8 x 19 1/2in (35.9 x 49.6cm)
Bonhams
May. 29, 2018
"Esther devant Assuérus" fusain sur papier bleuté. Attribué à Claes Cornelisz Moeyaert. (Portant en bas à droite, le cachet de la collection du marquis Charles de Valori). Ecole hollandaise. Dim.:187x295mm.
Est: €500 - €700
"Esther devant Assuérus" fusain sur papier bleuté. Attribué à Claes Cornelisz Moeyaert. (Portant en bas à droite, le cachet de la collection du marquis Charles de Valori). Ecole hollandaise. Dim.:187x295mm.
Vanderkindere
Mar. 26, 2018
Nicolaes MOEYAERT (Durgerdam 1590 – Amsterdam 1655)
Est: €3,000 - €4,000
Nicolaes MOEYAERT (Durgerdam 1590 – Amsterdam 1655) Bergers et troupeau dans un paysage rocheux Plume et encre brune, lavis brun et gris, pierre noire 19 x 31 cm Porte en bas à droite le cachet de la collection Nicos Dhikeos (Lugt n° 3529) pen, brown ink, brown and grey wash, black chalk; bears can inscription lower right and the stamp off the collection: Nicos Dhikeos (Lugt n° 3529). PROVENANCE : Collection Dhikeos jusqu’en 1989. Kurt Bauch date notre dessin vers 1625 – 1630. Il le rapproche d’Abraham et Isaac appartenant à la collection du Dr. A. Welcker (Leyde), et du Paysage aux ruines et bergers, conservé à Chatsworth House (inv. 855).
Leclere - Maison de ventes
Mar. 23, 2018
MOEYAERT, CLAES CORNELISZ.
Est: CHF10,000 - CHF15,000
MOEYAERT, CLAES CORNELISZ. (1591 Amsterdam 1655) The rape of Persephone. Oil on panel. With a barely legible monogram centre bottom: CL M f. 43.2 x 67.5 cm. Provenance: - Collection of Théophile Thoré-Bürger (1807-1869). - Collection of Mme Lacroix, 1869-1892. - Thoré-Bürger auction, Drouot, Paris, 5.12.1892, Lot 37. - Picard collection. - Dr. F. S. Aram, Berlin, 1925. - Galerie Eberhardt, Berlin, circa 1930. - Christie's, London, 29.3.1974, Lot 109. -Dorotheum auction, Vienna, 19.9.1978, Lot 104. - Private collection, Vienna. Literature: - Bode, W. von: Studien zur Geschichte der holländische Malerei, Brunswick 1883, p. 617. - Semenov, P.: Etjudy po istorii niderlandskoj zivopisi na osnavanii eja obrazcov nachodjascichsja v publicnych i castnych sobranijach Peterburga. prilozenie k Vestniku Izjascnych Iskustv, 1885, vol. I, p. 176, No. 11. - Grandberg, O.: Catalogue Raisonné de tableaux anciens inconnus jusqu'ici dans les collections privées de la Suède, 1886, vol. I, p. 98. - Wurzbach, A.: Niederländisches Künstler-Lexikon, Wien und Leipzig 1910, vol. II, p. 174. - Bredius, A: Künstler-Inventare, vol. 1, 1915, p. 258, No. 19. - Exh. Cat. Kaiser Friedrich-Museumsverein, Gemälde Alter Meister aus Berliner Besitz, Akademie der Künste, Berlin 1925, No. 253. - Heppner, A.: Thoré-Bürger en holland, De ontdekker van Vermeer en zijn Liefde voor Nederland's Kunst, III. - Oud Holland, vol. 55, 1938, p. 129-144 (under 140). - Pigler, A.: Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, Budapest / Berlin 1956, vol. II, p. 215. - Tümpel, Astrid: Claes Cornelisz. Moeyaert, in: Oud Holland, vol. 88, 1974, pp. 97-99, 266, No. 174, fig. 134. The painting is registered at RKD, The Hague, as by the hand of Claes Moeyaert. --------------- MOEYAERT, CLAES CORNELISZ. (1591 Amsterdam 1655) Der Raub der Persephone. Öl auf Holz. Unten mittig schwer leserlich monogrammiert: CL M f. 43,2 x 67,5 cm. Provenienz: - Sammlung Théophile Thoré-Bürger (1807-1869). - Sammlung Mme Lacroix, 1869-1892. - Auktion Thoré-Bürger, Drouot, Paris, 5.12.1892, Los 37. - Sammlung Picard. - Dr. F. S. Aram, Berlin, 1925. - Galerie Eberhardt, Berlin, um 1930. - Auktion Christie's, London, 29.3.1974, Los 109. - Auktion Dorotheum, Wien, 19.9.1978, Los 104. - Privatsammlung, Wien. Literatur: - Bode, W. von: Studien zur Geschichte der holländische Malerei, Brunswick 1883, S. 617. - Semenov, P.: Etjudy po istorii niderlandskoj zivopisi na osnavanii eja obrazcov nachodjascichsja v publicnych i castnych sobranijach Peterburga. prilozenie k Vestniku Izjascnych Iskustv, 1885, Bd. I, S. 176, Nr. 11. - Grandberg, O.: Catalogue Raisonné de tableaux anciens inconnus jusqu'ici dans les collections privées de la Suède, 1886, Bd. I, S. 98. - Wurzbach, A.: Niederländisches Künstler-Lexikon, Wien und Leipzig 1910, Bd. II, S. 174. - Bredius, A: Künstler-Inventare, Bd. 1, 1915, S. 258, Nr. 19. - Ausst. Kat. Kaiser Friedrich-Museumsverein, Gemälde Alter Meister aus Berliner Besitz, Akademie der Künste, Berlin 1925, Nr. 253. - Heppner, A.: Thoré-Bürger en holland, De ontdekker van Vermeer en zijn Liefde voor Nederland's Kunst, III. - Oud Holland, Bd. 55, 1938, S. 129-144 (unter 140). - Pigler, A.: Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, Budapest / Berlin 1956, Bd. II, S. 215. - Tümpel, Astrid: Claes Cornelisz. Moeyaert, in: Oud Holland, Bd. 88, 1974, S. 97-99, 266, Nr. 174, Abb. 134. Claes Moeyaert studierte wahrscheinlich bei Pieter Lastman (1583-1633) und spezialisierte sich auf Historienmalerei sowie biblische und mythologische Sujets. Es sind ausserdem zahlreiche Zeichnungen und etwa 25 Radierung seiner Hand bekannt. Seine mehrheitlich im Kabinettformat auf Holz geschaffenen Werke stehen unter dem Einfluss von Pieter Lastman, aber auch von Jan Pynas (1582-1631). 1638 erhielt Moeyaert den prestigeträchtigen Auftrag, die aus Anlass des Amsterdam-Besuches von Maria de Medici gezeigten tableaux vivants zu entwerfen. 1639-41 war er einer der Regenten des neuerrichteten Theaters Schouwburg, für die er auch Kulissen anfertigte. Für Christian IV. von Dänemark malte er 1643 zwei monumentale Szenen aus der dänischen Geschichte. Moeyaert war gelegentlich auch als Porträtmaler tätig und aus seiner engen Verbindung zum katholischen Beginenhof entstanden mehrere Klerikerporträts sowie drei Altarbilder. Er war unter anderem Lehrer von Nicolaes Berchem (1620-1683) und Jan Baptist Weenix (1621-1660). Dargestellt ist hier der Mythos aus der antiken Mythologie vom Raub der Persephone, der erzählt, wie Hades, der Gott der Unterwelt und Bruder des Zeus, sich in Kore, die Tochter Demeters, Göttin der Ernte, verliebte und sie in sein Reich entführte. Persephone wird beim Pflücken von Blumen überrascht und in den goldenen Wagen des Gottes der Unterwelt entrissen, der von unsterblichen Rössern mit feurigen Mäulern gezogen wird. Das Gemälde ist im RKD, Den Haag, als ein eigenhändiges Werk von Claes Moeyaert registriert.
Koller Auctions
Jul. 05, 2017
Claes Moeyaert (Amsterdam 1592-1655) - Abraham kneeling before the three Angels
Est: £3,000 - £5,000
Claes Moeyaert (Amsterdam 1592-1655) Abraham kneeling before the three Angels black chalk, pen and brown ink, brown wash, brown ink framing line along the lower edge 8 1/8 x 10 5/8 in. (20.8 x 27.1 cm.)
Christie's
Jul. 05, 2017
CLAES CORNELISZ. MOYAERT (AMSTERDAM CIRCA 1592- 1655) The Triumph of Bacchus oil on c
Est: £10,000 - £15,000
CLAES CORNELISZ. MOYAERT (AMSTERDAM CIRCA 1592- 1655) The Triumph of Bacchus oil on canvas 78 x 139.5cm (30 11/16 x 54 15/16in).
Bonhams
Nov. 19, 2016
Claes Cornelisz Moeyaert, A New Testament Scene
Est: €6,000 - €7,000
Monogrammed and dated lower right: CL M 1624 (CL monogram)
Kunsthaus Lempertz KG
Jun. 23, 2015
The Blinding of Samson
Est: €7,000 - €10,000
Attributed to Claes Moeyaert (Amsterdam 1592/93-1655) The Blinding of Samson oil on panel 80.3 x 61.8 cm.
Christie's
May. 22, 2015
Moeyaert, C.N.C. (±1592-1655) (attrib.). (Arcadian (biblical?) scene of she
Est: €1,000 - €1,500
Moeyaert, C.N.C. (±1592-1655) (attrib.). (Arcadian (biblical?) scene of shepherds near their resting flock, speaking with a man on a mule and woman standing beside him). Drawing, brush and ink and brown wash and pencil, 14,6x28,7 cm., tipped onto mount. - Tiny chip in left margin. = With the (sl. worn) collector's stamp of Pieter Langerhuizen Lzn on verso (Lugt 2095). SEE ILLUSTRATION PLATE CV.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Mar. 27, 2015
Attribué à Claes Moeyaert Amsterdam, vers 1592 - 1655 Le baptême du Christ Huile sur panneau de chêne, une planche, de forme ronde
Est: €2,000 - €3,000
Attribué à Claes Moeyaert Amsterdam, vers 1592 - 1655 Le baptême du Christ Huile sur panneau de chêne, une planche, de forme ronde Diamètre: 18 cm (7,10 in.) 'THE BAPTISM OF CHRIST', OIL ON OAK PANEL, ATTR. TO C. MOEYAERT
Artcurial
Dec. 10, 2014
The Raising of Lazarus
Est: €2,000 - €3,000
Attributed to Claes Moeyaert (Amsterdam 1592-1655) The Raising of Lazarus dated '1643' (on the tombstone in the foreground) traces of black chalk, red chalk, with touches of white heightening, losses upper left 10 7/8 x 15¾ in. (27.6 x 40 cm.)
Christie's
Nov. 28, 2014
Moeyaert, N.C. (±1592-1655). The shepherd. Etching, 11,7x19,3 cm., "CL.M. fe" 1638" in the plate. - Trimmed to just within the platemark; rubbed/ scratched spot/ area along lower margin (due to erasing of address); collector's stamp vaguely shining
Est: €1,000 - €1,200
Moeyaert, N.C. (±1592-1655). The shepherd. Etching, 11,7x19,3 cm., "CL.M. fe" 1638" in the plate. - Trimmed to just within the platemark; rubbed/ scratched spot/ area along lower margin (due to erasing of address); collector's stamp vaguely shining through; tiny speck. = Hollstein 23, 2nd state (of 2; the address erased and the number almost completely trimmed off). With the collector's stamp of F. Schindler (d. ±1913) on verso (Lugt 2351), and w. the very small ms. collector's mark "WE" of William Esdaille in thin brown pen to the lower left of the artist's monogram on recto (Lugt 2617) and "1810 P183 N 110" in the same pen on verso. Very rare. SEE ILLUSTRATION PLATE CLIII.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 27, 2013
Nicolaes Moeyaert (Amsterdam 1592-1593 - 1655)
Est: €2,000 - €3,000
The death of the disobedient prophet (I Kings, XIII: 24) - Traces of signature and dated 1627 l.r. - Oil on panel, 49.8 x 81.2 cm - Provenance: - Auction, London, 22 July 1921, lot 37 - Auction, London, 13 November 1921, lot 87 - Gallery Duits, London - Auction Mak van Waay, Amsterdam, 30 April 1946, lot 15 - Auction Mak van Waay, Amsterdam, 22 March 1949, lot 27 - Galerie Internationale, The Hague - Collection Wagner-De Wit, The Hague - Literature: A. Tümpel, Claes Cornelisz. Moeyaert, in Oud Holland, 1974, cat.no. 81, ill. 231 - N.B. I: - A different interpretation of the subject, also dating from 1627, is included in the Michaelis-Collection, Capetown (Tümpel, no. 80). - N.B. II: - We are grateful to Mr. Fred Meijer of the RKD in The Hague for his assistance in cataloguing this lot.
AAG Auctioneers
Mar. 30, 2012
Workshop of MOEYAERT, CLAES CORNELISZ. (1591
Est: CHF15,000 - CHF20,000
Workshop of MOEYAERT, CLAES CORNELISZ. (1591 Amsterdam 1655) Artisan before a townscape. Oil on canvas. 98 x 94 cm Provenance: Private collection, Great Britain MOEYAERT, CLAES CORNELISZ. (WERKSTATT) (1591 Amsterdam 1655) Handwerker vor einer Stadtansicht. Öl auf Leinwand. 98 x 94 cm Provenienz: Privatsammlung, Grossbritannien.
Koller Auctions
Jun. 22, 2011
Nicolaes-Cornelisz MOEYAERT(Amsterdam ?, 1590/92 - ?,1655) Joseph et ses frères Panneau de chêne, trois planches, non parqueté, renf...
Est: €4,000 - €6,000
Nicolaes-Cornelisz MOEYAERT(Amsterdam ?, 1590/92 - ?,1655) Joseph et ses frères Panneau de chêne, trois planches, non parqueté, renforcé sur un côté 58 x 84 cm Monogrammé en bas, à droite C.L.M... Fentes et Restaurations
Tajan
Feb. 19, 2011
Moyaert, Nicolaes Cornelisz. Place of Birth: Amsterdam um 1592 Place of Death: Amsterdam vor 1655
Est: €15,000 - €18,000
Moyaert, Nicolaes Cornelisz. Place of Birth: Amsterdam um 1592 Place of Death: Amsterdam vor 1655 Joseph is sold by his Brothers Oil/wood, 36 x 57 cm, monogr. a. dat. lo. ri. Cl. M. 1639, min. rest. - Cf. Bernt II, ill. 809. - Prov.: A.B. Södermann, 1829; Baron Hamilton, 1829; Count E. Oxenstjerna, 1834; Grubb Collection; Th.M. Huss, 1843; M.O. Leman; Bukowskis Stockholm, 1884, lot 119; S. Rubenson, Stockholm, 1912. - Mus.: Amsterdam, Berlin, Braunschweig, Den Haag, St. Petersburg a. others. - Lit.: Thieme-Becker, Bénézit, Bernt a. others.
Auktionshaus Stahl
Nov. 21, 2007
L'Adoration des bergers
Est: €1,200 - €1,800
CLAES CORNELISZ MOEYAERT (AMSTERDAM 1591-1655) L'Adoration des bergers craie noire, lavis gris, traits d'encadrement à la plume et encre brune 259 x 204 mm.
Christie's
Nov. 21, 2007
Le satyre et le paysan
Est: €3,000 - €5,000
CLAES CORNELISZ MOEYAERT (AMSTERDAM 1591-1655) Le satyre et le paysan avec inscription 'Jordans' craie noire et blanche, lavis gris, traits d'encadrement à la plume et encre brune, sur papier brun clair 216 x 284 mm.
Christie's
Nov. 14, 2007
Christ and the Woman of Samaria
Est: €6,000 - €8,000
Nicolaes Moeyaert (Amsterdam 1592/3-1655) Christ and the Woman of Samaria oil on panel 49.2 x 71.2 cm.
Christie's
Oct. 31, 2007
Joseph being lowered into the Well
Est: £4,000 - £6,000
Claes Cornelisz. Moeyaert (Durgerdam, nr. Amsterdam 1591-1655 Amsterdam) Joseph being lowered into the Well signed with initials and dated 'CL Mf 1625' (lower left on the well) oil on panel 14 7/8 x 21 in. (37.7 x 53.4 cm.) in a Dutch 17th Century ebonized wood frame
Christie's
Apr. 25, 2007
Joseph being lowered into the well
Est: £6,000 - £8,000
Claes Cornelisz. Moeyaert (Durgerdam, nr. Amsterdam 1591-1655 Amsterdam) Joseph being lowered into the well signed with initials and dated 'CL Mf 1625' ('CL' linked, on the well, lower left) oil on panel 14 7/8 x 21 in. (37.7 x 53.4 cm.) in a Dutch 17th Century ebonized wood frame
Christie's
Jan. 26, 2006
CLAES CORNELISZ. MOEYAERT DURGERDAM 1591 - 1655 AMSTERDAM
Est: $20,000 - $30,000
SAINT JOHN THE BAPTIST PREACHING IN THE WILDERNESS measurements note 9 7/8 by 14 in.; 25 by 35.5 cm. indistinctly signed lower left oil on panel PROVENANCE Anonymous sale, London, Sotheby's, March 19, 1975, lot 29. EXHIBITED Tehran, Hilton Hotel, Exhibition of Paintings from the fourteenth-nineteenth century at the Hilton Hotel, Tehran, May 12-18, 1975, no. 261.
Sotheby's
Nov. 16, 2005
CLAES CORNELISZ. MOEYAERT DURGERDAM 1591 - 1655 AMSTERDAM
Est: €1,000 - €1,500
CLAES CORNELISZ. MOEYAERT DURGERDAM 1591 - 1655 AMSTERDAM measurements note 139 by 181 mm the road to emmaus red chalk
Sotheby's
Nov. 16, 2005
CLAES CORNELISZ. MOEYAERT DURGERDAM 1591 - 1655 AMSTERDAM
Est: €3,000 - €5,000
CLAES CORNELISZ. MOEYAERT DURGERDAM 1591 - 1655 AMSTERDAM THE LAST SUPPER measurements note 208 by 306 mm bears old numbering upper centre: Z 14, and initials verso: N.B. pen and brown ink and wash PROVENANCE Count Nils Barck (indicated by the handwritten initials, verso) LITERATURE W. Sumowski, 'Zeichnungen von Lastmann und aus dem Lastmann Kreis,' Giessener Beiträge zur Kunstgeschichte, Vol. III, 1975, p. 181, note 41 NOTE In a letter of 4 December 1975, Astrid Tümpel confirmed the attribution, stating that in her opinion, the second version of this composition in Berlin (Bock-Rosenberg no. 13379) is a copy of the present drawing.
Sotheby's
May. 17, 2004
Nicolaes Cornelisz. Moeyaert (Durgerdam 1591-1655 Amsterdam)
Est: NLG15,000 - NLG20,000
The Expulsion of Hagar signed with initials 'CL M' (CL linked, lower right) oil on panel 38.6 x 49.9 cm.
Christie's
Apr. 21, 2004
Claes Cornelisz. Moeyaert (Durgerdam, nr. Amsterdam 1591-1655 Amsterdam)
Est: £7,000 - £10,000
Granida and Daifilo signed with initials 'CL M f' (CL linked, lower centre) oil on panel 15 1/2 x 21 5/8 in. (39.3 x 54.9 cm.)
Christie's
Jan. 29, 2004
NICOLAES CORNELISZ MOEYAERT
Est: $1,500 - $2,500
(Durgerdam circa 1590-1655 Durgerdam) Ruth and Boaz. Red chalk on cream laid paper. 300x407 mm; 11 3/4x16 inches. Foolscap with a 5-pointed collar watermark. Ex-collection Charles Rogers (Lugt 624, lower left recto). Possibly a study for the painting in Berlin
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