Max Oppenheimer Paintings & Artwork for Sale | Max Oppenheimer Art Value Price Guide

Dec. 03, 2024
Max Oppenheimer: Voltaire
Est: €200 - €400
Max Oppenheimer Voltaire 1916 woodcut on paper; framed 27.2 x 21.5 cm (cut-out) signed on the lower right: MOPP private property, Vienna Michael Pabst, Max Oppenheimer, Verzeichnis der Druckgrafik, Munich 1993, no. H 1
Im Kinsky
Nov. 29, 2024
Max Oppenheimer
Est: €3,600 - €7,200
(1885 Wien - 1954 New York) "Malerei und Musik". Originaltitel Farblithographie/chamoisfarbenes Papier. R. u. sign. u. nummeriert 44/50. Im Stein sign. u. dat. 1919. Wvz. Pabst L14. Darstellung ca. 75 cm x 65 cm. Blatt ca. 84,5 cm x 68 cm. Rahmen. Oppenheimer studierte 1900-1906 an den Akademien in Wien und Prag. 1906 schloss sich Oppenheimer in Prag der Avantgarde-Künstlergruppe "OSMA" an, die unter dem Einfluss der modernen französischen Malerei, van Goghs, Gauguins und Cézannes stand. Nach seiner Rückkehr nach Wien 1907 nahm er 1908/09 an Ausstellungen der Kunstschau teil und schloss sich dem Kreis des "Wiener Expressionismus" um Kokoschka und Schiele an. Während eines Berlinaufenthalts 1911-1915 integrierte er zunehmend kubistische Elemente in sein Schaffen. 1915-1925 hielt Oppenheimer sich in der Schweiz auf und begann dort seine Auseinandersetzung mit der Musik. In dieser Zeit entstand u.a. das vorliegende Blatt und zahlreiche Bildnisse von Musikern. Lithograph in colours on paper. Hand-signed and numbered 44/50. Signed and dated 1919 in the stone.
Kunstauktionshaus Schloss Ahlden
Nov. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York )
Est: €2,400 - €4,000
MAX OPPENHEIMER (Vienna 1885 - 1954 New York ) The Amati, 1932 color lithograph/paper 67 x 55 cm monogrammed and dated in the plate MOPP 32 numbered and signed with pencil by hand 75/100 MOPP SCHÄTZPREIS / ESTIMATE € 2400 - 4000 STARTPREIS / STARTING PRICE € 2400 Max Oppenheimer was an Austrian artist of the 20th century and as such an important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Art Academy. 1906 member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen. 1908 and 1909 participation in the art show in Vienna. Early influences of Vincent van Gogh, included the Viennese Expressionism around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, dealing with Cubism and working on the magazine Die Aktion. 1915 to 1925 in Switzerland began his involvement with the subject of music. In Berlin at the end of the 1920s and again in Vienna from 1931. In 1937, his works were classified as degenerate art by the Nazis. Created primarily portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from cubism and futurism on the subject of music, impressive representations of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. In 1938, Oppenheimer fled the Nazis, first to Switzerland and in 1939 to the USA. Oppenheimer was a great music lover and an enthusiastic musician. Opinions differ as to whether he was a really good violinist. What is known about him is that he owned two very good violins, a modern one made by the Paris lutist Jean-Baptiste Vuillaume (1798 - 1875) and one of the earliest violins by the Veronese master Giacomo Amati from 1606. In the lithograph from 1932, Oppenheimer shows his favourite instrument from two different perspectives. Tragically, as part of his escape from the Nazis, he had to sell his beloved Amati in order to pay for passage to America. The present example of the lithograph hung in the Rijksmuseum in Amsterdam for years but was in the private property of Frederik Schmidt Degener (1881 - 1941) when he was its director (1922 - 1941). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York )
Est: €2,000 - €4,000
MAX OPPENHEIMER (Vienna 1885 - 1954 New York ) Rosé Quartet, 1920 color lithography/paper 65,5 x 64 cm monogrammed in stone MOPP depicted in Pabst, cat. raisonné Max Oppenheimer 1993, fig. L15, and in Kunsthandel Widder (Editor) 2023, Max Oppenheimer und das Rosé-Quartett, P 4 and title page SCHÄTZPREIS / ESTIMATE °€ 2000 - 4000 STARTPREIS / STARTING PRICE °€ 2000 Max Oppenheimer was an Austrian artist of the 20th century and as such an important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Art Academy. 1906 member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen. 1908 and 1909 participation in the art show in Vienna. Early influences of Vincent van Gogh, included the Viennese Expressionism around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, dealing with Cubism and working on the magazine Die Aktion. 1915 to 1925 in Switzerland began his involvement with the subject of music. In Berlin at the end of the 1920s and again in Vienna from 1931. In 1937, his works were classified as degenerate art by the Nazis. Created primarily portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from cubism and futurism on the subject of music, impressive representations of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. In 1938, Oppenheimer fled the Nazis, first to Switzerland and in 1939 to the USA. Arnold Rosé (Arnold Josef Rosenblum), born in Jassy in 1863, studied violin with Karl Heißler at the Vienna Konservatorium der Gesellschaft der Musikfreunde (Conservatory of the Society of Music Friends) in 1873. At the age of 16, Rosé made his successful debut with the Leipzig Gewandhaus Orchestra. From 1881 to 1938 he was a member of the Vienna Philharmonic, and from 1881 he was first concertmaster and soloist at the Vienna Court Opera. From 1889 to 1896 he made occasional guest appearances as concertmaster at the Bayreuth Festival. From 1903 he was a member of the Vienna Court Music Orchestra. From 1893 to 1901 Rosé taught violin and viola at the Conservatory of the Society of Music Friends. From 1908 to 1924 he was professor of music at the Vienna Academy of Music. In 1882, together with his brother, the cellist Eduard Rosenblum or Rosé, he founded the Rosé Quartet, which became famous in the first decades of the 20th century, especially with its line-up of Paul Fischer, Anton Ruzitska and Friedrich Buxbaum. The quartet performed regularly in Vienna, Prague and Budapest and, in addition to their exemplary interpretations of classical works, became known for their courageous commitment to new music (especially Arnold Schönberg). In 1891 Rosé converted to the Protestant faith and changed his name to Rosé. From 1902 he was married to Justine Mahler, a sister of Gustav Mahler. His daughter, the violinist Alma Rosé, led the famous "girls' orchestra" of Auschwitz. Son Alfred Eduard Rosé became a pianist and composer. Appointed an honorary member of the Vienna Philharmonic in 1933, Arnold Rosé fled to London in 1939. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 19, 2024
Max (MOPP) Oppenheimer
Est: €20,000 - €30,000
(Vienna 1885–1954 New York) Bildnis Moissey Kogan (Portrait of Moissey Kogan), c. 1929, signed MOPP, on the original stretcher a label of the Künstlerhaus Vienna 1932/3130 and the inventory no. 60150, oil on canvas, 69 x 51.5 cm, framed Listed and illustrated: Marie-Agnes von Puttkamer, MOPP. Max Oppenheimer. Leben und malerisches Werk mit einem Werkverzeichnis der Gemälde, Vienna 1999, cat. rais. no. 184, ill. p. 157 and 267 Provenance: Max Oppenheimer (1885–1954) Stolen from the studio, Vienna, 1938 Julius Fargel (1886–1954), Vienna His donation to the Municipal Collections (now the Wien Museum), February 6, 1939, Inv. no. 60.150 Restitution to the legal successors after Max Oppenheimer 2024 Literature: Gerhard Söhn, Moissey Kogan. Bausteine zu einer Monographie, Düsseldorf 1980, ill. p. 157 Exhibition: Vienna, Autumn exhibition with a collection of works by Max Oppenheimer, Künstlerhaus Vienna, 1932, cat. no. 108 Vienna, Die Vertreibung des Geistigen aus Österreich. Zur Kulturpolitik des Nationalsozialismus, Hochschule für angewandte Kunst, Vienna, exh. cat. p. 154 (with incorrect description) Moissey Kogan (1879–1943) was a sculptor and graphic artist originally from Bessarabia, now part of Ukraine. He studied at the Academy of Fine Arts in Munich and lived and worked in Paris after 1910. His restless life across several European cities allowed him to build a vast network of collectors, art dealers, and artists. As a Jewish painter, his work was denounced in Germany after 1933, and from 1937, numerous pieces were confiscated and destroyed in German museums. In 1943, he was taken from Paris to the Auschwitz concentration camp, where he was murdered.
Dorotheum
Nov. 19, 2024
Max (MOPP) Oppenheimer
Est: €22,000 - €30,000
(Vienna 1885–1954 New York) Bildnis Martin Hürlimann (Portrait of Martin Hürlimann), c. 1929, on original stretcher a label of the Künstlerhaus, Vienna 1932/3134, two stamps on the reverse: “Leopold Hess / Zeichen- und Malutensilien, Berlin, Genthiner Straße 29” and “Historisches Museum der Stadt Wien” with the inventory no. 60149, oil on canvas, 68.5 x 52.5 cm, framed Listed and illustrated: Marie-Agnes von Puttkamer, MOPP. Max Oppenheimer. Leben und malerisches Werk mit einem Werkverzeichnis der Gemälde, Vienna 1999, cat. rais. no. 183, ill. p. 267 Provenance: Max Oppenheimer (1885–1954) Stolen from the studio, Vienna, 1938 Julius Fargel (1886–1954), Vienna His donation to the Municipal Collections (now the Wien Museum), 6 February 1939, Inv. no. 60.149 Restitution to the legal successors after Max Oppenheimer 2024 Exhibition: Submitted to the Autumn exhibition with a collection of works by Max Oppenheimer, Künstlerhaus Vienna, 1932 Vienna, Die Vertreibung des Geistigen aus Österreich. Zur Kulturpolitik des Nationalsozialismus, Hochschule für angewandte Kunst, Vienna, exh. cat. p. 154 (with incorrect description) (cat. no. 7) We are grateful to Nikolaus Domes, MA for confirming the entry in the Künstlerhaus-Archive. Martin Hürlimann (1897–1984) was a Swiss photographer, globetroter and publisher. In 1929 he founded the magazin “Atlantis” in Berlin. As a publisher, Hürlimann produced several seminal works, such as the "Atlantisbuch der Musik" (1934).
Dorotheum
Nov. 19, 2024
Max (Mopp) Oppenheimer
Est: €160,000 - €220,000
(Vienna 1885–1954 New York) Selbstporträt (Self-portrait), c. 1933, on original stretcher a label of the Künstlerhaus, Vienna 1932/3135, stamp and inventory no. 60148 of the “Historisches Museum Wien” (today Wien Museum), oil on canvas, 98 x 81 cm, framed Listed and illustrated: Marie-Agnes von Puttkamer, MOPP. Max Oppenheimer. 1885–1954. Leben und malerisches Werk mit einem Werkverzeichnis der Gemälde, Vienna 1999, cat. rais. no. 220, ill. p. 274 Provenance: Max Oppenheimer (1885–1954) Stolen from the studio, Vienna, 1938 Julius Fargel (1886–1954), Vienna His donation to the Municipal Collections (now the Wien Museum), 6 February 1939, Inv. no. 60.148 Restitution to the legal successors after Max Oppenheimer 2024 Exhibition: Submitted for the Autumn exhibition with a collection of works by Max Oppenheimer, Künstlerhaus Vienna, 1932 Vienna, MOPP. Max Oppenheimer, Jüdisches Museum, 23 June – 18 September 1994, exh. cat. p. 157/158, ill. We are grateful to Nikolaus Domes, MA for confirming the entry in the Künstlerhaus-Archive. Max Oppenheimer in Vienna Max Oppenheimer, as son of an editor of the Neue Freie Presse newspaper and as protagonist of late Viennese Modernism, cultivated a special interest in human nature very early on. Shortly before 1910 as connoisseur and member of the Café Central Clique in Vienna, he availed of a rich environment populated with such unusual personalities as Adolf Loos, Arthur Schnitzler, and later Heinrich and Thomas Mann, whose idiosyncrasies he had the unique opportunity to study and record. In contrast to and quite different from his great idol Egon Schiele, he seldom opted for the self-portrait as motif; to be exact, only once per decade in the creative period prior to his emigration: in 1908, 1911, 1924, and finally in 1932. In spring of that same year, he had returned from Berlin to resettle in Vienna and had moved into a studio on Neulinggasse 39 in Vienna’s 3rd district. Shrewdly, he had recognised the growing political aggression in Germany as an inescapable danger for himself as a Jewish artist. However, in Vienna he was not yet restricted in his work, and over the following six years Oppenheimer found repeated opportunities for exhibitions, sales and intensive work. Already in the autumn of 1932, he had the chance to showcase a representative exhibition of more than thirty oil paintings at the Künstlerhaus from November 1932 to January 1933. He also submitted this self-portrait and the portraits of Martin Hürlimann (cat. no. 6) and Moissey Kogan (cat. no. 7). In March 1938, the night the borders were closed, Max Oppenheimer managed to flee in time to Switzerland, hence he emigrated to New York in November. Shortly afterwards his studio in Vienna was plundered; his last self-portrait and the two portraits were part of the loot. They subsequently landed in the hands of the painter and Nazi-party member Julius Fargel who donated the works to the Vienna Municipal Collections (now Wien Museum) in February 1939. In 1994, the self-portrait was presented in the first major retrospective of the artist’s work after the war at the Jewish Museum Vienna. Following the restitution procedure in summer to the heirs of Max Oppenheimer, two charitable organisations, all three works can be offered for sale – 70 years after Max Oppenheimer’s death on 19 May 1954. Max Oppenheimer’s last Self-Portrait The portrait almost breaks through its frame. The spread legs fill the painting right up to the edges, while the slightly tilted head extends beyond the frame’s border. It is as if, in the course of painting, the canvas became too small for the artist, as though with impulsive energy, he pushed himself ever closer to the viewer. This self-portrait of the painter Max Oppenheimer is a fascinating depiction that oscillates between bold self-confidence and inner turmoil. His upright position at the center of the painting, arms raised with forceful tension, holding a paint palette and brush, and one eye tightly squinted, conveys an intense, almost resolute presence. Yet, the colour planes shattered into countless fragments throw this impression of certainty into a wavering, tension-filled chaos.
Dorotheum
Nov. 07, 2024
OPPENHEIMER, MAX (GEN. MOPP): "Rosé-Quartett".
Est: CHF500 - CHF1,000
OPPENHEIMER, MAX (GEN. MOPP) (Wien 1885 - 1954 New York) : "Rosé-Quartett"; Farblithografie; 78x70 cm (BG); im Stein sig. u.r.
Dobiaschofsky Auktionen AG
Oct. 19, 2024
Oppenheimer, Max "Mopp" (1885 Vienna - 1954 New York) "Herrenportrait", cha
Est: -
Oppenheimer, Max "Mopp" (1885 Vienna - 1954 New York) "Herrenportrait", chalk drawing, signed "MOPP" lower right, mounted in portfolio with passepartout, sheet size 38x29.5cm, 50x40cm with passepartout, slight creases to lower left corner *Provenance: Swiss private collection, since 1992 in German private collection. Oppenheimer, Max "Mopp" (1885 Wien - 1954 New York) "Herrenportrait", Kreidezeichnung, unten rechts signiert "MOPP", befestigt in Mappe mit Passepartout, Blattgröße 38x29,5cm, 50x40cm mit Passepartout, leichte Knickspuren an unterer linker Ecke *Provenienz: Schweizer Privatsammlung, seit 1992 in Deutscher Privatsammlung.
Auktionshaus am See
Sep. 20, 2024
Max Oppenheimer (Mopp) (1885 Wien - New York City 1954)
Est: €2,000 - €3,000
Rosé-Quartett. 1920. Farblithografie auf feinem Papier. In der Platte monogrammiert: MOPP. Blattmaß: 78,5 x 70,5 cm.
AaG Auktionshaus am Grunewald
May. 31, 2024
Max Oppenheimer (Wien/Vienna 1885 - New York 1954)
Est: €800 - €1,040
Rosé-Quartett, 1924;Radierung, 23,3 x 31,4 cm (Platte), 24,8 x 34,7 cm (Blatt) Handsigniert "MOPP" und nummeriert (47/50)
Bozner Kunstauktionen
May. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York)
Est: €2,000 - €3,000
MAX OPPENHEIMER (Vienna 1885 - 1954 New York) Rose Quartet, 1920 color lithography/paper, 65,5 x 64 cm monogrammed in stone MOPP depicted in Pabst, cat. raisonne Max Oppenheimer 1993, fig. L15 ESTIMATE °€ 2000 - 3000 STARTING PRICE °€ 2000 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York )
Est: €3,000 - €5,000
MAX OPPENHEIMER (Vienna 1885 - 1954 New York ) The Amati, 1932 color lithography/paper, 67 x 55 cm Monogrammed and dated in the print MOPP. 32 depicted in cat. raisonne Pabst, Munich 1993, No. L 22, and in the exhibition catalogue of the Jewish Museum in Vienna, 1994, p. 163 ESTIMATE °€ 3000 - 5000 STARTING PRICE °€ 3000 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York )
Est: €400 - €800
MAX OPPENHEIMER (Vienna 1885 - 1954 New York ) Valmy: Allons enfants, 1914 wood engraving/paper 13,4 x 9,7 cm signed MOPP, dated 1914 inscribed, signed and dated "Das Buch Le Grand" Valmi (sic): Allons enfants (pour la premier (sic) fois) MOPP. 1914 ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 28, 2024
MAX OPPENHEIMER (Vienna 1885 - 1954 New York)
Est: €400 - €800
MAX OPPENHEIMER (Vienna 1885 - 1954 New York) The naval battle, 1916 wood engraving/paper, 11,4 x 16,4 cm signed MOPP, numbered 5/100 depicted in catalogue raisonée Pabst, Munich 1993, H2 ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 22, 2024
Max (Mopp) Oppenheimer
Est: €50,000 - €80,000
(Vienna 1885–1954 New York) Das Schachspiel (The chess game), c. 1935, signed MOPP, oil on canvas, 60 x 70 cm, framed Provenance: Arnold Klagsbrunn (1886–1970), dentist in Vienna (directly acquired from the artist) by descent to his adopted daughter, Vienna thence by descent Max Oppenheimer (MOPP) was a passionate chess player and loved the atmosphere in the cafés when the battle of wits took place at the board. The game of chess therefore also accompanied him artistically in the most diverse periods of his work, in ever-changing combinations and image sections. (cf. Marie-Agnes von Puttkamer, Max Oppenheimer. 1885–1954, Vienna 1999, cat. rais. no. 107 (1916), no. 212 (1931), no. 265 (1939), as well as in: Max Oppenheimer. Expressionist pioneer, Leopold Museum, Vienna 2023, ill. p. 272 This painting is a new discovery and according to family tradition a gift in lieu of payment for a Viennese dentist who was also a chess player. Oppenheimer lived in Vienna again from 1932 to 1938, and the present work can also be stylistically dated to these years. In 1935, Max Oppenheimer was given the opportunity to exhibit at the Vienna Secession. Two chess games are mentioned in the catalog under nos. 16 and 19, but without an illustration or precise picture details (cf. Puttkamer, nos. 212 and 248). It is therefore not possible to identify this painting as one of them, but the exhibition shows Oppenheimer’s enduring interest in chess as a pictorial motif. The focus of the composition is on the moment of the move, which is of decisive importance given the small number of pieces on the board. The extreme close-up view of the board alone heightens the tension, elevating the hands with their delicate but “speaking” fingers – so characteristic of Oppenheimer – to the status of the actual players. Similar to the first known version from 1916, only the profile of one player can be seen, tensely observing his opponent’s decision, while the match has gone out without lighting the cigarette.
Dorotheum
Mar. 05, 2024
Max Oppenheimer, Austrian 1885-1954, - Die Amati, Hommage à Guarnerius del Gesu, 1932;
Est: £1,000 - £1,500
Max Oppenheimer, Austrian 1885-1954, Die Amati, Hommage à Guarnerius del Gesu, 1932; lithograph in colours on wove, signed 'MOPP' and numbered 83/100 in pencil, signed and dated in the plate, image: 67.8 x 55.5 cm, (framed)
Roseberys
Dec. 08, 2023
Max Oppenheimer (Gen. Mopp) (1885 Wien - New York 1954) – Das tägliche Leben: Rettiche (Daily life: Radishes)
Est: €20,000 - €30,000
Oil on canvas. (1935). Ca. 31 x 35 cm. Signed "MOPP" centre right.
Karl & Faber
Dec. 02, 2023
Oppenheimer, Max: Geschichte von St. Julian dem Gastfreien
Est: €2,000 - €3,000
Geschichte von St. Julian dem Gastfreien -- 10 Radierungen auf Van Gelder Zonen-Bütten. In Passepartouts, lose in Halbleinenmappe mit mont. Orig.-Titelschild. 1927. -- 26 x 21,5 cm (Blattgröße). -- Jeweils signiert "MOPP". Auflage 30 num. Ex. -- Pabst 52-61, Stix/Osborn 48-57. -- -- Die komplette Folge mit dem radierten Titelblatt und neun weiteren Radierungen zu Gustave Flauberts Erzählung, erschienen im Verlag von Bruno Cassirer, Berlin. Nadelstriche von außerordentlicher Feinheit und Schärfe schildern expressiv die Szenen. Den Papiergrund setzt Mopp meisterlich ein, um Lichtwirkungen herauszuarbeiten. Brillante Drucke, alle mit dem vollen Rand. Sehr selten. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Dec. 01, 2023
Oppenheimer, Max: Das Rosé-Quartett
Est: €300 - €400
Das Rosé-Quartett -- Radierung auf Bütten. 1932. -- 22,2 x 22,6 cm (40 x 29,8 cm). -- Pabst 69. -- -- Max Oppenheimer schuf zahlreiche Darstellungen von Musikern und Orchestern. Das dynamisch komponierte Blatt entstand nach dem berühmten Wiener Rosé-Quartett. Prachtvoller, klarer und tiefschwarzer Druck mit dem vollen Rand, aus der Auflage der Graphischen Künste Wien, mit den typographischen Bezeichnungen im Unterrand. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 27, 2023
MAX OPPENHEIMER: GEIGEN, HÄNDE UND NOTEN
Est: €100,000 - €200,000
Max Oppenheimer Geigen, Hände und Noten c. 1949 oil on canvas; framed 40.5 x 81.5 cm monogrammed on the lower right: MOPP private property, Vienna; private property, Austria Marie-Agnes von Puttkamer, Max Oppenheimer. Leben und malerisches Werk, Vienna 1999, p. 288, cat. no. 285 (b/w-ill.); Hans Peter Wipplinger (ed.), Max Oppenheimer. Expressionist der ersten Stunde. exhibition catalogue Leopold Museum, Vienna 2023, ill. p. 241 In Max Oppenheimer’s work, the tempo and dynamics of music are palpable. The act of making music is intensively experienced. In this work, Oppenheimer borrows from Cubism and Futurism, creating a unique composition with his distinctive touch. Besides portraits and still lifes, in which Oppenheimer incorporated stylistic ideas drawn from the New Objectivity, Cubism, Futurism and Dadaism, he was particularly interested in depicting music and its protagonists. He had received violin lessons back in early childhood and throughout his life also engaged artistically with the theme of music and, above all, the theme of stringed instruments, which he explored in many different variations and techniques. The joint Hagenbund Exhibition in Vienna in 1924, at which his monumental orchestra scenes in oil were presented to great acclaim, marked a high point in this regard. Taking as one’s starting point the 1914 painting Hess-Quartett (Puttkamer 1999, cat.-no. 93, p. 242), which still includes the musicians in the composition, there is an intensification of the form of the motif just one year later; in the exhibition poster for the Kunstsalon Wolfsberg, Oppenheimer for the first time focuses exclusively on the musical instruments, the hands of the string players and the music books, intentionally omitting any depiction of the people. Borrowing from Cubist and Futurist compositional devices, the motifs are depicted interlocked in such a way that the laws of perspective are completely suspended. In this version, too, Oppenheimer intentionally does not show the heads of the musicians but concentrates entirely on the three instruments – two violins and a piano, the music books and the arrangement of the four hands. In doing so, Oppenheimer takes pains to depict the precise positions of the individual fingers. In the famous colour lithographs of the Rosé Quartett, he intensifies the focus on the hands still further by painting them – in a style reminiscent of Schiele’s lean figures – in an exaggeratedly sinewy and highly detailed manner, with heavily emphasised knuckles, to a much greater extent than seen here. The music sheets seem to flutter through the room; in the case of the hands and instruments, the viewer cannot be sure whether they are looking at two musicians sitting close together or just one, whose breathtakingly rapid movements are depicted using multiple parallel images, as in Futurist works. (Ina Waldstein)
Im Kinsky
Nov. 27, 2023
Max Oppenheimer: Piano playing (hands of the pianist Andor Foldes)
Est: €2,500 - €5,000
Max Oppenheimer Piano playing (hands of the pianist Andor Foldes) mixed media on paper; framed 29.3 x 21 cm (cut-out), 38.2 x 27.7 cm (sheet size) monogrammed on the lower right: MOPP Dobiaschofsky Auktionen AG, Bern, 10 May 2012, no. 1808; private property, Austria
Im Kinsky
Nov. 23, 2023
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York)
Est: €2,600 - €4,000
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York) Rosé Quartet, 1920 color lithography/paper, 65,5 x 64 cm monogrammed in stone MOPP depicted in Pabst, catalogue raisonné Max Oppenheimer 1993, fig. L15 ESTIMATE °€ 2600 - 4000 STARTING PRICE °€ 2600 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 23, 2023
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York)
Est: €1,400 - €2,000
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York) Rosé Quartet, 1932 drypoint/paper, 22 x 22,4 cm monogrammed and dated in print MOPP 1919 depicted in Papst cat. raisonné Max Oppenheimer 1993, fig. 69 and in the exhibition catalogue Jewish Museum, Oppenheimer 1994, p. 146 ESTIMATE °€ 1400 - 2000 STARTING PRICE °€ 1400 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 23, 2023
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York)
Est: €2,000 - €3,000
MAX OPPENHEIMER* (Vienna 1885 - 1954 New York) Josef Szigeti, 1919 drypoint/paper, 17,3 x 15,3 cm monogrammed MOPP signature of the portrayed monogrammed and dated in print MOPP 1919 depicted in Papst cat. raisonné Max Oppenheimer 1993, fig. 45 and in the exhibition catalogue Jewish Museum, Oppenheimer 1994, p. 132 ESTIMATE °€ 2000 - 3000 STARTING PRICE °€ 2000 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 11, 2023
Oppenheimer, Max. Carl Hauptmann. Kopf
Est: €340 - €500
Oppenheimer, Max. Carl Hauptmann. Kopf im Profil. Kaltnadelradierung auf Büttenkarton. Signiert "MOPP" mit Bleistift rechts unten sowie links unten mit der Auflagenhöhe bezeichnet "50 Ex. Pl. vernichtet" und mittig von Carl Hauptmann signiert. 1919. Plattenmaße: 19 x 17 cm. Blattmaße: 45,5 x 32,5 cm. Pabst 32, Stix/Osborn 32. - Porträt mit eigenhändiger Signatur des deutschen Dramatikers und Schriftstellers Carl Hauptmann (1858-1921), Bruder des Literaturnobelpreisträgers Gerhart Hauptmann. - Im Passepartout-Ausschnitt schwach gebräunt, minimal stockfleckig, verso mit Resten einer früheren Montierung entlang der oberen Blattkante sowie Bleistift-Anmerkungen "beim Verlag Paul Cassirer gekauft".
Nosbüsch & Stucke GmbH
Nov. 09, 2023
OPPENHEIMER, MAX (GEN. MOPP): "Rosé-Quartett".
Est: CHF450 - CHF900
OPPENHEIMER, MAX (GEN. MOPP) (Wien 1885 - 1954 New York) : "Rosé-Quartett"; Farblithografie; 78x70 cm (BG); im Stein sig. u.r.
Dobiaschofsky Auktionen AG
Jun. 30, 2023
OPPENHEIMER, MAX. Lil Dagover. Kohlezeichnung, weiß gehöht.
Est: €250 - €300
OPPENHEIMER, MAX 1885 Wien - 1954 New York City Lil Dagover Kohlezeichnung, weiß gehöht. R. u. signiert "Mopp". Ganz r. u. bez. "Lill Dagover". Fleckig, Knickfalten, leicht gewellt, min. gebräunt. Blatt: 51,5 x 40,5 cm. Rahmen.
Scheublein Art & Auktionen
Jun. 29, 2023
Max Oppenheimer (Gen. Mopp) (1885 Wien - New York 1954) – Die Amati (The Amati)
Est: €3,000 - €5,000
Lithograph in colours on wove. (1932). Ca. 68 x 56 cm (sheet size ca. 79 x 63.5 cm). Aside from the signed and numbered edition of 100.
Karl & Faber
Jun. 24, 2023
Max Oppenheimer "Potsdamer Platz". 1912.
Est: €1,000 - €1,200
Max Oppenheimer 1885 Wien – 1954 New York Kaltnadelradierung auf kräftigem, weißen Japan. In Blei monogrammiert "MOPP" u.re., u.li. nummeriert "17/50". Erschienen im Verlag Fritz Gurlitt, Berlin. WVZ Pabst 3, WVZ Stix / Osborn 1. Das vorliegende Blatt zählt zu den frühesten Radierungen Max Oppenheimers, welcher 1911 von Wien nach Berlin übergesiedelt war. Max Oppenheimer 1885 Wien – 1954 New York 1900–03 Studium an der Akademie der Bildenden Künste in Wien, sowie 1903–06 an der Prager Kunstakademie. 1906 schloß er sich der Künstlergruppe "OSMA" an, die zu den ersten Vereinigungen tschechischer Avantgardisten zählt. 1907 Rückkehr nach Wien. 1911–15 Tätigkeit in Berlin, wo er kubistische Elemente in sein Werk einbrachte und ab 1912 an der Zeitschrift "Die Aktion" mitarbeitete. Später hielt er sich in der Schweiz auf und kehrte 1931 von Berlin aus nach Wien zurück. 1938 emigrierte Oppenheimer in die USA.
Schmidt Kunstauktionen Dresden OHG
Jun. 22, 2023
MAX OPPENHEIMER: ROSÉ QUARTET
Est: €2,000 - €4,000
Max Oppenheimer Rosé Quartet 1920 colour lithograph on paper; unframed 78 x 70 cm (sheet size) monogrammed on the plate on the lower right: MOPP. private property, Austria Max Oppenheimer. Verzeichnis der Druckgrafik, sales catalogue Galerie Pabst, Munich 1993, L15 (with b/w-ill. and colour ill.)
Im Kinsky
Jun. 09, 2023
Oppenheimer, Max: Das Rosé-Quartett
Est: €300 - €450
Das Rosé-Quartett -- Radierung auf Bütten. 1932. -- 22,4 x 22,6 cm (40 x 29,5 cm). -- Pabst 69. -- -- Max Oppenheimer schuf zahlreiche Darstellungen von Musikern und Orchestern. Das dynamisch komponierte Blatt entstand nach dem berühmten Wiener Rosé-Quartett. Prachtvoller, klarer und tiefschwarzer Druck mit dem vollen Rand, aus der Auflage der Graphischen Künste Wien, mit den typographischen Bezeichnungen im Unterrand. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 06, 2023
Rosé Quartet, 1920
Est: €2,000 - €3,000
signed lower right ,
Lehner Kunstauktionen
May. 22, 2023
MAX OPPENHEIMER * (Vienna 1885 - 1954 New York)
Est: €2,600 - €4,500
MAX OPPENHEIMER * (Vienna 1885 - 1954 New York) Rosé-Quartett, 1920 color lithography/paper, 65,5 x 64 cm monogrammed in stone MOPP, depicted in cat. raisonné Max Oppenheimer, Pabst Munich 1993, Nr. L15 ESTIMATE °€ 2600 - 4500 STARTING PRICE °€ 2600 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 06, 2023
MAX OPPENHEIMER (1885 Wien - 1954 New York City)
Est: €800 - €1,200
Rosé-Quartett Farblithografie auf Velin. 1920. 66 x 66 cm (78,3 x 70,2 cm). Auflage 50 Ex. Pabst L 15. Das wohl bekannteste Motiv des Künstlers in einem farbintensiven, körnigen Druck.
Dannenberg
Apr. 18, 2023
Max Oppenheimer: "Die Schlacht an den Masurischen Seen"
Est: €900 - €1,800
Max Oppenheimer "Die Schlacht an den Masurischen Seen" 1914 lithograph on paper; framed 43 x 59.5 cm (cut-out) monogrammed by the hand of the artist and dated in pencil on the lower left: MOPP 1914 numbered on the lower right: 3/20 inscribed, dedicated and monogrammed in the plate at the bottom: Die Schlacht an den Masurischen Seen den Anstiftern Grey Jswolski und Delcasse dedicated von MOPP Booklet, folder or book insert collection Rudolf Schmutz (1933-2017), Vienna
Im Kinsky
Mar. 25, 2023
Max Oppenheimer "Tilla Durieux". 1925.
Est: €600 - €700
Max Oppenheimer 1885 Wien – 1954 New York Kaltnadelradierung mit Plattenton auf Bütten. Unter der Darstellung in Blei signiert "MOPP" und nummeriert "29/30". WVZ Pabst 50, WVZ Stix / Osborn 45, jeweils mit abweichender Angabe zu Papier und Auflagenhöhe. Max Oppenheimer 1885 Wien – 1954 New York 1900–03 Studium an der Akademie der Bildenden Künste in Wien, sowie 1903–06 an der Prager Kunstakademie. 1906 schloß er sich der Künstlergruppe "OSMA" an, die zu den ersten Vereinigungen tschechischer Avantgardisten zählt. 1907 Rückkehr nach Wien. 1911–15 Tätigkeit in Berlin, wo er kubistische Elemente in sein Werk einbrachte und an der Zeitschrift "Die Aktion" mitarbeitete. Später hielt er sich in der Schweiz auf und kehrte 1931 von Berlin aus nach Wien zurück. 1938 emigrierte Oppenheimer in die USA.
Schmidt Kunstauktionen Dresden OHG
Mar. 25, 2023
Oppenheimer, Max "MOPP" (1885 Wien - New York 1954)
Est: €500 - €600
"Hess-Quartett". Radierung (stark fleckig, Rand mit starken Knickspuren, obere Kante montiert), re. u. mit Bleistift sign. MOPP, dat. Juli 1915, li. u. Ex. 25/50 und bez. "Herrn Maler Wüstenberger, herzlichst". 24,6x 24,4 cm. PP. Wvz.: Pabst 36, Stix/Osborn 35.
Dannenberg
Dec. 08, 2022
MAX OPPENHEIMER: ROSÉ-QUARTETT
Est: €2,000 - €4,000
Max Oppenheimer Rosé-Quartett 1920 colour lithograph on paper; unframed 78 x 70 cm (sheet size) monogrammed on the plate on the lower right: MOPP. private property, Austria Max Oppenheimer. Verzeichnis the Druckgrafik, sales catalogue Galerie Pabst, Munich 1993, L15 (with b/w-ill. and colour ill.)
Im Kinsky
Dec. 02, 2022
Oppenheimer, Max: Das Rosé-Quartett
Est: €400 - €600
Das Rosé-Quartett -- Radierung auf Bütten. 1932. -- 22,3 x 22,6 cm (34,8 x 27,3 cm). -- Signiert "Mopp". -- Pabst 69. -- -- Max Oppenheimer schuf zahlreiche Darstellungen von Musikern und Orchestern. Das dynamisch komponierte Blatt entstand nach dem berühmten Wiener Rosé-Quartett. Prachtvoller, tiefdunkler Druck mit Rand. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 28, 2022
MAX OPPENHEIMER* (Vienna 1885 - 1945 New York)
Est: €500 - €1,000
MAX OPPENHEIMER* (Vienna 1885 - 1945 New York) Operation, 1912 lithography/paper, 20 x 20 cm monogrammed Mopp provenance: private collection Vienna ESTIMATE °€ 500 - 1.000 STARTING PRICE °€ 500 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 28, 2022
MAX OPPENHEIMER* (Vienna 1885 - 1945 New York)
Est: €2,500 - €4,500
MAX OPPENHEIMER* (Vienna 1885 - 1945 New York) Rosé quartet, 1920 color lithography/paper, 65.5 x 64 cm monogrammed in print MOPP provenance: private collection Vienna ESTIMATE °€ 2.500 - 4.500 STARTING PRICE °€ 2.500 Austrian artist of the 20th century. Important representative of the Austrian avant-garde. 1900 to 1903 studied at the Academy of Fine Arts in Vienna, 1903 to 1906 at the Prague Academy of Arts. 1906 Member of the Prague group OSMA (The Eight), including representatives of the Czech avant-garde such as Otakar Kubín, Emil Filla, Bohumil Kubišta and Emil Artur Longen, among others. In 1908 and 1909 participated in the Vienna Art Show. Early influences of Vincent van Gogh, counted among the Viennese Expressionists around Egon Schiele, Oskar Kokoschka and Albert Paris Gütersloh. 1911 to 1915 in Berlin, involvement with Cubism and collaboration on the journal Die Aktion. 1915 to 1925 in Switzerland, beginning his exploration of music. End of the 1920s in Berlin and from 1931 again in Vienna. 1932 emigration via Switzerland to the USA. In 1937 his works were classified by the Nazis as degenerate art. Created mainly portraits, religious depictions and scenes from everyday life. Numerous expressionist works with influences from Cubism and Futurism on the theme of music, impressive depictions of composers, conductors, musicians and famous orchestras such as the string quartet founded by the brothers Arnold Rosé and Eduard Rosé in 1882. Only the hands of the musicians Paul Fischer, Arnold Rosé, Anton Ruzitska and Anton Walter are visible, the tense fingers, the bows and instruments condense into intense playing. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 25, 2022
Rosé Quartet, 1920
Est: €3,600 - €4,000
Color lithography Signed lower right in the plate Plate size: 26 x 25 in / Sheet size: 31 x 28 in Several tears at upper right margin. Does not disturb the overall impression.
Lehner Kunstauktionen
Nov. 25, 2022
Portrait Kurt Furtwängler
Est: €1,800 - €2,200
Pencil drawing on paper Signed lower right Passepartout cutout unopened: 10,6 x 7,1 in Broad brown graphic frame
Lehner Kunstauktionen
Nov. 24, 2022
Oppenheim, M. (1885-1954). Caroline.
Est: €700 - €900
Oppenheim, M. (1885-1954). Caroline. Basel, Fanal, 1985, title leaf, 22 printed poems (of 23), 20 (col./ tinted) etchings (of 21) and 2 reliëf prints by M. OPPENHEIMER, lvs. embossed w. half circles, colophon, printed in 89 signed and numb. copies, together loosely inserted in orig. heavy paper wr., orig. board slipcase, narrow 4to. - Lacks 1 w. leaf with a poem and an etching. Nevertheless very fine. = SEE ILLUSTRATION PLATE LI.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 16, 2022
MAX OPPENHEIMER (1885-1954) Milena (Executed in 1935)
Est: £800 - £1,200
MAX OPPENHEIMER (1885-1954) Milena signed 'Mopp' (lower right) red chalk on paper 41.9 x 33.4cm (16 1/2 x 13 1/8in). Executed in 1935
Bonhams
Oct. 27, 2022
§ Max 'MOPP' Oppenheimer (1885-1954)
Est: £500 - £800
§ Max 'MOPP' Oppenheimer (1885-1954) Heinrich Mann / Kopf signed 'MOPP' (lower right) drypoint etching 26 x 23cm
Cheffins
Jun. 24, 2022
Max Oppenheimer, 1885-1954, portrait of a farmer with
Est: €250 - €500
Max Oppenheimer, 1885-1954, portrait of a farmer with hat, pencil drawing, on the back num. 72, signed front and back, approx. 49x36cm . German Description: Max Oppenheimer, 1885-1954, Porträt eines Bauern mit Hut, Bleistiftzeichnung, rückseitig num. 72, vorne und hinten signiert, ca. 49 x 36 cm
Henry's Auktionshaus