SeungMo Park Sold at Auction Prices

b. 1969 -

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      • SeungMo Park, Huh (虛) 7705)
        Mar. 23, 2021

        SeungMo Park, Huh (虛) 7705)

        Est: $6,000 - $8,000

        SeungMo Park Huh (虛) 7705) 2013 aluminum wire, fiberglass 71.5 h × 27.5 w × 23 d in (182 × 70 × 58 cm) Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.

        Rago Arts and Auction Center
      • SEUNGMO PARK, (South Korean b.1969-) Sc…
        Nov. 11, 2019

        SEUNGMO PARK, (South Korean b.1969-) Sc…

        Est: £6,000 - £8,000

        SEUNGMO PARK, (South Korean b.1969-) Sculpture of a standing man; aluminium wire and fibreglass, on plinth, unique piece, 87 x 27 x 16cm Provenance: Albemarle Gallery, London, where purchased by the current owner. Note: Seungmo Park is preoccupied by the nature and illusion of existence, our environment and the way we interpret it in relation to his artwork. His fine wire sculptures and mesh installations are instantly recognisable, but on closer inspection show the intricate fabrication and surprising materials which create these painstakingly made artworks. Therefore perhaps it is no surprise he has been caught on camera comparing himself with his metal wire sculptures: “Ultimately then am I really Seungmo Park just because I have a body and existence, or am I an empty shell, or a shadow like them?” 樸勝模 韓 （1969-） 人物立像

        Roseberys
      • SeungMo Park, South Korean b.1969- Sculpture of a standing man; aluminium wire and fibreglass, on
        Jul. 03, 2019

        SeungMo Park, South Korean b.1969- Sculpture of a standing man; aluminium wire and fibreglass, on

        Est: £8,000 - £12,000

        SeungMo Park, South Korean b.1969- Sculpture of a standing man; aluminium wire and fibreglass, on plinth, unique piece, 87 x 27 x 16cm Provenance: Albemarle Gallery, London, where purchased by the current owner. Note: Seungmo Park is preoccupied by the nature and illusion of existence, our environment and the way we interpret it in relation to his artwork. His fine wire sculptures and mesh installations are instantly recognisable, but on closer inspection show the intricate fabrication and surprising materials which create these painstakingly made artworks. Therefore perhaps it is no surprise he has been caught on camera comparing himself with his metal wire sculptures: “Ultimately then am I really Seungmo Park just because I have a body and existence, or am I an empty shell, or a shadow like them?” Please refer to department for condition report Free standing - on a metal plinth Gallery information about this artist accompanies this lot

        Roseberys
      • 朴勝模 PARK Seung Mo (Korean, b. 1969)
        Jun. 01, 2019

        朴勝模 PARK Seung Mo (Korean, b. 1969)

        Est: NT$900,000 - NT$1,400,000

        幻 6469 Maya 6469 賞析： 朴勝模，1969年生於韓國，1998年韓國東亞大學雕塑系畢 業，曾在倫敦、紐約、韓國及台灣等地舉辦過多次個展，現居 紐約。朴勝模擅長以鋁線和鋼絲為創作媒材，透過不同層次交 疊的線條，營造出如真似幻的圖像及造型。他的創作源自於印 度生活的經驗，他觀察僧侶、修行者的信仰與生活，並從冥想 與曼陀羅繪畫中參悟出個人的創作道路。朴勝模作品不停纏繞 的鋁線和細心修剪的鋼絲，象徵了一種近乎修行式的時間投入 和勞力付出。 《幻MAYA》系列作品，是朴勝模將寫實的人物攝影，轉化為 一種以鋼絲網和非實體的光影共構而成，介於平面素描和立 體雕塑之間的人像作品，在這當中，藝術家展現了精準的技法 操作、材料運用和光影表現，同時也保留了材料本身真實素樸 的原味。在鬆與緊的拿捏之間，藝術家提出了一種「緣份」的 觀點，允許未知和變數的存在，就如同生命中的聚散離合， 原本沒有交集的人、事、物相遇、匯聚、碰撞、互動後，因 為「緣」的作用，而變成了有意義、有趣、有機的獨特組合。 （參考台北當代藝術館展覽新聞稿） Catalogue Note: Park Seung Mo was born in Korea in 1969. He graduated from Dong-A University in Korea with a degree in sculpture in 1998, and has held solo exhibitions in London, New York, Korea, and Taiwan. Currently based in New York, Park is known for his creative use of aluminum and steel wires. Through overlapping lines and contours, he creates layers that form elusive and astonishing images and shapes. He draws his inspiration from the time he spent in India, where he observed the religious practices and lives of monks and yogis, and through meditation and Mandala paintings, he realized the direction for his personal creative journey. The repeated coiling and meticulous shaping of metal wires symbolizes a meditative-like action with devotions of time and labor. In the MAYA series, using realistic photographs of people as references, Park has transformed them into portraitures constructed with metal wires, lights and shadows, resulting in sculptural works in between two-dimensional sketches and three-dimensional sculptures. These artworks demonstrate the artist’s mastering of precision, material applications and dramatic display of lights and shadows. At the same time, the works have also preserved the original essence inherent to the artist’s chosen material. Through the control of loosening and tightening up the wires, Park is also proposing the notion of “serendipity,” by allowing the unknown and variants to take place. Similar to the encounters and the separations in life, individuals, things, incidents may come together and form interactions, and they may become meaningful, amusing, and spontaneous combination due to the reactions prompted by “serendipity.” (reference to the press release of the exhibition at Taipei MoMA)

        Ravenel
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