Lorenzo Pasinelli Paintings & Artwork for Sale | Lorenzo Pasinelli Art Value Price Guide

Apr. 01, 2025
Attribué à Lorenzo PASINELLI Bologne, 1629 - 1700
Est: €600 - €800
Attribué à Lorenzo PASINELLI Bologne, 1629 - 1700 Plusieurs études de figures avec une femme et des hommes, avec reprises (recto) Christ et saint Pierre (verso) Sanguine 20,2 x 19,2 cm - 7 15/16 x 7 9/16 in. Studies of multiple figure with women and men (recto) ; Christ with saint Peter (verso), red chalk (Deux pliures horizontales, quelques taches) Annoté anciennement en haut à droite du verso Pasinelli Lorenzo PROVENANCE Cachet de la collection des dessins échangés du musée des Arts décoratifs et Tissus de Lyon en haut à droite du verso (L. 5729).
Aguttes
Dec. 12, 2024
LORENZO PASINELLI (Bologna, 1629-1700) ALLEGORIE DE LA PAIX ET DE LA JUSTICE Toile Restaurations anciennes Allegory of Peace...
Est: €20,000 - €30,000
LORENZO PASINELLI (Bologna, 1629-1700) ALLEGORIE DE LA PAIX ET DE LA JUSTICE Toile Restaurations anciennes Allegory of Peace and Justice, canvas, with restorations 84,5 x 99 CM - 33 x 39 IN.
Tajan
Jun. 25, 2024
Attribué à Lorenzo PASINELLI Bologne, 1629 - 1700 Plusieurs études de figures avec une femme et des hommes, avec reprises (recto)
Est: €1,000 - €1,500
Attribué à Lorenzo PASINELLI Bologne, 1629 - 1700 Plusieurs études de figures avec une femme et des hommes, avec reprises (recto) Christ et saint Pierre (verso) Sanguine 20,2 x 19,2 cm - 7 15/16 x 7 9/16 in. (Deux pliures horizontales, quelques taches) Studies of multiple figure with women and men (recto) ;Christ with saint Peter (verso), red chalk Annoté anciennement en haut à droite du verso Pasinelli Lorenzo PROVENANCE Cachet de la collection des dessins échangés du musée des Arts décoratifs et Tissus de Lyon en haut à droite du verso (L. 5729).
Aguttes
Jun. 13, 2024
Lorenzo Pasinelli 1626 Bologna-1700 Bologna Sacra Famiglia
Est: €4,000 - €5,000
.
Cambi Casa d'Aste
Dec. 13, 2023
PASINELLI LORENZO (1629 - 1700) - Follower of. Penitent Magdalene
Est: €600 - €800
PASINELLI LORENZO (1629 - 1700). Follower of. Penitent Magdalene. 52,00 x 65,00 cm.
Capitolium Art
Dec. 13, 2023
PASINELLI LORENZO (1629 - 1700) - Atelier of. Penitent Magdalene
Est: €4,000 - €6,000
PASINELLI LORENZO (1629 - 1700). Atelier of. Penitent Magdalene. For comparison see a similar work of the same artist: Fototeca Zeri, envelope 539, card 56648.. 71,50 x 82,50 cm.
Capitolium Art
May. 23, 2023
LORENZO PASINELLI (BOLOGNA 1629 - 1700)
Est: €8,000 - €12,000
Lorenzo Pasinelli (Bologna 1629 - 1700) Annunciazione Olio su tela ovale 94 x 75 cm L'opera è corredata degli studi redatti da Daniele Benati e Andrea Emiliani. Lorenzo Pasinelli (Bologna 1629 - 1700) Annunciation Oil on oval canvas 94 x 75 cm The artwork is accompanied by studies written by Daniele Benati and Andrea Emiliani.
Lucas Aste
Feb. 21, 2023
Lorenzo Pasinelli (Bologna 1629 - 1700) cerchia/seguace di
Est: €500 - €800
Lorenzo Pasinelli (Bologna 1629 - 1700) cerchia/seguace di Madonna con Gesù Bambino e Santa Caterina d'Alessandria Olio su tela 61 x 46 cm L'opera, che si data tra il XVII e il XVIII secolo, è una versione di bottega o di un pittore della cerchia del maestro bolognese. Esistono quattro versioni autografe pubblicate da pag. 160 a pag. 168 nella monografia di Carmela Baroncini (Edit. Faenza, 2010). La formazione artistica di Lorenzo Pasinelli si deve a Simone Cantarini e a Flaminio Torri, grazie ai quali attinse indirettamente la lezione di Guido Reni. Dopo i primi lavori e i primi successi in patria venne chiamato a prestare servizio a Mantova, Torino e Roma. Queste esperienze, assieme al soggiorno veneziano, arricchirono il suo bagaglio espressivo e tecnico. La sua fama superò le Alpi, tanto che ottenne svariate commissioni dalle più importanti corti europee. In questo periodo l'artista realizzò soprattutto dipinti da camera con soggetti di tema profano e ritratti. Fu un importante capo di bottega e insegnante: dal suo atelier uscirono valenti artisti, come Gian Antonio Burrini, Giovanni Pietro Zanotti e Donato Creti. Lorenzo Pasinelli (Bologna 1629 - 1700) circle/follower of Madonna with Child Jesus and St. Catherine of Alexandria Oil on canvas 61 x 46 cm The artwork, dated between the 17th and 18th century, is a version by the workshop or by a painter in the circle of the bolognese master. There are four autograph versions published from p. 160 on p. 168 in the monograph by Carmela Baroncini (Edit. Faenza, 2010).
Lucas Aste
Nov. 29, 2022
LORENZO PASINELLI (BOLOGNA 1629 - 1700)
Est: €4,000 - €6,000
Lorenzo Pasinelli (Bologna 1629 - 1700) Figura femminile orante o Santa Lucia (?) Olio su tela 71 x 56 cm L’opera, dalla squisita qualità pittorica, potrebbe realisticamente essere la tela dispersa da cui è derivata l’incisione ad acquaforte di Antonio Galanguzzi. Come ulteriore conforto della nostra tesi attributiva si vedano: Allegoria della Scultura della National Gallery of Ireland di Dublino; Maddalena rinuncia alle vanità, passata in asta il 07/11/1994 da Sotheby's a New York; Maddalena in meditazione del castello di Valtice a Breclav. Pasinelli iniziò la sua formazione con Simone Cantarini. Dal 1648 fino ai primi anni cinquanta si formò invece con Flaminio Torri, per poi intraprendere un percorso autonomo. La sua arte richiamò evidentemente il linguaggio classico di Guido Reni, desunto tramite i suoi maestri. Inizialmente operò assiduamente nella sua Bologna (Certosa e Chiesa di San Girolamo), e venne poi chiamato a Mantova, Torino e a Roma. Raggiunta una certa fama, a Bologna gli giunsero commissioni dalle più importanti corti europee, per le quali Pasinelli realizzò soprattutto dipinti da camera con soggetti di tema profano con una tecnica pittorica sempre più lieve e delicata. Condusse anche una valente scuola dalla quale uscirono diversi artisti, come Gian Antonio Burrini, Giovanni Pietro Zanotti e Donato Creti, Gioseffo dal Sole, Giuseppe Maria Mazza, Ercole Fava, Maria Caterina Locatelli e Giuseppe Gambarini. Lorenzo Pasinelli (Bologna 1629 - 1700) Praying female figure or Saint Lucia (?) Oil on canvas 71 x 56 cm The artwork could realistically be the dispersed canvas from which Antonio Galanguzzi's etching was derived. As further support for our thesis, please see: Allegory of Sculpture from the National Gallery of Ireland in Dublin; Maddalena renounces vanities, auctioned on 07/11/1994 at Sotheby's in New York; Magdalene in meditation at the castle of Valtice in Breclav.
Lucas Aste
Oct. 21, 2022
Saint Catherine of Alexandria
Est: $7,000 - $9,000
Property from a Private Collection Lorenzo Pasinelli Bologna 1629 - 1700 Saint Catherine of Alexandria oil on canvas canvas: 36 by 29 in.; 93.3 by 74.3 cm. framed: 41 by 34 in.; 104.8 by 86.4 cm. Bid on Sotheby's
Sotheby's
Oct. 08, 2022
Lorenzo Pasinelli (cerchia_di) (Bologna 1629-Bologna 1700) - Diana and her nymphs in the bathroom, 17th century
Est: -
Oil painting on canvas In the 2nd half of the 17th century Lorenzo Pasinelli was one of the most important painters of the Emilia-Romagna school. He was a pupil of Simone Cantarini and Flaminio Torri, both trained under the influence of Guido Reni, for this reason he was able to observe and metabolize the stylistic canons of Reni's classicism and the characteristics of technique, design and color. The work is presented as a preparatory sketch, crowded with figures, complex as a composition. Remarkable is the palette that makes the work rich and brilliant for a well-balanced color variety in the chiaroscuro adaptation of the shadows and darks. The characters are numerous, as often happens in his compositions, and have solid and well-rounded shapes, the coloristic exaltation of the fabrics is moderated by the dark tones that dominate the background. Ultimately an essential and moderate Baroque taste. ASORstudio
ArtLaRosa
May. 17, 2022
PASINELLI LORENZO (1629 - 1700) Sermon of the Baptist
Est: €10,000 - €15,000
PASINELLI LORENZO (1629 - 1700). Sermon of the Baptist. Bibliography: F. Moro, Emilia Pittrice: tracce d'un percorso di studi, in Emilia Pittrice. Dipinti e disegni bolognesi del XVII secolo, catalogo della mostra, Parigi Galerie Tarantino, 2007, pp-34-38, ill. 25 . Cm 154,00 x 115,00.
Capitolium Art
Apr. 12, 2022
Attributed to Lorenzo Pasinelli (Bologna 1629-1700) The Head of a sibyl, within a painted oval
Est: £3,000 - £5,000
Attributed to Lorenzo Pasinelli (Bologna 1629-1700) The Head of a sibyl, within a painted oval oil on canvas 68.3 x 51.6cm (26 7/8 x 20 5/16in). For further information on this lot please visit the Bonhams website
Bonhams
Dec. 11, 2021
Lorenzo Pasinelli (cerchia di) (Bologna 1629-Bologna 1700) - Diana and her nymphs in the bathroom
Est: €1,500 - €9,999,999
Oil painting on canvas In the 2nd half of the 17th century Lorenzo Pasinelli was one of the most important painters of the Emilia-Romagna school. He was a pupil of Simone Cantarini and Flaminio Torri, both trained under the influence of Guido Reni, for this reason he was able to observe and metabolize the stylistic canons of Reni's classicism and the characteristics of technique, design and color. The work is presented as a preparatory sketch, crowded with figures, complex as a composition. Remarkable is the palette that makes the work rich and brilliant for a well-balanced variety of colors in the chiaroscuro adaptation of the shadows and darks. The characters are numerous, as often happens in his compositions, and have solid and well-rounded shapes, the coloristic exaltation of the fabrics is moderated by the dark tones that dominate the background. Ultimately an essential and moderate Baroque taste. ASORstudio
ArtLaRosa
Dec. 09, 2021
Lorenzo Pasinelli, 1629 Bologna – 1700 ebenda, zugeschrieben
Est: €18,000 - €20,000
BILDNIS EINER VORNEHMEN DAME MIT HÜNDCHEN Öl auf Leinwand. Doubliert. 126 x 104 cm. In vergoldetem Prunkrahmen. Vor schwarzem Hintergrund sowie einem roten, zur linken Seite gerafften schweren Brokatvorhang das Dreiviertelbildnis einer eleganten jungen Dame in einem eng gegürteten, überwiegend schwarzen Kleid. Am Kragen und über den Schultern mit reicher weißer Spitze, dazu mit reichen mehrfarbigen, teils goldenen Bordüren, Verzierungen, Knöpfen und Schleifen, die auch die Ärmel und den Bereich der Unterarme zieren. Dazu eine dunkle Kopfbedeckung mit Schleifen linksseitig und Schmuckbroschen; des Weiteren eine Perlenkette um den Hals, Ohrgehänge und jeweils einem Ring auf jeder Hand. Sie hat leicht rötliches Haar mit sorgsam herabhängenden Locken, ein feines zartes Inkarnat mit rötlichen Wangen und mit ihren glänzenden braunen Augen schaut sie würdevoll aus dem Bild auf den Betrachter hinaus. Ihre linke Hand ruht auf einem kleinen weißen struppigen Hündchen mit braun glänzenden Augen, das auf einem Tischchen mit rötlicher Decke hockt. Dahinter erkennbar ein größerer, rot gedeckter Tisch mit einer Prunkvase und einem prachtvollen Gebinde mit roten, weißen und gelben Blumen, darunter Anemonen, Chrysanthemen, Tulpen und Narzissen. Repräsentative Darstellung mit prachtvollen, teils minutiös herausgearbeiteten Details in harmonischer Farbgebung, die Frau durch ihre Kleidung mit weißer Spitze besonders vor dem dunklen Hintergrund hervorgehoben. Minimale Retuschen. Am Rand teils leicht durch Rahmung berieben. Teils kleinere Rahmenschäden. (1290441) (3) (18) Lorenzo Pasinelli, 1629 Bologna – 1700 ibid., attributed PORTRAIT OF A GENTLEWOMAN WITH LITTLE DOG Oil on canvas. Relined. 126 x 104 cm.
Hampel Fine Art Auctions
Jul. 08, 2021
LORENZO PASINELLI (BOLOGNA 1629-1700) - Saint Mary Magdalene in meditation with angels
Est: £150,000 - £250,000
LORENZO PASINELLI (BOLOGNA 1629-1700) Saint Mary Magdalene in meditation with angels oil on canvas 62 x 47 ¼ in. (157.5 x 120 cm.)
Christie's
Feb. 20, 2021
Pasinelli, Lorenzo (1629 - 1700), alt zugeschrieben, ''Grablegung Christi'', Bleistift- und Tuschfederzeichnung
Est: -
Pasinelli, Lorenzo (1629 - 1700), alt zugeschrieben, ''Grablegung Christi'', Bleistift- und Tuschfederzeichnung, unten links bezeichnet Lorenzo Pasinelli f., 19.5 x 26.5 cm (P.a.), kleine Läsuren, verso Künstlerangaben, unter Glas gerahmt, rückseitiges Glas beschädigt
Auktionshaus Plückbaum
Dec. 04, 2020
ECSTASY OF SAINT CATHERINE FROM SIENA SUPPORTED BY AN ANGEL
Est: €5,500 - €7,500
LORENZO PASINELLI (Bologna, 1629 - 1700), ATTRIBUTED TO Ecstasy of Saint Catherine from Siena supported by an angel Oil on canvas, cm. 99x74,5. Framed
Bertolami Fine Art s.r.l.
Nov. 23, 2020
Cerchia di Lorenzo Pasinelli (Bologna 1629 - 1700) - Santa Cecilia
Est: €1,000 - €2,000
oil on canvas PROVENANCE Collection of Professor Valentino Martinelli, Rome.
Finarte
Oct. 07, 2020
LORENZO PASINELLI ( BOLOGNA 1629-1700) - The Penitent Magdalene
Est: £10,000 - £15,000
LORENZO PASINELLI ( BOLOGNA 1629-1700) The Penitent Magdalene oil on canvas, unlined 47 3/4 x 38 5/8 in. (121.4 x 98 cm.)
Christie's
Jul. 15, 2020
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, Oil paint on ca
Est: €1,500 - €100,000,000
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, Oil paint on canvas in a 60x66 frame. "In the 2nd half of the seventeenth century Pasinelli Lorenzo it was one of the most important painters in the Emilia Romagna school. He was a pupil of Simone Cantarini and Flaminio Torre, both trained under the influence of Guido Reni, for this reason he was able to observe and metabolize the stylistic canons of classicism of Kidneys and characteristics of the technique, the design and color. the work is presented as a preparatory sketch, crowded with figures, as a complex composition. Remarkable the palette that makes the rich and brilliant artwork for variety coloristic well-balanced adaptation chiaroscuro of shadows and dark. the characters are numerous, as often happens in his compositions, and have solid forms and bentornite, exaltation coloristic tissue is moderated by dark tones that dominate it. ultimately background an essential and moderate baroque style. "STUDIO ASOR
ArtLaRosa
Jul. 02, 2020
Lorenzo Pasinelli, 1629 Bologna – 1700, zug.
Est: €18,000 - €20,000
BILDNIS EINER SIBYLLE Öl auf Leinwand. 98 x 76 cm. Die Darstellung fügt sich nahtlos in eine Reihe ähnlicher Bildthemen von Sibyllendarstellungen, aber auch kompositionell ähnlich aufgebauten Gemälden weiblicher Halbfiguren, wie etwa der Heiligen Cäcilie von 1665, einer Lautenspielerin, einer Maria Magdalena oder der Sophonisbe von 1649. Die Sibylle, hier höfisch gekleidet mit gebauschtem weißen Ärmelkleid und rotem Umhang, hält auf den Knien mit beiden Händen eine Tafel und weist gleichzeitig mit ihrem Zeigefinger zur Seite, womit angedeutet werden soll, dass sich das von ihr prophezeite Ereignis soeben erfüllen wird. In der für den Maler typischen feinen Pinseltechnik, unter Einsatz einer zarten Sfumato-Konturierung. (1221806) (3) (11) Lorenzo Pasinelli, 1629 Bologna – 1700, attributed PORTRAIT OF SIBYL Oil on canvas. 98 x 76 cm. The depiction seamlessly fits into a series of similar subjects of Sybil depictions but also compositionally similar paintings of female half figures such as Saint Cecilia from 1665, a Lute Player, Mary Magdalene or Sophonisba from 1649. The painting is executed in fine brushwork typical for the artist using delicate sfumato contours.
Hampel Fine Art Auctions
Jun. 09, 2020
Lorenzo Pasinelli
Est: €8,000 - €12,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Bologna 1629–1700) A Sibyl, oil on canvas, 81 x 61 cm, framed Provenance: Private collection, Rome, since at least 1970 We are grateful to Emilio Negro and Nicosetta Roio for confirming the attribution of the present painting on the basis of a digital photograph.
Dorotheum
Jun. 01, 2020
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, oil on canvas,
Est: -
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, oil on canvas, in a 60x66 frame. "In the 2nd half of the seventeenth century Pasinelli Lorenzo it was one of the most important painters of the Emilia Romagna school. He was a pupil of Simone Cantarini and Flaminio Torre, both trained under the influence of Guido Reni, for this reason he was able to observe and grasp the stylistic canons of classicism of Reni and characteristics of the technique, the design and color. the work is presented as a preparatory sketch, crowded with figures, as a complex composition. Remarkable the palette that makes the rich and brilliant artwork for variety coloristic well-balanced adaptation chiaroscuro of shadows and dark. the characters are numerous, as often happens in his compositions, and have solid forms and bentornite, exaltation coloristic tissue is moderated by dark tones that dominate it. ultimately background an essential and moderate baroque style. Studio STUDIO ASOR
ArtLaRosa
May. 16, 2020
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, oil on canvas,
Est: -
Lorenzo Pasinelli (circle) (Bologna 1629-1700). Diana and her nymphs bathing. 42x48, oil on canvas, in a 60x66 frame. "In the 2nd half of the seventeenth century Pasinelli Lorenzo it was one of the most important painters of the Emilia Romagna school. He was a pupil of Simone Cantarini and Flaminio Torre, both trained under the influence of Guido Reni, for this reason he was able to observe and grasp the stylistic canons of classicism of Reni and characteristics of the technique, the design and color. the work is presented as a preparatory sketch, crowded with figures, as a complex composition. Remarkable the palette that makes the rich and brilliant artwork for variety coloristic well-balanced adaptation chiaroscuro of shadows and dark. the characters are numerous, as often happens in his compositions, and have solid forms and bentornite, exaltation coloristic tissue is moderated by dark tones that dominate it. ultimately background an essential and moderate baroque style. Studio STUDIO ASOR
ArtLaRosa
Apr. 02, 2020
Lorenzo Pasinelli, 1629 Bologna – 1700, zug.
Est: €25,000 - €35,000
BILDNIS EINER SIBYLLE Öl auf Leinwand. 98 x 76 cm. Die Darstellung fügt sich nahtlos in eine Reihe ähnlicher Bildthemen von Sibyllendarstellungen, aber auch kompositionell ähnlich aufgebauten Gemälden weiblicher Halbfiguren, wie etwa der Heiligen Cäcilie von 1665, einer Lautenspielerin, einer Maria Magdalena oder der Sophonisbe von 1649. Die Sibylle, hier höfisch gekleidet mit gebauschtem weißem Ärmelkleid und rotem Umhang, hält auf den Knien mit beiden Händen eine Tafel und weist gleichzeitig mit ihrem Zeigefinger zur Seite, womit angedeutet werden soll, dass sich das von ihr prophezeite Ereignis soeben erfüllen wird. In der für den Maler typischen feinen Pinseltechnik, unter Einsatz einer zarten Sfumato-Konturierung. (1221806) (3) (11) Lorenzo Pasinelli, 1629 Bologna – 1700, attributed PORTRAIT OF SIBYL Oil on canvas. 98 x 76 cm. The depiction seamlessly fits into a series of similar subjects of Sybil depictions but also compositionally similar paintings of female half figures such as Saint Cecilia from 1665, a Lute Player, Mary Magdalene or Sophonisba from 1649. The painting is executed in fine brushwork typical for the artist using delicate sfumato contours.
Hampel Fine Art Auctions
Feb. 24, 2020
PASINELLI LORENZO
Est: €15,000 - €16,500
LORENZO PASINELLI (1629-1700) 'La Maddalena' olio splendida cornice in legno in tagliato e dorato coeva cm. 93x75
Aste Boetto SRL
Dec. 13, 2019
Lorenzo Pasinelli (Bologna 1626-1700), Maddalena penitente
Est: €8,000 - €10,000
olio su tela, cm 88x65
Cambi Casa d'Aste
Dec. 11, 2019
Cerchia di Lorenzo Pasinelli (Bologna 1629 - 1700) - Saint Cecilia
Est: €2,000 - €3,000
oil on canvas
Finarte
May. 29, 2019
LORENZO PASINELLI. Hercules and Omphale.
Est: €50,000 - €60,000
Oil on canvas 144x196.5 cm.
Balclis
Mar. 20, 2019
Lorenzo Pasinelli, Umkreis
Est: CHF800 - CHF1,200
Der auferstandene Christus
Artcurial Beurret Bailly Widmer
Dec. 19, 2018
Lorenzo Pasinelli, Hercules and Omphale, Oil on canvas
Est: €70,000 - €90,000
Lorenzo Pasinelli Bologna 1629 - 1700 Hercules and Omphale Oil on canvas 144x196.5 cm
Balclis
Dec. 17, 2018
LORENZO PASINELLI, att. to
Est: €20,000 - €30,000
LORENZO PASINELLI, att. to (Bologna 1629 - 1700) SIBILLA WITH AMPHORA SIBILLA A pair of oil paintings on canvas, cm. 152 x 113 PROVENANCE Illustrious private collection, Milan The paintings find stylistic and iconographic references in works attributed to Lawrence Pasinelli. Particularly the Sibilla with amphora finds a reference in a further Sibilla in action to write of unknown location, datable to the seventies of the 17th century (Carmela Baroncini, Lawrence Pasinelli, Faenza 1993, pp. 206-208). The reference to the work assigned to Pasinelli is suggested both from the same posture of the character, and from the volumetries created by the ampleness of the dresses and the body. Also the Sibilla with the open book finds reference with a Giuditta it dates to the Pasinelli of unknown private collection bolognese (ibidem, pp. 258-262). Also in this case the reference emerges from the identical posture of the two characters and from the same manner of the dresses CONDITIONS OF THE PAINTINGS First painting with original lining, second painting with recent re-lining. Two patches to the right of the figure of which one with fall of painting, in the first painting. A further fall of painting to the left accompanied by some restoration points, always in the first painting. Restoration points almost oxidized spread in the ground, in the second painting. FRAMES Molded frames in giltwood carved to leaves of the end of the 17th century LORENZO PASINELLI, att. a (Bologna 1629 - 1700) SIBILLA CON ANFORA SIBILLA Coppia di dipinti ad olio su tela, cm. 152 x 113 PROVENIENZA Illustre collezione privata, Milano I dipinti trovano riferimenti stilistici ed iconografici con opere censite come Lorenzo Pasinelli. In particolare la Sibilla con anfora trova un riferimento con una ulteriore Sibilla in atto di scrivere di ubicazione ignota, databile agli anni settanta del XVII secolo (Carmela Baroncini, Lorenzo Pasinelli, Faenza 1993, pp. 206-208). Il riferimento all'opera assegnata a Pasinelli è suggerito sia dalla medesima postura del personaggio, sia dalle volumetrie create dall'ampiezza delle vesti e della corporatura. Anche la Sibilla con il libro aperto trova riferimento con una Giuditta data al Pasinelli di ignota collezione privata bolognese (ibidem, pp. 258-262). Anche in questo caso il riferimento emerge dalla identica postura dei due personaggi e dalla stessa foggia delle vesti CONDIZIONI DEI DIPINTI Primo dipinto in prima tela, secondo dipinto con rintelo recente. Due rattoppi a destra della figura di cui uno con caduta di pittura. Una ulteriore caduta di pittura a sinistra, accompagnata da alcuni punti di restauro, sempre nel primo dipinto. Punti di restauro quasi ossidati sparsi nel fondo, nel secondo dipinto. CORNICI Cornici modanate in legno dorato con intagli a foglie, della fine del XVII secolo
Casa d'Aste Babuino
May. 30, 2018
Lorenzo Pasinelli (1626-1700), Maria Maddalena penitente
Est: €20,000 - €25,000
olio su tela, cm 88x66
Cambi Casa d'Aste
Apr. 11, 2018
LORENZO PASINELLI 1929-1700 Amore disarmato dalle ninfe di Diana
Est: -
Olio su tela. Good overall condition, some repentances. 57.87 x 85.83 in. - Tags: Dipinti - paintings -
Aste Bolaffi
Mar. 21, 2018
LORENZO PASINELLI (attr. a)
Est: €500 - €800
(Bologna, 1629 - 1700) Maria Maddalena penitente Olio su tela, cm 80X64 Di scuola bolognese e memore degli esempi di Lorenzo Pasinelli, l'opera riproduce una delle iconografie pi celebri del pittore, come la versione conservata a Valtice giˆ Collezione Liechtenstein, firmata e datata 1685. Tuttavia le maggiori analogie si colgono con la Maddalena pubblicata sempre dalla Baroncini e di ubicazione sconosciuta (tav. LIVa - LIVb) che riprende un analogo impianto illustrativo ma dalla studiosa prudenzialmente attribuita all'allievo Gian Gioseffo del Sole (Bologna, 1654-1719). Bibliografia di riferimento: C. Baroncini, 'Pasinelli', Faenza 1993 pp. 275-281, n. 54
Wannenes Art Auctions
Jan. 31, 2018
LORENZO PASINELLI | A portrait of a lady, possibly a sibyl, bust length, holding an arrow and a scroll
Est: $20,000 - $30,000
oil on canvas
Sotheby's
Dec. 04, 2017
Lorenzo Pasinelli - Martyrdom of saint Ursula
Est: €7,000 - €9,000
Lorenzo Pasinelli (Bologna, 1629 - 1700) Martyrdom of saint Ursula oil on canvas, cm 61x80. Framed The present painting comes with a certificate of Export License
Bertolami Fine Art s.r.l.
Nov. 17, 2016
ATTRIBUÉ À LORENZO PASINELLI (BOLOGNE 1629-1700)SYBILLE
Est: €600 - €800
ATTRIBUÉ À LORENZO PASINELLI (BOLOGNE 1629-1700) SYBILLE Crayon noir Pliure dans le haut 18,5 X 15 CM
Tajan
Oct. 26, 2016
Lorenzo Pasinelli
Est: €4,000 - €6,000
Lorenzo Pasinelli "Saint Sebastian martyrdom", oil on oval canvas, framed Bologna 1629-1700 82,5x60,5 cm.
Colasanti Casa d'Aste
Sep. 22, 2016
Lorenzo Pasinelli,1629 Bologna – 1700, zug.
Est: €9,000 - €12,000
MARTYRIUM DER HEILIGEN URSULA Öl auf Leinwand. Doubliert. 61,5 x 78 cm. Dieses schöne bisher unbekannte Chiaroscuro-Gemälde ist wahrscheinlich der Entwurf zu einem Meisterwerk Pasinellis, welches heute in der Pinacoteca Nazionale in Bologna zu sehen ist. Lorenzo Pasinelli war zuerst Schüler von Simone Cantarini (1612-1648) und später von Flaminio Torri (1621-1661). Schon bald wurde er zu einem der Protagonisten der bologneser Malerei der zweiten Hälfte des Seicento. In seinen Werkstätten lernten viele große Künstler wie Gian Antonio Burrini (1656-1727) oder Donato Creti (1671-1749). Carmela Baroncini erwähnt in ihrem überarbeiteten Katalog zu Pasinelli (Lorenzo Pasinelli, Faenza 1993, S. 266-269) zwei weitere mögliche Entwürfe zu der großen Martirio di Sant'Orsola, ausgestellt in der Pinakothek in Bologna. Der eine befindet sich im Museum von Chambery - ein qualitativ sehr hochwertiges Gemälde, jedoch mit deutlichen Abweichungen von der finalen Fassung in Bologna. Der andere Entwurf ist weniger gelungen und befindet sich heute in der Accademia Ligustica in Genua. Der zweite Entwurf hat mit dem vorliegenden Gemälde die beiden schwebenden Engel, die den oberen Bildrand einnehmen, gemeinsam; diese halten die Palmenkrone für die Heilige und die Jungfrauen in Händen, die von den Hunnen niedergemetzelt werden, wie es in der „Legenda aurea” heißt. Bei der endgültigen Fassung verzichtete Pasinelli auf diesen brillant barocken Einfall, um der Figur der heiligen Ursula größeren Raum zu geben und gleichzeitig eine bessere Ausgewogenheit zu erzielen. (1070904) (21) Lorenzo Pasinelli, 1629 Bologna - 1700, attributed THE MARTYRDOM OF SAINT URSULA Oil on canvas. 61,5 x 78 cm. This beautiful and, until now, unknown chiaroscuro painting is probably a sketch for a version that is today held at the Pinacoteca Nazionale in Bologna, one of the painter's masterpieces. In her revised catalogue on Pasinelli (Lorenzo Pasinelli, Faenza 1993, pp. 266-269) Carmela Baroncini mentions two possible preliminary sketches for the large depiction of the Martyrdom of Saint Ursula in the Pinacoteca in Bologna. One is held at the Museum of Chambery, a painting of high quality but with clear variations from the final version in Bologna. The other sketch is not as successful and is held at the Accademia Ligustica in Genova.
Hampel Fine Art Auctions
Sep. 28, 2015
ATTRIBUÉ À LORENZO PASINELLI (BOLOGNE 1629-1700) Portrait de jeu
Est: -
ATTRIBUÉ À LORENZO PASINELLI (BOLOGNE 1629-1700) Portrait de jeune femme au turban
Christie's
Sep. 24, 2015
Lorenzo Pasinelli, 1629 Bologna - 1700
Est: €20,000 - €40,000
Lorenzo Pasinelli, 1629 Bologna - 1700 MAGDALENA ALS BÜSSERIN Öl auf Leinwand. 190 x 132 cm. Dem Gemälde liegt eine Expertise von Giuseppe Maria Pilo in Kopie bei. Lorenzo Pasinelli war in der zweiten Hälfte des 17. Jahrhunderts einer der wichtigsten Maler der Emilianischen Schule. Er war Schüler von Simone Cantarini und Flaminio Torri, beide herausragende Schüler und Anhänger von Guido Reni. Dank dieser künstlerischen Einflüsse lernte Pasinelli die Grundprinzipien des Klassizismus Renis kennen und dessen charakteristische Farb- und Gestaltungstechniken. Guido Reni hatte die Magdalena als Büßerin mehrmals gemalt und so verschiedene Versionen geschaffen. Es ist offensichtlich, dass Pasinelli sich sehr genau an die Version von Reni hielt, welche die Figur im Ganzen zeigt. Diese entstand zu Beginn des vierten Jahrzehnts. Die wichtigste und bekannteste dieser Darstellungen ist heute in der Galleria Nazionale d’Arte Antica, im Palazzo Barberini in Rom zu sehen. Auf diesem Gemälde (wie auch auf dem hier vorliegenden) sehen wir Magdalena versunken auf einem Felsen sitzen; neben ihr liegt ein Schädel und nur eine Schar Engel spendet ihr Trost. Pasinelli hat Renis Vorlage einige Details hinzugefügt: die Engelschar ist grösser, zwei davon tragen ein Kreuz herbei, während ein anderer Engel neben Magdalena im Vordergrund verweilt, in der Hand hält er den Bußgürtel. Außerdem fügt Pasinelli der Szene noch ein offenes Buch auf dem Felsen hinzu und wählt einen wesentlich gemäßigteren Ausdruck in Gesicht und Haltung. Das vorliegende Gemälde entstand wahrscheinlich in den siebziger Jahren des 17. Jahrhunderts. Es ähnelt stilistisch anderen Werken aus den frühen Blütejahren Pasinellis wie zum Beispiel der „Madonna col Bambino e santi“ (Museo Civico, Cremona), „Giuditta con la testa di Oloferne“ (Bob Jones University, Greenville) und „Santa Caterina di Alessandria“ (Pinacoteca Nazionale, Bologna). (1000541) (12) Lorenzo Pasinelli, 1629 Bologna - 1700 THE PENITENT MARY MAGDALENE Oil on canvas. 190 x 132 cm. Accompanied by a copy of the expert‘s report by Giuseppe Maria Pilo. In the second half of the 17th century Lorenzo Pasinelli was one of the most important painters of the Emilia-Romagna School. Guido Reni painted the Penitent Mary Magdalene numerous times, creating different versions, whereas Pasinelli closely adheres to Reni‘s version showing the full figure of Mary Magdalene. Pasinelli added a few details to Reni's version: the host of angels is larger. He has also added an open book lying on the rock and chooses a more moderate facial expression and posture. The present painting was probably created in the 1670s. Stylistically it resembles other works from Pasnielli‘s early work.
Hampel Fine Art Auctions
Mar. 25, 2015
PASINELLI, LORENZO (KOPIE DES 18. JAHRHUNDERTS) (1629 Bologna
Est: CHF6,000 - CHF8,000
PASINELLI, LORENZO (KOPIE DES 18. JAHRHUNDERTS) (1629 Bologna 1700) Bacchus und Ariadne. Öl auf Leinwand. 132 x 110 cm. Provenienz: Europäische Privatsammlung. Dieses stilistisch wohl in Frankreich im 18. Jahrhundert entstandene Gemälde greift eine Komposition von Lorenzo Pasinelli auf, die sich in Privatbesitz befindet (Zeri Archiv Nr. 56623). 18th century copy of PASINELLI, LORENZO (1629 Bologna 1700) Bacchus and Ariadne. Oil on canvas. 132 x 110 cm. Provenance: European private collection.
Koller Auctions
Sep. 27, 2014
LORENZO PASINELLI (1629-1700): A STANDING MALE NUDE, FACING RIGHT
Est: $800 - $1,200
LORENZO PASINELLI (1629-1700): A STANDING MALE NUDE, FACING RIGHT Red chalk on laid paper with indistinct watermark, bearing signature 'Pasinelli fec' lower left. 16 1/2 x 10 1/4 in. (sheet), 24 1/2 x 20 1/2 in. (frame). Provenance: Sold Sotheby's, New York, January 9, 1996, Lot 233.
STAIR
Mar. 26, 2014
Attribué à Lorenzo Pasinelli Bologne, 1629 - 1700 Allégorie du temps Sanguine
Est: €1,500 - €2,000
Attribué à Lorenzo Pasinelli Bologne, 1629 - 1700 Allégorie du temps Sanguine Annotée 'cantarini' à la plume dans le bas et 'Pasinelli' au verso (Pliures et taches) 'ALLEGORY OF TIME', RED CHALK, ATTRIBUTED TO L. PASINELLI h: 18,20 w: 22 cm Provenance : Collection particulière, Lyon
Artcurial
Sep. 19, 2013
Lorenzo Pasinelli, 1629 Bologna - 1700, zug.
Est: €6,000 - €8,000
HALBBILDNIS EINER SIBYLLE Öl auf Leinwand. 56 x 51 cm. Brustbild einer jungen Frau mit Körperhaltung nach links, der Kopf nach rechts gewandt, mit Blick nach leicht rechts unten. Der Kopf bedeckt mit einem weiten, hellen Turbantuch, was die Dargestellte als Sibylle wiedergibt, möglicherweise auch Portrait einer jungen Frau in Anspielung auf den Sibyllen-Typus. (9303464)
Hampel Fine Art Auctions
Apr. 12, 2013
Lorenzo PASINELLI (Bologne 1629-1700) L'urne contenant les restes de saint Pierre, saint Marcel et saint Tilenzio( ?) transférée dan..
Est: €5,000 - €6,000
Lorenzo PASINELLI (Bologne 1629-1700) L'urne contenant les restes de saint Pierre, saint Marcel et saint Tilenzio( ?) transférée dans l'église de San Giovanni Dormnarum, d'après Carlo Sacchi Plume et encre rouge 23,5 x 36 cm Annoté " Pasinelli fecit " à la plume et encre brune en bas à gauche (Dessin doublé, pliures, taches, déchirures restaurées et petit trou en bas à droite ) Bibliographie : Camela Baroncini, Pasinelli, édition Stéfano Patocconi, 1993, pp.66 à 69 repr. p.67 et repr. en couleur fig.54) Lors de son séjour à Rome, Pasinelli rencontre le peintre et graveur Carlo Sacchi. Il copie la gravure de ce dernier en vue de la préparation du saint Antoine de Padoue ressuscitant un mort (Bologne, San Petronio)
Piasa