Etcher, Lithographer, Water color painter, Illustrator, Engraver, Painter, b. 1860 - d. 1926
(b Philadelphia, Pennsylvania 1866; d Brooklyn Heights, New York 1926) American painter. Known as an illustrator, painter, etcher, and teacher, Joseph Pennell was trained at the Pennsylvania Academy of the Fine Arts and the Pennsylvania School of Industrial Art. His early work, inspired by Whistler, was mainly etching. Pennell moved to London where he lived and painted until 1917. Later in his life, he lived in Brooklyn and painted many views of New York and New York Harbor.
Grain Elevators, Chicago. Radierung auf Bütten. 23,7 x 31,7 cm. Unten mittig signiert. Auflage lt. Wuerth wohl 50 Ex. (1910). Wuerth 592. Prachtvoller, herrlich toniger Druck an drei Seiten mit feinem Rändchen unten mit Rand. Teils leicht vergilbt, sonst in vorzüglicher Erhaltung. 1911 in der Galerie Commeter erworben und seither in Hamburger Privatbesitz. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
London Night, Whiskey and Tea. Schabkunstblatt in Schwarzbraun auf Bütten. 25,6 x 37,6 cm. Unten mittig signiert, sowie im weißen Rand unterhalb der Darstellung eigenh. bez. "unfinished - Original mezzotint - The Tea Tower - London 1909". Auflage lt. Wuerth wohl 75 Ex. (1904). Wuerth 505. Das gesuchte Blatt in einem prachtvollen, samtigen und die Lichtstimmung wunderbar zur Geltung bringender Druck mit feinem Rändchen an drei Seiten, unten mit etwas unregelmäßigem Rand. Minimale Altersspuren, sonst tadellos. 1910 in der Galerie Commeter erworben und seither in Hamburger Privatbesitz. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
St. Paul's Pavement (London). Radierung auf Bütten. 21,5 x 28 cm. Unten signiert, sowie im linken und unteren weißen Rand mit eigenh. Annotationen "Trial Proof ..." und teils Anweisungen für den Drucker. Auflage lt. Wuerth wohl 30 Ex. (1905). Wuerth 366. Prachtvoller Probedruck von der differenziert gewischten Platte mit Rand bzw. Rändchen. Leicht fingerfleckig, marginale Altersspuren, sonst in vorzüglicher Erhaltung. Beigegeben ein weiterer signierter Abzug dieser Radierung wohl aus der regulären Auflage. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Canyon, No. 1 (William Street - Grand Canyon). Kaltnadelradierung auf Bütten. 27,5 x 20,1 cm. Unten mittig signiert. Auflage wohl 75 Ex. (1904). Wuerth 332. Prachtvoller, herrlich toniger Druck mit Rand. Etwas vergilbt und stockfleckig, schwacher Lichtrand, sonst gut erhalten. 1906 in der Galerie Commeter erworben und seither in Hamburger Privatbesitz. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Thr turn of the tide (Blackfriars - London I). Aquatinta in Schwarz-grün auf feinem Velin. 19,8 x 25,4 cm. Unten mittig in Bleistift signiert. (1894). Wuerth 219. Prachtvoller, durch die farblichen Nuancen äußerst atmosphärischer und herrlich wirkungsreicher Abzug, wohl vom Künstler eigenhändig bis auf ein feines Rändchen um die Plattenkante beschnitten, die Signatur beim Beschneiden unten mittig ausgespart. Minimal angestaubt unten an der ausgesparten Signatur links ein unauffällig geschlossener Randeinriss, verso kleine Bleistiftannotationen, auf dem Passepartout ausführlich von fremder Hand bez. "R 3490, Blackfriars - London I, Joseph Pennell, Probedruck. Mezzotint", sonst in sehr schöner Erhaltung. Rarissimum, eines von wohl nur fünf Exemplaren, die Platte laut den Angaben bei Wuerth zerstört. 1906 in der Galerie Commeter erworben und seither in Hamburger Privatbesitz. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
PENNELL, Joseph (1857 – 1926). Provide the Sinews of War / Buy War Bonds. 1918. New York: Heywood Strasser & Voigt Litho Co. Matted and framed, sight 19 ¼ x 20 ½”. Scattered creases in image; yellowing along right edge.
Joseph Pennell (American, 1857-1926) Under the Bridges, 1884. Etching. Pencil signed lower right margin. Dimensions: Sight 11 3/4 x 13 1/2in; Frame 17 3/4 x 19 3/4in. Provenance: Property from a Philadelphia Main Line Collection.
(1860 Philadelphia - New York 1926). The Dock Head. Radierung. Plgr. 21 x 28 cm. Sign. Verso oben Reste v. Klebestreifen. Weißer Rand etw. fl., li. Rand u. oben etw. gebräunt, re. Rand oben minimaler Papierverlust. R
(1860 Philadelphia - New York 1926). St. Paul's Cathedral u. Whitehall Court London. Radierung bzw. Aquatintaradierung. 24 x 19 u. 26,5 x 20,5 cm. Auf einem Bl. punktuell unter Passep. mont. ╔Dabei: Ders.╗ The Woolworth through the Arch. 2 Rad. 25 x 17,5 cm. Aus: Jahrbuch der Graphik, IV. Jahrgang, Ausg. C. - Ex. 134 u. 33 v. 150. - ╔Ders.╗ Early evening effect, Paris exhibition. Lithographie aus "The Studio, London", 1901. Blgr. 29 x 20,5 cm. Mit dem Trockenst. unt. re. Unter Passep. mont., darunter typogr. Bl. aus "The Studio" punktuell aufgeklebt. - Äußere Ränder etw. lichtrandig. Zus. 4 Bl. R
JOSEPH PENNELL (1857-1926) Hail America. 1908. Mezzotint. 21½x37¾ cm, 8½x14⅞ inches; wide margins. Edition of approximately 70. Signed and inscribed "imp" in pencil, lower margin. Wuerth 503.
JOSEPH PENNELL (1857-1926) [New York.] Two etchings. 1904 & 1915. Forty-Second Street, 1904. 30x21¼ cm, 11⅞x8½ inches; wide margins. Edition of approximately 75. Signed in pencil, lower margin. * The Woolworth Building, 1915. 30x18.8 cm, 11¾x7⅜ inches; full margins. Edition of approximately 100. Signed and inscribed "imp." in pencil, lower right. Wuerth 350 and 675.
JOSEPH PENNELL (1857-1926) The Bridges, from Brooklyn. 1921. Etching and drypoint. 25x17¾ cm, 9⅞x6⅞ inches; wide margins. Edition of approximately 75. Signed, dedicated, and inscribed "imp" in pencil, lower right. Wuerth 782.
Etching, signed, from an edition of 150 signed proofs; 9 7/8" x 6 7/8", on a medium weight wove type sheet, with narrow borders, as is typical of many of Pennell's prints. Reference: Wuerth 785.
Joseph Pennell (American, 1857-1926) Porch Gate, St Mary-the-Virgins, Oxford, etching on laid paper, signed, titled and dated 1884 in the plate, unframed, 36.8 x 26.7cm., together with a collection of sixteen unframed 19th century etchings by various artists of mostly architectural subjects, some signed in pencil, largest 36.8 x 26.7cm., and twenty-six hand coloured etchings and engravings, various artists and subjects. (43)
Three etchings with views by different graphic artists: Robert Charles Goff (1837-1922), ''Blackfriars Bridge, London'', signed in the plate, Joseph Pennell (1857-1926), ''Bridge of Alcantara, Toledo'', unsigned, as well as Hungarian graphic artist, view of Budapest with St. Stephan, intaglio, bottom right indistinctly signed by hand, dated 1925 in the plate, framed behind glass up to 37 x 50 cm
American-Joseph Pennell 1860-1926 Original Etching In Talio Crome. Frame Measure 14 1/4" X 11.5". RBFineArts CFL Inc. Shipping, Payment & Auction Policies: PLEASE MAKE SURE YOU HAVE READ THE TERMS AND CONDITIONS BEFORE YOU BID. Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. All sales are recorded. These Terms and Conditions control this Auction in all regards and supersede all previous announcements, advertisements, catalogs, and published information however distributed. All announcements from the Auction block will take precedence over any Internet description or printed material. RBFineArts CFL Inc. internet descriptions and printed materials are meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, condition, description, weight, count, or measure of any of the lots specified herein. We are not an authentication service. 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Including sepia toned engraving by Joseph Pennell of St. Pauls over Waterloo of boats on a river in a city; and an etching after Salvator Rosa. Dimensions: (Larger frame) H 15" x W 12", (Sight) H 6.5" x W 4.5" Condition: Sepia etching with light toning to paper. Black and white etching with light foxing to paper, trimmed within the plate.
Joseph Pennell (1857-1926) Etching “Steps, British Museum”, first state, signed in pencil lower center, with old label on reverse. Plate 8 in. x 11 in. Sight 9 in. x 11.75 in. Overall 15 in. x 17.75 in.
Joseph Pennell (American/Pennsylvania, 1857-1926), "Entrance of Henry VII Chapel, Westminster", 1906, etching, pencil-signed and inscribed lower margin, "E.H. & A.C. Fredricks Co., New York, NY" label on backing paper, 11 in. x 8 1/2 in., framed, overall 18 1/8 in. x 14 5/8 in. x 1/2 in. Condition: Overall fair condition.
Joseph Pennell (American, 1857-1926), St Paul's Chapel, Etching, circa 1915, signed in plate and pencil signed lower right, wood frame. Image: 11" H x 8.25" W; frame: 15.25" H x 12" W. Provenance: From a Chelsea Estate. Keywords: 20th Century Art, Cityscape, New York City, Church, Construction, Print, Multiples, Antique
Joseph Pennell (American, 1860-1926) Hampton Court Palace, artist's proof etching. Signed in graphite lower center. Remnants of Frederick Keppel label verso.
Joseph Pennell (1857-1926) Etching “Steps, British Museum”, first state, signed in pencil lower center, with old label on reverse. Plate 8 in. x 11 in. Sight 9 in. x 11.75 in. Overall 15 in. x 17.75 in.
Joseph Pennell (1857-1926) Etching on buff coloured hand-made paper, titled "Building Dover Pier", executed on 1910 (Wuerth 585), Signed lower middle in pencil, measures 10 x 7 7/8 inches. Born in Philadelphia, Pennsylvania, Joseph Pennell became best known for his illustrations and etchings, a process he began in the late 1870s. He completed over 1800 etchings and lithographs, executed mostly in Europe before 1917. His style was strongly influenced by James Whistler, and his technique was influenced by drawings of Charles Reinhardt. He also wrote and illustrated nearly a hundred books including a biography of Whistler.Pennell was the son of Philadelphia Quaker parents and briefly attended the School of Industrial Design, now the Philadelphia College of Art. Between 1878 and 1880, he studied at the Pennsylvania Academy of Fine Art in Philadelphia where his instructor, James Claghorn recognized and encouraged Pennell's etching talent.
JOSEPH PENNELL AMERICAN, 1857-1926 MICHIGAN AVENUE CHICAGO - THE CITY DIRTY-FUL Etching on paper Lower center signed in pencil beneath image: J. Pennell
JOSEPH PENNELL (1857-1926) "Clearing the Ring." Illustration for "Provençal: Bull-Fights," published in The Century Magazine, July 1891. Part one of five in a collection of essays by the artist titled "Play in Provence." Pen and ink and correction fluid on india paper. 8 1/2 x 10 3/4 inches. Signed in center right image.
Artist: Joseph Pennell, American (1857 - 1926) Title: Bathroom Car (Student of Whistler) Year: 1926 Medium: Pencil on Paper, signed and dated l.r. Size: 4.5 x 7 in. (11.43 x 17.78 cm) Frame Size: 15 x 17 inches
Pennell, Joseph (American, 1857-19926). Etching. Signed l.r. in pencil. Unknown limitation. Plate size: 12 1/4" x 9 1/4". Framed and matted. Frame size: 20 1/2" x 16 3/8.Sight very good. Ink marking from plate residue visible.
Joseph Pennell (1857-1926) Etching on buff coloured hand-made paper, titled "The Bridge of Alcartara", measures 10 x 7 7/8 inches. Born in Philadelphia, Pennsylvania, Joseph Pennell became best known for his illustrations and etchings, a process he began in the late 1870s. He completed over 1800 etchings and lithographs, executed mostly in Europe before 1917. His style was strongly influenced by James Whistler, and his technique was influenced by drawings of Charles Reinhardt. He also wrote and illustrated nearly a hundred books including a biography of Whistler. Pennell was the son of Philadelphia Quaker parents and briefly attended the School of Industrial Design, now the Philadelphia College of Art. Between 1878 and 1880, he studied at the Pennsylvania Academy of Fine Art in Philadelphia where his instructor, James Claghorn recognized and encouraged Pennell's etching talent.
Joseph Pennell (1857-1926) Etching on buff coloured hand-made paper, titled "Building Dover Pier", executed on 1910 (Wuerth 585), Signed lower middle in pencil, measures 10 x 7 7/8 inches. Born in Philadelphia, Pennsylvania, Joseph Pennell became best known for his illustrations and etchings, a process he began in the late 1870s. He completed over 1800 etchings and lithographs, executed mostly in Europe before 1917. His style was strongly influenced by James Whistler, and his technique was influenced by drawings of Charles Reinhardt. He also wrote and illustrated nearly a hundred books including a biography of Whistler.Pennell was the son of Philadelphia Quaker parents and briefly attended the School of Industrial Design, now the Philadelphia College of Art. Between 1878 and 1880, he studied at the Pennsylvania Academy of Fine Art in Philadelphia where his instructor, James Claghorn recognized and encouraged Pennell's etching talent.
Joseph Pennell (American, 1857-1926) Porch Gate, St Mary-the-Virgins, Oxford, etching on laid paper, signed, titled and dated 1884 in the plate, unframed, 14½ x 10½in. (36.8 x 26.7cm.), together with a collection of sixteen unframed 19th century etchings by various artists of mostly architectural subjects, some signed in pencil, largest 14½ x 10½in. (36.8 x 26.7cm.), and twenty-six hand coloured etchings and engravings, various artists and subjects. (43)
Joseph Pennell (American, 1857-1926), Untitled (New York Harbor), gouache on paper, signed in pencil lower left, sight: 9"h x 12"w, overall (with frame): 24.75"h x 18.5"w
Joseph Pennell (American, 1857-1926), Untitled (Brooklyn Bridge), etching with aquatint, pencil signed lower right, plate: 9"h x 11"w, overall (with frame): 15.5"h x 19.75"w
PENNELL, Joseph (1857 – 1926). That Liberty Shall Not Perish From the Earth / Buy Liberty Bonds. 1918. New York: Heywood Strasser & Voigt Co. Lithograph. Showing New York City engulfed in flames with the Statue of Liberty partially destroyed. Framed. Actual 40 ¼ x 27 ½”. Sunned; yellowing; edge wear. Not examined outside frame. A-.
JOSEPH PENNELL Philadelphia 1860 - 1926 New York Park Row - Among the Skyscrapers. Ansichten von New York. 2 Bll. Radierungen, Bl. 2 mit Vernis-mou, 1904/08. Wuerth (etchings) 326 und 494. - Eines von ca. 90 bzw. 75 Expl. Beide signiert „JoPenell imp“. Bl. 2 am Unterrand von fremder Hand mit Bleistift und brauner Tinte bezeichnet. Auf chamoisfarbenem (Bl. 1 van der Ley-) Bütten. 30,2 x 17,3 und 28 x 21,5 cm. Papierränder (Bl. 1 an allen 4 Seiten, Bl. 2 unten) ca. 0,5-2,1 cm außerhalb der Darstellung eingefaltet. Bl. 1 gebräunt sowie beide hauptsächlich an den Kanten leicht fleckig. [ms]
Joseph Pennell (1860 Philadelphia - 1926 New York): View of London with St Paul's Cathedral, from "The Studio", Vol VII, 1896, Lithography Technique: Lithography on Paper Stamp: Lower right Publisher's stamp, Lugt no.: 2322bis. The Studio. London Inscription: marked below the representation "JPennel Date: 1896 Description: View from the southern bank of the Thames over the river and the silhouette of London. The city seems to be visible in the dense fog, only the bridge in the middle ground and the silhouette of St. Paul's Cathedral in the background are silhouetted. The dome with its imposing lantern can be glimpsed, as can the classical-baroque double-tower façade. From "The Studio: An Illustrated Magazine for Fine and Applied Art", a magazine published in London in the years 1893-1964. The editor was Charles HOLME (1848-1923). The magazine once exerted great influence on the development of the Art Nouveau and Arts & Crafts movements and brought together works by contemporary artists. Keywords: 19th century, Romanticism, Architecture, United Kingdom,
![JOSEPH PENNELL (1857-1926) [New York.] Two etchings. 1904 & 1915.](https://stageimg.invaluable.com/housePhotos/Swann/32/776232/H0132-L382468694.jpg)
