Godofredo Ortega Muñoz Paintings & Artwork for Sale | Godofredo Ortega Muñoz Art Value Price Guide

Sep. 12, 2024
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920. Oil on cardboard. Provenance: -Private collection, Massimo Uccelli, Italy.
Est: €10,000 - €12,000
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920. Oil on cardboard. Provenance: -Private collection, Massimo Uccelli, Italy. Inherited from his grandparents, in turn, received it from the painter while he lived in his house in Via Antonio Rosmini, in Stresa, near Lake Maggiore (Italy). -Private collection, Turin. With certificate of the Ortega Muñoz Foundation. With export permit from Italy and Spain. Measurements: 34 x 43 cm. Ortega Muñoz immortalizes in this painting a wide panoramic view of the idyllic mountainous landscape of the Maggiore Lake, outlined in the background by bluish motañas of snowy summits. Ortega lived in this area of northern Italy, close to the Swiss border, so he portrayed it on numerous occasions, showing a great handling of the shades and lights of this icy region. Ortega, heir to the Vallecas school, often prioritized this type of stark landscapes, realistic but far from academic, a solitary space with which he sought to awaken the viewer's emotions. Ortega Muñoz was one of the great creators of the contemporary Spanish landscape. He started in art when he was still a child, self-taught, and despite his father's advice, in 1919, at the age of twenty, he decided to move to Madrid to devote himself to painting. There he will dedicate himself from the first moment to making copies of the great masters in the Prado Museum and in the old Museum of Modern Art. He continued his self-taught training and began to paint outdoors in the surroundings of the Dehesa de la Villa, accompanied by other young artists such as the Filipino Fernando Amorsolo. A year later he decided to move to Paris, where he met his lifelong friend, the poet Gil Bel. In Paris he also got to know the work of Van Gogh, Gauguin and Cézanne, but at the same time he experienced the formal and ideological crisis that was developing in this interwar period, which would lead him to leave France to travel south, to Italy, where he would find in the masters of the past more authentic values of spirituality, simplicity and purity. Ortega Muñoz will travel through Italy from North to South between 1921 and 1922, and in Lago Maggiore he meets the English painter Edward Rowley Smart, with whom he will spend a short period of apprenticeship. With him Ortega Muñoz comes to the conclusion that, in the face of the apparent unreasonableness of contemporary art, it is necessary to return to nature and return to are the authenticity of spiritual truths and simple emotions. In 1926 he returned to Spain, where he was the protagonist of one of the founding excursions of the Vallecas School. Shortly afterwards, in 1927, he held his first exhibition at the Círculo Mercantil in Zaragoza. Then he leaves Spain again, and this time he travels through Central Europe, passing through Zurich, Brussels and several German cities. In 1928, in Worpswede, he comes into contact with a colony of artists of expressionist language, interested in landscapes and peasant life, as a reaction against the sophisticated artifices and refinements of the avant-garde. Notably influenced by his experience in Worpswede, Ortega Muñoz returns to France in 1928, and between 1930 and 1933 he continues to travel between Central Europe and Northern Italy; he finally arrives in Cairo in 1933, a date at which his skills as a portraitist have provided him with a comfortable lifestyle and important contacts. He exhibits in Alexandria with an enormous success, which will lead him to repeat the experience a year later, presenting an almost anthological exhibition in which his love for nature, the balance between color and mood, and the atmosphere of stillness and sadness characteristic of his language can already be appreciated. In 1935 he returns to Spain and the following year he presents an exhibition at the Círculo de Bellas Artes in Madrid. However, the Civil War forced him to leave Spain; after the war he returned to his hometown, and finally reunited with the silent and lonely expanse of his landscape and with the close reality of that world that he felt as authentically his own.
Setdart Auction House
Jul. 23, 2024
GODOFREDO ORTEGA MUÑOZ San Vicente de Alcan (1905) / Madrid (1982) "Bowl with lemons", c.1940
Est: €4,200 - €5,600
Oil on canvas Signed in the lower right corner. Presents polychrome losses Reproduced on p. 136 with number 82 of the artist's catalog raisonne of the Ortega Muñoz Foundation Provenance: -Private collection, Madrid -Havana Auctions, Madrid 10/2/2000, lot 365 Measurements: 28 x 46 cm
Ansorena
May. 25, 2024
Godofredo Ortega Muñoz (1899 San Vicente de Alcántara, Spanien - 1982 Madrid)
Est: €8,500 -
Godofredo Ortega Muñoz (1899 San Vicente de Alcántara, Spanien - 1982 Madrid) 'Lago Maggiore Someraro', Öl auf Leinwand, 60,5 cm x 80,5 cm Leinwandmaß, signiert, verso auf dem Keilrahmen betitelt, reinigungsbedürftig, leicht fleckig, minimal craqueliert English Translation Godofredo Ortega Muñoz (1899 San Vicente de Alcántara, Spain - 1982 Madrid) 'Lago Maggiore Someraro', oil on canvas, 60,5 cm x 80,5 cm canvas dimensions, signed, titled on the stretcher verso, in need of cleaning, slightly stained, minimal craquelure
Wettmann
May. 23, 2024
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920. Oil on cardboard.
Est: €12,000 - €15,000
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920. Oil on cardboard. Provenance: -Private collection, Massimo Uccelli, Italy. Inherited from his grandparents, in turn, received it from the painter while he lived in his house in Via Antonio Rosmini, in Stresa, near Lake Maggiore (Italy). -Private collection, Turin. With certificate of the Ortega Muñoz Foundation. With export permit from Italy and Spain. Measurements: 34 x 43 cm. Ortega Muñoz immortalizes in this painting a wide panoramic view of the idyllic mountainous landscape of the Maggiore Lake, outlined in the background by bluish motañas of snowy summits. Ortega lived in this area of northern Italy, close to the Swiss border, so he portrayed it on numerous occasions, showing a great handling of the shades and lights of this icy region. Ortega, heir to the Vallecas school, often prioritized this type of stark landscapes, realistic but far from academic, a solitary space with which he sought to awaken the viewer's emotions. Ortega Muñoz was one of the great creators of the contemporary Spanish landscape. He started in art when he was still a child, self-taught, and despite his father's advice, in 1919, at the age of twenty, he decided to move to Madrid to devote himself to painting. There he will dedicate himself from the first moment to making copies of the great masters in the Prado Museum and in the old Museum of Modern Art. He continued his self-taught training and began to paint outdoors in the surroundings of the Dehesa de la Villa, accompanied by other young artists such as the Filipino Fernando Amorsolo. A year later he decided to move to Paris, where he met his lifelong friend, the poet Gil Bel. In Paris he also got to know the work of Van Gogh, Gauguin and Cézanne, but at the same time he experienced the formal and ideological crisis that was developing in this interwar period, which would lead him to leave France to travel south, to Italy, where he would find in the masters of the past more authentic values of spirituality, simplicity and purity. Ortega Muñoz will travel through Italy from North to South between 1921 and 1922, and in Lago Maggiore he meets the English painter Edward Rowley Smart, with whom he will spend a short period of apprenticeship. With him Ortega Muñoz comes to the conclusion that, in the face of the apparent unreasonableness of contemporary art, it is necessary to return to nature and return to are the authenticity of spiritual truths and simple emotions. In 1926 he returned to Spain, where he was the protagonist of one of the founding excursions of the Vallecas School. Shortly afterwards, in 1927, he held his first exhibition at the Círculo Mercantil in Zaragoza. Then he leaves Spain again, and this time he travels through Central Europe, passing through Zurich, Brussels and several German cities. In 1928, in Worpswede, he comes into contact with a colony of artists of expressionist language, interested in landscapes and peasant life, as a reaction against the sophisticated artifices and refinements of the avant-garde. Notably influenced by his experience in Worpswede, Ortega Muñoz returns to France in 1928, and between 1930 and 1933 he continues to travel between Central Europe and Northern Italy; he finally arrives in Cairo in 1933, a date at which his skills as a portraitist have provided him with a comfortable lifestyle and important contacts. He exhibits in Alexandria with an enormous success, which will lead him to repeat the experience a year later, presenting an almost anthological exhibition in which his love for nature, the balance between color and mood, and the atmosphere of stillness and sadness characteristic of his language can already be appreciated. In 1935 he returns to Spain and the following year he presents an exhibition at the Círculo de Bellas Artes in Madrid. However, the Civil War forced him to leave Spain; after the war he returned to his hometown, and finally reunited with the silent and lonely expanse of his landscape and with the close reality of that world that he felt as authentically his own.
Setdart Auction House
May. 23, 2024
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920-30. Oil on cardboard.
Est: €25,000 - €28,000
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920-30. Oil on cardboard. Provenance: -Private collection, Massimo Uccelli, Italy. Inherited from his grandparents, in turn, received it from the painter while he lived in his house in Via Antonio Rosmini, in Stresa, near Lake Maggiore (Italy). -Private collection, Turin. With certificate of the Ortega Muñoz Foundation. With export permit from Italy and Spain. Measurements: 51 x 60 cm. Ortega Muñoz lived in this area of northern Italy, close to the Swiss border, so he represented it on numerous occasions, showing a great handling of the shades and lights of this cold and limpid border region. Ortega, heir to the school of Vallecas, often prioritized this type of stark landscapes, realistic but far from academic, that take us into wide and lonely spaces that awaken our genuine emotionality. The trees with bare branches occupy a first line behind which the mountainous landscape of Lake Maggiore opens up, outlined in the background by bluish specks of snowy peaks. Ortega Muñoz was one of the great creators of the contemporary Spanish landscape. He started in art when he was still a child, in a self-taught way, and despite his father's advice, in 1919, when he was twenty years old, he decided to move to Madrid to devote himself to painting. There he will dedicate himself from the first moment to making copies of the great masters in the Prado Museum and in the old Museum of Modern Art. He continued his self-taught training and began to paint outdoors in the surroundings of the Dehesa de la Villa, accompanied by other young artists such as the Filipino Fernando Amorsolo. A year later he decided to move to Paris, where he met his lifelong friend, the poet Gil Bel. In Paris he also got to know the work of Van Gogh, Gauguin and Cézanne, but at the same time he experienced the formal and ideological crisis that was developing in this interwar period, which would lead him to leave France to travel south, to Italy, where he would find in the masters of the past more authentic values of spirituality, simplicity and purity. Ortega Muñoz will travel through Italy from North to South between 1921 and 1922, and in Lago Maggiore he meets the English painter Edward Rowley Smart, with whom he will spend a short period of apprenticeship. With him Ortega Muñoz comes to the conclusion that, in the face of the apparent unreasonableness of contemporary art, it is necessary to return to nature and return to are the authenticity of spiritual truths and simple emotions. In 1926 he returned to Spain, where he was the protagonist of one of the founding excursions of the Vallecas School. Shortly afterwards, in 1927, he held his first exhibition at the Círculo Mercantil in Zaragoza. Then he leaves Spain again, and this time he travels through Central Europe, passing through Zurich, Brussels and several German cities. In 1928, in Worpswede, he comes into contact with a colony of artists of expressionist language, interested in landscapes and peasant life, as a reaction against the sophisticated artifices and refinements of the avant-garde. Notably influenced by his experience in Worpswede, Ortega Muñoz returns to France in 1928, and between 1930 and 1933 he continues to travel between Central Europe and Northern Italy; he finally arrives in Cairo in 1933, a date at which his skills as a portraitist have provided him with a comfortable lifestyle and important contacts. He exhibits in Alexandria with an enormous success, which will lead him to repeat the experience a year later, presenting an almost anthological exhibition in which his love for nature, the balance between color and mood, and the atmosphere of stillness and sadness characteristic of his language can already be appreciated. In 1935 he returns to Spain and the following year he presents an exhibition at the Círculo de Bellas Artes in Madrid. However, the Civil War forced him to leave Spain; after the war he returned to his hometown, and finally reunited with the silent and lonely expanse of his landscape and with the close reality of that world that he felt as authentically his own.
Setdart Auction House
Mar. 19, 2024
GODOFREDO ORTEGA MUÑOZ - Campos de Extremadura, Extremadura landscape
Est: -
GODOFREDO ORTEGA MUÑOZ Badajoz 1905-Madrid 1982 Fields of Extremadura, Extremaduran landscape. c. 1954 Oil on canvas Signed Measurements 66 x 81 cm EXHIBITIONS 1955-56 (September-January), III Biennial Hispanoamericana de Arte de Barcelona, Barcelona BIBLIOGRAPHY A. del Castillo, "Spanish painting at the Biennial. The first in category", Diario de Barcelona, Barcelona October 26, 1955, page 3 Antiquaria Gallery, Contemporary Art, Antiques and collecting . Year XXIII No. 243, Madrid 1983, page. 22 VVAA, "Ortega Muñoz", Ed. Lunwerg, Madrid 1989, (1st edition) page. 179; (2nd edition) p. 279 María Jesús Ávila Corchero, "Ortega Muñoz", Ed. Caja Badajoz Foundation, Badajoz 2003, no. 30, page. 66 Isabel García García, "Ortega Muñoz. Catalog Reasoned", Ed. Fundación Ortega Muñoz, Badajoz 2022, no. 160, page. 265
Subastas Segre
Dec. 02, 2023
Godofredo Ortega Muñoz (1899 San Vicente de Alcantara, Spanien - 1982 Madrid)
Est: €12,000 - €20,000
Godofredo Ortega Muñoz (1899 San Vicente de Alcantara, Spanien - 1982 Madrid) 'Lago Maggiore Someraro', Öl auf Leinwand, 60,5 cm x 80,5 cm Leinwandmaß, signiert, verso auf dem Keilrahmen betitelt, reinigungsbedürftig, leicht fleckig, minimal craqueliert Godofredo Ortega Muñoz (1899 San Vicente de Alcantara, Spain - 1982 Madrid) 'Lago Maggiore Someraro', oil on canvas, 60,5 cm x 80,5 cm canvas dimensions, signed, titled on the stretcher verso, in need of cleaning, slightly stained, minimal craquelure
Wettmann
Oct. 24, 2023
GODOFREDO ORTEGA MUÑOZ - Italian Landscape
Est: -
GODOFREDO ORTEGA MUÑOZ Badajoz 1905-Madrid 1982 Italian landscape. c. 1930 Oil on canvas Signed Measurements 44.5 x 37 cm BIBLIOGRAPHY VVAA, "Ortega Muñoz", Ed. MEIAC, Badajoz 2004, reproduced. cat. exp. page 317 Isabel García García, "Godofredo Ortega Muñoz. Catalog Reasoned Volume I", Ed. Board of Trustees of the Ortega Muñoz Foundation and Junta de Extremadura, Badajoz, reproduced. page 79 (Online catalogue)
Subastas Segre
Oct. 04, 2023
GODOFREDO ORTEGA MUÑOZ San Vicente de Alcán (1905) / Madrid (1982) "Still life with quinces", c.1940
Est: €4,500 - €6,000
Oil on panel Signed on the lower part. Exhibitions: -"Form and landscape. Spanish painting 20th century", Jorge Juan Gallery, Madrid 2011 Bibliography: -García, I., "Ortega Muñoz. Reasoned catalogue", Board of Trustees of the Ortega Muñoz Foundation, nd, p. 137, cat. no. 83 (reproduced). Measurements: 26 x 33 cm
Ansorena
Oct. 04, 2023
GODOFREDO ORTEGA MUÑOZ San Vicente de Alcán (1905) / Madrid (1982) "Landscape", h.1949
Est: €18,000 - €24,000
Oil on panel Signed on the lower left. Exhibitions: -"Spanish Art of the 20th century", Jorge Juan Gallery, Madrid, 2009 Bibliography: -García, I., "Ortega Muñoz. Reasoned catalogue", Board of Trustees of the Ortega Muñoz Foundation, nd, early 188 and 189, cat. 119 (reproduced) Measurements: 34 x 49 cm
Ansorena
Mar. 28, 2023
GODOFREDO ORTEGA MUÑOZ - Italian Landscape
Est: -
GODOFREDO ORTEGA MUÑOZ Badajoz 1905-Madrid 1982 Italian landscape. c. 1930 Oil on canvas Signed Measurements 44.5 x 37 cm BIBLIOGRAPHY VVAA, "Ortega Muñoz", Ed. MEIAC, Badajoz 2004, reprod. cat. exp. page 317 Isabel García García, "Godofredo Ortega Muñoz. Catalog Raisonné Volume I", Ed. Board of Trustees of the Ortega Muñoz Foundation and Junta de Extremadura, Badajoz, reprod. page 79 (online catalogue)
Subastas Segre
Dec. 28, 2022
Godofredo Ortega Munoz. village view
Est: -
Etching on paper. Signed in the lower right corner. Numbered (PA - Artist's Proof) in the lower left corner.
Duran Arte y Subastas
Dec. 13, 2022
GODOFREDO ORTEGA MUÑOZ - Landscape of holm oaks and silver olive trees
Est: -
GODOFREDO ORTEGA MUÑOZ Badajoz 1905-Madrid 1982 Landscape of holm oaks and silver olive trees. c. 1965 Oil on canvas Signed Back signed Measurements 73 x 92 cm BIBLIOGRAPHY Isabel García García, "Godofredo Ortega Muñoz. Catalog Raisonné Volume II", Ed Board of Trustees of the Ortega Muñoz Foundation and Junta de Extremadura, Badajoz, reprod. page 420 (online catalogue)
Subastas Segre
Sep. 27, 2022
GODOFREDO ORTEGA MUÑOZ San Vicente de Alcán (1905) / Madrid (1982) “Field with olive trees”, c.1974
Est: €58,500 - €78,000
Oil on canvas Signed on the lower right and on the back Reproduced on p. 552 with nº384 of the artist's catalog raisonné in B/W from the Ortega Muñoz Foundation Measurements: 73 x 92 cm
Ansorena
Sep. 27, 2022
GODOFREDO ORTEGA MUÑOZ San Vicente de Alcán (1905) / Madrid (1982) "Landscape"
Est: €58,500 - €78,000
Oil on canvas Signed in the lower right corner and on the back Work that will be included in the expansion of the artist's catalog raisonné of the Ortega Muñoz Foundation Measurements: 73 x 92 cm
Ansorena
Jun. 21, 2022
Godofredo Ortega Muñoz. Woman's head
Est: -
Drypoint on paper. Signed in the lower right corner. Bibliography: - GRACÍA, Isabel.: Godofredo Ortega Muñoz Catalog Raisonné. Ortega Munoz Foundation. P. 672-673. Cat. No.: PS 11. Rep. Col.
Duran Arte y Subastas
Jun. 21, 2022
Godofredo Ortega Muñoz. Rainy day
Est: -
Drypoint on paper. Signed in the lower right corner.
Duran Arte y Subastas
Dec. 16, 2021
GODOFREDO ORTEGA MUÑOZ. Landscape. (d)
Est: €15,000 - €18,000
Oil on wood Signed 34x49 cm.
Balclis
Dec. 16, 2021
GODOFREDO ORTEGA MUÑOZ. Quinces. (d)
Est: €4,000 - €4,800
Oil on wood Signed 26x33 cm.
Balclis
Dec. 03, 2021
'EL BOSQUE DE VERSAILLES CON FIGURA Y ANIMALES' (CA. 1929)
Est: €10,000 - €20,000
GODOFREDO ORTEGA MUÑOZ 1905 San Vicente de Alcántara - 1982 Madrid 'EL BOSQUE DE VERSAILLES CON FIGURA Y ANIMALES' (CA. 1929) Öl auf Leinwand. 61 x 80 cm (R. 74,5 x 94,5 cm). Unten links signiert 'Ortega Muñoz'. Part. mit Craquelé. Rahmen. Literatur: García García Bd. 2, 33 A. Provenienz: Privatsammlung Nordrhein-Westphalen.
Hargesheimer Kunstauktionen Düsseldorf
Jun. 17, 2021
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape, Retamas", 1963. Oil on panel. Signed in the lower right corner.
Est: €20,000 - €25,000
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape, Retamas", 1963. Oil on panel. Work reproduced in the reasoned catalog of the artist Volume II, nº 273, p. 367. Work exhibited in: “Forma y Landscape; Spanish painting of the 20th century ”: Jorge Juan Art Gallery, Madrid, 2001. Signed in the lower right corner. Measures: 33 x 41 cm; 42.5 x 50 cm (frame). Ocher, white, gray and black, make up this emblematic landscape that includes all the characteristics that distinguish the work of Godofredo Ortega; a stark landscape, realistic, but not academic, a solitary space that seeks to awaken the emotions of the viewer, etc.. This work reflects the great influence that his contact with the Vallecas School had on his painting, from which he took up landscape painting again, making the landscape the undisputed protagonist of his painting. Ortega Muñoz was one of the great creators of the contemporary Spanish landscape. He started in art when he was still a child, in a self-taught way, and despite his father's advice, in 1919, when he was twenty years old, he decided to move to Madrid to devote himself to painting. There he will dedicate himself from the first moment to making copies of the great masters in the Prado Museum and in the old Museum of Modern Art. He continued his self-taught training and began to paint outdoors in the surroundings of the Dehesa de la Villa, accompanied by other young artists such as the Filipino Fernando Amorsolo. A year later he decided to move to Paris, where he met his lifelong friend, the poet Gil Bel. In Paris he also got to know the work of Van Gogh, Gauguin and Cézanne, but at the same time he experienced the formal and ideological crisis that was developing in this interwar period, which would lead him to leave France to travel south, to Italy, where he would find in the masters of the past more authentic values of spirituality, simplicity and purity. Ortega Muñoz will travel through Italy from North to South between 1921 and 1922, and in Lago Maggiore he meets the English painter Edward Rowley Smart, with whom he will spend a short period of apprenticeship. With him Ortega Muñoz comes to the conclusion that, in the face of the apparent unreasonableness of contemporary art, it is necessary to return to nature and return to are the authenticity of spiritual truths and simple emotions. In 1926 he returned to Spain, where he was the protagonist of one of the founding excursions of the Vallecas School. Shortly afterwards, in 1927, he held his first exhibition at the Círculo Mercantil in Zaragoza. Then he leaves Spain again, and this time he travels through Central Europe, passing through Zurich, Brussels and several German cities. In 1928, in Worpswede, he comes into contact with a colony of artists of expressionist language, interested in landscapes and peasant life, as a reaction against the sophisticated artifices and refinements of the avant-garde. Notably influenced by his experience in Worpswede, Ortega Muñoz returns to France in 1928, and between 1930 and 1933 he continues to travel between Central Europe and Northern Italy; he finally arrives in Cairo in 1933, a date at which his skills as a portraitist have given him a comfortable way of life and important contacts. He exhibits in Alexandria with an enormous success, which will lead him to repeat the experience a year later, presenting an almost anthological exhibition in which his love for nature, the balance between color and mood, and that atmosphere of stillness and sadness characteristic of his language can already be appreciated. In 1935 he returns to Spain and the following year he presents an exhibition at the Círculo de Bellas Artes in Madrid. However, the civil war forced him to leave Spain; after the war he returned to his hometown, and finally reunited with the silent and lonely expanse of his landscape and with the close reality of that world that he felt as authentically his own.
Setdart Auction House
Nov. 05, 2020
GODOFREDO ORTEGA MUÑOZ "Vines or Rioja", 1967
Est: €58,500 - €78,000
Signed at the bottom. Signed on the back. Bibliography: "Ortega Muñoz" Exhibition catalog MEIAC (Museo Extremeño e Iberoamerícano de Arte Contemporáneo), May-July 2004; page 272 .Oil on canvas
Ansorena
Nov. 05, 2020
GODOFREDO ORTEGA MUÑOZ "Landscape"
Est: €28,500 - €38,000
Signed at the bottom Procedencia: -Santiago Biosca, Madrid .Oil on canvas
Ansorena
Oct. 29, 2020
Godofredo Ortega Muñoz. The road
Est: -
Óleo sobre tabla. Firmado en el ángulo inferior izquierdo. Obra realizada circa 1961. Al dorso etiqueta de la Galería Sur, Santander, exposición "Pequeñas joyas para grandes Museos". Santander, diciembre de 1983. Bibliografía: - Catálogo Razonado. Tomo I. Página 324. Nº 204. - Ávila Corchero, María Jesús. El pintor Ortega Muñoz 1899-1982. Tesis doctoral inédita. Cáceres. Facultad de Filosofía y Letras. Universidad de Extremadura, noviembre de 1994, reproducido en tomo III s/p. - Ávila Corchero, María Jesús. Ortega Muñoz. Badajoz. Fundación Caja Badajoz, 2003, reproducido en color, núm.48, pág.87. -Subasta Extraordinaria, Sala Retiro, Madrid, lote núm. 496, junio de 2012, reproducido en color, pág. 222. .Web del artista (ortegamunoz.com).
Duran Arte y Subastas
Jul. 22, 2020
GODOFREDO ORTEGA MUÑOZ Signed in the lower right-hand corner. Att
Est: €19,000 -
20th century Paintings Landscape GODOFREDO ORTEGA MUÑOZ Signed in the lower right-hand corner. Attached is a certificate of authenticity signed in 2008 by Antonio Franco Dominguez of the Fundación Ortega Muñoz Oil on canvas
Ansorena
Jun. 23, 2020
GODOFREDO ORTEGA MUÑOZ - "Paisaje"
Est: -
Firmado en la parte inferior Procedencia: -Santiago Biosca, Madrid
Ansorena
Jun. 10, 2020
Godofredo Ortega Munoz | El bosque de Versalles con figura y animales
Est: €15,000 - €20,000
ORTEGA MUNOZ, GODOFREDO 1905 San Vicente de Alcántara - 1982 Madrid Title: El bosque de Versalles con figura y animales. Date: Ca. 1929. Technique: Oil on canvas. Measurement: 61 x 80cm. Notation: Signed lower left: Ortega Munoz. Frame/Pedestal: Craftman's frame. This work is listed in the addendum of the catalogue raisonné on the artist's official website under the number 33 A (www.ortegamunoz.com). Provenance: - Private collection North Rhine-Westphalia Literature: - García García, Isabel: Ortega Munoz - Catálogo razonado, vol. 2, Badajoz n.d., cat. rais. no. 33A (addendum), ill.
Van Ham Kunstauktionen
May. 28, 2020
ORTEGA MUÑOZ, GODOFREDO (San Vicente de Alcántara,
Est: -
ORTEGA MUÑOZ, GODOFREDO (San Vicente de Alcántara, Badajoz, 1905 - Madrid, 1982) Día lluvioso Huella: 19.8 x 15.8 cm. Papel: 27.8 x 20.7 cm.
Duran Arte y Subastas
Jun. 12, 2019
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 18 GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Chestnuts, c.1964
Est: -
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Castaños, c.1964 Óleo sobre lienzo de 34 x 42 cm. Firmado. Procedencia: - Colección particular Bibliografía: - Isabel García García, Patronato de la Fundación Godofredo Ortega Muñoz. Catálogo razonado. Página 400, nº 268. Agradecemos a Don Clemente Lapuerta su inestimable ayuda en la correcta catalogación de esta obra.GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Chestnuts, c.1964
Sala Retiro Subastas
Jun. 12, 2019
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 18 GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Female portrait
Est: -
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Retrato femenino Grabado a la punta seca sobre papel de 37 x 25 cm. Firmado. Al dorso, dedicado y firmado.GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Female portrait
Sala Retiro Subastas
Jun. 12, 2019
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 18 GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Fields of oaks, c. 1968
Est: -
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Campos de encinas, c. 1968 Óleo sobre lienzo de 34 x 42 cm. Firmado. Al dorso, dedicado. "A Don Ramón Solís, con la admiración y la amistad de Ortega Muñoz. Procedencia: - Colección particular Bibliografía: - Isabel García García, Patronato de la Fundación Godofredo Ortega Muñoz. Catálogo razonado. Página 474, nº 328. Agradecemos a Don Clemente Lapuerta su inestimable ayuda en la correcta catalogación de esta obra. GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Fields of oaks, c. 1968
Sala Retiro Subastas
Dec. 13, 2017
GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, 1899 - Madrid, 1982) Castaños y tierras labradas, c. 1956. Oil on canvas
Est: -
Oleo sobre lienzo de 48 x 62 cm. Firmado. Bibliografía: Godofredo Ortega Muñoz, Catálogo razonado de suobra.Fundación Ortega Muñoz. Pag.722. Lámina 168A.
Sala Retiro Subastas
Feb. 23, 2017
ORTEGA MUÑOZ, GODOFREDO (1905-1982). “Landscape”. Gouache on pasteboard
Est: -
ORTEGA MUÑOZ, GODOFREDO (1905-1982). “Paisaje”. Gouache sobre cartulina, de 18x24 cm. Firmado.
Subastas Galileo
Feb. 15, 2012
Godofredo Ortega Munoz Spanish (1905-1982) Color Lithograph, "Man and a Donkey". Signed and Numbered EA. Good Condition. Measures 19-3/4 Inches Tall and 25-1/2 Inches Wide, Frame Measures 29 Inches Tall and 34 Inches Wide. This Lot is Being Sold to
Est: $300 - $500
Godofredo Ortega Munoz Spanish (1905-1982) Color Lithograph, "Man and a Donkey". Signed and Numbered EA. Good Condition. Measures 19-3/4 Inches Tall and 25-1/2 Inches Wide, Frame Measures 29 Inches Tall and 34 Inches Wide. This Lot is Being Sold to Benefit The Boca Raton Museum of Art, Boca Raton, Florida, a Not for Profit Organization, to further Enhance their Acquisitions Fund. Shipping $85.00
Kodner Galleries
Nov. 16, 2011
Godofredo Ortega Munoz Spanish (1905-1982) Color Lithograph, "Man and a Donkey". Signed and Numbered EA. Good Condition. Measures 19-3/4 Inches Tall and 25-1/2 Inches Wide, Frame Measures 29 Inches Tall and 34 Inches Wide. This Lot is Being Sold to
Est: $300 - $500
Godofredo Ortega Munoz Spanish (1905-1982) Color Lithograph, "Man and a Donkey". Signed and Numbered EA. Good Condition. Measures 19-3/4 Inches Tall and 25-1/2 Inches Wide, Frame Measures 29 Inches Tall and 34 Inches Wide. This Lot is Being Sold to Benefit The Boca Raton Museum of Art, Boca Raton, Florida, a Not for Profit Organization, to further Enhance their Acquisitions Fund. Shipping $85.00
Kodner Galleries
Nov. 12, 2008
Godofredo Ortega Muñoz , Badajoz 1905-Madrid 1982 Puente (Bridge) oil on canvas
Est: £8,000 - £12,000
signed Ortega Muñoz lower right oil on canvas
Sotheby's
Oct. 04, 2006
Godofredo Ortega Muñoz (Badajoz, 1905 - Madrid, 1982)
Est: €35,000 - €55,000
Paisaje con encina y burro firmado áng. inf. izq: Ortega Muñoz firmado en el reverso: ORTEGA MUÑOZ óleo sobre lienzo 70 x 62 cm.
Christie's