William (1769) Owen Paintings & Artwork for Sale | William (1769) Owen Art Value Price Guide

Nov. 24, 2024
Attr to William Owen (1769 - 1825) - Oil on Canvas
Est: $600 - $1,200
Attr to William Owen (1769 - 1825) - Oil on Canvas William Owen RA (born 3 November 1769 – buried 19 March 1825) was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV). In 1810 following the death of John Hoppner (1758–1810), Owen was appointed portrait painter to the Prince of Wales, later George IV (1762–1830). In 1813 Owen was offered a knighthood however he declined. This is a lovely small Bay Scene, incredible detail in the background and framed in a ridiculous frame, and even comes with Gallery presentation Light you can hardwire to a switch or put a plug on it for a power point. Its in very good condition and the frame measures 40cm by 34cm
Danielle Elizabeth Antique & Estate Auctioneers
Oct. 23, 2024
William Owen (Welsh, 1769-1825), Portrait of a Redheaded Girl, Oil on canvas
Est: £500 - £1,000
William Owen (Welsh, 1769-1825) Portrait of a Redheaded Girl, perhaps Suzanne, Countess of Airlie Inscribed to stretcher 'Suzanne, Countess of Aile' Oil on canvas, in a carved, gilded and pierced frame Dimensions: (Frame) 36 in. (H) x 31 in. (W) (Canvas) 30 in. (H) x 25 in. (W)
Sloane Street Auctions
Oct. 23, 2024
William Owen (Welsh, 1769-1825), Young Girl Feeding Chickens, Oil on canvas
Est: £500 - £1,000
William Owen (Welsh, 1769-1825) Young Girl Feeding Chickens Oil on canvas, in a carved, gilded and pierced frame Dimensions: (Frame) 36 in. (H) x 31 in. (W) (Canvas) 30 in. (H) x 25 in. (W)
Sloane Street Auctions
Oct. 20, 2024
Attr to William Owen (1769 - 1825) - Oil on Canvas
Est: $600 - $1,200
Attr to William Owen (1769 - 1825) - Oil on Canvas William Owen RA (born 3 November 1769 – buried 19 March 1825) was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV). In 1810 following the death of John Hoppner (1758–1810), Owen was appointed portrait painter to the Prince of Wales, later George IV (1762–1830). In 1813 Owen was offered a knighthood however he declined. This is a lovely small Bay Scene, incredible detail in the background and framed in a ridiculous frame, and even comes with Gallery presentation Light you can hardwire to a switch or put a plug on it for a power point. Its in very good condition and the frame measures 40cm by 34cm
Danielle Elizabeth Antique & Estate Auctioneers
Sep. 19, 2024
William Owen (Welsh, 1769-1825), Portrait of a Redheaded Girl, Oil on canvas
Est: £1,000 - £2,000
William Owen (Welsh, 1769-1825) Portrait of a Redheaded Girl, perhaps Suzanne, Countess of Airlie Inscribed to stretcher 'Suzanne, Countess of Aile' Oil on canvas, in a carved, gilded and pierced frame Dimensions: (Frame) 36 in. (H) x 31 in. (W) (Canvas) 30 in. (H) x 25 in. (W)
Sloane Street Auctions
Sep. 19, 2024
William Owen (Welsh, 1769-1825), Young Girl Feeding Chickens, Oil on canvas
Est: £1,000 - £2,000
William Owen (Welsh, 1769-1825) Young Girl Feeding Chickens Oil on canvas, in a carved, gilded and pierced frame Dimensions: (Frame) 36 in. (H) x 31 in. (W) (Canvas) 30 in. (H) x 25 in. (W)
Sloane Street Auctions
Aug. 17, 2024
C. TURNER (*1774) after OWEN (*1769), Portrait of A. Bell (1753-1832), 1825, Mezzotint
Est: €600 - €800
Charles Turner (1774 Woodstock, Oxfordshire - 1857 London) after William Owen (1769 - 1824 ibid.): Portrait of the priest Andrew Bell (1753-1832), 1825, Mezzotint Technique: Mezzotint on Paper Inscription: At the lower part signed in the printing plate: "Painted by W. Owen Esqr. R. A. / Engraved by C. Turner, Warren Street, Fitzroy Square". Date: 1825 Description: R. The artwork presents a portrait of a distinguished clergyman with elegant robes and a written document in his hand. This composition suggests dignity and erudition. The background, with detailed textile elements, reinforces the impression of traditional authority and lends the artwork a historical depth. Keywords: Portrait; Clergyman; Vestment; Document; Authority; Dignity; Scholarship; Textiles; Background; Historical; Tradition; Artwork; Academic; Respect; Depth; Composition; Detailed; Black and White; Classicism; Iconography;, 19th century, Classicism, Portraits, United Kingdom, Size: Paper: 62,1 cm x 46,7 cm (24,4 x 18,4 in), Plate: 50,6 cm x 35,2 cm (19,9 x 13,9 in), Depiction: 44,8 cm x 34,8 cm (17,6 x 13,7 in)
Fichter Kunsthandel
Mar. 27, 2024
William Owen (British, 1769-1825), Young boy with hoop and stick, oil on canvas, 28 1/2 x 24in (72.5 x 61cm)
Est: $800 - $1,200
William Owen (British, 1769-1825) Young boy with hoop and stick oil on canvas
Andrew Jones Auctions
May. 23, 2023
Owen, Portrait Of Gentleman O/C
Est: $700 - $900
attributed to William Owen (1769-1825) with named plaque. Frame size: 31 1/4" high, 27 1/4" wide. Repairs, appears relined.
Schwenke Auctioneers
May. 14, 2023
William Owen (UK,1769-1825) oil painting antique
Est: $3,000 - $3,900
ARTIST: William Owen (British, 1769 - 1825) NAME: Portrait of Girl MEDIUM: oil on canvas CONDITION: Relined. Few small paint losses mostly along upper edge. Minor craquelure. Few small scattered inpaitings. Some damages to frame. SIGHT SIZE: 30 x 22 1/2 inches / 76 x 58 cm FRAME SIZE: 36 x 28 inches / 91 x 71 cm SIGNATURE: unsigned PROVENANCE: Frost & Reed Gallery, London (has gallery label) CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120695 US Shipping $120 + insurance. BIOGRAPHY: William Owen RA was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV).William Owen was born at 13 Broad Street, Ludlow, Shropshire in 1769 and was baptised on 3 November in Ludlow Parish Church. Owen's father, Jeremiah Owen, had trained for the church but instead chose to follow in his father's profession and took over the family barber shop which he later expanded into a stationary and bookshop. Owen found his talent at a young age, and would frequently be found sketching the scenery of his surrounding area, his first identifiable work being a drawing of Ludlow Castle, which is thought to have been given to Margaret Maskelyne, Lady Clive.In 1786 Owen moved to London, where he was apprenticed to the coach painter Charles Cotton, RA (1728-1798). This position was most likely arranged by his uncle, who was butler to the scholar and art theorist Richard Payne Knight, who lived near Ludlow. It appears that Owen was drawn to figure painting from the outset, and after copying a portrait by Sir Joshua Reynolds of the much admired actress Mary Robinson (better known as 'Perdita'), he was sent on the recommendation of Reynolds to the Royal Academy Schools in 1791.By 1797 Owen was working as a studio assistant to John Hoppner, who by this point was struggling to keep up with the demand for copies of his portraits. Owen was clearly also experiencing some success in his own right, for in the same year he painted Lener, along with her younger sister, and exhibited the portrait at Somerset House - the then location of Royal Academy exhibitions, receiving a great deal of praise and encouragement. Owen married Lener later that year on 2 December and their son William was born soon after.In 1800 Owen and his family moved to Pimlico, although choosing to maintain his recently acquired studio at No.51 Leicester Square, next door to the house in which Sir Joshua Reynolds lived. This remained Owen's studio until he became too ill and moved out in 1818. The year 1797/8 was perhaps the most significant in Owen's career as a painter; in 1797 he painted the then Prime Minister William Pitt the Younger which he exhibited the following year along with a portrait of the Lord Chancellor Alexander Wedderburn.In 1810 following the death of John Hoppner, Owen was appointed portrait painter to the Prince of Wales, later George IV (1762-1830). Unfortunately the prince never gave a sitting and instead Owen had to rely on a number of head sketches by his predecessor Hoppner to create a likeness. In 1813 Owen was offered a knighthood however he declined.In 1818 Owen left his house in Pimlico and his studio in Leicester Square and moved to Bruton Street, most probably due to his slowly decreasing health, his eagerness however remained unscathed and he exhibited eight works at the Royal Academy the following year. In 1819 Owen travelled to Bath to meet a respectable man of medicine named Mr Hicks, however this seemed to have no positive effect and he soon returned to London. By 1820 Owen was confined to his bed where, with the exception of a brief six months spent in Chelsea towards the end of 1824, he remained until his death five years later.In 1825 Owen died after being accidentally poisoned by an overdose of 'Barclay's Drops' - a mixture of aniseed, camphor and opium. Owen was very ill at the time, being confined to his bedroom and unable to move his limbs, relying on a draught medicine to aid his recovery. When the draught ran out his cook was sent to fetch another bottle, along with a bottle of Barclay's Drops, however the chemist labelled the two bottles wrongly and as a result Owen took a fatal dose of the opium-based medicine, dying hours later. At the inquest on 13 March 1825 the following verdict was reached by the jury:That the deceased, Mr. Wm. Owen, Esq,. died from taking a large quantity of Barclays drops; the bottle containing that liquid having been negligently and incautiously labelled, by the person who prepared the medicine as an opening draught, such as the said Mr. Owen had been in the habit of taking and that we understand the above lamented mistake took place at the house of Mr. Smith, a chymist and druggist in the Haymarket.Owen was buried on 19 March 1825 at Saint Luke's, Chelsea, in a private ceremony attended by family and close friends, including Sir Thomas Lawrence, Sir Richard Westmacott, Thomas Phillips and 'Thompson' - most probably Thomas Clement Thompson.
Broward Auction Gallery LLC
May. 07, 2023
WILLIAM OWEN (1769-1825) PORTRAIT MINIATURE
Est: $450 - $550
Antique Watercolor Gouache Portrait Miniature by William Owen (English, 1769-1825). In Frame measures 4.75"x5.75". Weight 5.1 oz. PROVENANCE: The Audubon Gallery, King Street, Charleston SC
Charleston Estate Auctions
Feb. 12, 2023
William Owen (UK,1769-1825) oil painting antique
Est: $3,100 - $4,000
ARTIST: William Owen (British, 1769 - 1825) NAME: Portrait of Girl MEDIUM: oil on canvas CONDITION: Relined. Few small paint losses mostly along upper edge. Minor craquelure. Few small scattered inpaitings. Some damages to frame. SIGHT SIZE: 30 x 22 1/2 inches / 76 x 58 cm FRAME SIZE: 36 x 28 inches / 91 x 71 cm SIGNATURE: unsigned PROVENANCE: Frost & Reed Gallery, London (has gallery label) CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120695 US Shipping $120 + insurance. BIOGRAPHY: William Owen RA was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV).William Owen was born at 13 Broad Street, Ludlow, Shropshire in 1769 and was baptised on 3 November in Ludlow Parish Church. Owen's father, Jeremiah Owen, had trained for the church but instead chose to follow in his father's profession and took over the family barber shop which he later expanded into a stationary and bookshop. Owen found his talent at a young age, and would frequently be found sketching the scenery of his surrounding area, his first identifiable work being a drawing of Ludlow Castle, which is thought to have been given to Margaret Maskelyne, Lady Clive.In 1786 Owen moved to London, where he was apprenticed to the coach painter Charles Cotton, RA (1728-1798). This position was most likely arranged by his uncle, who was butler to the scholar and art theorist Richard Payne Knight, who lived near Ludlow. It appears that Owen was drawn to figure painting from the outset, and after copying a portrait by Sir Joshua Reynolds of the much admired actress Mary Robinson (better known as 'Perdita'), he was sent on the recommendation of Reynolds to the Royal Academy Schools in 1791.By 1797 Owen was working as a studio assistant to John Hoppner, who by this point was struggling to keep up with the demand for copies of his portraits. Owen was clearly also experiencing some success in his own right, for in the same year he painted Lener, along with her younger sister, and exhibited the portrait at Somerset House - the then location of Royal Academy exhibitions, receiving a great deal of praise and encouragement. Owen married Lener later that year on 2 December and their son William was born soon after.In 1800 Owen and his family moved to Pimlico, although choosing to maintain his recently acquired studio at No.51 Leicester Square, next door to the house in which Sir Joshua Reynolds lived. This remained Owen's studio until he became too ill and moved out in 1818. The year 1797/8 was perhaps the most significant in Owen's career as a painter; in 1797 he painted the then Prime Minister William Pitt the Younger which he exhibited the following year along with a portrait of the Lord Chancellor Alexander Wedderburn.In 1810 following the death of John Hoppner, Owen was appointed portrait painter to the Prince of Wales, later George IV (1762-1830). Unfortunately the prince never gave a sitting and instead Owen had to rely on a number of head sketches by his predecessor Hoppner to create a likeness. In 1813 Owen was offered a knighthood however he declined.In 1818 Owen left his house in Pimlico and his studio in Leicester Square and moved to Bruton Street, most probably due to his slowly decreasing health, his eagerness however remained unscathed and he exhibited eight works at the Royal Academy the following year. In 1819 Owen travelled to Bath to meet a respectable man of medicine named Mr Hicks, however this seemed to have no positive effect and he soon returned to London. By 1820 Owen was confined to his bed where, with the exception of a brief six months spent in Chelsea towards the end of 1824, he remained until his death five years later.In 1825 Owen died after being accidentally poisoned by an overdose of 'Barclay's Drops' - a mixture of aniseed, camphor and opium. Owen was very ill at the time, being confined to his bedroom and unable to move his limbs, relying on a draught medicine to aid his recovery. When the draught ran out his cook was sent to fetch another bottle, along with a bottle of Barclay's Drops, however the chemist labelled the two bottles wrongly and as a result Owen took a fatal dose of the opium-based medicine, dying hours later. At the inquest on 13 March 1825 the following verdict was reached by the jury:That the deceased, Mr. Wm. Owen, Esq,. died from taking a large quantity of Barclays drops; the bottle containing that liquid having been negligently and incautiously labelled, by the person who prepared the medicine as an opening draught, such as the said Mr. Owen had been in the habit of taking and that we understand the above lamented mistake took place at the house of Mr. Smith, a chymist and druggist in the Haymarket.Owen was buried on 19 March 1825 at Saint Luke's, Chelsea, in a private ceremony attended by family and close friends, including Sir Thomas Lawrence, Sir Richard Westmacott, Thomas Phillips and 'Thompson' - most probably Thomas Clement Thompson.
Broward Auction Gallery LLC
Nov. 13, 2022
William Owen (UK,1769-1825) oil painting antique
Est: $3,200 - $4,000
ARTIST: William Owen (British, 1769 - 1825) NAME: Portrait of Girl MEDIUM: oil on canvas CONDITION: Relined. Few small paint losses mostly along upper edge. Minor craquelure. Few small scattered inpaitings. Some damages to frame. SIGHT SIZE: 30 x 22 1/2 inches / 76 x 58 cm FRAME SIZE: 36 x 28 inches / 91 x 71 cm SIGNATURE: unsigned PROVENANCE: Frost & Reed Gallery, London (has gallery label) CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120695 US Shipping $120 + insurance. BIOGRAPHY: William Owen RA was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV).William Owen was born at 13 Broad Street, Ludlow, Shropshire in 1769 and was baptised on 3 November in Ludlow Parish Church. Owen's father, Jeremiah Owen, had trained for the church but instead chose to follow in his father's profession and took over the family barber shop which he later expanded into a stationary and bookshop. Owen found his talent at a young age, and would frequently be found sketching the scenery of his surrounding area, his first identifiable work being a drawing of Ludlow Castle, which is thought to have been given to Margaret Maskelyne, Lady Clive.In 1786 Owen moved to London, where he was apprenticed to the coach painter Charles Cotton, RA (1728-1798). This position was most likely arranged by his uncle, who was butler to the scholar and art theorist Richard Payne Knight, who lived near Ludlow. It appears that Owen was drawn to figure painting from the outset, and after copying a portrait by Sir Joshua Reynolds of the much admired actress Mary Robinson (better known as 'Perdita'), he was sent on the recommendation of Reynolds to the Royal Academy Schools in 1791.By 1797 Owen was working as a studio assistant to John Hoppner, who by this point was struggling to keep up with the demand for copies of his portraits. Owen was clearly also experiencing some success in his own right, for in the same year he painted Lener, along with her younger sister, and exhibited the portrait at Somerset House - the then location of Royal Academy exhibitions, receiving a great deal of praise and encouragement. Owen married Lener later that year on 2 December and their son William was born soon after.In 1800 Owen and his family moved to Pimlico, although choosing to maintain his recently acquired studio at No.51 Leicester Square, next door to the house in which Sir Joshua Reynolds lived. This remained Owen's studio until he became too ill and moved out in 1818. The year 1797/8 was perhaps the most significant in Owen's career as a painter; in 1797 he painted the then Prime Minister William Pitt the Younger which he exhibited the following year along with a portrait of the Lord Chancellor Alexander Wedderburn.In 1810 following the death of John Hoppner, Owen was appointed portrait painter to the Prince of Wales, later George IV (1762-1830). Unfortunately the prince never gave a sitting and instead Owen had to rely on a number of head sketches by his predecessor Hoppner to create a likeness. In 1813 Owen was offered a knighthood however he declined.In 1818 Owen left his house in Pimlico and his studio in Leicester Square and moved to Bruton Street, most probably due to his slowly decreasing health, his eagerness however remained unscathed and he exhibited eight works at the Royal Academy the following year. In 1819 Owen travelled to Bath to meet a respectable man of medicine named Mr Hicks, however this seemed to have no positive effect and he soon returned to London. By 1820 Owen was confined to his bed where, with the exception of a brief six months spent in Chelsea towards the end of 1824, he remained until his death five years later.In 1825 Owen died after being accidentally poisoned by an overdose of 'Barclay's Drops' - a mixture of aniseed, camphor and opium. Owen was very ill at the time, being confined to his bedroom and unable to move his limbs, relying on a draught medicine to aid his recovery. When the draught ran out his cook was sent to fetch another bottle, along with a bottle of Barclay's Drops, however the chemist labelled the two bottles wrongly and as a result Owen took a fatal dose of the opium-based medicine, dying hours later. At the inquest on 13 March 1825 the following verdict was reached by the jury:That the deceased, Mr. Wm. Owen, Esq,. died from taking a large quantity of Barclays drops; the bottle containing that liquid having been negligently and incautiously labelled, by the person who prepared the medicine as an opening draught, such as the said Mr. Owen had been in the habit of taking and that we understand the above lamented mistake took place at the house of Mr. Smith, a chymist and druggist in the Haymarket.Owen was buried on 19 March 1825 at Saint Luke's, Chelsea, in a private ceremony attended by family and close friends, including Sir Thomas Lawrence, Sir Richard Westmacott, Thomas Phillips and 'Thompson' - most probably Thomas Clement Thompson.
Broward Auction Gallery LLC
Aug. 21, 2022
William Owen (UK,1769-1825) oil painting antique
Est: $3,200 - $4,000
ARTIST: William Owen (British, 1769 - 1825) NAME: Portrait of Girl MEDIUM: oil on canvas CONDITION: Relined. Few small paint losses mostly along upper edge. Minor craquelure. Few small scattered inpaitings. Some damages to frame. SIGHT SIZE: 30 x 22 1/2 inches / 76 x 58 cm FRAME SIZE: 36 x 28 inches / 91 x 71 cm SIGNATURE: unsigned PROVENANCE: Frost & Reed Gallery, London (has gallery label) CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120695 US Shipping $120 + insurance. BIOGRAPHY: William Owen RA was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales (later King George IV).William Owen was born at 13 Broad Street, Ludlow, Shropshire in 1769 and was baptised on 3 November in Ludlow Parish Church. Owen's father, Jeremiah Owen, had trained for the church but instead chose to follow in his father's profession and took over the family barber shop which he later expanded into a stationary and bookshop. Owen found his talent at a young age, and would frequently be found sketching the scenery of his surrounding area, his first identifiable work being a drawing of Ludlow Castle, which is thought to have been given to Margaret Maskelyne, Lady Clive.In 1786 Owen moved to London, where he was apprenticed to the coach painter Charles Cotton, RA (1728-1798). This position was most likely arranged by his uncle, who was butler to the scholar and art theorist Richard Payne Knight, who lived near Ludlow. It appears that Owen was drawn to figure painting from the outset, and after copying a portrait by Sir Joshua Reynolds of the much admired actress Mary Robinson (better known as 'Perdita'), he was sent on the recommendation of Reynolds to the Royal Academy Schools in 1791.By 1797 Owen was working as a studio assistant to John Hoppner, who by this point was struggling to keep up with the demand for copies of his portraits. Owen was clearly also experiencing some success in his own right, for in the same year he painted Lener, along with her younger sister, and exhibited the portrait at Somerset House - the then location of Royal Academy exhibitions, receiving a great deal of praise and encouragement. Owen married Lener later that year on 2 December and their son William was born soon after.In 1800 Owen and his family moved to Pimlico, although choosing to maintain his recently acquired studio at No.51 Leicester Square, next door to the house in which Sir Joshua Reynolds lived. This remained Owen's studio until he became too ill and moved out in 1818. The year 1797/8 was perhaps the most significant in Owen's career as a painter; in 1797 he painted the then Prime Minister William Pitt the Younger which he exhibited the following year along with a portrait of the Lord Chancellor Alexander Wedderburn.In 1810 following the death of John Hoppner, Owen was appointed portrait painter to the Prince of Wales, later George IV (1762-1830). Unfortunately the prince never gave a sitting and instead Owen had to rely on a number of head sketches by his predecessor Hoppner to create a likeness. In 1813 Owen was offered a knighthood however he declined.In 1818 Owen left his house in Pimlico and his studio in Leicester Square and moved to Bruton Street, most probably due to his slowly decreasing health, his eagerness however remained unscathed and he exhibited eight works at the Royal Academy the following year. In 1819 Owen travelled to Bath to meet a respectable man of medicine named Mr Hicks, however this seemed to have no positive effect and he soon returned to London. By 1820 Owen was confined to his bed where, with the exception of a brief six months spent in Chelsea towards the end of 1824, he remained until his death five years later.In 1825 Owen died after being accidentally poisoned by an overdose of 'Barclay's Drops' - a mixture of aniseed, camphor and opium. Owen was very ill at the time, being confined to his bedroom and unable to move his limbs, relying on a draught medicine to aid his recovery. When the draught ran out his cook was sent to fetch another bottle, along with a bottle of Barclay's Drops, however the chemist labelled the two bottles wrongly and as a result Owen took a fatal dose of the opium-based medicine, dying hours later. At the inquest on 13 March 1825 the following verdict was reached by the jury:That the deceased, Mr. Wm. Owen, Esq,. died from taking a large quantity of Barclays drops; the bottle containing that liquid having been negligently and incautiously labelled, by the person who prepared the medicine as an opening draught, such as the said Mr. Owen had been in the habit of taking and that we understand the above lamented mistake took place at the house of Mr. Smith, a chymist and druggist in the Haymarket.Owen was buried on 19 March 1825 at Saint Luke's, Chelsea, in a private ceremony attended by family and close friends, including Sir Thomas Lawrence, Sir Richard Westmacott, Thomas Phillips and 'Thompson' - most probably Thomas Clement Thompson.
Broward Auction Gallery LLC
Jan. 21, 2022
WILLIAM OWEN (BRITISH, RA 1769-25) OIL ON CANVAS, H 30" W 23" PORTRAIT OF A YOUNG LADY IN A LARGE HAT
Est: $1,000 - $2,000
Frost and Reed label. Member of the Royal Academy. Framed Measurements H 36" W 28.25"
DuMouchelles
Nov. 14, 2021
After William Owen, Britain (1769-1825), The Fortune Teller, Colour mezzotint eng. C Turner
Est: $80 - $120
After William Owen Britain, (1769-1825) The Fortune Teller Colour mezzotint eng. C Turner
Theodore Bruce Auctioneers & Valuers
Oct. 26, 2021
WILLIAM OWEN - Elizabeth Laura Henrietta
Est: €120 - €180
WILLIAM OWEN pinxit United Kingdom 1769 - 1825 HENRY HOPPNER MEYER sculpit of United Kingdom 1780 - 1847 Elizabeth Laura Henrietta Mezzotint Signed and titled Dimensions 350 x 250 mm plate
Subastas Segre
Jul. 28, 2021
William Owen Portrait of William Ayrton Oil on Canvas
Est: $1,000 - $1,500
William Owen (British, 1769-1825). Oil on canvas portrait of William Ayrton (1777-1858), the prominent English composer and music critic. Ayrton is depicted gazing out at the viewer in a fashionable cravat and high collar. A gallery label from the Plaza Art Gallery, Kansas City, Missouri, is affixed to the frame verso.
Revere Auctions
Apr. 27, 2021
William Owen (English, 1769-1825) Rare Pair of Portrait Miniatures: William Compton and Mary Evans Compton
Est: $1,000 - $2,000
William Owen (English, 1769-1825) Rare Pair of Portrait Miniatures: William Compton and Mary Evans Compton Each bearing printed labels of artist on verso, the names of sitters hand-written, matching ebonized wood frames. (3 in. x 2 7/16in. (sight)) Provenance Property of an estate. Elle Shushan, Philadelphia, Pennsylvania, 2010. Footnote: Note These may be the only known examples of Owen's work. Condition report: Miniature of Mary has a veritcal hairline crack.
Freeman's | Hindman
Nov. 24, 2020
WILLIAM OWEN (BRITISH, 1769-1825) : Cowes Castle
Est: £1,000 - £1,500
WILLIAM OWEN (BRITISH, 1769-1825) : Cowes Castle WILLIAM OWEN (BRITISH, 1769-1825) Cowes Castle Signed 'W. Owen' (lower left) and inscribed 'Cowes Castle' (lower right on rock) Watercolour over pen and ink 6½ x 8½in. (16.5 x 21.5cm.)
Charles Miller Ltd
Jun. 25, 2020
WILLIAM OWEN. Attributed to. A young woman.
Est: €6,000 - €7,000
Oil on canvas 123x95 cm.
Balclis
Nov. 20, 2019
William Owen (British, 1769-1825) Portrait of Sophie Hutchins Calcott Oil Painting
Est: $3,000 - $6,000
William Owen, attributed to (British, United Kingdom, 1769-1825) Portrait of Sophie Hutchins Calcott Circa 1815-1820 Inscribed on verso Oil on canvas Canvas: 30 in. x 25 in.; Frame: 36 7/8 in. x 32 in. Condition: Good condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Christies Sale, March 6th 1914, anonymous seller; Park Bernet Galleries, New York, Nov. 3, 1967, lot 80; John and Johanna Bass Collection; Bass Museum of Art after 1979. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, no. 257.; Paintings and Textiles of the Bass Museum of Art, Russell, Margarita, Miami Beach, FL, 1990, p. 64-65. Museum Inventory No. 1979.257 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Hill Auction Gallery
Oct. 19, 2019
William Owen. "Girl Gathering Roses"
Est: $3,000 - $5,000
(British, 1769-1825). Oil on canvas, unsigned, N. Mitchell Fine Art Gallery authentication label signed by N. Mitchell on verso, 28 3/4 x 23 1/4 in., framed. Lot includes binder with provenance informationfurnished by the consignor.
Alex Cooper
Oct. 08, 2019
Circle of William Owen (Ludlow 1769-1825 London) Portrait of Master and Miss Hunter in a landscape
Est: £1,000 - £2,000
Circle of William Owen (Ludlow 1769-1825 London) Portrait of Master and Miss Hunter in a landscape oil on canvas 91.2 x 72.3cm (35 7/8 x 28 7/16in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 14, 2019
William Owen. "Girl Gathering Roses"
Est: $3,000 - $5,000
(British, 1769-1825). Oil on canvas, unsigned, N. Mitchell Fine Art Gallery authentication label signed by N. Mitchell on verso, 28 3/4 x 23 1/4 in., framed. Lot includes binder with provenance information furnished by the consignor.
Alex Cooper
May. 18, 2019
William B. Owen Jr. Abstract Painting -'Involvement'
Est: $1,000 - $2,000
Mid-century modern abstract oil painting by American artist William Bishop Owen Jr. Titled 'Involvement' Date: 1950s Medium: Oil on canvas Measures: 29.25 inches x 36.25 inches x 1.25 inches overall including frame.Notes: Housed in a vintage frame Provenance: This works comes from a collection of paintings by the artist that were held by the artist's family since the last exhibition of the artist's work, a retrospective held in Santa Fe in 1972. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre LHote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstract Painting -'Three Pears'
Est: $750 - $1,000
William Bishop Owen Jr. American (1895-1963). Titled 'Three Pears' Oil on stretched canvas Dated 1950 Measures 29.55" x 24.5" x .75" overall Notes: Signed lower right, and signed, titled and dated verso. Unframed. About the artist: William Owen was a Chicago area artist to begin his long career.. During the early 1920's William exhibited at various shows at the Art Institute winning the Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. William participated in the WPA in New York in the 1930's. He thought art at the Chicago Art Institute, and later at the University of Virginia, Hollins College and Randolph Macon's Woman's College at Lynchburg, while still pursuing his own art. William died in 1963 and this painting, as well as many others, have been held in the collection of the family ever since.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstract Painting -'Les Voiles'
Est: $750 - $1,500
Abstract oil painting on canvas by William Bishop Owen. Titled 'Les Voiles' c.1950 Oil on stretched canvas Measures 15.5" x 31.5" sight size, and 17" x 33" x 2" overall including framing. Notes: from a collection of work that had been in storage since last exhibited in 1972.
The Modern Art Exchange
May. 18, 2019
William Bishop Owen Abstract Oil Painting 'Terra Cotta'
Est: $1,000 - $2,000
Mid-century abstract oil painting by William Bishop Owen Jr. Title: 'Terra Cotta' Date: 1950s Medium: Oil on canvas Measurements: 20.5 inches by 31.5 inches sight size, and 22.25 inches by 33.25 inches by 2 inches overall including framing. Notes: Framed in a vintage wood frame. Provenance: From the collection of a family member of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre LHote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstraction 'Enchanted Cavern'
Est: $1,000 - $2,000
Mid-century modern abstract oil painting by American artist William Bishop Owen Jr. This works comes from a collection of paintings by the artist that were held by the artist's family since the last exhibition of the artist's work, a retrospective held in Santa Fe in 1972. Title: 'Enchanted Cavern' Date: 1950s Medium: Oil on canvas Measures: 18.5 inches x 27.5 inches sight size, and 20.5 inches x 29.5 inches x 2 inches overall including frame. Notes: Housed in a vintage frame Provenance: From the collection of a family member of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre LÂHote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstraction 'Marine Fantasy'
Est: $1,000 - $2,000
Mid-century modern abstract oil painting by American artist William Bishop Owen Jr. This works comes from a collection of paintings by the artist that were held by the artist's family since the last exhibition of the artist's work, a retrospective held in Santa Fe in 1972. Title: 'Marine Fantasy' Date: 1950s Medium: Oil on canvas Measures: 20.25 inches x 26.25 inches sight size, and 22 inches x 28 inches x 2 inches overall including frame. Notes: Housed in a vintage frame Provenance: From the collection of a family member of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre LÂHote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstraction - 'Chinoiserie'
Est: $1,000 - $2,000
Mid-century modern abstract oil painting by American artist William Bishop Owen Jr. This works comes from a collection of paintings by the artist that were held by the artist's family since the last exhibition of the artist's work, a retrospective held in Santa Fe in 1972. Title: 'Chinoiserie' Date: 1950s Medium: Oil on canvas Measures: 26.5 inches x 20.5 inches sight size, and 28 inches x 22,5 inches x 1.5 inches overall including frame. Notes: Housed in a vintage frame Provenance: From the collection of a family member of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre LÂHote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
May. 18, 2019
William B. Owen Jr. Abstract Painting -'Mandalay'
Est: $1,000 - $2,000
William Bishop Owen Jr. American (1895-1963). Titled 'Mandalay' Oil on masonite panel c.1950 Measures 18.75" x 32.75" x 2.5" overall Notes: Abstract oil painting by William Owen, signed lower left. Housed in a 1970's frame. William Owen was a Chicago area artist to begin his long career.. During the early 1920's William exhibited at various shows at the Art Institute winning the Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. William participated in the WPA in New York in the 1930's. He thought art at the Chicago Art Institute, and later at the University of Virginia, Hollins College and Randolph Macon's Woman's College at Lynchburg, while still pursuing his own art. William died in 1963 and this painting, as well as many others, have been held in the collection of the family ever since.
The Modern Art Exchange
Mar. 24, 2019
ATTRIBUTED TO WILLIAM OWEN (LUDLOW 1769-1825 LONDON), A CHILD PLAYING A PIP
Est: £1,200 - £1,800
ATTRIBUTED TO WILLIAM OWEN (LUDLOW 1769-1825 LONDON), A CHILD PLAYING A PIPE BEFORE A LANDSCAPE, oil on canvas, in a gilt-composition frame. 92cm by 71cm
Elstob Auctioneers
Oct. 25, 2018
William Bishop Owen - Modernist Oil Painting
Est: $1,000 - $2,000
Modernist Painting on Canvas Media: Oil on canvas. Title: 'Abstraction #33' Date: 1950s Measurements: 12.25in. x 17.25in. sight size, and 16in. x 21in. x 2in. overall. Condition: Good condition overall. Frame shows wear. Notes: Signed and titled. Provenance: From the estate of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre L'Hote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
Oct. 25, 2018
William Bishop Owen - Modernist Oil Painting
Est: $1,000 - $2,000
Exceptional Modernist Oil Painting on Canvas Media: Oil on stretched canvas Title: 'Triumph of the Egg' Date: 1950s Measurements: 12.5in. x 17.5in. sight size, and 16in. x 22in. x 2.25in. overall. Condition: Good condition overall. Frame shows wear. Notes: Signed, titled and dated. Provenance: From the estate of the artist. About the artist: William Bishop Owen Jr., (1895-1963), was born outside Chicago, Ill, in 1895. His love of art took him to the nearby Chicago Art Institute to study painting, then to the Woodstock School of Art in New York where he won 1st prize for painting at the age of 19. Soon after, back at the Chicago Art Institute, Owen won the esteemed Butler Prize in 1921, the Eisendrath Prize in 1923, and the Thompson Prize in 1925. Continually fascinated with painting and its possibilities Owen studied art history while also studying with prominent artists of his time, including with Robert Henri, John Sloane and George Bellows in New York, and in Paris with internationally renown artist Andre L'Hote. During the depression Owen joined other prominent artists working with the Works Progress Administration in New York. Winning much critical acclaim for his paintings early in life afforded Owen a teaching job wherever he chose to travel, which he used to fulfill his desire for change. From his late teens until his passing in 1963 Owen lived, studied, painted and taught in Chicago, New York, North Carolina, Wisconsin, Virginia, Wyoming, Massachusetts, France, Spain, Corsica and Majorca.
The Modern Art Exchange
Apr. 25, 2018
ATTRIBUTED TO WILLIAM OWEN (LUDLOW 1769-1825 LONDON) A child with a pi
Est: £2,000 - £3,000
ATTRIBUTED TO WILLIAM OWEN (LUDLOW 1769-1825 LONDON) A child with a pipe before a landscape oil on canvas 92.8 x 71.2cm (36 9/16 x 28 1/16in).
Bonhams
Mar. 24, 2018
William Owen (17691825) Original Enggraving, 'The Schoolmistress' Engraved by J. Ward London, Published by Messrs Wards & Co.,London, 1804. Antique giltwood framed under glass 28 x 23 inches.
Est: £50 - £80
William Owen (17691825) Original Enggraving, 'The Schoolmistress' Engraved by J. Ward London, Published by Messrs Wards & Co.,London, 1804. Antique giltwood framed under glass 28 x 23 inches.
Cooper Barrington LLP
Dec. 06, 2017
William Owen (Ludlow 1769-1825 London) Portrait of Emily St Clare: Expecta
Est: -
William Owen (Ludlow 1769-1825 London) Portrait of Emily St Clare: Expectation
Bonhams
Jan. 23, 2017
CIRCLE OF WILLIAM OWEN, (BRITISH 1769-1825), THE CHILDREN OF SIR WILLIAM PARSONS IN A LANDSCAPE
Est: $5,000 - $7,000
CIRCLE OF WILLIAM OWEN (british 1769-1825) THE CHILDREN OF SIR WILLIAM PARSONS IN A LANDSCAPE Oil on canvas 58 1/8 x 45 7/8 in. (147.6 x 116.5cm) provenance: Private Collection, Philadelphia, Pennsylvania.
Freeman's | Hindman
May. 11, 2016
William Owen, RA (1769-1825) - Portrait of Lady Elizabeth Russell as a girl, seated with a tambourine
Est: £3,000 - £5,000
Oil on canvas 75 x 63 cm. (29 1/2 x 24 3/4 in) Provenance: Thomas Agnew & Sons, Ltd., London (label on reverse, no. 35202); Exhibited: Royal Academy of Arts, London, 1934 (titled: ' Daughter of Lord Russell ')
Dreweatts 1759
Nov. 10, 2015
Ritratto di gentiluomo
Est: €14,000 - €16,000
Ritratto di gentiluomo
Finarte
May. 14, 2015
ATTRIBUTED TO WILLIAM OWEN (BRITISH 1769-1825) PORTRAIT OF GENERAL JOHN GUSTAVUS CROSBIE 74cm x 61cm (29in x 24in)
Est: £800 - £1,200
ATTRIBUTED TO WILLIAM OWEN (BRITISH 1769-1825) PORTRAIT OF GENERAL JOHN GUSTAVUS CROSBIE Oil on canvas 74cm x 61cm (29in x 24in)
Lyon & Turnbull
Feb. 26, 2013
William Owen, R.A. (Ludlow 1769-1825 London)
Est: £3,000 - £5,000
William Owen, R.A. (Ludlow 1769-1825 London) Portrait of William Scott, 1st Baron Stowell (1745-1836), full-length, seated beside a table in an interior oil on canvas 102 x 79 in. (259.1 x 200.7 cm.)
Christie's
Feb. 24, 2013
WILLIAM OWEN (British, 1769-1825) Nicholas Vansittart,
Est: $400 - $600
WILLIAM OWEN (British, 1769-1825) Nicholas Vansittart, Lord Bexley, 1815 Mezzotint 18 x 14 inches (45.7 x 35.6 cm) William Ward, engraver The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library. NOTE: An impression of this print is in the collection of the National Portrait Gallery, London.
Heritage Auctions
Feb. 24, 2013
WILLIAM OWEN (British, 1769-1825) Sir Nicholl, Dean of
Est: $400 - $600
WILLIAM OWEN (British, 1769-1825) Sir Nicholl, Dean of the Arches and Judge of the Prerogatice Court, Canterbury, 1819 Mezzotint 33 x 26 inches (83.8 x 66.0 cm) Henry Meyer, engraver The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library.
Heritage Auctions
Jun. 19, 2012
Attributed to William Owen, R.A. (Ludlow 1769-1825 London)
Est: £700 - £1,000
Attributed to William Owen, R.A. (Ludlow 1769-1825 London) Portrait of a lady, traditionally identified as Mrs. Hawes, half-length, in a fur trimmed black coat and lace bonnet oil on canvas 30 x 25 in. (76.2 x 63.5 cm.)
Christie's
Mar. 06, 2012
Attributed to William Owen, R.A. (Ludlow 1769-1825 London)
Est: £1,500 - £2,000
Attributed to William Owen, R.A. (Ludlow 1769-1825 London) Portrait of a lady, traditionally identified as Mrs. Hawes, half-length, in a fur trimmed black coat and lace bonnet oil on canvas 30 x 25 in. (76.2 x 63.5 cm.)
Christie's