Frederick Nash Sold at Auction Prices

FREDERICK NASH RWS (1782-1856); pair of watercolours, fishermen mending the nets, 16.5 x 25cm, each framed and glazed.

FREDERICK NASH RWS (1782-1856); pair of watercolours, fishermen mending the nets, 16.5 x 25cm, each framed and glazed.

Frederick Nash, OWS (1782-1856)

Frederick Nash, OWS (1782-1856) The High Altar before the Wallingford Screen in the Cathedral and Abbey Church of St Alban, St Albans signed and dated lower centre 'F Nash / 1812' watercolour over pencil heightened with touches of bodycolour on paper 57 x 41cm Framed 83.5 x 68cm

Frederick Nash (British, 1782-1856), 'Kingston Pier, Sussex' and 'Between Kingston and Shoreham, Sussex', pair of watercolours, 21.5 x 31cm

Frederick Nash (British, 1782-1856) 'Kingston Pier, Sussex' and 'Between Kingston and Shoreham, Sussex' pair of watercolours signed

Nash, Frederick (Lambeth 1782-1856 Brighton),

"Roman Monument at Treves on the Moselle" (verso hs. bezeichnet von alter Hand). Blick auf eine Säule mit Kreuztragungsmotiv und drei rastenden Personen vor der Silhouette der Stadt Trier im Hintergrund. Aquarell auf Karton. Links unten sign., nicht dat. (um 1830). 18 x 26,1 cm. - Minimal fleckig und gebräunt. (82)

Nash, Frederick (Lambeth 1782-1856 Brighton),

"Roman Monument at Treves on the Moselle" (verso hs. bezeichnet von alter Hand). Blick auf eine Säule mit Kreuztragungsmotiv und drei rastenden Personen vor der Silhouette der Stadt Trier im Hintergrund. Aquarell auf Karton. Links unten sign., nicht dat. (um 1830). 18 x 26,1 cm. - Minimal fleckig und gebräunt. (60) -

Nash, Frederick (Lambeth 1782-1856 Brighton),

"Roman Monument at Treves on the Moselle" (verso hs. bezeichnet von alter Hand). Blick auf eine Säule mit Kreuztragungsmotiv und drei rastenden Personen vor der Silhouette der Stadt Trier im Hintergrund. Aquarell auf Karton. Links unten sign., nicht dat. (um 1830). 18 x 26,1 cm. - Minimal fleckig und gebräunt. (60) -

* Nash (Frederick, 1882-1856, attributed to). Glastonbury Priory

* Nash (Frederick, 1882-1856, attributed to). Glastonbury Priory Attributed to Frederick Nash (1882-1856). Glastonbury Priory, sepia watercolour on card, depicting part of an ancient ruined building, annotated in pencil on the verso with the title in early manuscript, repeated in a later hand, with additional attribution and provenance ('Ex-collection Matthew Prior'), tip of lower right corner chipped away, sheet size 36 x 25.8cm (14 1/4 x 10 1/4ins), mounted (56.2 x 45cm), together with 12 other British topographical watercolours and drawings, including a watercolour attributed to Dr Thomas Monro (1759-1833), entitled 'Farmyard barns and cart amongst trees', mounted, framed and glazed, a watercolour on paper of a village scene, circa 1820, depicting dwellings either side of a wide lane, with figures, including 3 young ladies each wearing a white muslin dress tied with a blue sash, conversing with a couple in a horse-drawn vehicle, 2 pencil landscape drawings on blue paper, one attributed to Sir George Beaumont and with printed label 'Beau 219' to mount, the other titled ' At Tunbridge Wells 1816' and attributed to Agostino Aglio, a sepia watercolour on card of the gatehouse at St Mary's Abbey, York, attributed to Thomas Miles Richardson (1784-1848), mounted, and 3 others attributed to the same artist: a pencil drawing on paper of a figure in a rocky valley by a small bridge against mountains; a pencil sketch with watercolour wash on grey paper of a rustic dwelling; and a pencil sketch on pink paper of several dwellings, each mounted Qty: (13)

Frederick Nash (British 1782-1856), At Penryn, Cornwall

Frederick Nash (British 1782-1856)At Penryn, Cornwall Pencil Signed, inscribed and dated 51 (verso)28 x 42cm (11 x 16½ in.)Unframed Together with two further works by the same hand, both titled 'at Tintern', each signed and one dated 1849, various sizes, one framed the other unframed (3)

Frederick Nash (British 1782-1856), Caesar's Tower, Kenilworth Castle, Warwickshire

Frederick Nash (British 1782-1856)Caesar's Tower, Kenilworth Castle, WarwickshirePencil Signed and titled (lower left)25.5 x 33.5cm (10 x 13 in.)

A Collection of Eight Architectural Views

A Collection of Eight Architectural Views A Collection of Eight Architectural Views Including the house at Stourhead, Wiltshire, a chapel attributed to Frederick Nash (1782-1856), a country estate by Dan Kemp, dated 1727, a Jacobian mansion, an eighteenth century mansion, an Italian Palazzo, Buxton Crescent, Bath by Chambers Hall (1786-1855) and others various sizes, All unframed (8)

ATTRIBUTED TO FREDERICK NASH RWS (1782-1856)

ATTRIBUTED TO FREDERICK NASH RWS (1782-1856) ATTRIBUTED TO FREDERICK NASH RWS (1782-1856) 'A Procession in Westminster Abbey, Looking East From Behind the Choir Screen' watercolour with pencil, highlighted with bodycolour 65 x 55cm Nash's first picture, exhibited at the Royal Academy in 1800, had been a drawing of the 'North Entrance of Westminster Abbey', and it was a location that he returned to on numerous occasions. Nash is recorded as having painted a further view of the Abbey's interior in 1811 and a 'repetition of the same subject' (1) in 1824, the latter measuring c.110 x 90cm. This was exhibited on several occasions at the conversaziones of the RWS and at the Burlington Fine Arts Club and was owned by Sir Thomas Lawrence who later sold it to Sir Thomas Baring. Mention is made of a Westminster interior in 1827; a smaller work than the present one is in the collection of the Yale Centre for British Art (Acc. No. B1975.3.1063); finally Nash wrote in 1855, the year before his death, to John Mogford (then organiser of the Crystal Palace Exhibition) wondering if a drawing of his of Westminster Abbey was too large and required reframing.

FREDERICK NASH, O.W.S. (LONDON 1782-1856 BRIGHTON), The Wine Market, and Pont Tournelle, with the Cathedral of Notre Dame in the distance, Paris,

FREDERICK NASH, O.W.S. (LONDON 1782-1856 BRIGHTON) The Wine Market, and Pont Tournelle, with the Cathedral of Notre Dame in the distance, Paris pencil and watercolour heightened with bodycolour and gum arabic and with scratching out 23 1/2 x 41 3/4 in. (59.6 x 106 cm.) ,

FREDERICK NASH (BRITISH, 1782-1856) BRIGHTON BEACH Watercolor and graphite: 10 1/2 x 7 1/4 in.

FREDERICK NASH (BRITISH, 1782-1856) BRIGHTON BEACH Watercolor and graphite: 10 1/2 x 7 1/4 in. Framed; lower right signed in graphite: F. Nash; verso label "Thos. Agnew & Sons. Ltd. /no. 46402/ London" Provenance: Estate of Nina Rodale Houghton, wife of the late Arthur A. Houghton, President of The Metropolitan Museum of Art Carmichael Farm, Queenstown, Maryland

Frederick Nash - View near York

Lot 41 Frederick Nash English (1782-1856) View near York watercolor signed lower right image: 13 3/4 11 1/2 inches frame: 20 x 18 inches Provenance: from a private collection

Frederick Nash (Lambeth 1782-1856 Brighton) Nantes sur Loire 20 x 30in (50.9 x 76.3cm) (sight)

Frederick Nash (Lambeth 1782-1856 Brighton) Nantes sur Loire pencil and watercolor on paper20 x 30in (50.9 x 76.3cm) (sight) Provenance: with Frost & Reed, London.

FREDERICK NASH, OWS (ENGLISH, 1782-1856)

FREDERICK NASH, OWS (ENGLISH, 1782-1856) A view of Notre Dame, Paris with figures in the foreground Watercolour In 1819, Frederick Nash was working in France producing a series of views of Paris and Versailles. These were engraved for his book, Picturesque Views of The City of Paris and Its Environs, which was published between 1820 and 1823. He made further visits to Paris in 1824 and 1825. A similar view showing Notre Dame Cathedral from the East is recorded. Provenance: A private collection of English and Irish watercolours11 x 17 inches (28 x 43 cm.)

Frederick Nash (British, 1782-1856) - View of the Thames near Richmond inscribed and signed lower left "Near Richmond, Frederick Nash..

Frederick Nash (British, 1782-1856) View of the Thames near Richmond inscribed and signed lower left "Near Richmond, Frederick Nash 1835" watercolour, unframed and mounted h:16 w:41 cm

Frederick Nash (British, 1782-1856) - View of Lake Nemi, looking south west towards the town of Genzano, Italy signed lower centre "F..

Frederick Nash (British, 1782-1856) View of Lake Nemi, looking south-west towards the town of Genzano, Italy signed lower centre "F Nash" watercolour h:37 w:52 cm Frederick Nash (1782–1856) was an English painter and draughtsman, born in Lambeth. He initially studied architectural drawing under Thomas Malton, then later enrolled at the Royal Academy of Arts. Between 1801 and 1809 Nash worked with the antiquarians John Britton and Edward Wedlake Brayley. In 1810, he became a member of the Society of Painters in Watercolours, an organization whose members had seceded from the Royal Academy over complaints that their work was not being recognized. Nash primarily painted landscapes, and made sketching trips to Calais, Caen, the Moselle river, the Rhin and Italy. In 1834 he moved to Brighton where he continued working until his death in 1856.

ATTRIBUTED TO FREDERICK NASH (1782-1856) 'Boulogne

ATTRIBUTED TO FREDERICK NASH (1782-1856) 'Boulogne Market Place', watercolour, 20 x 32cm The Graves Gallery label verso

Frederick Nash (1782-1850), 'CIBANIA NEAR ROME'

Frederick Nash (1782-1850), 'CIBANIA NEAR ROME' Signed l.l., watercolour 37 x 51cm

Frederick Nash, O.W.S. (Great Marlow 1782-1856 London) The Mansion House from Poultry looking down Cheapside towards St-Mary-le-Bow with the Lord Mayor's coach in the foreground pencil and watercolour with touches of bodycolour 31 x 25½ in. (78.8 x 64.8 cm.)

French School, late 19th century- Chateau de

French School, late 19th century- Chateau de Dieppe; watercolour, 36x48cm: A Régné, French School, 19th century- Soldiers in their barracks; watercolour, signed and dated 1897, 30x24cm: Follower of Frederick Nash, British 1782-1856- "Le Chateau de Dieppe et Fontaine, Rue de la Barre"; watercolour, 25x21cm: French School, early-mid 20th century- "Rue de l'Epee, Dieppe"; pencil, inscribed and dated 30.8.31, 19x13cm., (4)

Frederick Nash, O.W.S. (1782-1856)

Frederick Nash, O.W.S. (1782-1856) The Mansion House from Poultry looking down Cheapside towards St-Mary-le-Bow with the Lord Mayor's coach in the foreground pencil and watercolour with touches of bodycolour 31 x 25½ in. (78.8 x 64.8 cm.)

ATTRIBUTED TO FREDERICK NASH, OWS (1782-1856,

ATTRIBUTED TO FREDERICK NASH, OWS (1782-1856, BRITISH) Watercolour Figures in a Road before a College Gateway 4 ½" x 7"

Frederick Nash, O.W.S. (London 1782-1856)

Frederick Nash, O.W.S. (London 1782-1856) Pont de la Belle Croix, Nantes signed and inscribed (verso according to previous cataloguing) pencil and watercolour with gum arabic and with scratching out 18 3/8 x 26 1/8 in. (46.6 x 66.3 cm.)

Frederick Nash, O.W.S. (London 1782-1856 Brighton)

Frederick Nash, O.W.S. (London 1782-1856 Brighton) Pont de la Belle Croix, Nantes signed and inscribed (on the reverse according to previous cataloguing) pencil and watercolour with gum arabic and with scratching out 18 3/8 x 26 1/8 in. (46.6 x 66.3 cm.)

Frederick Nash, O.W.S. (1782-1856)

Frederick Nash, O.W.S. (1782-1856) Market day before Rouen Cathedral signed 'F. NASH' (lower left) watercolour 12¼ x 16¾ in. (31.1 x 42.5 cm.)

(i) Frederick Nash Ruins (ii) Wm. Morris Design for a Church Window (iii) Attributed to S. Prout Venetian Canal Scene

(i) Frederick Nash English, 1782-1856 Ruins Signed F. Nash (lr) Watercolor on paper 16 1/2 x 12 1/4 inches (ii) Wm. Morris Design for a Church Window-Saint Magnus Signed Wm. Morris (lr) Watercolor and pen on paper Sight 17 3/4 x 12 3/4 inches (iii) Attributed to S. Prout A Venetian Canal Scene with Figures Watercolor on paper Sight 17 x 11 1/4 inches

Frédéric NASH (Lambeth1782 - Brighton 1856) Vue

Frédéric NASH (Lambeth1782 - Brighton 1856) Vue animée du château de Saint-Cloud Aquarelle, plume et encre brune sur traits de crayon noir 10 x 16,5 cm Signé en bas à droite Annotations au verso On y joint MOUTON (actif en France au XIXe siècle) Femmes, enfants et pêcheur sur la plage Aquarelle, plume et encre brune et lavis brun 16,5 x 21 cm Signé en bas au centre Petites taches

Frederick Nash, O.W.S. (1782-1856)

Frederick Nash, O.W.S. (1782-1856) Market day before Rouen Cathedral signed 'F. NASH' (lower left) watercolour 12¼ x 16¾ in. (31.1 x 42.5 cm.)

Frederick Nash OWS (1782-1856) Old London Bridge, 8 x 11.5in.

Frederick Nash OWS (1782-1856) watercolour, Old London Bridge, 8 x 11.5in.

FREDERICK NASH (1782-1856), 'Stormy Landscape',

FREDERICK NASH (1782-1856), 'Stormy Landscape', watercolour, 17cm x 31cm, framed, Agnew's label to verso.

Frederick Nash , 1782-1856 The Seine, looking towards the Louvre and the Pont Royal watercolour over pencil with bodycolour, scratching out and gum arabic

watercolour over pencil with bodycolour, scratching out and gum arabic

ATTRIBUTED TO FREDERICK NASH (1782-1856) An

ATTRIBUTED TO FREDERICK NASH (1782-1856) An architectural pen and ink and brown wash drawing of a Classical portico leading to a formal garden, 18" x 23 1/2" (see H M C typed note verso) (see illustration).

View of Tothill Street with Westminster Abbey beyond; and View of Gracechurch Street with the Monument and the church of St. Magnus the Martyr beyond

Frederick Nash, O.W.S. (1782-1856) View of Tothill Street with Westminster Abbey beyond; and View of Gracechurch Street with the Monument and the church of St. Magnus the Martyr beyond pencil and watercolour, heightened with touches of white 8 5/8 x 7 3/8 in. (21.9 x 18.7 cm.); and 7 7/8 x 6 7/8 in. (20 x 17.5 cm.) (2)

An elegant couple promenading in the Jardin du Luxembourg, Paris

Frederick Nash, O.W.S. (1782-1856) An elegant couple promenading in the Jardin du Luxembourg, Paris brown ink and watercolour heightened with white 4½ x 6 in. (11.5 x 15 cm.)

Frederick Nash OWS (1782-1856), The High, Oxford,

Frederick Nash OWS (1782-1856), The High, Oxford, watercolour, with inscription on label on old backing, 19 x 27 cm (7 1/2 x 10 1/2 in)

Frederick Nash, O.W.S. (1782-1856)

Keswick new Church looking into the Vale of Borrowdale, Cumberland pencil, watercolour and bodycolour 19 5/8 x 28 7/8 in. (49.8 x 73.4 cm.)

FREDERICK NASH, 1782-1856

CHOIR OF ST. GEORGE'S CHAPEL, WINDSOR 59x44cm., 23¼x17¼in. inscribed with the title on the reverse of the original mount watercolour over pencil with scratching out NOTE Another view of the interior of St. George's Chapel by Nash drawn from inside the Great Doors was engraved by W. Ellis in 1804 and sold in these Rooms on 30th April 1987, lot 551.

Frederick Nash (1782-1856)

The Louvre from the Seine, Paris pencil and watercolour 7 1/2 x 12 1/4 in. (19.1 x 31.2 cm.)

FREDERICK NASH 1782-1856

CHOIR OF ST. GEORGE'S CHAPEL, WINDSOR measurements note 59 by 44 cm., 23 1/4 by 17 1/4 in. inscribed with the title on the reverse of the original mount watercolour over pencil with scratching out NOTE Another view of the interior of St. Georges' Chapel by Nash drawn from inside the Great Doors was engraved by W. Ellis in 1804 and sold in these Rooms on 30th April 1987, lot 551

f - FREDERICK NASH, 1782-1856

watercolour

Frederick Nash (British, 1782-1856)

A view of Kensington Gardens inscribed on label verso 'Kensington Gardens by F. Nash 1782-1856', bears another label 'Thomas Agnew and Sons Ltd', watercolour 14.2 x 19.3cm

Frederick Nash (British, 1782-1856)

A view of Kensington Gardens inscribed on label verso 'Kensington Gardens by F. Nash 1782-1856', bears another label 'Thomas Agnew and Sons Ltd', watercolour 14.2 x 19.3cm

f - FREDERICK NASH, BRITISH 1782-1856

STUDY FOR THE WRECK

Frederick Nash (British, 1782-1856)

A view of Kensington Gardens inscribed on label verso 'Kensington Gardens by F. Nash 1782-1856', bears another label 'Thomas Agnew and Sons Ltd', watercolour 14.2 x 19.3cm

Frederick Nash O.W.S. (British, 1782-1856) The Pont Neuf, Paris - Sunrise watercolour

38.1 x 53.3 cm. (15 x 21 in.) Footnote: Exhibited: London, Royal Society of Painters in Watercolour, 1843, no. 112. Nash visited Paris in 1819, 1824 and 1825 and painted many views of the city, some of these were reproduced in his publication "Picturesque views of the City of Paris and its environs", 1819-23.

Frederick Nash, O.W.S. (1782-1856)

King's College Chapel, Cambridge signed 'F.NASH' (lower right) pencil and watercolour, with scratching out 9 7/8 x 14 in. (25.2 x 35.6 cm) PROVENANCE with M. Newman, London. NOTES King's College Chapel, founded in 1446, is one of Cambridge's most highly impressive buildings, attached to one of the oldest colleges in the city, the chapel's first stone was laid by Henry VI. Construction of the chapel was not completed until over a hundred years later during the reign of Henry VIII and had already involved the participation of four kings, who, during their rule, granted funds to continue building small sections. King's College Chapel was recognised as one of Europe's finest medieval buildings by contemporary society and is still regarded as a prime example of late English Gothic architecture.