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Jean-Bapt. De Noter Sold at Auction Prices

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    • Jean-Baptiste André DE NOTER (1786-1855)
      Jun. 17, 2023

      Jean-Baptiste André DE NOTER (1786-1855)

      Est: €1,400 - €1,800

      Jean-Baptiste André DE NOTER (1786-1855) Brush, ink & watercolor The Sint Baafsstede near Ghent destroyed in 1541. After the painting by Lucas d'Heere, signed and dated 1809. Penseel, inkt & aquarel De Sint Baafsstede bij Gent verwoest in 1541. Naar het schilderij van Lucas d'Heere, gesigneerd en gedateerd 1809.

      Maison Jules Veilinghuis
    • Jean-Baptiste André DE NOTER (1786-1855)
      Jun. 25, 2022

      Jean-Baptiste André DE NOTER (1786-1855)

      Est: €300 - €400

      Jean-Baptiste André DE NOTER (1786-1855) Pencil drawing Ghent city view, monogram JB Potloodtekening Gents zicht, monogram JB

      Maison Jules Veilinghuis
    • Jean-Baptiste André DE NOTER (1786-1855)
      Jun. 25, 2022

      Jean-Baptiste André DE NOTER (1786-1855)

      Est: €2,000 - €3,000

      Jean-Baptiste André DE NOTER (1786-1855) Brush, ink & watercolor The Sint Baafsstede near Ghent destroyed in 1541. After the painting by Lucas d'Heere, signed and dated 1809. Penseel, inkt & aquarel De Sint Baafsstede bij Gent verwoest in 1541. Naar het schilderij van Lucas d'Heere, gesigneerd en gedateerd 1809.

      Maison Jules Veilinghuis
    • Jean-Baptiste André DE NOTER (1786-1855)
      Oct. 19, 2020

      Jean-Baptiste André DE NOTER (1786-1855)

      Est: €1,000 - €1,500

      Brush, ink & watercolor The Sint Baafstede near Ghent destroyed in 1541. After the painting by Lucas d'Heere

      Maison Jules Veilinghuis
    • Jean-Baptiste André DE NOTER (1786-1855) (attrib)
      Oct. 18, 2020

      Jean-Baptiste André DE NOTER (1786-1855) (attrib)

      Est: €150 - €200

      pencil drawing Ghent city view

      Maison Jules Veilinghuis
    • ATTRIBUE A JEAN-BAPTISTE ANDRE DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm
      Nov. 24, 2010

      ATTRIBUE A JEAN-BAPTISTE ANDRE DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm

      Est: €1,200 - €1,800

      ATTRIBUE A JEAN-BAPTISTE ANDRE DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm

      Pierre Bergé & Associés
    • Jean-Baptiste Andre De Noter 1786-1855- Parisian
      Jul. 06, 2010

      Jean-Baptiste Andre De Noter 1786-1855- Parisian

      Est: £150 - £200

      Jean-Baptiste Andre De Noter 1786-1855- Parisian Street scene; pen, black ink and watercolour, within ink drawn lines, signed and dated 1839, 29x24cm., (unframed)

      Roseberys
    • ATTRIBUE A JEAN BAPTISTE ANDRÉ DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm
      May. 26, 2010

      ATTRIBUE A JEAN BAPTISTE ANDRÉ DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm

      Est: €3,000 - €4,000

      ATTRIBUE A JEAN BAPTISTE ANDRÉ DE NOTER (1787-1855) Vue de Gand Eglise St Michel. Panneau. H_50 cm L_70 cm

      Pierre Bergé & Associés
    • Jean-Baptiste Andre de Noter (1787-1855)
      Nov. 01, 2005

      Jean-Baptiste Andre de Noter (1787-1855)

      Est: £1,500 - £2,000

      Figures before a church signed and dated 'J.B. de Noter fec. 1820' (lower left) pen, ink and watercolour 14 x 19 3/4 in. (35.6 x 50 cm.)

      Christie's
    • DAVID ÉMILE JOSEPH DE NOTER BELGIAN, 1818-1892 A STILL LIFE WITH FLOWERS AND FRUIT
      Apr. 19, 2005

      DAVID ÉMILE JOSEPH DE NOTER BELGIAN, 1818-1892 A STILL LIFE WITH FLOWERS AND FRUIT

      Est: €80,000 - €120,000

      signed l.r. oil on canvas CATALOGUE NOTE David Emile Joseph de Noter was born in 1818 in Gent, Belgium. He grew up in an artistic environment: his father was the well-known painter of urban sights Jean-Baptiste André de Noter (1787-1855). David settled down in Brussels in 1840. There he developed his own style, specializing in highly accomplished, polished interiors and still lives. His paintings stand out because of the great attention to detail and depiction of fabrics and textures. Even when depicting a kitchen maid, De Noter portrays her very elegantly. The current lot is a wonderful example of this refined technique. The bouquet is composed of roses, peonies, Indian cress, amaryllises and an assortment of flowers in vibrant colors. Juicy peaches lie to the left of the vase, a glass dish holds tempting red strawberries next to some hazelnuts in the foreground. A gleaming brass cup complements the elegant composition, which is put together on a deceptively real marble plinth. De Noter strived for harmony and balance both in his interiors and still lives. In his time he was held in high esteem. His contemporary Henri baron Leys employed him in his studio solely for the purpose of painting vegetables, fruits and flowers. He participated frequently at international exhibitions and won international recognition: he won a bronze medal at the salon in Paris in 1845 and a gold medal in Brussels in 1854. The date and venue of his demise is debated: some state Brussels in 1875, others 1892 in Algiers. Whatever the true moment has been, his legacy remains one of elegance and beauty.

      Sotheby's
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