PAVEL PEPPERSTEIN (N. 1966) Sans titre 1993 monogrammé et daté 93 huile, acrylique et encre de Chine sur toile signed with the artist's monogram and dated 93 oil, acrylic and India ink on canvas 35 x 49.5 cm. 13 3/4 x 19 1/2 in.
Musik Feder und Aquarell auf festem Velin. 1995. 70 x 50 cm. Unten rechts mit Feder in Schwarz signiert "P. Pepperstein" (kyrillisch) und datiert. Pavel Pepperstein ist mit Sergej Anufriev und Yuri Leiderman Mitbegründer der wichtigen Künstlergruppe „Medizinische Hermeneutik“, die sich 1989 in der Ära von Glasnost und Perestroika in Moskau formierte und in subversiver-humorvoller Weise die eigene östliche Kultur paraphrasierte. Pepperstein gehört zu den bedeutenden Vertretern des Moskauer Konzeptualismus der 2ten Generation. Durch seinen Vater, den Künstler Viktor Pivovarov, übte dessen Zeitgenosse und Freund Ilya Kabakov prägenden Einfluss auf Peppersteins Kindheit und Jugend. Die Zeichnung ist sein Medium. Sämtliche Themen wie Literatur, Musik, Gesellschaft, Politik, gehen durch den Filter des Unsagbaren und Verrätselten, bis hin zu seiner Vollendung im Absurden Theater des Sehens. Sein Zeichenstift ist deutlich von der Tuschemalerei beeinflusst und erinnert zeitweise an die Kaligraphie in der Tradition des Zen-Buddhismus. Immer wieder werden auch Bezüge zu Amerika hergestellt, in diesem Fall mit der Inschrift „Philadelphia“ und „Musika“ zum „Ragtime“-Zeitalter mit ihrer Lebensfreude in den USA.
PEPPERSTEIN, Pavel (*1966, russisch), Lithografie, „Sie spielen“, links und mittig druckmonogr und -bez, rechts unten Trockenstempel und monogr., Edition Griffelkunst, Blattmaß 39,5 x 36 cm, hinter Glas, Holzleiste, (ex coll. Förderverein Hospiz Anna-Katharinen, Dülmen)
PAVEL PEPPERSTEIN (N. 1966) Sans titre (objects above the sea) 2008 monogrammé et daté 2008 acrylique et crayon sur toile signed with the artist's monogram and dated 2008 acrylic and crayon on canvas 64.6 x 160.4 cm. 25 7/16 x 63 1/8 in.
Pavel Pepperstein (*1966), Russian artist and author, ''Girl with Animal'', ink drawing on paper Russia, 1991, with a dedication by the artist on the upper margin ''For Stephen from Pavel with best regards, for memory about [.] 91'', sheet dimensions: 23.8 x 15.8 cm
Pavel Pepperstein (Russian, 1966) Untitled (Leviathan) (From the Series Either - Or) - 2008 Oil on canvas - 49 x 69,5 cm Signed with initials and dated lower right Provenance: Private collection, Germany Private collection, Brussels Exhibited: Kewenig Gallery, Cologne, Pavel Pepperstein. Either - Or, 6 February - 11 April 2009
PAVEL PEPPERSTEIN (Moscow 1966–lives and works a.o. in Moscow) God of Cosmos. 2002. Watercolour on firm wove paper. Signed and dated upper right: P. Pepperstein, 2002, also signed in cyrillic. 114.5 × 122 cm. Provenance: - Galerie Elisabeth Kaufmann, Zurich. - Purchased from the above by the present owner, since then private collection England. --------------- PAVEL PEPPERSTEIN (Moskau 1966–lebt und arbeitet u.a. in Moskau) God of Cosmos. 2002. Aquarell auf festem Vélin. Oben rechts signiert und datiert: P. Pepperstein, 2002, sowie nochmals in Kyrillisch signiert. 114,5 × 122 cm. Provenienz: - Galerie Elisabeth Kaufmann, Zürich. - Bei obiger Galerie vom heutigen Besitzer erworben, seitdem Privatsammlung England.
PAVEL PEPPERSTEIN (Moscow 1966–lives and works a.o. in Moscow) God of Tunnels. 2002. Watercolour on firm wove paper. Signed and dated lower right: P. Pepperstein, 2002, also signed in cyrillic. 114.5 × 122 cm. Provenance: - Galerie Elisabeth Kaufmann, Zurich. - Purchased from the above by the present owner, since then private collection England. --------------- PAVEL PEPPERSTEIN (Moskau 1966–lebt und arbeitet u.a. in Moskau) God of Tunnels. 2002. Aquarell auf festem Vélin. Unten rechts signiert und datiert: P. Pepperstein, 2002, sowie in Kyrillisch signiert. 114,5 × 122 cm Provenienz: - Galerie Elisabeth Kaufmann, Zürich. - Bei obiger Galerie vom heutigen Besitzer erworben, seitdem Privatsammlung England.
PAVEL PEPPERSTEIN (Moscow 1966–lives and works in Moscow and Tel Aviv) God of Cosmos. 2002. Watercolour on firm wove paper. Signed and dated upper right: P. Pepperstein, 2002, also signed in cyrillic. 114.5 × 122 cm Provenance: - Galerie Elisabeth Kaufmann, Zurich. - Purchased from the above by the present owner, since then private collection England. Pavel Pepperstein was born in Moscow in 1966, the son of the writer Irina Pivovarova and the painter Viktor Pivorarov. From 1985 to 1987 he studied at the Academy of Fine Arts in Prague. In the year of his graduation he founded the artist group “Medical Hermeneutics”, with Sergeji Anufriev, Yuri Leiderman and Vladimir Fedorov, who, with the fall of Communism and the resulting opening up to the West, reflected on their own art and culture of the East. A great influence on his work was that of Ilja Kabakov. However, Pepperstein does not devote himself exclusively to fine art, but also works as an art critic, designer, poet and curator. He is one of the most influential artists of the Russian art scene. In 1994 he was visiting professor at the Städelschule in Frankfurt; in 1997–1998 he received a scholarship from the Akademie Solitude in Stuttgart. Pavel Pepperstein lives in Moscow and Tel Aviv. The combination of Russian and antique legends, but also the linking of supremacist motifs with those of Pop Art afford him access to an unbelievably rich pictorial language, which he combines partly in the form of complex compositions but also as scattered images, or storytelling. With a light hand, Pepperstein reveals a surprising, surrealist and almost mythical world which leaves all possibilities of interpretation open to the viewer. Playfully he questions the universal canons of art, literature, politics and the media. In addition to numerous group and solo shows, in 2004 Pavel Pepperstein showed at the 26th Sao Paulo Biennale. In 2009 he was invited to take part in the Russian Pavilion at the Venice Biennale. In 2014 he was one of the participants of the 10th Manifesta in St. Petersburg. In the same year he was awarded the prestigious Kandinsky Prize. The medium of drawing plays a major role in Pepperstein’s oeuvre. The three large-format works presented here clearly demonstrate his range, both of motifs and execution. In one drawing he shows individual flowers distributed over the page, some rendered realistically, some abstracted, creating a scattered effect. The second drawing, on the other hand, appears to tell a story: a woman stands at the edge of a black hole, the core of which glows brightly. Is she being drawn in, or have the two motifs absolutely nothing to do with each other? The third drawing is a compact, colourful composition, consisting on the one hand of snake-shaped motifs, which stretch across the page, and on the other hand of round forms, some of which are distorted to the point where they become star-like shapes. --------------- PAVEL PEPPERSTEIN (Moskau 1966–lebt und arbeitet in Moskau und Tel Aviv) God of Cosmos. 2002. Aquarell auf festem Vélin. Oben rechts signiert und datiert: P. Pepperstein, 2002, sowie nochmals in Kyrillisch signiert. 114,5 × 122 cm Provenienz: - Galerie Elisabeth Kaufmann, Zürich. - Bei obiger Galerie vom heutigen Besitzer erworben, seitdem Privatsammlung England. Pavel Pepperstein wird 1966 als Sohn der Schriftstellerin Irina Pivovarova und dem Maler Viktor Pivorarov in Moskau geboren. Von 1985-1987 studiert er an der Akademie der Schönen Künste in Prag. Im Jahr seines Abschlusses gründet er mit Sergeji Anufriev, Yuri Leiderman und Vladimir Fedorov die Künstlergruppe "Medical Hermeneutics", die sich im Verlaufe des Untergangs des Kommunismus und der damit verbunden Öffnung zum Westen, auf die eigene östliche Kunst und Kultur zurückbesinnen will. Grossen Einfluss auf sein Werk hat Ilja Kabakov. Aber Pepperstein widmet sich nicht ausschliesslich der Bildenden Kunst, sondern arbeitet auch als Kunstkritiker, Designer, Poet und Kurator. Er gehört mit zu den einflussreichsten Künstlern der russischen Gegenwartsszene. 1994 unterrichtet er als Gastprofessor an der Städelschule, Frankfurt; 1997-1998 erhält er ein Stipendium an der Akademie Solitude in Stuttgart. Pavel Pepperstein lebt in Moskau und Tel Aviv. Die Verknüpfung von russischen und antiken Sagen, aber auch das Kombinieren suprematistischer mit Pop-Art-Motiven erlauben ihm eine unglaublich reiche Bildsprache, die er teils als komplexe Kompositionen, aber auch als Streubilder kombiniert, oder aber er erzählt eine Geschichte. Mit leichtem Duktus eröffnet Pepperstein dem Betrachter eine überraschende, surrealistische, fast mythenhafte Welt, die alle Interpretationsmöglichkeiten offenlässt. Spielerisch hinterfragt er den allgemeingültigen Kanon von Kunst, Literatur, Politik und Medien. Neben zahlreichen Gruppen- und Einzelausstellungen wird Pavel Pepperstein 2004 auf der 26. Sao Paulo Biennale gezeigt. 2009 wird er eingeladen, den Russischen Pavillion auf der Venedig Biennale zu bespielen. 2014 gehört er zu den Teilnehmern der 10. Manifesta in St. Petersburg. Im selben Jahr wird ihm der renommierte Kandinsky Preis verliehen. Das Medium der Zeichnung spielt in Peppersteins Oeuvre eine grosse Rolle. Die drei vorliegenden, grossformatigen Werke zeigen eindrücklich seine Spannbreite in der Wahl der Motive ebenso wie in der Ausführung. In einer Zeichnung (Los 3757) zeigt er über das Blatt verteilt einzelne Blüten, teils realistisch, teils abstrahiert in einer Streublumen-Optik. Die zweite Zeichnung (Los 3759) dagegen scheint eine Geschichte zu erzählen: eine Frau steht am Rande eines schwarzen Lochs, dessen innerer Kern hell leuchtet. Wird sie hineingezogen oder haben die zwei Motive gar nichts miteinander zu tun? Die dritte Zeichnung ist eine dichte, farbenfrohe Komposition zum einen aus schlangenförmigen Motiven, die sich über das Blatt ziehen, und zum anderen aus runden Formen, von denen einige verformt bis hin zu sternenartigen Gebilden sind.
PAVEL PEPPERSTEIN (Moscow 1966–lives and works in Moscow and Tel Aviv) God of Tunnels. 2002. Watercolour on firm wove paper. Signed and dated lower right: P. Pepperstein, 2002, also signed in cyrillic. 114.5 × 122 cm. Provenance: - Galerie Elisabeth Kaufmann, Zurich. - Purchased from the above by the present owner, since then private collection England. --------------- PAVEL PEPPERSTEIN (Moskau 1966–lebt und arbeitet in Moskau und Tel Aviv) God of Tunnels. 2002. Aquarell auf festem Vélin. Unten rechts signiert und datiert: P. Pepperstein, 2002, sowie in Kyrillisch signiert. 114,5 × 122 cm Provenienz: - Galerie Elisabeth Kaufmann, Zürich. - Bei obiger Galerie vom heutigen Besitzer erworben, seitdem Privatsammlung England.
PAVEL PEPPERSTEIN (Moscow 1966–lives and works in Moscow and Tel Aviv) Monsters of Flowers. 2002. Watercolour, ink, gouache and opaque white on firm wove paper. Signed and dated in cyrillic lower right: P. Pepperstein, 2002. 114.7 × 142 cm. Provenance: - Galerie Elisabeth Kaufmann, Zurich. - Purchased from the above by the present owner, since then private collection England. --------------- PAVEL PEPPERSTEIN (Moskau 1966–lebt und arbeitet in Moskau und Tel Aviv) Monsters of Flowers. 2002. Aquarell, Tinte, Gouache und Deckweiss auf festem Vélin. Unten rechts in Kyrillisch signiert und datiert: P. Pepperstein, 2002. 114,7 × 142 cm. Provenienz: - Galerie Elisabeth Kaufmann, Zürich. - Bei obiger Galerie vom heutigen Besitzer erworben, seitdem Privatsammlung England.
PEPPERSTEIN, PAVEL (B. 1966) The CIS Crest signed and dated 1993, also further signed, inscribed in Cyrillic “Rim”, titled and dated on the reverse. Oil on canvas, 79.5 by 119.5 cm. Provenance: Private collection, Italy. Important private collection, Switzerland. Exhibited: From Wall to Freedom. 1984–1993, Imago Art Gallery, Lugano, 21 January–23 April 2016.
PEPPERSTEIN, PAVEL (B. 1966) Heads of Eagles 2 signed, titled in Cyrillic and dated 1993, also further signed, inscribed “Rim”, titled and dated on the reverse. Oil on canvas, 80 by 120 cm. Provenance: Private collection, Italy. Important private collection, Switzerland. Exhibited: From Wall to Freedom. 1984–1993, Imago Art Gallery, Lugano, 21 January–23 April 2016.
PEPPERSTEIN, PAVEL (1966) "Empty Icons" Series ten works, each signed “Insp. / MG” (Inspection Medical Hermeneutics), variously inscribed in Cyrillic and dated 1995–2012. Each giclee print on canvas, the largest measuring 70.5 by 63 cm and the smallest 70.5 by 41 cm. Provenance: Important private collection, UK. Authenticity certificate from the artist. Pavel Pepperstein’s powerful Empty Icons, comprising the unique set of ten giclée prints on canvas, is inspired by the eponymous work, produced in 1993 by the artist and Inspection Medical Hermeneutics art-group, of which he was the founding member. This fascinating work re-interprets the traditional function and context of icons, yet in a way which is intended to stimulate interested debate rather than deliver an anti-religious message. By removing these objects of holy veneration from their customary surroundings — from the church — Pepperstein encourages the onlooker to contemplate the immense mystery of God without recourse to the imperfection of a human-made image, one which dictates a pre-conceived view of a profoundly abstract Idea. In an interview, given in March 2012 in Moscow to a renowned art historian and curator Andrey Erofeev, on the creation of the series presented here for auction, Pavel Pepperstein said the following: “...I’d like to emphasize that this work is in no way anti-religious or anti-Orthodox. Quite the opposite, it’s the fruit of certain meditative explorations undertaken by us in this area and an attempt to follow a very old, primal and canonical Doctrine. But at the same time, naturally, we were not in any way attempting to create objects intended for veneration. ... Our works are not charged with any theological significance. ... Now, since so many years have gone by [since 1993] and the context has changed, certain political labels have been applied, certain markers, within the institutional framework of contemporary art, this territory has been tagged in a certain way, marking it as necessarily anti-religious, anti-church and somehow opposed to religion and the church in general ... So I’d like to mention specifically that this particular work has its own context, which doesn’t correspond at all to the context of contemporary art today, and that is the ... internal ... context of the MH group’s work and the hermeneutical process taking place in the 1990s. We didn’t make it any kind of goal to wage war on icons, quite the opposite in fact: we regarded them with great respect.”
PEPPERSTEIN, PAVEL (B. 1966) Grandfather’s Winter Note signed with initials and dated 1993, also further signed, inscribed in Cyrillic “Rim”, titled, numbered “8” and dated on the reverse.. Oil on canvas, 80 by 120 cm.
"Tjöplaja Trava, (Warm Grass)" (Moscow 1966) Pepperstein is the son of conceptualist Viktor Pivovarov. Born 1966 in Moscow, he studied at the Academia of Fine Arts Prague between 1985 and 1987. At the beginning of his career, he was member of the group Inspection Medical Hermeneutics.Futhermore the artist appears as a poet, critic, art theorist and a rap musican. Aquarelle and ink on paper 41 x 58 cm 1998
Pavel Pepperstein Aquarelle on paper 37 x 24,4 cm 1985 | Pavel Pepperstein (Moskau 1966) Zwei Arbeiten aus der Zeit bei Inspection Medical Hermeneutics Aquarell 37 x 24,4 cm 1985
Pavel Pepperstein Pepperstein is the son of conceptualist Viktor Pivovarov. Born 1966 in Moscow, he studied at the Academia of Fine Arts Prague between 1985 and 1987. At the beginning of his career, he was member of the group Inspection Medical Hermeneutics.Futhermore the artist appears as a poet, critic, art theorist and a rap musican. Aquarelle and ink on paper 41 x 58 cm 1998 | Pavel Pepperstein (Moskau 1966) Pepperstein ist Sohn des Moskauer Konzeptualisten Viktor Pivovarov. Geboren ist er 1966 in Moskau und studierte von 1985 bis 1987 an der Akademie der Bildenden Künste Prag. Zunächst gehörte Pepperstein einer Künstlergruppe an, die sogenannte Inspection Medical Hermeneutics.Der Künstler tritt darüberhinaus als Poet, Kunstkritiker, Kunsttheoretiker und Rap-Musiker auf. Aquarell, Tusche auf Papier 41 x 58 cm 1998
Pavel Pepperstein Aquarelle and ink on paper 37 x 24,4 cm 1985 | Pavel Pepperstein (Moskau 1966) Zwei Arbeiten aus der Zeit bei Inspection Medical Hermeneutics Aquarell, Tusche auf Papier 37 x 24,4 cm 1985
Work is titled PLANE AND THE MOON. Provenance: Collection of Helge Achenbach, Dusseldorf, Germany | Private Collection of Wolfgang Roth of Wolfgang Roth & Partners Fine Art, Miami, Florida.
Indian ink drawing on paper Russia, 1991 Pavel Pepperstein (b.1966) - Russian artist and author With a dedication by the artist in the upper margin ‘For Stephen from Pavel with best regards, for memory about [...] 91’ Sheet dimensions: 23.8 x 15.8 cm Very good condition Fine illustration by the Russian artist, his drawings fetch up to €11,000 in the international auction market Condition: Occasional tiny stains outside the representation, otherwise of very good impression. The sheet dimensions are 23.8 x 15.8 cm. Pavel Pepperstein (b. 1966) Pavel Pepperstein was born in 1966 in Moscow, Russia. He works as an artist and writer, and considered as a leading figure of the more recent Moscow art scene. A decisive influence for him was his contact with the artists of Moscow Conceptualism. He became internationally known through his participation in the Venice Biennale of 2009 with his series ‘Landscapes of Future’, subtly detailed visions of imaginary places. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.
„конкурс обстоятельств“ Indian ink on paper Russia, 1991 Pavel Pepperstein (b.1966) - Russian artist and author Signed with the artist’s signet and dated with ballpoint pen lower right ‘93’ Sheet dimensions: 21 x 29.5 cm Very good condition Typographic illustration by the Russian Artist Pepperstein; similar drawings fetch up to €10,000 euros in the international auction market Estimate by Auctionata Expert: 1,600 Euro Condition: Slight handling traces, otherwise of very good impression. The sheet dimensions are 21 x 29.5 cm. Pavel Pepperstein (b. 1966) Pavel Pepperstein was born in 1966 in Moscow, Russia. He works as an artist and writer, and considered as a leading figure of the more recent Moscow art scene. A decisive influence for him was his contact with the artists of Moscow Conceptualism. He became internationally known through his participation in the Venice Biennale of 2009 with his series ‘Landscapes of Future’, subtly detailed visions of imaginary places. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.
Indian ink drawing on paper Russia, 1991 Pavel Pepperstein (b.1966) - Russian artist and author With a dedication by the artist in the upper margin ‘For Stephen from Pavel with best regards, for memory about [...] 91’ Sheet dimensions: 23.8 x 15.8 cm Very good condition Fine illustration by the Russian artist, his drawings fetch up to €11,000 in the international auction market Estimate by Auctionata Expert: 2,000 Euro Condition: Occasional tiny stains outside the representation, otherwise of very good impression. The sheet dimensions are 23.8 x 15.8 cm. Pavel Pepperstein (b. 1966) Pavel Pepperstein was born in 1966 in Moscow, Russia. He works as an artist and writer, and considered as a leading figure of the more recent Moscow art scene. A decisive influence for him was his contact with the artists of Moscow Conceptualism. He became internationally known through his participation in the Venice Biennale of 2009 with his series ‘Landscapes of Future’, subtly detailed visions of imaginary places. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.
PEPPERSTEIN, PAVEL 1966 Moscow "Landscape of the future". Installation of 49 works for the Russian pavilion on the 53th Venice Biennale. 2009. Each 17,5 x 25cm, resp. 25 x 17,5cm. Pencil and India ink on paper. Framed. Provenance: Kewenig Galerie, Cologne. Exhibitions: La Biennale di Venezia, Russian pavilion, Venice, 2009. "Je mehr ich zeichne", Zeichnung als Weltentwurf, Museum für Gegenwartskunst, Siegen, 2010-2011. 1. Pyramid, 3024 2. Transportnoe depo v vide Golovy Buddy. Pustynja Gobi, 2066 3. The Red-Black Star - multyfunctional bridge in Peru, the Year of 2201 4. Amorphous architecture in the Year 4011, view on the "lively city" in Kazakhstan 5. Icon on the Moon 6. Escalibur Sword Memorial to all the warriors of the Earth. Year 2199 7. Communist spared Station "Yupiter", erected in the Year 2737 8. The Eye Arch under Orinoko Lake, erected in the Year 2515 9. The huge Spiral of DNK, erected in the West Sibyria in the Year 3021 10. The Artificial Clouds in the Year 2488 11. The Flying Monument of Lao-Tze on The Cloud over the Waterfall. South of Chine, 2330 12. 100% Safe Airplanes (model of the Year 2145) 13. The Way of communication in style of 3111 14. The Arch of Buddha in Jerusalem in 2904 15. The artificial icebergs with face of the polar explorers, 2241 16. So-called lake pyramids, 2228 discovered by Scott-Kleer in Surinam in the course of an archeologic expedition 17. Galactic news station "Large Ammonit", 3406 18. The Head of Hans Christian Andersen in the Rocks of Alps. Year, 2019 19. The Monument of the Yellow Colour. Kamchatka. 4307 20. The gigantic 21. Landscape in the West groneland in time of so called "Bishof's steaks 94990-5055 22. The Black Hole Monument of Steaven Hawcking 23. The Antenna for the Communication with those, who died. Constructed in the year of 2999 24. The mounting are eating the supremes in the South of China in the year 3711 25. The Big Yellow-Black Pyramide, 2518 26. The Monument of the Biosphere and the Black Square, the year of 3608 27. The Gigantic Face 6071 28. The Monument of the Great Zero, 4422 29. The Civilisation of thinking rocks in the year of 5702 30. The Huge Lieve of Grass. The Monument of the Green Colour erected in the year 3714 31. Period of Eternal Dance (6556 - 7006) 32. The Monument 'Old Christ' erected in the Alps in the year 3000 for the celebration of the three thousand years of Christianity 33. The Monument of Landscape, 4115 34. The Civilisation of Wound (the wounds of sky, the wounds of earth), 4798 - 4799 35. The Civilisation of Rolls. 4018 - 4555 36. The Planet Mirror in the year 2158 37. In the few thousand years, (approximately around the year 9000) growing of human population will create one common creature (antropos) 38. The Big Will of Reincarnation (3033) 39. The Great Egg of Easter, The World Center of the Russian Orthodox 40. The Huge Blue Ball, 5000 41. The Big White Cup 42. Civilisation of Vapours, Monument of Geography around the year of 4467 43. The Great Mirror, placed in the Northern Kazachstan in the year 2215 44. The period of the transparent earth 45. The intergallaxy Terminal 'Mandala of the Ing-Jang, 2700 46. Suprematische Autobahn in Sri Lanka, 2115 47. "Large white cross", erected in the year Jahr 3000 on the occasion of the 3000- year existence of Christianity 48. Viewn on the "large black cube", the headquarter of the Russian government, from the Old City. 2099 49. El Lissicky Airport in Perm, 2102. Sonderregelungen-Special-Conditions_Achenbach-Art-Auction-XXL Additional exhibition: the series ‚Landscapes of the Future' by Pavel Pepperstein has been exhibited in 2010 at Kunstmuseum Liechtenstein (Vaduz). All works are concepted as landscape formats and do have different measurements:24 works: 35 x 50cm; 3 works: 25 x 34,7cm; 20 works: 17,5 x 25cm; 2 works: 12,5 x 17,2cm.
PEPPERSTEIN, PAVEL 1966 Moscow "OBAMA - HOPE". 2008. Acrylic on canvas. 150 x 149cm. Signed and dated lower right: P. Pepperstein (Cyrillic) 2008. Provenance: Kewenig Galerie, Düsseldorf
