Bonaventura van Overbeek Sold at Auction Prices

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      • B. OVERBEKE (1660-1705), Porta San Giovanni, Roma, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Porta San Giovanni, Roma, 1709, Etching

        Est: €150 - €200

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta San Giovanni in Rom, "La Porte Coelimontane, Asinaire, Laterane, aujourd'hui de S Jean", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium by Bonaventura van Overbeke with Roman buildings of antiquity. This large engraving was first published in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin, Michiel van Overbeke. They are characterised by a high level of detail in the reproduction. The architectural views are often accompanied by staffage figures that illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City gate, Fortification, City wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Latina, Rom, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Porta Latina, Rom, 1709, Etching

        Est: €150 - €200

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Latina in Rom, "La Porte Valerie, Ferentine, Piaculaire, ajourd'hui Latine", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium by Bonaventura van Overbeke with Roman buildings of antiquity. This large engraving was first published in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin, Michiel van Overbeke. They are characterised by a high level of detail in the reproduction. The architectural views are often accompanied by staffage figures that illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City gate, Fortification, City wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arch of Janus, Forum Boarium, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arch of Janus, Forum Boarium, Rome, 1709, Etching

        Est: €150 - €200

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Arch of Janus on Forum Boarium in Rome, "Le Temple de Janus", Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium by Bonaventura van Overbeke with Roman buildings of antiquity. This large engraving was first published in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin, Michiel van Overbeke. They are characterised by a high level of detail in the reproduction. The architectural views are often accompanied by staffage figures that illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, antiquity, ruin, building, monument, cityscape, temple, sanctuary, church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Water reservoir, Campus Martius, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Water reservoir, Campus Martius, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Le Reservoir de L'Eau Martie, Ancient water reservoir on the Campus Martius, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Aqueduct, Water conduit, Fountain, Water supply, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,7 cm x 51,8 cm (15,2 x 20,4 in), Plate: 26,4 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Water conduit, aqueduct of Nero, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Water conduit, aqueduct of Nero, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Aqueduc de Neron, Ancient Water Conduit, Aqueduct of Nero, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Aqueduct, Water conduit, Fountain, Water supply, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Water conduit, Aqueduct of Antonius, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Water conduit, Aqueduct of Antonius, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Aqueduc d'Antonin, Ancient water conduit, Aqueduct of Antonius, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Aqueduct, Water conduit, Fountain, Water supply, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Water conduit, aqueduct of Claudius, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Water conduit, aqueduct of Claudius, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Aqueduc de Claude, Ancient Water Conduit, Aqueduct of Claudius, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Aqueduct, Water conduit, Fountain, Water supply, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,2 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Ancient fountain in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Ancient fountain in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): The Ancient Fountain on the Roman Square, Antiker Brunnen in Rom, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Aqueduct, Water conduit, Fountain, Water supply, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arches in the Baths of Caracalla in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arches in the Baths of Caracalla in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains d'Antonin, arches in the Baths of Caracalla in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Ball game at the Baths of Caracalla, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Ball game at the Baths of Caracalla, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains d'Antonin, ball game at the Baths of Caracalla in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,2 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), View of the Baths of Caracalla in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), View of the Baths of Caracalla in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains d'Antonin, View of the Baths of Caracalla in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,2 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Ruins of the Agrippa Baths in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Ruins of the Agrippa Baths in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains d'Agrippa, Ruins of the Baths of Agrippa in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Baths of Diocletian in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Baths of Diocletian in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains de Diocletion, View of the Baths of Diocletian in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,2 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), View of the Baths of Titus in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), View of the Baths of Titus in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Les Bains de Tite, View of the Baths of Titus in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Thermae, Baths, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,2 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Phocas Column on Campo Vaccino, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Phocas Column on Campo Vaccino, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): La Colonne Inconnue, Phocas Column on Campo Vaccino, Roman Forum in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Triumphal Column, Columna, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Milliarium Aureum, Forum Romanum, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Milliarium Aureum, Forum Romanum, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): La Colonne Milliaire, Golden Milestone, Milliarium Aureum on the Roman Forum, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Ruins of the Nerva Forum in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Ruins of the Nerva Forum in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): La Place de Nerve, ruins of the Nerva Forum in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arch of Gallienus, Bogen des Gallienus, Rom, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arch of Gallienus, Bogen des Gallienus, Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Arc de Gallien, Arco di Gallieno, Arch of Gallienus in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Triumphal arch, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Argentarian arch at the Forum Boarium in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Argentarian arch at the Forum Boarium in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Arc de Septime Severe sur le Marché aux Bouefs, Argent Arch at the Church of San Giorgio in Velabro at the Forum Boarium in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Triumphal arch, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arch of Horatius Cocles in Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arch of Horatius Cocles in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): The Bow of Horace Cicles, Bogen des Horatius Cocles in Rom, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Triumphal arch, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arch of Septimius Severus before excavation, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arch of Septimius Severus before excavation, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Arc de Septime Severe, view of the Arch of Septimius Severus on the Roman Forum before the excavation, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Triumphal arch, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Arch of Titus, Roman Forum, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Arch of Titus, Roman Forum, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): L'Arc de Tite, east view of the Arch of Titus before uncovering, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Arch of Triumph, Roman Forum, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Portal to the Mausoleum of Augustus, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Portal to the Mausoleum of Augustus, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Le Mausolée d'Auguste, portal to the Mausoleum of Augustus, Mausoleo di Augusto on the Campo Martius in Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Campo Martius, Mausoleum, Tomb, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Tomb of Gaius Publicius Bibulus, Rome, 1709, Etching
        Nov. 16, 2024

        B. OVERBEKE (1660-1705), Tomb of Gaius Publicius Bibulus, Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Le Tombeau de Bibulus, Tomb of Gaius Publicius Bibulus, Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Mausoleum, Tomb, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,2 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Colonnade of the Hadrianeum in Rome, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Colonnade of the Hadrianeum in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Kolonnade des Hadrianeum in Rom, ehemals Sitz des Zolls und der Börse, "The Basilica of Antoninus, today The New Customs House", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 38,9 cm x 52,3 cm (15,3 x 20,6 in), Plate: 26,5 cm x 40,0 cm (10,4 x 15,7 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Saturntempel in Rom, Forum Romanum, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Saturntempel in Rom, Forum Romanum, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Saturntempel in Rom, Forum Romanum, "The Temple of Concord [sic!]", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Portunus in Rome, Forum Boarium, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Temple of Portunus in Rome, Forum Boarium, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Tempel des Portunus in Rom, Forum Boarium, "The Temple of Virile Fortune, today of S Mary Egyptian", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Juno Moneta in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Temple of Juno Moneta in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Temple of Juno Moneta in Rom, 'Le Temple de la Reine Junon', Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Venus and Roma in Rome, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Temple of Venus and Roma in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Temple of Venus and Roma in Rome, Templum Veneris et Romae on the Roman Forum, "Le Temple de Venus & de Rome", Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), St Theodore on the Palatine in Rom, St Toto, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), St Theodore on the Palatine in Rom, St Toto, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Antiker Tempel San Teodoro al Palatino in Rom, San Toto, "The Temple of Romulus, built on the foot of Mount Palatine, today the Church of S Theodore", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Settimiana in Rom, Septimiana, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Settimiana in Rom, Septimiana, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Settimiana in Rom, Porta Septimiana, "The Fontinental Gate, Sub-Janus, now Septimian", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta San Pancrazio in Roma, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta San Pancrazio in Roma, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta San Pancrazio in Rom, "The Aurele, Janiculense, Trajanic Gate, today of S Pancras", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Portuensis in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Portuensis in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Portuensis in Rom, "The Naval, Shore, Vinary, now Port Gate", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta San Paolo in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta San Paolo in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta San Paolo in Rom, "The Naval Gate, Trigemine, Ostiense, today of SPaul", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Metronia (?) in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Metronia (?) in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Metronia (?) in Rom, "La Porte Gabiuse, & de Metrone, ou de Metrode", Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Tiburtina, San Lorenzo in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Tiburtina, San Lorenzo in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Tiburtina (auch Porta San Lorenzo oder Porta Taurina) in Rom, "La Porte Esquiline, Metie, Praestine, Tiburtine, Taurine, Libitine, today of S Lorenzo", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Latina (?) in Roma, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Latina (?) in Roma, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Latina (?) in Rom, "The Querquetulan Gate, today The Close Gate", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta S.Agnes in Rom, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta S.Agnes in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta SAgnes in Rom, "La Porte Viminale, Figulense, Catulaire, Nomentane, today of S Agnes, & Pie", Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Collina in Roma, 1709, Etching
        Sep. 28, 2024

        B. OVERBEKE (1660-1705), Porta Collina in Roma, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Collina in Rom, "The Gate Agonense, Quirinale, Salarie, Lavernale & Salutarie, today Colline", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium), Size: Paper: 52,3 cm x 38,9 cm (20,6 x 15,3 in), Plate: 40,0 cm x 26,5 cm (15,7 x 10,4 in)

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Colonnade of the Hadrianeum in Rome, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Colonnade of the Hadrianeum in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Kolonnade des Hadrianeum in Rom, ehemals Sitz des Zolls und der Börse, "The Basilica of Antoninus, today The New Customs House", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Saturntempel in Rom, Forum Romanum, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Saturntempel in Rom, Forum Romanum, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Saturntempel in Rom, Forum Romanum, "The Temple of Concord [sic!]", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Portunus in Rome, Forum Boarium, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Temple of Portunus in Rome, Forum Boarium, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Tempel des Portunus in Rom, Forum Boarium, "The Temple of Virile Fortune, today of S Mary Egyptian", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Juno Moneta in Rom, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Temple of Juno Moneta in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Temple of Juno Moneta in Rom, 'Le Temple de la Reine Junon', Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Temple of Venus and Roma in Rome, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Temple of Venus and Roma in Rome, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Temple of Venus and Roma in Rome, Templum Veneris et Romae on the Roman Forum, "Le Temple de Venus & de Rome", Les Restes De L'Ancienne Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Santa Maria sopra Minerva in Rom, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Santa Maria sopra Minerva in Rom, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Santa Maria sopra Minerva in Rom mit Skulptur eines Elefanten von Bernini, "The Temple of Minerva, today S Maria sopra Minerva", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), St Theodore on the Palatine in Rom, St Toto, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), St Theodore on the Palatine in Rom, St Toto, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Antiker Tempel San Teodoro al Palatino in Rom, San Toto, "The Temple of Romulus, built on the foot of Mount Palatine, today the Church of S Theodore", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, Temple, Sanctuary, Church, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta Settimiana in Rom, Septimiana, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Porta Settimiana in Rom, Septimiana, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta Settimiana in Rom, Porta Septimiana, "The Fontinental Gate, Sub-Janus, now Septimian", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
      • B. OVERBEKE (1660-1705), Porta San Pancrazio in Roma, 1709, Etching
        Feb. 10, 2024

        B. OVERBEKE (1660-1705), Porta San Pancrazio in Roma, 1709, Etching

        Est: €300 - €400

        Bonaventura van Overbeke (1660 Amsterdam - 1705 ibid.): Porta San Pancrazio in Rom, "The Aurele, Janiculense, Trajanic Gate, today of S Pancras", The Remains Of Ancient Rome, 1709, Etching Technique: Etching on Paper Watermark: Coat of arms - Common figures - Date: 1709 Date: 1709 Description: Beautiful architectural illustration from the French-language compendium of Bonaventura van Overbeke with Roman buildings of antiquity. The large engraving work first appeared in Latin in 1708 and was republished in a French translation in 1709. The etchings were all published posthumously by the artist's cousin Michiel van Overbeke. They are characterised by a high level of detail in their reproduction. Staffage figures are often added to the architectural views to illustrate the proportions of the ancient monuments. Source: Bonaventura van Overbeke (1660 Amsterdam-1705 Amsterdam) Les Restes De L'Ancienne Rome, 1709 | print suite, Architecture Keywords: Roman Empire, Antiquity, Ruin, Building, Monument, Cityscape, City Gate, Fortification, City Wall, Porta, 18th century, Classicism, Architecture, Italy, Rome (Latium),

        Fichter Kunsthandel
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