Jean-Bapt. François Pater Paintings & Artwork for Sale | Jean-Bapt. François Pater Art Value Price Guide

Nov. 20, 2024
Circle of Jean-Baptiste Pater, French 1695-1736- Studies of elegant figures; blue chalk on buf
Est: £120 - £180
Circle of Jean-Baptiste Pater, French 1695-1736- Studies of elegant figures; blue chalk on buff laid paper, 19.2 x 28.7 cm (unframed).
Roseberys
Nov. 09, 2024
Circle of Jean-Baptiste Pater (French 1695 - 1736)
Est: $500 - $1,000
Circle of Jean-Baptiste Pater (French 1695 - 1736) Carnival, Musical Street Performance with a Black Bear and Dogs Oil on canvas Unsigned 40" x 60" Provenance: from a Beverly Hills, California collection Condition: surface grime, large abrasion center left, minor scratches, edge and frame wear, relined Black light: heavy varnish, heavy inpainting and several repairs throughout, see photos
Nadeau's Auction Gallery
Sep. 20, 2024
Attributed to JEAN-BAPTISTE FRANCOIS PATER
Est: CHF1,000 - CHF1,500
Attributed to JEAN-BAPTISTE FRANCOIS PATER (Valenciennes 1695–1736 Paris) Young cavalier in dancing pose. Red chalk on laid paper with watermark: head of a crowned eagle (cut) Inscribed on lower margin to the right in pen and brown ink: Watteau. 17.9 x 13 cm. Framed. Provenance: - Collection of Angelika Vogel, Zurich. - Sale Fischer, Lucerne, 13 Nov. 1990 Lot 5082 (as "Französisch, 18. Jh.") - Private collection, Switzerland. ------------------------------------------------- JEAN-BAPTISTE FRANCOIS PATER, zugeschrieben (Valenciennes 1695–1736 Paris) Junger Kavalier in tänzerischer Pose. Rötel auf Bütten mit Wz. Kopf eines bekörnten Adlers (beschnitten). Am unteren Rand rechts mit brauner Feder bezeichnet: Watteau. 17,9 x 13 cm. Gerahmt. Provenienz: - Sammlung Angelika Vogel, Zürich. - Galerie Fischer, Luzern, Auktion vom 13. Nov. 1990 Lot 5082 (als "Französisch, 18. Jh.") - Privatbesitz Schweiz.
Koller Auctions
Sep. 07, 2024
Copy, Jean-Baptiste Pater's "Gathering in a Park"
Est: $150 - $250
Artist(s): Copy after Jean-Baptiste Pater (France, 1695-1736) Medium: oil on canvas Signature(s): Signed "O. Del Vasshic (?)", lower right. Paperwork: N/A Damage: General varnish darkening. The fabric border is stained. Measurement(s): 24" x 36" (canvas), 32"x 56" (frame). Third-party shipping or personal pickup is required. Please see our website for our shipping recommendations.
Direct Auction Galleries, Inc.
Jul. 09, 2024
Circle of Jean-Baptiste Pater, French 1695-1736- Studies of elegant figu
Est: £200 - £300
Circle of Jean-Baptiste Pater, French 1695-1736- Studies of elegant figures; blue chalk on buff laid paper, 19.2 x 28.7 cm (unframed).
Roseberys
Dec. 13, 2023
(I) Bathers before a fountain; (II) Bathers and music players with a statue of Venus
Est: €80,000 - €120,000
Jean-Baptiste Pater 1695 - 1736 (I) Bathers before a fountain (II) Bathers and music players with a statue of Venus A pair, both oil on canvas (I) 50,5 x 60,7 cm ; 19⅞ by 23⅞ in.; (II) 50,5 x 60,2 cm ; 19⅞ by 23¾ in. (2) ____________________________________________ Jean-Baptiste Pater 1695 - 1736 (I) Baigneurs devant une fontaine (II) Baigneurs et musiciens devant la statue de Vénus Huile sur toile, une paire (I) 50,5 x 60,7 cm ; 19⅞ by 23⅞ in.; (II) 50,5 x 60,2 cm ; 19⅞ by 23¾ in. (2)
Sotheby's
Dec. 08, 2023
JEAN-BAPTISTE JOSEPH PATER (VALENCIENNES 1695-1736 PARIS) - An elegant company in a park
Est: £30,000 - £50,000
JEAN-BAPTISTE JOSEPH PATER (VALENCIENNES 1695-1736 PARIS) An elegant company in a park oil on canvas 16 1⁄8 x 22 in. (41 x 55.8 cm.)
Christie's
Nov. 14, 2023
AFTER JEAN-BAPTISTE PATER (FRENCH 1695 - 1736), MARCHE DE TROUPES
Est: £1,200 - £1,800
AFTER JEAN-BAPTISTE PATER (FRENCH 1695 - 1736) MARCHE DE TROUPES Oil on canvas 64.5 x 80cm (25¼ x 31¼ in.)
Dreweatts 1759 Fine Sales
Sep. 23, 2023
J. PATAS (*1748) after PATER (*1695), May Day Outdoors, around 1771, Copper engraving
Est: €450 - €600
Jean Baptiste Patas (1748 - 1817 ) after Jean-Baptiste François Pater (1695 Valenciennes - 1736 Paris): Une fête galante May Day outdoor party, c. 1771, Copper engraving Technique: Copper engraving on Paper Inscription: Signed below the image on the left and right. From: Cabinet du Duc de Choiseul Date: c. 1771 Keywords: fête champêtre, fête galante, rural festival, couples in love, beautiful ladies, young shepherds, park landscape, maypole, dance, gaiety, merriment, pleasure, 18th century, Rococo, Fashion, France,
Fichter Kunsthandel
Aug. 26, 2023
JEAN-BAPTISTE PATER (FRANCE, 1695-1736)
Est: $10,000 - $20,000
"The Carnival", oil on canvas, unsigned, title and artist on frame tag. Housed in a carved and gilded matched corner frame, OS: 26 1/2" x 31", SS: 19" x 23 1/2", untouched.
Thomaston Place Auction Galleries
Jun. 23, 2023
PATER, JEAN-BAPTISTE
Est: CHF1,200 - CHF1,800
(Valenciennes 1695–1736 Paris) Nachfolger d. 18.Jhs. Dame mit Fächer im Park. Öl auf Leinwand. 44,3x33,3 cm. - Geschnitten, doubliert.
Schuler Auktionen
Jun. 16, 2023
ATTRIBUÉ À JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Le moulin de Cha
Est: €15,000 - €25,000
ATTRIBUÉ À JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Le moulin de Charenton huile sur toile 33,2 x 41,2 cm. (13 1/16 x 16 1/4 in.)
Christie's
Jun. 16, 2023
JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Les divertissements champêt
Est: €15,000 - €20,000
JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Les divertissements champêtres huile sur toile 70 x 90,6 cm. (27 1/2 x 35 5/8 in.)
Christie's
May. 06, 2023
(ambito di)
Est: -
(ambito di) Paesaggio con figure galanti Olio su tavola, 39x29 cm
Meeting Art Casa D'Aste
Apr. 18, 2023
PATER Jean-Baptiste François (1695 - 1736) Dessins "Portrait en pied d'un g
Est: €600 - €800
PATER Jean-Baptiste François (1695 - 1736) Dessins "Portrait en pied d'un gentilhomme" crayon sanguine sur papier vergé. Attribué à Jean-Baptiste Pater. Ecole française. Epoque : XVIIIème. (Rousseurs). Dim.:+/-170x97mm.
Vanderkindere
Mar. 30, 2023
Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris, Werkstatt des
Est: €15,000 - €20,000
GROSSE PARKLANDSCHAFT MIT ELEGANTER GESELLSCHAFT Öl auf Leinwand. Doubliert. 102 x 136 cm. In vergoldetem Prunkrahmen. In einer weiten Parklandschaft unter hohem blauem Himmel mit großen weißen Wolkenformationen hat sich eine große elegante Gesellschaft versammelt. Die Damen in langen, eleganten, meist glänzenden Kleidern, die Männer ebenfalls in vornehmer Kleidung, teils mit Mantelüberwurf und Hüten. Am rechten Bildrand eine junge Frau auf einer Schaukel, die zwischen zwei Bäumen befestigt ist, links von ihr drei sitzende Frauen mit zwei Kavalieren, dabei besonders auffallend in der Mitte eine junge Frau in weißem Seidenkleid mit einem langen rosafarbenen Umhang, in ihrer Hand wohl einen zugeklappten Fächer haltend. Links von ihr am Boden zwei spielende Mädchen mit einem Rosenzweig. Hinter dieser Gruppe stehend ein hoher Steinsockel, darauf wohl die Skulptur der Venus, Amor im Arm haltend. In der Bildmitte und linksseitig junge Paare, denen am linken äußeren Bildrand zwei Musiker aufspielen. In der Bildmitte im Hintergrund fällt der Blick über ein kleines Gewässer auf ein altes Schloss sowie linksseitig auf zwei Anhöhen mit mehreren Gebäuden, darunter ein hoher Turm mit Spitze. Malerei in der typischen Manier der Zeit in teils kräftigen leuchtenden Farben. Einzelne Figuren dieser vielfigurigen Darstellung durch besondere Kleidung hervorgehoben. (13511225) (18) Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris, workshop of VAST PARK LANDSCAPE WITH ELEGANT PARTY Oil on canvas. Relined. 102 x 136 cm.
Hampel Fine Art Auctions
Feb. 25, 2023
JEAN-BAPTISTE PATER (FRANCE, 1695-1736)
Est: $20,000 - $30,000
"The Carnival", oil on canvas, unsigned, title and artist on frame tag. Housed in a carved and gilded matched corner frame, OS: 26 1/2" x 31", SS: 19" x 23 1/2", untouched.
Thomaston Place Auction Galleries
Feb. 09, 2023
JEAN-BAPTISTE JOSEPH PATER (VALENCIENNES 1695-1736 PARIS) An elegant compan
Est: £80,000 - £120,000
JEAN-BAPTISTE JOSEPH PATER (VALENCIENNES 1695-1736 PARIS) An elegant company in a park oil on canvas
Christie's
Jan. 30, 2023
Jean-baptiste Joseph Pater Giclée
Est: -
All items are sold as-is. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, or wear and tear. The pickup address will be released on your invoice. Invoices are sent after the entire auction has ended. Be sure to bring boxes and packing material to pickup. If you purchase a large item, be sure to bring moving help. Shipping is NOT AVAILABLE. Items not picked up by the pickup deadline will be forfeited and you will still be charged. Items cannot be held after the pickup date. Items not picked up will be automatically charged to the card on file.
Aether Auctions
Jan. 24, 2023
Dessins PATER Jean-Baptiste François (1695 - 1736)
Est: €600 - €800
"Portrait en pied d'un gentilhomme" crayon sanguine sur papier vergé. Attribué à Jean-Baptiste Pater. Ecole française. Epoque : XVIIIème. (Rousseurs). Dim.:+/-170x97mm.
Vanderkindere
Dec. 16, 2022
JEAN-BAPTISTE PATER - Huiles sur toile (une paire)
Est: CHF250,000 - CHF300,000
JEAN-BAPTISTE PATER , VALENCIENNES, 1695 - PARIS, 1736 Le Concert champêtre et La Cueillette des roses Oil on canvas (a pair) 52 x 65.4 cm These two paintings with identical dimensions and responding compositions were conceived as a pair. At first glance, they appear to be perfectly symmetrical. In the shade of a clump of trees, the same number of characters, seven, are centred around a main couple sitting in the centre of the composition. Conversely, in each canvas, the setting in which our characters move shows a rural landscape with a village on the horizon and, closer to us, off-centre, this slightly overhanging clump of trees that offers a seat to these elegant walkers. On the other hand, the very first plane, a dirt road, is left vacant with the few accessories that will give the painting its title: a sheet of music here, a basket of flowers there. The viewer, placed at a distance, is immediately informed about the subject of each scene represented. However, notwithstanding the titles, the aim here is to depict gallant scenes between couples of aristocrats who have gone to enjoy the countryside. And our two counterparts seem to be in dialogue. In addition to the two couples in each scene, there are secondary characters, mostly children, who move around the protagonists with varying degrees of complicity or indifference. Thus, this little girl sometimes in the arms of her elder, sometimes venturing to pick flowers on the other side of the road. The gallant couples answer each other from one painting to the next with subtlety. Their outfits, which are ill-suited to the circumstances and the place, reinforce this impression of carelessness and even incongruity. The woman sumptuously dressed in a French silk taffeta gown in the Country Concert has a slightly more rural counterpart in the Rose Picking with an apron around her waist. Objects of all desires, they attract the eye in their iridescent pink and white sparkling finery. Their companions, eagerly at their side, offer them an advantageous counterpoint in their red actors' costumes. One plays the guitar while the other is content to tell a story... We are in the preliminary stages. The other two couples, in the background, are already embracing. One with his back to us, the other facing us, they are revealing the next stage in their lovemaking. The painter plays with their mirror-like attitudes as if they were the same couple. The emerald green taffeta skirts of the young women are identical, as are the brown jackets of their lover, further reinforcing the illusion of the same scene being played out from one painting to the next. This atmosphere of bucolic marivaudage unfolds under the auspices of little lovers who overhang the characters. Depicted in the form of sculptures that would populate a park, these putti reveal, if it were still necessary, the true subject of these paintings. Their presence in the countryside, far from being anecdotal, takes on allegorical overtones, as seen in the work of his contemporary Lancret. Jean-Baptiste Pater (1695-1736) was a French rococo painter. Trained under Antoine Watteau, he remained under his influence throughout his career, both in style and in his choice of subjects. In 1725, he was admitted to the Académie as a painter of fêtes galantes, a genre specially designed for his master, after whose death he completed some commissions. It was during this period that his counterparts, Le Concert champêtre and La Cueillette des roses, were painted. Watteau's influence is evident in the composition, where these couples seem to have just escaped from his Pèlerinage à l'ile de Cythère, preserved in the Louvre: the same scansion of movement, like so many moments cut from the same story. Pater nevertheless developed his own, more sustained colour palette. In addition to pearl pinks and silvery greys, there are almost acidic blue and green tones. The colours of the landscape are also more pastel, less iridescent than those of his predecessor. Finally, the scene makes clear reference to the Italian theatre, which was very popular with painters at the time. The Grand siècle and its serious painting gave way to more libertine themes with the Regency. Society, freed from the shackles of the court, indulged in games that painters echoed to the point of creating the new genre of 'fêtes galantes', adapting the genre scene to the licentious mores of the aristocracy. This art of gallantry, which spread throughout Europe during the Enlightenment, found a brilliant emissary in Pater, one of whose main clients was Emperor Frederick II of Prussia. In his work, he repeatedly depicts couples in the act of seduction, thus offering a mirror to the society that commissions them. The woman being courted is always at the centre of his work, around which the suitors gravitate. Pater, always libertine but never lecherous, offers us a hymn to the timeless game of seduction. Certificate: René Millet Expertise
Galerie Dreyfus
Dec. 16, 2022
JEAN-BAPTISTE PATER - Huile sur panneau
Est: CHF75,000 - CHF100,000
JEAN-BAPTISTE PATER , VALENCIENNES, 1695 - PARIS, 1736 Galantine scene in a park Oil on panel 47 x 42 cm This assembly of aristocrats conversing in the open air could just as well be in a drawing room, as their delicate, even affected poses seem to have little connection with the surrounding nature. Seated on makeshift furniture, they indulge in conversation and music. The man on the left, with his hand proudly resting on his cane, seems to set the tone as all the ladies turn in his direction. He turns his chest towards his neighbour, who responds in a mirror-like pose. She seems to refuse his advances. All around her, people are watching and listening, while playing the flute or the hurdy-gurdy. A child lost in this world of adults stands beside the coveted lady. This woman is the focus of the scene. The light seems to emanate from her sumptuous white and pink silk dress with its shimmering reflections. Around her, the colours of the other clothes are more subdued, to highlight her. At her feet, her companion echoes her in a colourful dress. We are on the edge of a wood. On the left, a breakthrough allows the eye to discover a rural landscape. Under the foliage on the right, a sculpted group of languid putti offer a reply to the couples below, suggesting the lovemaking to come. This scene transports us to the aristocratic and libertine society of the Regency, where bucolic settings serve as a backdrop for gallant conversations. The palette of soft colours with subtle nuances plays with the light reflections. The painter excels here in rendering the shimmering of fabrics. Jean-Baptiste Pater (1695-1736) was a French Rococo painter. He trained with Antoine Watteau and remained under his influence throughout his career, both in style and in his choice of subjects. In 1725, he was admitted to the Académie as a painter of fêtes galantes, a genre specially conceived for his master, after whose death he completed some commissions. It was during this period that these counterparts, Le Concert champêtre and La Cueillette des roses, were painted. Watteau's influence is evident in the composition, where these couples seem to have just escaped from his Pèlerinage à l'ile de Cythère (Pilgrimage to the Island of Cytherea), kept in the Louvre: the same scansion of movement, like so many moments cut out of the same story. Pater nevertheless develops his own, more sustained colour palette. The pearl pinks and silver greys are complemented by almost acidic blue and green tones. The colours of the landscape are also more pastel, less iridescent than those of his predecessor. Finally, the scene makes clear reference to the Italian theatre, which was very fashionable among painters at the time. The Grand siècle and its serious painting gave way to more libertine themes with the Regency. Society, freed from the shackles of the court, indulged in games that painters echoed to the point of creating the new genre of 'fêtes galantes', adapting the genre scene to the licentious mores of the aristocracy. This art of gallantry, which spread throughout Europe during the Enlightenment, found a brilliant emissary in Pater, one of whose main clients was the Emperor Frederick II of Prussia. In his work, he repeatedly portrays couples engaged in seduction, thus offering a mirror to the society that commissioned them. The woman being courted is always at the centre of the work, around which the suitors gravitate. Pater, always libertine but never lecherous, offers us a hymn to the timeless game of seduction. Certificate: Eric Turquin Expertise.
Galerie Dreyfus
Dec. 16, 2022
JEAN-BAPTISTE PATER - Huile sur toile
Est: CHF65,000 - CHF75,000
JEAN-BAPTISTE PATER , VALENCIENNES, 1695 - PARIS, 1736 A Lady in her Bedroom Oil on canvas 29 x 35.4 cm This young woman seated at the edge of her unmade bed seems quite pensive... The assistance of her maid holding a basin for her toilet does not rouse her from her musings. Half-dressed, her low-cut shirt revealing her shoulder when her skirt is raised to reveal her bare legs, the lady is slow to put her toilet in order, thinking, with a smile, of some past love affair. The slight disorder of the room seems to testify, indeed, to the passage of a lover: the linen thrown on the bench on the right, the shoes scattered near the bed and finally these few flowers on the floor? escaped from a bouquet on the left... The erotic symbolism of these freshly 'picked' roses is a constant in Regency galant painting. Everything here speaks to us of love, starting with this alcove with its heavy crimson curtains, from which emerges this resting bench serving as an improvised bed where a prominent bolster invites you to lie down. But there is another couple, this time of domestic animals, which echoes the past scene. A doggy, with a curved profile, looks unkindly at a cat which is overlooking her from the top of the parapet. The latter, with its rounded back and raised tail, seems more aggressive, ready for a confrontation. A mise en abyme of romantic relationships, the animal duo evokes, not without malice, the gallant jousts so prized in the painting of the Enlightenment. Jean-Baptiste Pater (1695-1736) was a French rococo painter. Trained under Antoine Watteau, he remained under his influence throughout his career, both in style and in his choice of subjects. In 1725, he was admitted to the Academy as a painter of fêtes galantes, a genre specially designed for his master, after whose death he completed some commissions. It was during this period that his counterparts, Le Concert champêtre and La Cueillette des roses, were painted. Watteau's influence is evident in the composition, where these couples seem to have just escaped from his Pèlerinage à l'ile de Cythère (Pilgrimage to the Island of Cytherea), preserved in the Louvre: the same scansion of movement, like so many moments cut out of the same story. However, Pater is developing its own, more intense colour palette. In addition to pearl pinks and silver greys, there are blue and green tones that are almost acidic. The colours of the landscape are also more pastel, less iridescent than those of his predecessor. Finally, the scene makes clear reference to the Italian theatre, which was very fashionable among painters at the time. The Grand siècle and its serious painting gave way to more libertine themes with the Regency. Society, freed from the shackles of the court, indulged in games that painters echoed to the point of creating the new genre of 'fêtes galantes', adapting the genre scene to the licentious mores of the aristocracy. This art of gallantry, which spread throughout Europe during the Enlightenment, found a brilliant emissary in Pater, one of whose main clients was the Emperor Frederick II of Prussia. In his work, he repeatedly portrays couples engaged in seduction, thus offering a mirror to the society that commissioned them. The woman being courted is always at the centre of the work, around which the suitors gravitate. Pater, always libertine but never lecherous, offers us a hymn to the timeless game of seduction. Provenance: Dickinson, Dealers in Fine Art, London & New York.
Galerie Dreyfus
Dec. 13, 2022
JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Les divertissements champêt
Est: €30,000 - €50,000
JEAN-BAPTISTE FRANÇOIS JOSEPH PATER (1695-1736) Les divertissements champêtres Huile sur toile 70 x 90.6 cm. (27 1/2 x 35 5/8 in.)
Christie's
Nov. 17, 2022
Pater, Jean-Baptiste (nach)
Est: €400 - €600
Pater, Jean-Baptiste (nach) 1695 - 1736 ERRATUM: 56 x 70 cm. Fête Galante. Öl/Lwd. Pater, Jean Baptiste (after) 1695 - 1736 ERRATUM: 56 x 70 cm. Fête Galante. Oil/canvas.
Nagel Auction
Sep. 07, 2022
Follower of Jean-Baptiste Pater (Valenciennes 1695-1736 Paris) Fête champêtre
Est: £1,500 - £2,000
Follower of Jean-Baptiste Pater (Valenciennes 1695-1736 Paris) Fête champêtre oil on canvas 119.1 x 116.5cm (46 7/8 x 45 7/8in). For further information on this lot please visit the Bonhams website
Bonhams
Aug. 01, 2022
École française du XVIIIe siècle Suiveur de Jean-Baptiste PATER (Valencienn
Est: €6,000 - €8,000
École française du XVIIIe siècle Suiveur de Jean-Baptiste PATER (Valenciennes, 1695 - Paris, 1736) Fête galante en plein air Huile sur toile 101 x 135 cm Fils d'Antoine Joseph Pater, maître sculpteur, Jean-Baptiste Pater reçoit sa première formation artistique dans l'atelier paternel. Ses dons remarquables pour le dessin et la peinture lui permettent de rejoindre l'atelier d'Antoine Watteau (1684-1721) dans les années 1710. À ses côtés, Pater développe les sujets de fêtes galantes, un thème lancé par son maître quelques années auparavant. Notre tableau est une copie de l'œuvre de Jean-Baptiste Pater conservée au Château de Sanssouci à Potsdam (Fest im Freien, inv. 1962.11). Le traitement délicat et la précision de la touche de l'œuvre laissent présumer que l'artiste a côtoyé Jean-Baptiste Pater : une observation précise de son travail lui permit de réaliser cette composition audacieuse d'un grand format. Expert : M. Alexis Bordes - 06 10 80 64 34
DUPONT & Associés
Jul. 05, 2022
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) A reclining man in elega
Est: £2,000 - £3,000
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) A reclining man in elegant clothes seen from behind red chalk, heightened with white 18.2 x 23.8 cm (7 x 9 1/4 in.)
Christie's
Jul. 05, 2022
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) An elegant seated lady a
Est: £15,000 - £25,000
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) An elegant seated lady and a standing woman pouring a jug (recto); A... red chalk (recto), red chalk counterproof (verso) 19.3 x 22.6 cm (7 3/4 x 8 7/8 in.)
Christie's
Jul. 05, 2022
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) A reclining woman red ch
Est: £20,000 - £30,000
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) A reclining woman red chalk 15.2 x 20.6 cm (6 x 8 1/8 in.)
Christie's
Jun. 25, 2022
Jean-Baptiste Francois PATER (1695-1736) Oil on paper "romantic scene"
Est: €500 - €1,000
Jean-Baptiste Francois PATER (1695-1736) Oil on paper "romantic scene" - Weight: 240 g - Region: France - Sizes: Hors cadre H=60mm L=90mm - Condition: At first sight - patina of use - trace of wear - Author / artist: Jean-Baptiste Francois PATER (1695-1736)
Goldfield Auction
Jun. 22, 2022
JEAN BAPTISTE PATER (Valenciennes 1695 - Paris1736) Baigneuse et faune ; Baigneuse debout regardant un faune Paire de panneaux...
Est: €30,000 - €50,000
JEAN BAPTISTE PATER (Valenciennes 1695 - Paris1736) Baigneuse et faune ; Baigneuse debout regardant un faune Paire de panneaux de chêne, une planche, non parqueté Bather and fauna; Bather standing looking at a faun, pair of oak panels, one non-craddled plank 18 x 22,50 cm - 7,1 x 8,9 in.
Tajan
Jun. 05, 2022
Painting Jean-Baptiste Pater
Est: $75,000 - $80,000
Jean Baptiste Pater o/c 27.25"x21.5" frame: 33.5"x29.5"
1stBid
May. 21, 2022
Pater, Jean-Baptiste
Est: -
Pater, Jean-Baptiste 1695 Valenciennes - 1736 Paris (Nach) Amusement en plein air. Öl/Lwd., 55 x 32,5 cm.
Dusseldorfer Auktionshaus
May. 06, 2022
PATER, JEAN-BAPTISTE JOSEPH, In der Art - Manner of: Fête galante.
Est: CHF2,600 - CHF4,000
PATER, JEAN-BAPTISTE JOSEPH (Valenciennes 1695 - 1736 Paris); In der Art - Manner of : Fête galante; Öl auf Leinwand, doubliert; 53x64 cm
Dobiaschofsky Auktionen AG
Apr. 29, 2022
Jean-Baptiste Pater (1695-1736)-studio
Est: €450 - €900
Jean-Baptiste Pater (1695-1736)-studio, Family in landscape, oil on canvas, described on the reverse; 100x80cm
Deutsch Auktionen
Apr. 01, 2022
Jean-Baptiste Pater, 1695 – 1736 Paris, Nachfolge des
Est: €4,000 - €6,000
ELEGANTE GESELLSCHAFT IN WEITER LANDSCHAFT Öl auf Leinwand. Doubliert. 32 x 44 cm. In vergoldetem Prunkrahmen. Unter einigen in den Himmel ragenden schmalen Bäumen hat sich eine kleine elegante Gesellschaft niedergelassen: mittig eine Dame in gelb-braunem Seidenkleid in Rückenansicht, zu der Flötenmusik eines am Baum anlehnenden Mannes mit einem eleganten Kavalier tanzend. Ein auf einem roten Tuch ausgestreckt liegender junger Mann schaut ihnen zu. Links von ihm ein weiteres Paar, der Mann davon einen Hirtenstock haltend und ihm zur Seite ein liegender Hund, während hinter Sträuchern erneut ein junges Paar zu erkennen ist. Zur rechten Bildseite der Ausblick über eine Schafherde hinweg auf Häuser und die Kirche eines Dorfes. Darstellung mit galanten Figuren. Retuschen. (1300505) (18)
Hampel Fine Art Auctions
Apr. 01, 2022
Jean-Baptiste Pater, 1695 Valenciennes – 1736 Paris, Nachfolge/ Kreis des
Est: €2,500 - €3,500
HÖFISCHES BLINDE-KUH-SPIEL IM PARK Öl auf Holz. 25,6 x 34,5 cm. Die Versammlung einer höfischen Gesellschaft vor einer geschwungenen Schlosstreppe, die zum Park herunterführt, ist dabei, ein Blinde-Kuh-Spiel zu veranstalten. Der Kandidat steht mit verbundenen Augen und tastend ausgebreiteten Armen im Bildzentrum. Zwei junge Männer halten zusätzlich ein dünnes Seil, das den Tastenden verwirren soll. Die Parklandschaft, vor allem die Treppenarchitektur in hoher Qualität wiedergegeben. A.R. (13017531) (11)
Hampel Fine Art Auctions
Mar. 31, 2022
Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris
Est: €260,000 - €300,000
Gemäldepaar LE CONCERT CHAMPÊTRE sowie LA CUEILLETTE DES ROSES Öl auf Leinwand. 52 x 65,4 cm. Die zwei in ihren Maßen identischen Gemälde korrespondieren auch kompositionell miteinander, sodass sie augenscheinlich als Paar konzipiert worden sind und sind somit bereits auf den ersten Blick als Gegenstücke erkenntlich. Der durch eine bräunliche Landschaft bezeichnete Vordergrund mit Wurzelwerk und überfangenden Bäumen deren Kronen gefiedert bewegtes Blattwerk darstellen. Diesem eingegliedert eine galante zeittypische Szene mit lagernden Personen in eleganten Kleidern zarter Farbigkeit, die einem Gambespieler lauschen. Eine typische Wiedergabe der Zeit in der höfische Personen im Zuge ihrer Sommerfrische in offener Landschaft oder in einem Park bzw. Kinder in gleicher landschaftlicher Situation wiedergegeben werden. (†) Provenienz: F.-G. Podevin, Béthune. Adolphe Podevin. Eugénie Bevin des Ervilles. Gabrielle Bevin des Ervilles. Château de la Guennevircherde. Paul Mathey, Paris. Charles Sedelmeyer, Paris, Auktion 4. Mai 1907, Lot 234/235, verkauft. Countess Orlowski, Paris, Auktion Sotheby's NY, 25. Nov. 2001, Lot 212. Anonyme Auktion; Massol, Paris, 12. Okt. 2005, Lot 23. Literartur: F. Ingersoll-Smouse, Pater, Paris 1921, S. 43, Nr. 62/63, Abb. 229/230. (13013325) (13) Jean–Baptiste François Pater, 1695 Valenciennes – 1736 Paris Pair of paintings LE CONCERT CHAMPÊTRE and La cueiLLETTE DES ROSES Oil on canvas. 52 x 65,4 cm. (†) Provenance: F.-G. Podevin, Béthune. Adolphe Podevin. Eugénie Bevin des Ervilles. Gabrielle Bevin des Ervilles. Château de la Guennevircherde. Paul Mathey, Paris. Charles Sedelmeyer, Paris, 4 May 1907, lots 234 and 235. Countess Orlowski, Paris, Sotheby's NY, 25 January 2001, lot 212. Anonymous sale; Massol, Paris, 12 October 2005, lot 23. Literarture: F. Ingersoll-Smouse, Pater, Paris 1921, p. 43, no. 62 and 63, figs. 229 and 230.
Hampel Fine Art Auctions
Mar. 31, 2022
Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris, zugeschrieben
Est: €50,000 - €70,000
UNE DAME DANS SA CHAMBRE À COUCHER Öl auf Leinwand. 29 x 35,4 cm. In filigranem Louis XV-Rahmen. Die junge Frau, die am Rande ihres ungemachten Bettes sitzt, scheint sehr nachdenklich zu sein und auch der Beistand ihres Dienstmädchens, das ihr ein Waschbecken für die Toilette hinhält, bringt sie nicht aus ihren Grübeleien heraus. Halb bekleidet, mit offenem Hemd, das beim Anheben des Rocks die Schulter entblößt, bringt die Dame ihre Toilette nur langsam in Ordnung und denkt mit einem Lächeln an eine vergangene amouröse Begegnung. Die leichte Unordnung des Zimmers scheint in der Tat vom Vorbeigehen eines Liebhabers zu zeugen: die auf die Bank rechts geworfene Wäsche, die neben dem Bett verstreuten Schuhe und schließlich diese paar Blumen auf dem Boden, die einem Strauß auf der linken Seite entstiegen sind. Die erotische Symbolik dieser frisch „gepflückten“ Rosen ist eine Konstante in der galanten Malerei des Régence. Alles hier spricht zu uns von Liebe, angefangen bei dieser Nische mit ihren schweren karminroten Vorhängen, aus der diese Bank herausragt, die als improvisiertes Bett dient, in dem eine hervorstehende Nackenrolle zum Hinlegen einlädt. Aber es gibt noch ein weiteres Paar, diesmal von Haustieren, das an die vergangene Szene anknüpft. Ein Hündchen mit geschwungenem Profil blickt teilnahmslos auf eine Katze, die sie von der Spitze der Brüstung aus überblickt. Letztere wirkt mit ihrem gebuckelten Rücken und dem aufgerichteten Schwanz aggressiv, bereit für eine Konfrontation. Das letztere Paar erinnert auch an die Schmerzen, die eine Liebschaft mit sich bringen kann. (†) Provenienz: Dickinson, Dealers in Fine Art, London und New York. (13013324) (13) Jean–Baptiste François Pater, 1695 Valenciennes – 1736 Paris, attributed UNE DAME DANS SA CHAMBRE À COUCHEROil on canvas. 29 x 35.4 cm. (†) Provenance: Dickinson, Dealers in Fine Art, London and New York.
Hampel Fine Art Auctions
Mar. 09, 2022
* Pater (Jean-Baptiste François, 1695-1736, after). Venus & Cupid, 1820s/30s & others
Est: £200 - £300
* Pater (Jean-Baptiste François, 1695-1736, after). Venus & Cupid, 1820s/30s & others After Jean-Baptiste François Pater (1695-1736). Venus & Cupid, 1820s/30s, watercolour heightened with bodycolour, depicting an oval pastoral landscape, with Cupid leaning over a partially-clad Venus sleeping beside a tree, and another female wearing only a pink cloak pointing to the sky with her index finger, signed 'Pater' lower right, 12.8 x 8.4cm (5 x 3 2/8ins), framed and glazed (15 x 11cm), together with French School. Portrait of a Lady, oval gouache on ivory, depicting a regal looking lady with a frill collar around her neck, a garland of flowers across her body and in her hair, notes to verso, some loss of colour to edges, 5.8 x 4.3cm (2 2/8 x 1 6/8ins), framed and glazed (17.6 x 15.5cm), plus French School. Portrait of a Gypsy Lady, circular gouache on ivory, depicting the head and shoulders of a gypsy lady with a hoop earring, showing her bare shoulders, a blue sash drapped across her body, and her hair worn loosely, diameter 5.3cm (2 2/8ins), framed and glazed (17.6 x 15.5cm), and two others including the head of a bearded elder and an over-painted engraved scene of the surrender of Vera Cruz Qty: (5)
Dominic Winter Auctions
Oct. 26, 2021
Jean-Baptiste Pater (1695-1736) (entourage de / omgeving van / circle of) Fête champêtre
Est: €800 - €1,200
Huile sur panneau. Oil on panel.
Brussels Art Auctions
Oct. 14, 2021
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) Les aveux indiscrets (Th
Est: $200,000 - $300,000
JEAN-BAPTISTE PATER (VALENCIENNES 1695-1736 PARIS) Les aveux indiscrets (The indiscreet confession) oil on cnavas 17 ½ x 21 5/8 in. (44.5 x 55 cm.)
Christie's
Sep. 23, 2021
Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris, zugeschrieben
Est: €50,000 - €70,000
RefOld13921 UNE DAME DANS SA CHAMBRE À COUCHER Öl auf Leinwand. 29 x 35,4 cm. In filigranem Louis XV-Rahmen.Die junge Frau, die am Rande ihres ungemachten Bettes sitzt, scheint sehr nachdenklich zu sein und auch der Beistand ihres Dienstmädchens, das ihr ein Waschbecken für die Toilette hinhält, bringt sie nicht aus ihren Grübeleien heraus. Halb bekleidet, mit offenem Hemd, das beim Anheben des Rocks die Schulter entblößt, bringt die Dame ihre Toilette nur langsam in Ordnung und denkt mit einem Lächeln an eine vergangene amouröse Begegnung. Die leichte Unordnung des Zimmers scheint in der Tat vom Vorbeigehen eines Liebhabers zu zeugen: die auf die Bank rechts geworfene Wäsche, die neben dem Bett verstreuten Schuhe und schließlich diese paar Blumen auf dem Boden, die einem Strauß auf der linken Seite entstiegen sind. Die erotische Symbolik dieser frisch „gepflückten“ Rosen ist eine Konstante in der galanten Malerei des Régence. Alles hier spricht zu uns von Liebe, angefangen bei dieser Nische mit ihren schweren karminroten Vorhängen, aus der diese Bank herausragt, die als improvisiertes Bett dient, in dem eine hervorstehende Nackenrolle zum Hinlegen einlädt. Aber es gibt noch ein weiteres Paar, diesmal von Haustieren, das an die vergangene Szene anknüpft. Ein Hündchen mit geschwungenem Profil blickt teilnahmslos auf eine Katze, die sie von der Spitze der Brüstung aus überblickt. Letztere wirkt mit ihrem gebuckelten Rücken und dem aufgerichteten Schwanz aggressiv, bereit für eine Konfrontation. Das letztere Paar erinnert auch an die Schmerzen, die eine Liebschaft mit sich bringen kann. (†)Provenienz: Dickinson, Dealers in Fine Art, London und New York. (12813014) (13)Jean-Baptiste François Pater, 1695 Valenciennes – 1736 Paris, attributedUNE DAME DANS SA CHAMBRE À COUCHER Oil on canvas.29 x 35.4 cm. (†)Provenance:Dickinson, Dealers in Fine Art, London and New York.
Hampel Fine Art Auctions
Sep. 22, 2021
Attribué à Jean-Baptiste PATER Valenciennes, 1695 - Paris, 1736 Etude de robe Sanguine et craie blanche
Est: €600 - €800
Attribué à Jean-Baptiste PATER Valenciennes, 1695 - Paris, 1736 Etude de robe Sanguine et craie blanche h: 16,50 w: 16,50 cm Estimation 600 - 800 €
Artcurial
Apr. 11, 2021
Painting Oil on Canvas, Jean-Baptiste Pater
Est: $4,000 - $5,000
Painting Oil on Canvas, Jean-Baptiste Pater, French (1695-1736). Signed Lower Left. Condition: Generally good condition. Relined. Dimensions: Sight-27.25" x 21.5", Frame: 34.5" x 28.5". Provenance: From a Long Island, NY Collector. Please note the absence of a condition report does not imply that there are no condition issues with this lot. Please contact us for a detailed condition report.
World Auction Gallery
Mar. 11, 2021
Jean-Baptiste Pater Engraving [Bath] 1744
Est: $50 - $70
Jean-Baptiste Pater (French, 1695-1736) engraving dated 1744. Titled ' Le Plaisir De L'ete'. Sheet measures 12.75 in. x 14 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 16x16x16 inch or 30x5x24 inch or equivalent or smaller box/folio. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. We will also gladly combine items if they fit into one box and meet our maximum box size stated here. We reserve the right to require an outside shipper on any item(s) in the auction.
Grant Zahajko Auctions, LLC
Feb. 11, 2021
Jean-Baptiste PATER Valenciennes, 1695 - Paris,1736 Etude de femme à la main droite levée et à l'éventail à la main gauche Sanguine,
Est: €500 - €700
Jean-Baptiste PATER Valenciennes, 1695 - Paris,1736 Etude de femme à la main droite levée et à l'éventail à la main gauche Sanguine, porte le numéro '47' à l'encre en haut à gauche (Bords irréguliers) h: 8,50 w: 8,50 cm Estimation 500 - 700 €
Artcurial