Tracey Moffatt Paintings & Artwork for Sale | Tracey Moffatt Art Value Price Guide

Dec. 16, 2024
TRACEY MOFFATT (n.1960) - 'Invocation 4'
Est: €2,250 - €3,000
Photograph of ultraviolet inks on paper, c.2000. Dim.: 147x122cm.
Marques dos Santos
Dec. 12, 2024
Tracey Moffatt, Scarred for Life II
Est: $4,000 - $6,000
Tracey Moffatt Scarred for Life II 1999 photolithograph image (largest): 23.625 h x 23.625 w in (60 x 60 cm) image (smallest): 15.625 h x 23.625 w in (40 x 60 cm) sheet (each): 31.625 h x 23.625 w in (80 x 60 cm) Signed, dated and numbered to verso of each work 'T Moffatt '99 XII/XV'. This complete series of ten works is artist's proof 12 of 15 apart from the edition of 60 printed by Link Printing, Sydney and published by the artist. This work will ship from Lambertville, New Jersey.
Los Angeles Modern Auctions
Nov. 21, 2024
Tracey Moffatt AO, Up in the Sky, 1997
Est: £700 - £900
Tracey Moffatt AO, Australian b. 1960- Up in the Sky, 1997; offset lithograph on wove, signed, dated, titled and numbered 39/60 in pencil, from the Up in the Sky Series, sheet: 72.5 x 101.5 cm, (unframed) (ARR) Note: this work is part of the 'Up in the Sky' series containing 25 images, which read like stills from a black-and-white movie, set in an Australian outback town desolated by poverty, violence and despair.
Roseberys
Nov. 12, 2024
TRACEY MOFFATT, INVOCATIONS #2, ED. 46/60, 2000
Est: $7,000 - $9,000
TRACEY MOFFATT 1960- INVOCATIONS #2, ED. 46/60, 2000 photo silkscreen 124 x 101 cm; 146 x 122 cm (paper); 149.5 x 125.5 cm (framed) signed front bottom right 'Tracey Moffatt' PROVENANCE Roslyn Oxley9 Gallery, Sydney NSW Private collection, NSW EXHIBITED: Tracey Moffatt, Invocations, Roslyn Oxley9 Gallery, Sydney, NSW, 20 July – 12 August 2000 ©Tracey Moffatt / Copyright Agency, 2024 Tracey Moffatt is one of Australia’s most acclaimed contemporary artists, recognised both nationally and internationally for her compelling visual narratives. For over three decades, she has worked predominantly in photography and film, creating works that are as much about storytelling as they are about visual form. Moffatt’s narratives often draw on personal memory and reflect on broader themes such as race, gender, sexuality, and identity, offering layers of meaning that resonate deeply with her audience. Her series "Invocations" (2000), first shown at Roslyn Oxley9 Gallery, continues the large-scale format and rich colour palette of her earlier work, "Something More". Shot in New York, this series of photo-silkscreen images presents a surreal world of fantasy and high drama, filled with elaborate sets and actors. The imagery includes children, hooded figures, and symbolic elements like twisted trees, evoking cinematic and literary references from both fairytales and Southern Gothic storytelling. The action shifts seamlessly between forest and desert, creating a dreamlike atmosphere unconcerned with linear narrative or continuity. The grand scale and composition of Invocations, along with its vivid colour and dramatic mood, recall the tradition of Old Master paintings. Moffatt masterfully blends dark, fairytale-like elements with subtle humour, constructing a self-contained universe that defies easy interpretation while inviting endless exploration. In this series, Moffatt once again demonstrates her ability to engage viewers with rich, layered works that challenge and reward in equal measure. This piece is a fine example of an Australian Aboriginal artwork.
Art Leven (formerly Cooee Art)
Nov. 12, 2024
TRACEY MOFFATT, #1, #3, #9 & #14, LAUDANUM SERIES, ED. 21/60, 1998
Est: $8,000 - $10,000
TRACEY MOFFATT 1960- #1, #3, #9 & #14, LAUDANUM SERIES, ED. 21/60, 1998 toned photogravure print on rag paper various signed front bottom right 'Tracey Moffatt, 98' PROVENANCE Roslyn Oxley9 Gallery, Sydney, NSW Private Collection, NSW EXHIBITED Tracey Moffatt, Laudanum, Roslyn Oxley9 Gallery, NSW, 14 April – 8 May 1999 ©Tracey Moffatt / Copyright Agency, 2024 #1, 76 x 57 cm (paper); 99 x 70 cm (framed) #3, 76 x 57 cm (paper); 99 x 70 cm (framed) #9, 57 x 76 cm (paper); 70 x 99 cm (framed) #14, 76 x 57 cm (paper); 99 x 70 cm (framed) This image is from a series of 19 photogravures by Tracey Moffatt, called Laudanum. Laudanum was a popular opiate-based drug in the nineteenth century, used to calm colicky babies and ‘hysterical’ women. In this series, shot in a colonial mansion, Moffatt conjures a hallucinatory narrative of sexual violence between a white mistress and her Asian maid, filtered through what seems to be a drug-fuelled haze. Moffatt started out as a filmmaker, and this series draws on a range of cinematic, visual and literary devices to create the claustrophobic atmosphere of the mansion and the murderous game that unfolds within its walls. She employs the technique of photogravure, a form of photographic etching using a copper plate, to recreate the authentic look of a nineteenth century photograph with its full range of soft grey tones and uneven focus. To further the historical effect, Moffatt frames the images in formats favoured by early photographers, and poses her subjects like the models of illicit French postcards from the turn of the century. Moffatt cleverly blends these photographic styles with cinematic devices drawn from twentieth-century expressionist films like Nosferatu (1922) and tense psychological dramas like The Servant (1963). The disturbing story which unfolds over the course of the 19 images is a narrative of sexual subservience and domination akin to the musings of the Marquis de Sade or the erotic novel The Story of O (1954). Moffatt concocts a fantasy of the hidden and unrecorded lives of nineteenth-century women; the servants and mistresses bound by corsets and convention, but unbound by drugs and desire. By adopting the style of early photography and setting this drama within the confines of a Victorian mansion, Moffatt suggests a depravity underlying the bourgeois respectability and gentility synonymous with those times. In drawing on so many references she creates a rich evocation of the historical depiction of sexual, racial and social tensions in art and film. - Museum of Contemporary Art, Sydney This piece is a fine example of an Australian Aboriginal artwork.
Art Leven (formerly Cooee Art)
Nov. 12, 2024
TRACEY MOFFATT, #1 & #4 INVOCATIONS SERIES, ED 45/60, 2000
Est: $8,000 - $10,000
TRACEY MOFFATT 1960- #1 & #4 INVOCATIONS SERIES, ED 45/60, 2000 photo silkscreen 122 x 146 cm; 131 x 156 (framed) & 109 x 96.5 cm; 118 x 106 cm (framed) signed front bottom right 'Tracey Moffatt' PROVENANCE Roslyn Oxley9 Gallery, Sydney NSW Private Collection, NSW EXHIBITED Tracey Moffatt, Invocations, Roslyn Oxley9 Gallery, Sydney, NSW, 20 July – 12 August 2000 ©Tracey Moffatt / Copyright Agency, 2024 #1, 22 x 146 cm; 131 x 156 (framed) #4, 109 x 96.5 cm; 118 x 106 cm (framed) The 13 images in the series Invocations are uncanny excursions into another world, drawn from the imagery of dreams, visions, fairy tales and thrillers – a shared cultural memory reaching back to the eighteenth century. Their eeriness cuts across styles, genres and even mediums – these are images made to look like something else: silkscreened photographic prints that have been built up layer-by-layer to look like paintings, using formats that resemble old daguerreotypes and lantern slides. Moffatt is a picture-maker rather than a picture-taker. With a background in film, she constructs sets and works with actors to realise her cinematic narratives. The surreal drama of Invocations was based on a dream and delves into what Moffatt has called ‘the dark underworld that we all have … it’s about the murk in all of us, the subconscious.’ Moffatt has compared the making of Invocations, and the arcane ways in which it progressed from dream to object, to a kind of witchcraft. She worked with set builders and actors in a studio to take photographs, which were then silkscreened by hand ‘colour after colour, screen after screen, so the pictures have this sort of built up feel: like a pastel, a watercolour. And it’s very physical. I wanted the physicality of paint on paper. I wanted it to be sensual.’ The fairy tale world she creates in Invocations is peopled by witches and spirits, the lost and vulnerable, who stumble through scenes and landscapes summoned from Disney’s animations, Hitchcock’s movies, Goya’s paintings and the stories of the Brothers Grimm. -Museum of Contemporary Art, Sydney, all quotes by Tracey Moffatt interviewed by Bruce James, ABC Arts, 9 January 2001. This piece is a fine example of an Australian Aboriginal artwork.
Art Leven (formerly Cooee Art)
Nov. 06, 2024
TRACEY MOFFATT (n.1960) - 'Invocation 12'
Est: €2,250 - €3,000
Photograph of ultraviolet inks on paper, signed, numbered 38/60 and dated 2000. Dim.:122x147cm.
Marques dos Santos
Nov. 06, 2024
TRACEY MOFFATT (n.1960) - 'Invocation 7'
Est: €3,000 - €4,000
Photograph of ultraviolet inks on paper, signed, numbered 10/60 and dated 2000. Dim.: 147x122cm.
Marques dos Santos
Oct. 14, 2024
Tracey Moffatt, Australia (b. 1960), I made a Camera 2003, Sepia photolithograph ed. 50/750
Est: $800 - $1,200
Tracey Moffatt Australia (b. 1960) I made a Camera 2003 Sepia photolithograph ed. 50/750 Signed, titled & dated lower margin
Theodore Bruce Auctioneers & Valuers
Aug. 22, 2024
TRACEY MOFFATT (1960- ) Fourth (8).
Est: $800 - $1,200
TRACEY MOFFATT (1960- ) Fourth (8). Ink jet on canavs. 355x457 mm; 14x18 inches. Signed, titled, dated and numbered 7/25 in ink, upper canvas flap verso. 2001. Provenance: Rena Bransten Gallery, California (with gallery label, verso); private collection, Pennsylvania.
Swann Auction Galleries
Jul. 30, 2024
TRACEY MOFFATT, UP IN THE SKY #16, 1997
Est: $2,000 - $3,000
TRACEY MOFFATT born 1960 UP IN THE SKY #16, 1997 from the Up In The Sky series toned photolithograph 43.5 x 53.5 cm 78.5 x 71.0 cm (frame) edition: 69/99 signed, titled, dated and inscribed with edition number below image PROVENANCE Roslyn Oxley9 Gallery, Sydney Private collection, Sydney, acquired from the above EXHIBITED Tracey Moffatt: Up In the Sky, Roslyn Oxley9 Gallery, Sydney, 5 – 28 February 1998 (another example) Strange Days, Art Gallery of New South Wales, Sydney, 29 May – 19 July 1998 (another example) Tracey Moffatt and Margaret Dawson: Photo / History, Australian Centre for Contemporary Art, Melbourne, 25 November 1998 – 31 January 1999 (another example) Tracey Moffatt: Up in the Sky, Art Gallery of New South Wales, Sydney, 21 May – 18 September 2011 (another example) Up in the Sky, Penrith Regional Gallery, New South Wales, 2 December 2017 – 4 March 2018 (illus., in exhibition catalogue, another example) LITERATURE Tunnicliffe, W., Strange Days, Art Gallery of New South Wales, Sydney, 1998, pp. 18, 25 (illus., another example) Cooke, L., 'A Photo–Filmic Odyssey', Tracey Moffatt, City Gallery, Wellington, 2002, pp. 46 – 47, 52 (illus., another example) Wallace, M., Brought to Light II: Australian Art 1966 – 2006, Queensland Art Gallery, Brisbane, 2007, pp. 310 (illus.), 313 Ennis, H., Photography and Australia, Reaktion Books Ltd, London, 2007, p. 129 RELATED WORK Another example from this edition is held in the collection of the Museum of Contemporary Art, Sydney © Tracey Moffatt/Copyright Agency 2024 This work is located in our Melbourne Gallery
Deutscher and Hackett
Jul. 17, 2024
AUTORI VARI, PARKETT VOL. 53
Est: €100 - €200
AUTORI VARI Parkett Vol. 53 1998 Magazine in collaboration with Tracey Moffatt, Elisabeth Peyton, Wolfgang Tillmans, David Shrigley 25,5 x 21,5 cm Pages 205 Defects
Art-Rite
Jun. 30, 2024
TRACEY MOFFATT, UP IN THE SKY #16, 1997
Est: $4,000 - $6,000
TRACEY MOFFATT born 1960 UP IN THE SKY #16, 1997 lithographic print 61.0 x 76.0 cm edition: 72/99 bears artist’s signature, title and edition number in margin donated by the artist EXHIBITED Up In The Sky, Roslyn Oxley9 Gallery, Sydney, February 1998 DESCRIPTION Tracey Moffatt is one of Australia's most successful living artists. Her photography and video work has been shown extensively in the Northern Hemisphere and she represented Australia at the 2017 Venice Biennale. Born and raised in Brisbane, her connection to Redfern stretches back to 1983, when she helped paint the original Forty Thousand Years Mural. Her important Up In The Sky series, from which this print is excerpted, is held in full by the National Gallery of Australia. © Tracey Moffatt/Copyright Agency 2024 This work is located at NCIE | 166 – 180 George St, Redfern, New South Wales, 2016
Deutscher and Hackett
Apr. 11, 2024
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 98 x 127cm; frame size: 103 x 133cm
Est: $8,000 - $10,000
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 signed, dated and editioned verso: T. MOFFATT '89 98 x 127cm; frame size: 103 x 133cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Something More, Australian Centre for Photography, Australia, 1989 (then toured Australia) (another impression) Antipodean Currents, John F. Kennedy Centre for Performing Arts, Washington D.C., USA, 9 - 16 October 1994 (another impression) Tracey Moffatt, Kunsthalle Wien, Vienna, 10 April - 7 June 1998 (then toured Europe) (another impression) Tracey Moffatt, Institute of Modern Arts, Brisbane and Asia Link, Melbourne, 1999 (another impression) Tracey Moffatt, Nassau County Museum of Art, New York, February - April 2001 (another impression) Tracey Moffatt, City Gallery, Wellington, 2002 (another impression) Tracey Moffatt, Museum of Contemporary Art, Sydney, 17 December 2003 - 29 February 2004 (another impression) Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, 28 June - 1 October 2006 (another impression) Tracey Moffatt, Lismore Regional Gallery, New South Wales, 13 March - 25 April (another impression) Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 14 November 2020 - 4 July 2021 (another impression) LITERATURE: Newton, G., Tracey Moffatt: Fever Pitch, Piper Press, Sydney, 1995, pp. 17, 57 (illus., another impression) Shoemaker, A., A Sea Change - Australian Writing and Photography, Sydney Organising Committee for The Olympic Games, Sydney, 1998, pp. 30 - 31 (illus., another impression) Byron, S., Crombie, I., Twenty Contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, Melbourne, 1990, p. 44 (another impression) Ennis, H., Photography and Australia, Reaktion Books, London, 2007, pp. 31 - 50 (another impression) Fink, H., One Sun One Moon: Aboriginal Art in Australia, Prestel Publishing, Sydney, 2007, pp. 312, 316 (illus., another impression) OTHER NOTES: ©Tracey Moffatt/Copyright Agency, 2024 Other impressions of this print are held in the permanent collections of the Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; and National Gallery of Australia, Canberra. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Apr. 05, 2024
Tracey Moffatt (born 1960); Something More #3;
Est: $6,000 - $9,000
Tracey Moffatt (born 1960) Something More #3, 1989 Dye destruction print; flush-mounted, the photographer's label, signed and numbered '18/30' in ink, on the reverse, framed. 39 1/2 x 50 5/8 in. (100.3 x 128.6 cm.)
Bonhams
Mar. 19, 2024
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 98 x 127cm
Est: $12,000 - $14,000
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 signed, dated and editioned verso: T. MOFFATT '89 98 x 127cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Something More, Australian Centre for Photography, Australia, 1989 (then toured Australia) (another impression) Antipodean Currents, John F. Kennedy Centre for Performing Arts, Washington D.C., USA, 9 - 16 October 1994 (another impression) Tracey Moffatt, Kunsthalle Wien, Vienna, 10 April - 7 June 1998 (then toured Europe) (another impression) Tracey Moffatt, Institute of Modern Arts, Brisbane and Asia Link, Melbourne, 1999 (another impression) Tracey Moffatt, Nassau County Museum of Art, New York, February - April 2001 (another impression) Tracey Moffatt, City Gallery, Wellington, 2002 (another impression) Tracey Moffatt, Museum of Contemporary Art, Sydney, 17 December 2003 - 29 February 2004 (another impression) Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, 28 June - 1 October 2006 (another impression) Tracey Moffatt, Lismore Regional Gallery, New South Wales, 13 March - 25 April (another impression) Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 14 November 2020 - 4 July 2021 (another impression) LITERATURE: Newton, G., Tracey Moffatt: Fever Pitch, Piper Press, Sydney, 1995, pp. 17, 57 (illus., another impression) Shoemaker, A., A Sea Change - Australian Writing and Photography, Sydney Organising Committee for The Olympic Games, Sydney, 1998, pp. 30 - 31 (illus., another impression) Byron, S., Crombie, I., Twenty Contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, Melbourne, 1990, p. 44 (another impression) Ennis, H., Photography and Australia, Reaktion Books, London, 2007, pp. 31 - 50 (another impression) Fink, H., One Sun One Moon: Aboriginal Art in Australia, Prestel Publishing, Sydney, 2007, pp. 312, 316 (illus., another impression) OTHER NOTES: ©Tracey Moffatt/Copyright Agency, 2024 Other impressions of this print are held in the permanent collections of the Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; and National Gallery of Australia, Canberra. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Feb. 29, 2024
Laudanum
Est: $6,000 - $8,000
Art House: The Collection of Chara Schreyer Tracey Moffatt b. 1960 Laudanum each signed in pencil and dated 98 (lower right); titled Laudanum (lower center); numbered 26/60 (lower left) the complete portfolio, comprising 19 photogravures on Arches wove paper, 13 loose (as issued), contained in the original portfolio sheets: 30 by 22⅜ (76.2 by 57 cm.) overall: 31⅞ by 24 by 1⅜ in. (80.9 by 61.1 by 35. cm.) Executed in 1998; this portfolio is number 26 from the edition of 60 plus 15 artist's proofs, published by the artist. (19 prints)
Sotheby's
Jan. 29, 2024
Tracey Moffatt, Australia (b.1960), Planet of the Apes 1973, From the Backyard Series 1998, Colour photolithograph on Natural Snow Gum paper using light fast ink ed.12/60
Est: $1,400 - $1,600
Tracey Moffatt Australia (b.1960) Planet of the Apes 1973, From the Backyard Series 1998 Colour photolithograph on Natural Snow Gum paper using light fast ink ed.12/60 Signed, titled & dated lower margin
Theodore Bruce Auctioneers & Valuers
Nov. 28, 2023
Tracey Moffatt (born 1960) Scarred for Life II, 1999
Est: $12,000 - $15,000
Tracey Moffatt (born 1960) Scarred for Life II, 1999 signed, dated and numbered verso: 'T. MOFFATT '99 47/60' suite of ten offset lithographs edition: 47/60 80.0 x 60.0cm (31 1/2 x 23 5/8in).
Bonhams
Nov. 20, 2023
Tracey Moffatt (b. 1960) Up in the Sky #15, 1997
Est: $1,500 - $2,000
colour offset photo lithograph, edition: 59/60, numbered, titled, signed and dated below image 59/60, Up in the Sky, Tracey Moffatt, 97
Shapiro Auctioneers
Nov. 16, 2023
Print, Tracey Moffatt
Est: $600 - $900
Tracey Moffatt (Australian, b. 1960), "Scissor Cut, 1980" 1999, offset lithograph in colors, unsigned, edition 16/60, gallery label (Rena Bransten Gallery, San Francisco, CA) affixed verso, sheet: 31.5"h x 23.5"w, overall (with frame): 35.5"h x 27.5"w
Clars Auctions
Nov. 16, 2023
TRACEY MOFFATT (1960 - ) Up in the Sky #15, 1997 offset print, ed. 55/60 61 x 76 cm (frame: 91 x 105 x 2 cm) signed and dated lower ...
Est: $1,000 - $1,500
TRACEY MOFFATT (1960 - ) Up in the Sky #15, 1997 offset print, ed. 55/60 61 x 76 cm (frame: 91 x 105 x 2 cm) signed and dated lower right
Lawsons
Nov. 15, 2023
Tracey Moffatt (b. 1960) "Invocations #9"
Est: €3,000 - €4,000
Photo screenprint, printed in color ultraviolet inks on paper Signed, dated 2000 and numbered 10/60
Veritas Art Auctioneers
Nov. 15, 2023
TRACEY MOFFATT (born 1960) Adventure #4 2004 colour print on Fujiflex paper, ed. 10/25 132 x 114cm
Est: $4,000 - $6,000
TRACEY MOFFATT (born 1960) Adventure #4 2004 colour print on Fujiflex paper, ed. 10/25 signed and editioned on unknown label affixed verso: Tracey Moffatt/ 10/25 132 x 114cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Tracey Moffatt Adventure Series, Roslyn Oxley9 Gallery, Sydney, 29 July - 4 September 2004 (another example) Tracey Moffatt: Narratives, Art Gallery of South Australia, Adelaide, 26 February - 20 March 2011 (another example) OTHER NOTES: "I returned from New York to my hometown of Brisbane's subtropical north to be artist-in-residence at the Institute of Modern Art. Here I was to produce a new body of work called 'Adventure Series', inspired by The Flying Doctor series, an adventure comic strip I read as a kid in the Brisbane newspapers as well as the 1970s Australian television seafaring show, The Rovers." (The Artist) Another example of this print is held in the collection of the Art Gallery of New South Wales, Sydney. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Nov. 15, 2023
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 98 x 127cm
Est: $12,000 - $14,000
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 signed, dated and editioned verso: T. MOFFATT '89 98 x 127cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Something More, Australian Centre for Photography, Australia, 1989 (then toured Australia) (another impression) Antipodean Currents, John F. Kennedy Centre for Performing Arts, Washington D.C., USA, 9 - 16 October 1994 (another impression) Tracey Moffatt, Kunsthalle Wien, Vienna, 10 April - 7 June 1998 (then toured Europe) (another impression) Tracey Moffatt, Institute of Modern Arts, Brisbane and Asia Link, Melbourne, 1999 (another impression) Tracey Moffatt, Nassau County Museum of Art, New York, February - April 2001 (another impression) Tracey Moffatt, City Gallery, Wellington, 2002 (another impression) Tracey Moffatt, Museum of Contemporary Art, Sydney, 17 December 2003 - 29 February 2004 (another impression) Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, 28 June - 1 October 2006 (another impression) Tracey Moffatt, Lismore Regional Gallery, New South Wales, 13 March - 25 April (another impression) Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 14 November 2020 - 4 July 2021 (another impression) LITERATURE: Newton, G., Tracey Moffatt: Fever Pitch, Piper Press, Sydney, 1995, pp. 17, 57 (illus., another impression) Shoemaker, A., A Sea Change - Australian Writing and Photography, Sydney Organising Committee for The Olymic Games, Sydney, 1998, pp. 30 - 31 (illus., another impression) Byron, S., Crombie, I., Twenty Contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, Melbourne, 1990, p. 44 (another impression) Ennis, H., Photography and Australia, Reaktion Books, London, 2007, pp. 31 - 50 (another impression) Fink, H., One Sun One Moon: Aboriginal Art in Australia, Prestel Publishing, Sydney, 2007, pp. 312, 316 (illus., another impression) OTHER NOTES: Other impressions of this print are held in the permanent collections of the Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; and National Gallery of Australia, Canberra. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Oct. 31, 2023
From the "Up in the Sky" Photo Series (for Parkett 53)
Est: €200 - €400
MOFFATT, TRACEY 1960 Brisbane (Australia) Title: From the "Up in the Sky" Photo Series (for Parkett 53). Date: 1997. Technique: Colour offset. thin card. Depiction Size: 43,5 x 53,5cm. Sheet Size: 51 x 68,5cm. Notation: Signed, dated, numbered and titled. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/60. Frame: Framed. Condition: Minimal horizontal creases in the two lower corners. Verso mounted. Otherwise very good condition. With Parkett magazine. "Her work dramatizes, in many different ways, the primal violence of socialisation - the invariably traumatic way in which each individual must be 'inserted' into an ever-widening set of social, institutional frames: family, school, community, nation. .And this rite of passage is for her characters as for each of us never a total success - indeed, it is often a botched job." Adrian Martin, Parkett no. 53, 1998. Article on work and artist from Parkett edition no. 53. Explanations to the Catalogue
Van Ham Kunstauktionen
Aug. 30, 2023
TRACEY MOFFATT born 1960, Up in the Sky #16 1997
Est: $2,000 - $4,000
TRACEY MOFFATT born 1960 Up in the Sky #16 1997 offset photolithograph 43.0 x 53.5 cm (image); 50.5 x 68.5 cm (sheet) edition: 41/99 signed and dated lower right: TRACEY MOFFATT '97 numbered lower left: 41/99 inscribed lower centre: Up in the Sky
Menzies
Jul. 19, 2023
TRACEY MOFFATT (born 1960) Something More #5 1989 cibachrome photograph, ed. 16/30 98 x 127cm
Est: $14,000 - $18,000
TRACEY MOFFATT (born 1960) Something More #5 1989 cibachrome photograph, ed. 16/30 signed, dated and editioned verso: T. MOFFATT '89 98 x 127cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Something More, Australian Centre for Photography, Australia, 1989 (then toured Australia) (another impression) Antipodean Currents, John F. Kennedy Centre for Performing Arts, Washington D.C., USA, 9 - 16 October 1994 (another impression) Tracey Moffatt, Kunsthalle Wien, Vienna, 10 April - 7 June 1998 (then toured Europe) (another impression) Tracey Moffatt, Institute of Modern Arts, Brisbane and Asia Link, Melbourne, 1999 (another impression) Tracey Moffatt, Nassau County Museum of Art, New York, February - April 2001 (another impression) Tracey Moffatt, City Gallery, Wellington, 2002 (another impression) Tracey Moffatt, Museum of Contemporary Art, Sydney, 17 December 2003 - 29 February 2004 (another impression) Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, 28 June - 1 October 2006 (another impression) Tracey Moffatt, Lismore Regional Gallery, New South Wales, 13 March - 25 April (another impression) Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 14 November 2020 - 4 July 2021 (another impression) LITERATURE: Newton, G., Tracey Moffatt: Fever Pitch, Piper Press, Sydney, 1995, pp. 17, 57 (illus., another impression) Shoemaker, A., A Sea Change - Australian Writing and Photography, Sydney Organising Committee for The Olymic Games, Sydney, 1998, pp. 30, 31 (illus., another impression) Byron, S., Crombie, I., Twenty Contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, Melbourne, 1990, p. 44 (another impression) Ennis, H., Photography and Australia, Reaktion Books, London, 2007, pp. 31 - 50 (another impression) Fink, H., One Sun One Moon: Aboriginal Art in Australia, Prestel Publishing, Sydney, 2007, pp. 312, 316 (illus., another impression) OTHER NOTES: Other impressions of this print are held in the permanent collections of the Museum of Contemporary Art, Sydney; National Gallery of Australia, Canberra; and National Gallery of Victoria, Melbourne. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Jul. 19, 2023
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 98 x 127cm
Est: $15,000 - $20,000
TRACEY MOFFATT (born 1960) Something More #2 1989 cibachrome photograph, ed. 14/30 signed, dated and editioned verso: T. MOFFATT '89 98 x 127cm PROVENANCE: L.A Galerie - Lothar Albrecht, Germany Private collection, Melbourne EXHIBITIONS: Something More, Australian Centre for Photography, Australia, 1989 (then toured Australia) (another impression) Antipodean Currents, John F. Kennedy Centre for Performing Arts, Washington D.C., USA, 9 - 16 October 1994 (another impression) Tracey Moffatt, Kunsthalle Wien, Vienna, 10 April - 7 June 1998 (then toured Europe) (another impression) Tracey Moffatt, Institute of Modern Arts, Brisbane and Asia Link, Melbourne, 1999 (another impression) Tracey Moffatt, Nassau County Museum of Art, New York, February - April 2001 (another impression) Tracey Moffatt, City Gallery, Wellington, 2002 (another impression) Tracey Moffatt, Museum of Contemporary Art, Sydney, 17 December 2003 - 29 February 2004 (another impression) Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, 28 June - 1 October 2006 (another impression) Tracey Moffatt, Lismore Regional Gallery, New South Wales, 13 March - 25 April (another impression) Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 14 November 2020 - 4 July 2021 (another impression) LITERATURE: Newton, G., Tracey Moffatt: Fever Pitch, Piper Press, Sydney, 1995, pp. 17, 57 (illus., another impression) Shoemaker, A., A Sea Change - Australian Writing and Photography, Sydney Organising Committee for The Olymic Games, Sydney, 1998, pp. 30 - 31 (illus., another impression) Byron, S., Crombie, I., Twenty Contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, Melbourne, 1990, p. 44 (another impression) Ennis, H., Photography and Australia, Reaktion Books, London, 2007, pp. 31 - 50 (another impression) Fink, H., One Sun One Moon: Aboriginal Art in Australia, Prestel Publishing, Sydney, 2007, pp. 312, 316 (illus., another impression) OTHER NOTES: Other impressions of this print are held in the permanent collections of the Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; and National Gallery of Australia, Canberra. © Tracey Moffatt/Copyright Agency, 2023
Leonard Joel
Jul. 12, 2023
Tracey Moffatt, Untitled (from the Up in the Sky series)
Est: $1,500 - $2,000
Tracey Moffatt Untitled (from the Up in the Sky series) 1997 offset lithograph image: 16.875 h x 21 w in (43 x 53 cm) sight: 18.25 h x 22.25 w in (46 x 57 cm) Signed, titled, dated and numbered to lower margin '28/60 Up in the Sky Tracey Moffatt '97'. This work is number 28 from the edition of 60. This work will ship from Chicago, Illinois.
Wright
May. 09, 2023
Tracey Moffatt (1960) - Mother's reply, 1976
Est: €1,000 - €1,500
Photolitograph in colour cm 80 x 60 (cm 49,5 x 60 picture) | 31.4 x 23.6 in. (17.7 x 23.6 in. picture) Title, date and photographer's credit printed on the white inferior recto margin Framed
Finarte
Mar. 21, 2023
Tracey Moffatt (b. 1960)
Est: $1,500 - $2,500
Responsible but Dreaming, 1984 offset print on paper, edition 48/60
Shapiro Auctioneers
Feb. 15, 2023
Tracey Moffatt (b. 1960) "Adventure Series 1"
Est: €2,500 - €3,500
Color print on Fujiflex paper Signed, dated 04 and numbered 20/25 on the reverse
Veritas Art Auctioneers
Feb. 15, 2023
Tracey Moffatt (b. 1960) "Adventure Series 10", 2004
Est: €2,500 - €3,500
Color print on Fujiflex paper Ed. 25/25
Veritas Art Auctioneers
Dec. 15, 2022
TRACEY MOFFATT (born 1960) Charm Alone 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P
Est: $1,600 - $2,000
TRACEY MOFFATT (born 1960) Charm Alone 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P signed in plate lower right dated in plate lower left titled in plate lower left 80 x 60cm (sheet) PROVENANCE: Gift of the Artist Private collection, Sydney EXHIBITIONS: Kwangju Biennale, Kwagju, Korea, 1995 (suite, another impression) Australian Perspecta, Art Gallery of New South Wales, Sydney, 3 February - 26 March 1995 (suite, another impression) Prospect 19, Schim Kunsthalle, Frankfurt Germany, 1996 (suite, another impression) Campo 6, The Spiral Village, Museum of Modern Art, Torino, Italy and Bonnefanten Museum, Masstricht, Netherlands, 1996 (suite, another impression) From the Street - Photographs From the Collection, Art Gallery of New South Wales, Sydney, 27 April - 14 July 1996 (suite, another impression) Venice Biennale (Futuro Present Passato), Venice, Italy, 1997 (suite, another impression) Tracey Moffatt, The Institute of Modern Art, Brisbane, 8 September - 9 October 1999, (then toured Asia) (suite, another impression) Sydney Biennale, Art Gallery of New South Wales, Sydney, 2000 (suite, another impression) LITERATURE: Snelling, M., (ed.), Tracey Moffatt, The Institute of Modern Art and Asialink, Brisbane, 1999, pp. 50-53 (illustrated, another impression) Newton, G., Tracey Moffatt Fever Pitch, Piper Press, Sydney, 1995, p. 73-91 (illustrated, another impression) OTHER NOTES: Other impressions of this print are currently held in the permanent collections of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; The Tate, London; and Guggenheim Museum, New York.
Leonard Joel
Dec. 04, 2022
TRACEY MOFFAT (née en 1960) Something More #3, 1989. Cibachrome. Signé et
Est: €8,000 - €12,000
TRACEY MOFFAT (née en 1960) Something More #3, 1989. Cibachrome. Signé et daté au dos. Exemplaire AP. d'une édition de 30. Cibachroom. Getekend en gedateerd op de achterkant. Ap. 100 x 130 cm
Cornette de Saint-Cyr-Bruxelles
Dec. 02, 2022
Tracey Moffatt, Untitled (from the series: Fourth), 2001
Est: €1,500 - €2,000
Signed, dated, titled and editioned in felt tip pen on the verso. Print 5 from an edition of 25 (+ 5 A.P.). In her series "Fourth," comprising a total of 26 works, Tracey Moffatt dedicates herself monothematically to the group of fourth-place finishers in the various athletic disciplines at the 2000 Olympic Games in Sydney. The photographs were taken during the television broadcast of the games on the home screen and were digitally manipulated by the artist, highlighting the sad protagonists, who just missed out on a medal, in colour.
Kunsthaus Lempertz KG
Dec. 02, 2022
Tracey Moffatt, Untitled (from the series: Fourth), 2001
Est: €1,500 - €2,000
Signed, dated, titled and editioned in felt tip pen on the verso. Print 5 from an edition of 25 (+ 5 A.P.). In her series "Fourth," comprising a total of 26 works, Tracey Moffatt dedicates herself monothematically to the group of fourth-place finishers in the various athletic disciplines at the 2000 Olympic Games in Sydney. The photographs were taken during the television broadcast of the games on the home screen and were digitally manipulated by the artist, highlighting the sad protagonists, who just missed out on a medal, in colour.
Kunsthaus Lempertz KG
Nov. 16, 2022
TRACEY MOFFATT (born 1960) Charm Alone 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P
Est: $2,000 - $3,000
TRACEY MOFFATT (born 1960) Charm Alone 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P signed in plate lower right dated in plate lower left titled in plate lower left 80 x 60cm (sheet) PROVENANCE: Gift of the Artist Private collection, Sydney EXHIBITIONS: Kwangju Biennale, Kwagju, Korea, 1995 (suite, another impression) Australian Perspecta, Art Gallery of New South Wales, Sydney, 3 February - 26 March 1995 (suite, another impression) Prospect 19, Schim Kunsthalle, Frankfurt Germany, 1996 (suite, another impression) Campo 6, The Spiral Village, Museum of Modern Art, Torino, Italy and Bonnefanten Museum, Masstricht, Netherlands, 1996 (suite, another impression) From the Street - Photographs From the Collection, Art Gallery of New South Wales, Sydney, 27 April - 14 July 1996 (suite, another impression) Venice Biennale (Futuro Present Passato), Venice, Italy, 1997 (suite, another impression) Tracey Moffatt, The Institute of Modern Art, Brisbane, 8 September - 9 October 1999, (then toured Asia) (suite, another impression) Sydney Biennale, Art Gallery of New South Wales, Sydney, 2000 (suite, another impression) LITERATURE: Snelling, M., (ed.), Tracey Moffatt, The Institute of Modern Art and Asialink, Brisbane, 1999, pp. 50-53 (illustrated, another impression) Newton, G., Tracey Moffatt Fever Pitch, Piper Press, Sydney, 1995, p. 73-91 (illustrated, another impression) OTHER NOTES: Other impressions of this print are currently held in the permanent collections of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; The Tate, London; and Guggenheim Museum, New York.
Leonard Joel
Nov. 16, 2022
TRACEY MOFFATT (born 1960) Doll Birth 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P
Est: $2,000 - $3,000
TRACEY MOFFATT (born 1960) Doll Birth 1994 (Scarred for Life 1994) photolithograph, edition of 50 + 9 A/P signed in plate lower right dated in plate lower left titled in plate lower left 80 x 60cm (sheet) PROVENANCE: Gift of the Artist Private collection, Sydney EXHIBITIONS: Kwangju Biennale, Kwagju, Korea, 1995 (suite, another impression) Australian Perspecta, Art Gallery of New South Wales, Sydney, 3 February - 26 March 1995 (suite, another impression) Prospect 19, Schim Kunsthalle, Frankfurt Germany, 1996 (suite, another impression) Campo 6, The Spiral Village, Museum of Modern Art, Torino, Italy and Bonnefanten Museum, Masstricht, Netherlands, 1996 (suite, another impression) From the Street - Photographs From the Collection, Art Gallery of New South Wales, Sydney, 27 April - 14 July 1996 (suite, another impression) Venice Biennale (Futuro Present Passato), Venice, Italy, 1997 (suite, another impression) Tracey Moffatt, The Institute of Modern Art, Brisbane, 8 September - 9 October 1999, (then toured Asia) (suite, another impression) Sydney Biennale, Art Gallery of New South Wales, Sydney, 2000 (suite, another impression) LITERATURE: Snelling, M., (ed.), Tracey Moffatt, The Institute of Modern Art and Asialink, Brisbane, 1999, pp. 50-53 (illustrated, another impression) Newton, G., Tracey Moffatt Fever Pitch, Piper Press, Sydney, 1995, p. 73-91 (illustrated, another impression) OTHER NOTES: Other impressions of this print are currently held in the permanent collections of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; The Tate, London; and Guggenheim Museum, New York.
Leonard Joel
Nov. 10, 2022
TRACEY MOFFATT (B. 1960) Invocations No. 5 screenprint on paper image: 49 x
Est: £2,500 - £3,500
TRACEY MOFFATT (B. 1960) Invocations No. 5 screenprint on paper image: 49 x 40in. (124.5 x 101.5cm.) sheet: 57 1/2 x 47 5/8in. (146 x 121cm.)
Christie's
Oct. 13, 2022
Tracey Moffatt, Beauty (In Cream); Beauty (In Wine) (two works from The Beauties)
Est: $3,000 - $5,000
Tracey Moffatt Beauty (In Cream); Beauty (In Wine) (two works from The Beauties) 1992/1996 c-print image: 41.625 h × 33.25 w in (106 × 84 cm) sheet: 48.5 h × 40 w in (123 × 102 cm) Signed, titled, dated and numbered to verso 'Beauty in Wine 3/20 Tracey Moffatt 96'. Signed, titled, dated and numbered to verso 'Beauty in Cream 3/20 Tracey Moffatt 92'. These works are number 3 from the edition of 20. This work will ship from Rago in Lambertville, New Jersey.
Wright
Oct. 13, 2022
Tracey Moffatt, Birth Certificate, 1962 (from Scarred for Life I)
Est: $1,000 - $1,500
Tracey Moffatt Birth Certificate, 1962 (from Scarred for Life I) 1994 photolithograph 31.5 h × 23.625 w in (80 × 60 cm) This work is from the edition of 50 published by the artist. This work will ship from Rago in Lambertville, New Jersey.
Wright
Oct. 13, 2022
Tracey Moffatt, The Wizard of Oz, 1956 (from Scarred for Life I)
Est: $1,000 - $1,500
Tracey Moffatt The Wizard of Oz, 1956 (from Scarred for Life I) 1994 photolithograph 31.375 h × 23.5 w in (80 × 60 cm) This work is from the edition of 50 published by the artist. This work will ship from Rago in Lambertville, New Jersey.
Wright
Oct. 12, 2022
TRACEY MOFFATT born 1960, Body Remembers 2017
Est: $350,000 - $450,000
TRACEY MOFFATT born 1960 Body Remembers 2017 complete suite of digital pigment prints (10) 152.0 x 227.0 cm (each, image); 162.0 x 244.0 cm (each, sheet) comprising: (i) Spanish Window; (ii) Spirit House; (iii) Touch; (iv) Rock Shadow; (v) Bedroom; (vi) Weep; (vii) Shadow Dream; (viii) Kitchen; (ix) Washing; (x) Worship edition: Artist's Proof 2/2 (edition of 6) each signed and dated on label attached verso: TRACEY MOFFATT 2017
Menzies
Oct. 11, 2022
TRACEY MOFFATT, UNTITLED PORTRAIT, 1980s
Est: $2,000 - $3,000
TRACEY MOFFATT born 1960 UNTITLED PORTRAIT, 1980s silver gelatin photograph 40.5 x 27.5 cm (image) 41.0 x 30.0 cm (sheet) PROVENANCE Centre of Contemporary Photography, Melbourne The Estate of Joyce Evans, Melbourne, acquired from the above c.1980s This work is located in our Melbourne Gallery © Tracey Moffatt/Copyright Agency 2022
Deutscher and Hackett
Aug. 21, 2022
MOFFATT Tracey (b.1960), 'Nadia Comaneci,' 2005, from 'Under the Sign of Scorpio,' series., Archival Pigment Ink on Acid-free Rag P
Est: $500 - $800
MOFFATT, Tracey (b.1960) 'Nadia Comaneci,' 2005, from 'Under the Sign of Scorpio,' series. Archival Pigment Ink on Acid-free Rag Paper 5/21 43x58.5cm
Davidson Auctions
Jun. 02, 2022
Tracey Moffatt (b. 1960): Up in The Sky (18)
Est: $800 - $1,200
Photolithograph on paper, 1997, signed, dated and numbered 22/60 in pencil, with label from Matthew Marks Gallery, NY. 28 1/4 x 40 in. (sheet), 31 x 42 in. (frame).
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