James William Pattison Sold at Auction Prices

JAMES PATTINSON OIL, TWIN LAKES COLORADO.

James William Pattison (1844 - 1915), titled ‘ Twin Lakes, Looking West 1872’, with Vose Galleries label on reverse, signed lower right, J.W. Pattison 1872. Canvas 16” x 28”, Overall in a contemporary gilt frame 22” x 35”.

James Pattison (Am. 1844-1915), A Calm Night, Oil on canvas, framed

James Pattison (Am. 1844-1915) A Calm Night Oil on canvas, framed Signed l.l., James Graham & Sons label, Pennsylvania Academy of the Fine Arts One Hundred and Third Annual Exhibition 1908 label and partial collector's label on frame verso, The Greenwich Gallery label on backing verso 26" x 31" actual, 36 1/4" x 41 1/2" framed

James Pattison (IL,MO,MA,1844-1915) watercolor painting antique

ARTIST: James William Pattison (Illinois, Missouri, Massachusetts, 1844 - 1915) NAME: Landscape - Dunes of Gloucester YEAR: 1892 MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. SIGHT SIZE: 11 x 12 inches / 27 x 30 cm FRAME SIZE: 22 x 25 inches / 55 x 63 cm SIGNATURE: lower middle CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 121430 US Shipping $75 + insurance. BIOGRAPHY: James William Pattison was born in Boston, the son of the principal of Oread Institute, a women's college in Worcester, Massachusetts. He enlisted in the Union Army late in the Civil War and published sketches of the conflict in Harper's Weekly. At war's end, Pattison studied art privately in St. Louis, where he married his first wife. By 1866, he was in New York, taking instruction in landscape painting from either Sanford or R. Swain Gifford, the brothers William and James M. Hart, and George Inness. After five years as an art instructor at Washington University in St. Louis, Pattison went to Dusseldorf, Germany, for further training. In 1876, the widowed Pattison married fellow artist Helen Searle. The couple lived in Paris, where he was represented in the Salon exhibitions of 1879, 1880, and 1881.After two years' residence in New York, where Pattison exhibited at the National Academy of Design and with the American Water Color Society, he became director of the School of Fine Arts in Jacksonville, Illinois. Widowed once more, Pattison moved to Chicago in 1896 to take up a lecturing position at the Art Institute of Chicago; he also taught art at Rockford College, in Rockford, Illinois. Pattison was active in Chicago's Municipal Art League and other local organizations. He lived in the Tree Studios building on Chicago's Near North Side until 1906, when he moved with his third wife, whom he married the year before, to suburban Park Ridge. His neighbors there included painter Walter Marshall Clute, who in 1906 published a profile of Pattison in the Chicago-based journal The Sketch Book. In 1907 the Municipal Art League acquired Pattison's best-known painting, Tranquility (circa 1906; Union League Club of Chicago). The artist found subjects for landscape and marine paintings in France and in coastal New England, where he often summered, and he made romantic nighttime views of New York City seen from the water. He also specialized in studies of animals, particularly sheep. In addition to oils, Pattison worked in watercolors and made etchings. Until 1910 he exhibited his art nationally and with such local organizations as the Society of Western Artists and the Chicago Society of Artists, of which he was a longtime officer.Pattison was equally prominent as a writer on art, beginning in 1886 with his serial "Pattison's Art Talks" in the Jacksonville Journal and the Chicago Journal. He contributed to Arts for America (later The Arts), the journal of the Chicago-based Central Art Association, and he wrote criticism for local newspapers and national magazines. He also published several books on painters from the Renaissance to modern times, in addition to editing the journal The Fine Arts in 1910. Pattison retired to Ashville, North Carolina, after 1912 and died there at the age of seventy.

JAMES WILLIAM PATTISON (Illinois/Missouri/Massachusetts, 1844-1915), View of Gloucester, Massachusetts., Watercolor on paper, 11" x 17" sight. Framed 21" x 27".

JAMES WILLIAM PATTISON Illinois/Missouri/Massachusetts, 1844-1915 View of Gloucester, Massachusetts. Signed lower left "Jas. W. Pattison".

James Pattison (IL,MO,MA,1844-1915) watercolor painting antique

ARTIST: James William Pattison (Illinois, Missouri, Massachusetts, 1844 - 1915) NAME: Landscape - Dunes of Gloucester YEAR: 1892 MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. SIGHT SIZE: 11 x 12 inches / 27 x 30 cm FRAME SIZE: 22 x 25 inches / 55 x 63 cm SIGNATURE: lower middle CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 121430 US Shipping $75 + insurance. BIOGRAPHY: James William Pattison was born in Boston, the son of the principal of Oread Institute, a women's college in Worcester, Massachusetts. He enlisted in the Union Army late in the Civil War and published sketches of the conflict in Harper's Weekly. At war's end, Pattison studied art privately in St. Louis, where he married his first wife. By 1866, he was in New York, taking instruction in landscape painting from either Sanford or R. Swain Gifford, the brothers William and James M. Hart, and George Inness. After five years as an art instructor at Washington University in St. Louis, Pattison went to Dusseldorf, Germany, for further training. In 1876, the widowed Pattison married fellow artist Helen Searle. The couple lived in Paris, where he was represented in the Salon exhibitions of 1879, 1880, and 1881.After two years' residence in New York, where Pattison exhibited at the National Academy of Design and with the American Water Color Society, he became director of the School of Fine Arts in Jacksonville, Illinois. Widowed once more, Pattison moved to Chicago in 1896 to take up a lecturing position at the Art Institute of Chicago; he also taught art at Rockford College, in Rockford, Illinois. Pattison was active in Chicago's Municipal Art League and other local organizations. He lived in the Tree Studios building on Chicago's Near North Side until 1906, when he moved with his third wife, whom he married the year before, to suburban Park Ridge. His neighbors there included painter Walter Marshall Clute, who in 1906 published a profile of Pattison in the Chicago-based journal The Sketch Book. In 1907 the Municipal Art League acquired Pattison's best-known painting, Tranquility (circa 1906; Union League Club of Chicago). The artist found subjects for landscape and marine paintings in France and in coastal New England, where he often summered, and he made romantic nighttime views of New York City seen from the water. He also specialized in studies of animals, particularly sheep. In addition to oils, Pattison worked in watercolors and made etchings. Until 1910 he exhibited his art nationally and with such local organizations as the Society of Western Artists and the Chicago Society of Artists, of which he was a longtime officer.Pattison was equally prominent as a writer on art, beginning in 1886 with his serial "Pattison's Art Talks" in the Jacksonville Journal and the Chicago Journal. He contributed to Arts for America (later The Arts), the journal of the Chicago-based Central Art Association, and he wrote criticism for local newspapers and national magazines. He also published several books on painters from the Renaissance to modern times, in addition to editing the journal The Fine Arts in 1910. Pattison retired to Ashville, North Carolina, after 1912 and died there at the age of seventy.

James William Pattison (1844 - 1915) American

James William Pattison (1844 - 1915) Watercolor on paper, Signed , measures 11.5" x 8.5" , w/frame 17.5" x 13.5"

JAMES WILLIAM PATTISON (Illinois/Missouri/Massachusetts, 1844-1915), View of Gloucester, Massachusetts., Watercolor on paper, 11" x 17" sight. Framed 21" x 27".

JAMES WILLIAM PATTISON Illinois/Missouri/Massachusetts, 1844-1915 View of Gloucester, Massachusetts. Signed lower left "Jas. W. Pattison".

James Pattison (IL,MO,MA,1844-1915) watercolor painting antique

ARTIST: James William Pattison (Illinois, Missouri, Massachusetts, 1844 - 1915) NAME: Landscape - Dunes of Gloucester YEAR: 1892 MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. SIGHT SIZE: 11 x 12 inches / 27 x 30 cm FRAME SIZE: 22 x 25 inches / 55 x 63 cm SIGNATURE: lower middle CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 121430 US Shipping $75 + insurance. BIOGRAPHY: James William Pattison was born in Boston, the son of the principal of Oread Institute, a women's college in Worcester, Massachusetts. He enlisted in the Union Army late in the Civil War and published sketches of the conflict in Harper's Weekly. At war's end, Pattison studied art privately in St. Louis, where he married his first wife. By 1866, he was in New York, taking instruction in landscape painting from either Sanford or R. Swain Gifford, the brothers William and James M. Hart, and George Inness. After five years as an art instructor at Washington University in St. Louis, Pattison went to Dusseldorf, Germany, for further training. In 1876, the widowed Pattison married fellow artist Helen Searle. The couple lived in Paris, where he was represented in the Salon exhibitions of 1879, 1880, and 1881.After two years' residence in New York, where Pattison exhibited at the National Academy of Design and with the American Water Color Society, he became director of the School of Fine Arts in Jacksonville, Illinois. Widowed once more, Pattison moved to Chicago in 1896 to take up a lecturing position at the Art Institute of Chicago; he also taught art at Rockford College, in Rockford, Illinois. Pattison was active in Chicago's Municipal Art League and other local organizations. He lived in the Tree Studios building on Chicago's Near North Side until 1906, when he moved with his third wife, whom he married the year before, to suburban Park Ridge. His neighbors there included painter Walter Marshall Clute, who in 1906 published a profile of Pattison in the Chicago-based journal The Sketch Book. In 1907 the Municipal Art League acquired Pattison's best-known painting, Tranquility (circa 1906; Union League Club of Chicago). The artist found subjects for landscape and marine paintings in France and in coastal New England, where he often summered, and he made romantic nighttime views of New York City seen from the water. He also specialized in studies of animals, particularly sheep. In addition to oils, Pattison worked in watercolors and made etchings. Until 1910 he exhibited his art nationally and with such local organizations as the Society of Western Artists and the Chicago Society of Artists, of which he was a longtime officer.Pattison was equally prominent as a writer on art, beginning in 1886 with his serial "Pattison's Art Talks" in the Jacksonville Journal and the Chicago Journal. He contributed to Arts for America (later The Arts), the journal of the Chicago-based Central Art Association, and he wrote criticism for local newspapers and national magazines. He also published several books on painters from the Renaissance to modern times, in addition to editing the journal The Fine Arts in 1910. Pattison retired to Ashville, North Carolina, after 1912 and died there at the age of seventy.

James W. Pattison (AMERICAN, 1844–1915) Oil on canvas, New England harbor scene, signed lower left, 11 1/2" x 15 1/2" sight, 18" x 23 1/2" overall

James W. Pattison (AMERICAN, 1844–1915) Oil on canvas, New England harbor scene, signed lower left, 11 1/2" x 15 1/2" sight, 18" x 23 1/2" overall

James Pattison (IL,MO,MA,1844-1915) watercolor painting antique

ARTIST: James William Pattison (Illinois, Missouri, Massachusetts, 1844 - 1915) NAME: Landscape - Dunes of Gloucester YEAR: 1892 MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. SIGHT SIZE: 11 x 12 inches / 27 x 30 cm FRAME SIZE: 22 x 25 inches / 55 x 63 cm SIGNATURE: lower middle CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 121430 US Shipping $75 + insurance. BIOGRAPHY: James William Pattison was born in Boston, the son of the principal of Oread Institute, a women's college in Worcester, Massachusetts. He enlisted in the Union Army late in the Civil War and published sketches of the conflict in Harper's Weekly. At war's end, Pattison studied art privately in St. Louis, where he married his first wife. By 1866, he was in New York, taking instruction in landscape painting from either Sanford or R. Swain Gifford, the brothers William and James M. Hart, and George Inness. After five years as an art instructor at Washington University in St. Louis, Pattison went to Dusseldorf, Germany, for further training. In 1876, the widowed Pattison married fellow artist Helen Searle. The couple lived in Paris, where he was represented in the Salon exhibitions of 1879, 1880, and 1881.After two years' residence in New York, where Pattison exhibited at the National Academy of Design and with the American Water Color Society, he became director of the School of Fine Arts in Jacksonville, Illinois. Widowed once more, Pattison moved to Chicago in 1896 to take up a lecturing position at the Art Institute of Chicago; he also taught art at Rockford College, in Rockford, Illinois. Pattison was active in Chicago's Municipal Art League and other local organizations. He lived in the Tree Studios building on Chicago's Near North Side until 1906, when he moved with his third wife, whom he married the year before, to suburban Park Ridge. His neighbors there included painter Walter Marshall Clute, who in 1906 published a profile of Pattison in the Chicago-based journal The Sketch Book. In 1907 the Municipal Art League acquired Pattison's best-known painting, Tranquility (circa 1906; Union League Club of Chicago). The artist found subjects for landscape and marine paintings in France and in coastal New England, where he often summered, and he made romantic nighttime views of New York City seen from the water. He also specialized in studies of animals, particularly sheep. In addition to oils, Pattison worked in watercolors and made etchings. Until 1910 he exhibited his art nationally and with such local organizations as the Society of Western Artists and the Chicago Society of Artists, of which he was a longtime officer.Pattison was equally prominent as a writer on art, beginning in 1886 with his serial "Pattison's Art Talks" in the Jacksonville Journal and the Chicago Journal. He contributed to Arts for America (later The Arts), the journal of the Chicago-based Central Art Association, and he wrote criticism for local newspapers and national magazines. He also published several books on painters from the Renaissance to modern times, in addition to editing the journal The Fine Arts in 1910. Pattison retired to Ashville, North Carolina, after 1912 and died there at the age of seventy.

JAMES WILLIAM PATTISON (AMERICAN 1844-1915) OIL ON CANVAS, 19TH C., H 12", W 16", PASTORAL SCENE

Signed in the lower right. Depicts a summer day with sheep and cattle in a field with a farmhouse and wagon in the background. Framed Dimensions H 19" W 23" Signed lower right. Provenance: Estate of Joan Young, Kalamazoo, Mi.

JAMES PATTISON (AMERICAN, 1844-1915) OIL ON CANVAS ON BOARD, H 11.5", W 15.5", BEACH TRAILS

An oil on canvas laid to board by James Pattison. Depicting beach houses and vehicle trails in the sand. Artist's signature to the lower right. Frame measures H 18" x L 22". Provenance: Estate of Joan Young, Kalamazoo, Mi.

JAMES WILLIAM PATTISON (AMERICAN 1844-1915) WATERCOLOR ON PAPER, H 11.5", W 17", GLOUCESTER SHORE

Signed in the lower left. Depicting the shoreline of Gloucester, Mass. Framed Dimensions H 20" W 26" Estate of Joan Young, Kalamazoo, Mi.

James William Pattison (American, 1844-1915) Twin Lakes, Leadville, Colorado, Lo

James William Pattison (American, 1844-1915) Twin Lakes, Leadville, Colorado, Looking West, 1872 Oil on canvas 16 x 28 inches (40.6 x 71.1 cm) Signed and dated lower right: J.W. Pattison / 1872 PROVENANCE: Vose Galleries, Boston, Massachusetts; The collection of the Flanner and Buchanan Corporate Collection; Heritage Auctions, May 17, 2011, lot 64472; Private collection, Whitesburg, Kentucky. HID01801242017

JAMES WILLIAM PATTISON (American, 1844-1915). EVE'S NEW FRIEND, signed lower right and titled verso. Watercolor.

JAMES WILLIAM PATTISON (American, 1844-1915). EVE'S NEW FRIEND, signed lower right and titled verso. Watercolor - Framed, sight: 13 in. x 8 in.

Attributed to James William Pattison (American 1844-1915), View of the Piedmonts in North Carolina, Oil on canvas

Attributed to James William Pattison (American 1844-1915) View of the Piedmonts in North Carolina Unsigned with artist name, title and medium on gallery label affixed to verso Oil on canvas 8-3/4 x 10-3/4 in (22.2 x 27.3 cm)

James William Pattison

(Illinois/Asheville, North Carolina, 1844-1915)Portrait of Penelope Pattison, the artist's daughter, unsigned, oil on canvas, 11-3/4 x 9-5/8 in.; walnut frame, lined, scattered light retouch; frame with abrasions. Provenance: Brunk Auctions, May 19, 2007 Auction, lot # 232

Seven James W. Pattison sketchbooks

(James William Pattison, Illinois/Asheville, North Carolina, 1844-1915)(1) 60 pages, European subjects, pencil, watercolor, ink: approximately 44 pencil sketches of sheep, botanicals, landscapes and boats, inscribed in front "June 20th, 1872?J. W. Pattison/Washington University St. Louis, Mo.", also inscribed by Hortense Pattison "See a letter near back of this book-HRP", 7-1/4 x 10-1/4 in., [foxing]; (2) 31 pages, 13 pencil sketches of Edinburgh, landscapes, architecture, animals, one of which is a sketch of holly by Elizabeth Pennell Pattison, inscribed in front "J. William Pattison, July 23rd 1873/St. Louis, Mo.", 3-3/4 x 5-3/8 in., [stains from botanical pressing]; (3) 24 pages, 30 pencil sketches, some heightened of marine, landscapes, architecture, rigging, inscribed in front "J. William Pattison, Saint Louis, Mo.", other inscriptions in ink, 3-7/8 x 6-7/8 in., [hole in cover, small tears and chipping]; (4) 9 pages, six pencil sketches of landscapes, portrait, dog, inscribed in front "J. W. Pattison, with the best wishes of his friend H. Lewis on this happy holiday 25th December 1874", 4-1/4 x 6-7/8 in., [binding broken, chipping of pages]; (5) 30 pages, 30 pencil sketches of genre, animal, architecture, marine and landscapes, one loose ink sketch of boat, inscribed in front "J. William Pattison Df 1874", 5-1/2 x 8-7/8 in.; (6) 41 pages, Holland subjects including architecture, marine, some handwritten notations by Pattison indicating sketches were to go with articles he was writing, 37 sketches total, 20 pencil (some with heightening), 11 watercolors, six ink with some heightening, inscribed on front "Pattison/St. Louis", 1893, 5 x 8-3/8 in., [some pest damage, chipping at edges, binding loose, stains]; (7) 28 pages, 30 sketches of landscapes, animals, marine, architecture, botanical, with five of those watercolors, 3-3/8 x 5-1/2 in., [binding loose, chipping of edges], approximately 191 works total, . Provenance: Brunk Auctions, May 19, 2007 Auction, lot #481

JAMES WILLIAM PATTISON (AMERICAN 1844-1915). ISLES OF SHOALS LIGHT, FROM STAR ISLAND.

Watercolor on paper, 11 x 18 ¼ inches, sight. Signed "Jas. Wm. Pattison" l.l. The reverse with old label inscribed with title.

FROM THE FLANNER & BUCHANAN CORPORATE COLLECTION JAMES

FROM THE FLANNER & BUCHANAN CORPORATE COLLECTION JAMES WILLIAM PATTISON (American, 1844-1915) Twin Lakes, Leadville, Colorado, Looking West, 1872 Oil on canvas 16 x 28 inches (40.6 x 71.1 cm) Signed and dated lower right PROVENANCE: Vose Galleries, Boston, MA. Landscape painter James William Pattison began his career as an illustrator for Harper's Weekly. After training with James M. Hart and George Inness, he painted in the Hudson River School style-the present work being a fine early career effort. From 1869 to 1873 he taught at Washington University (1869-1873), where William Merritt Chase was one of his students. Pattison sought additional training abroad in Düsseldorf and Paris. With his wife Helen Searle (1830-1884), Pattison lived for six years at the artists' colony of Ecouen, just north of Paris, where he took instruction from landscapist Luigi Chialiva (d. 1914), also known as an animal painter. Pattison exhibited in the Paris Salons of 1879-81. Pattison returned to America in 1882 or 1883, and was active in Chicago art organizations including the Cliff Dwellers, the Palette and Chisel Club, and the Chicago Municipal Art League. From 1884 to 1886 he served as director of the School of Fine Arts in Jacksonville, Illinois and taught at the School of the Art Institute of Chicago in 1896. Pattison exhibited at the World's Columbian Exposition in 1893 and at the St. Louis Universal Exposition, eleven years later; his oils, pastels, and watercolors appeared at the Art Institute's annuals between 1891 and 1910.

James William Pattison (American 1844-1915), Study of a Flock of Sheep, gouache & ink on grey paper, sight size: 11 x 15-1/2 in

James William Pattison (American 1844-1915) Study of a Flock of Sheep Signed Jas. Wm. Pattison l.l. Gouache and ink on grey paper; apparently in good condition. Framed.* Sight size: 11 x 15-1/2 in (27.9 x 39.3 cm)

OOC Portrait of Daughter Penelope J W Pattison

OOC - Portrait of Daughter Penelope by James William Pattison (NC/IL, 1844-1914), depicting a young blonde-haired girl seated in a field, from the estate of JW Pattison, unsigned but guaranteed to be by him, SS: 11 3/4" x 9 3/4", fine condition.

OOP Wildflowers in Field James W Pattison IL NC

OOP - Wildflowers in a field, from the estate of James Pattison, unsigned but guaranteed to be done by James William Pattison (1844-1915) from Illinois and Asheville, North Carolina, in vintage gilt sand cove frame, SS: 8" x 4 3/4", OS: 13" x 9 3/4", cleaned and varnished.

7 Original 19th C Sketchbooks James W Pattison

(7) ORIGINAL 19TH C. SKETCHBOOKS - European and American Farm and Genre Scenes by James William Pattison (IL/NC, 1844-1915), approx (190) works dating from 1872-1893 in pencil, ink and watercolor, including locations in Scotland, Holland, France and the area around St. Louis. Subjects include landscapes, architecture, animals, botanicals, ships and rigging, people and fashions. All are inscribed and notated extensively by the artist. Ranging roughly in size from 3" x 5" to 8" x 10", generally good condition, one is disbound. More detailed listing available upon request.

11 Original 19th C Sketchbooks James W Pattison

(11) ORIGINAL 19TH C. SKETCHBOOKS - New England Coastal Scenes by James William Pattison (IL/NC, 1844-1915) approx (350) works dating from 1887-1890 in pencil, ink and watercolor, including locations in Gloucester, Marblehead, and Nantucket, MA.; PLUS in Maine: Mt. Desert Island, Monhegan Island, Vinal Haven, Camden, Port Clyde, Acadia, Boothbay; PLUS various New Hampshire & New York, PLUS some scenes in Colorado and St. Louis, including Pike's Peak, some botanical studies, farm scenes, and children. Many views of yachts and sailing ships, views from on board identified craft, other nautical themes, such as Lighthouses, including Portland Head Light, ME. All are inscribed and notated extensively by the artist. Ranging roughly in size from 4" x 6" to 8" x 10", generally good condition. More detailed listing available upon request.

James William Pattison (American, 1844-1915) Souvenir d'Ecouen Signed and inscribed "J....

James William Pattison (American, 1844-1915) Souvenir d'Ecouen Signed and inscribed "J.Wm. Pattison/a son amie...au jour de son mariage" l.l., titled l.r. Watercolor on paper, sight size 11 1/2 x 15 in. (29.2 x 38.1 cm), framed. Condition: Foxing, toning.

OOC Children Picking Flowers J W Pattison

OOC - Depicting two children picking flowers on a hillside, from the estate of James Pattison, unsigned but guaranteed to be done by James William Pattison (1844-1915) from Illinois and Asheville, North Carolina, SS: 9 3/4" x 7 1/2", in a period frame, cleaned and varnished, light crazing.

OOC Portrait Penelope Field J W Pattison

OOC - Portrait of Daughter Penelope by James William Pattison (NC/IL, 1844-1914), depicting a young blonde-haired girl seated in a field, from the estate of JW Pattison, unsigned but guaranteed to be by him, unframed, SS: 11 3/4" x 9 3/4", fine condition.

OOC Portrait Penelope Fall James W Pattison

OOC - Portrait of the Artist's Daughter Penelope by James William Pattison (IL/NC, 1844-1914), depicting a brown-haired young girl in a gray smock standing beneath an autumn tree, from the estate of James Pattison, unsigned but guaranteed to be done by Pattison, from Illinois and Ashville, North Carolina, in gold painted Arts & Crafts frame, SS: 13 1/2" x 9 1/2", OS: 19 1/2" x 15 1/2", minor inpaint in background sky, cleaned and varnished.

OOP Wildflowers in Field J W Pattison IL/NC

OOP - Wildflowers in a field, from the estate of James Pattison, unsigned but guaranteed to be done by James William Pattison (1844-1915) from Illinois and Asheville, North Carolina, in vintage gilt sand cove frame, SS: 8" x 4 3/4", OS: 13" x 9 3/4", cleaned and varnished.

James William Pattison (American, 1844-1915) Untitled; Watercolor on paper (framed); Signed; 10 3/4'' x 18 1/2''; Provenance: Private Collection, Tucson

James William Pattison (American, 1844-1915) Untitled; Watercolor on paper (framed); Signed; 10 3/4'' x 18 1/2''; Provenance: Private Collection, Tucson

James William Pattison (American

James William Pattison (American, 1844-1915), "On the Edge of Stream", oil on canvas, signed lower right, 11 1/2 in. x 18 1/2 in.

James William Pattison (American, 1844-1915)

Figures on a street in Ecouen, near Paris signed and dated 'J.W. Pattison 76' (lower right) and signed, inscribed and dated 'J.Wm. Pattison, Ecouen, near Paris 1876' (on the reverse) oil on panel 9 1/4 x 12 3/4 in. (23.5 x 32.4 cm.)

JAMES WILLIAM PATTISON

James William Pattison (American, 1844-1915), The Mill, Signed and dated ""J.W.PATTISON 1867"" l.r., Condition: Scattered punctures/los