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John (1923) Perceval Sold at Auction Prices

Painter, b. 1923 - d. 2000

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            • JOHN PERCEVAL 1923-2000 Wreck and Seagulls, Triabunna 1967 oil and shells on canvas on composition board 68.3 x 103.7 cm frame: origina
              Nov. 27, 2024

              JOHN PERCEVAL 1923-2000 Wreck and Seagulls, Triabunna 1967 oil and shells on canvas on composition board 68.3 x 103.7 cm frame: origina

              Est: $50,000 - $70,000

              JOHN PERCEVAL 1923-2000 Wreck and Seagulls, Triabunna 1967 oil and shells on canvas on composition board signed and dated ‘67 / Perceval' lower left 68.3 x 103.7 cm frame: original, maker unknown, Melbourne PROVENANCE John Perceval, Melbourne Clune Galleries, Sydney Mr and Mrs R.A. Brash, Sydney, acquired from the above in 1968 Private Collection, Sydney, by descent from the above in 2000 EXHIBITED John Perceval, South Yarra Gallery, Melbourne, April 1968, no. 1 (label verso) Aspects of the Work of John Perceval 1947-68, Clune Galleries, Sydney, 12 November 1968, no. 15 (label verso) LITERATURE Traudi Allen, John Perceval, Melbourne University Press, Melbourne, 1992, p. 167

              Smith & Singer
            • JOHN PERCEVAL 1923-2000 Old Ships at Williamstown (1959) oil on canvas on composition board 87 x 103.5 cm
              Nov. 27, 2024

              JOHN PERCEVAL 1923-2000 Old Ships at Williamstown (1959) oil on canvas on composition board 87 x 103.5 cm

              Est: $550,000 - $750,000

              JOHN PERCEVAL 1923-2000 Old Ships at Williamstown (1959) oil on canvas on composition board signed ‘Perceval' lower left 87 x 103.5 cm PROVENANCE John Perceval, Melbourne Australian Galleries, Melbourne Miss C.I. Black, Melbourne, acquired from the above on 17 March 1959 The Estate of the late Miss C.I. Black, Melbourne Fine Australian Paintings, Books, Sculpture & Photographs, Sotheby's Australia, Melbourne, 24 July 1988, lot 408, ‘Boats at Williamstown', illustrated Private Collection, Melbourne, acquired from the above Important Modern Works of Art from a Private Collection, Melbourne, Deutscher and Hackett, Melbourne, 8 December 2021, lot 2, illustrated Private Collection, Melbourne, acquired from the above EXHIBITED John Perceval, Australian Galleries, Melbourne, 17 March 1959, no. 17, 125 gns John Perceval: A Retrospective Exhibition of Paintings, Heide Park and Art Gallery, Melbourne, 10 July – 26 August 1984, no. 52 John Perceval: A Retrospective, National Gallery of Victoria, Melbourne, 30 April – 12 July 1992; Art Gallery of New South Wales, Sydney, 6 August – 20 September 1992, no. 67, illustrated (label verso) LITERATURE Traudi Allen, John Perceval, Melbourne University Press, Melbourne, 1992, p. 160 Barrett Reid, Of Dark and Light: The Art of John Perceval, National Gallery of Victoria, Melbourne, 1992, p. 55 (illustrated)

              Smith & Singer
            • JOHN PERCEVAL, BOATS AND MOONS, 1943
              Nov. 26, 2024

              JOHN PERCEVAL, BOATS AND MOONS, 1943

              Est: $60,000 - $80,000

              JOHN PERCEVAL (1923 - 2000) BOATS AND MOONS, 1943 oil on composition board 54.5 x 43.5 cm signed and dated lower right: Perceval / '43 PROVENANCE Collection of the artist, Melbourne Acland Street Gallery, Melbourne, 1987 Irving Fine Art, Sydney (label attached verso) Private collection, Sydney M. J. Dougherty, by 1992 Martin Browne Fine Art, Sydney (label attached verso) Private collection, Sydney, acquired from the above c.1994 EXHIBITED John Perceval, Albert Hall, Australian National University, Canberra, 14 – 27 July 1966, cat. 13 (label attached verso) John Perceval, A Retrospective Exhibition of Paintings 1935 – 1972, Heide Park and Art Gallery, Melbourne, 10 July – 26 August 1984, cat. 12 Of Dark and Light, The Art of John Perceval, retrospective exhibition, National Gallery of Victoria, Melbourne, 30 April – 12 July 1992; Art Gallery of New South Wales, 6 August – 20 September 1992 (label attached verso) LITERATURE Reid, B., Of Dark and Light, The Art of John Perceval, National Gallery of Victoria, Melbourne, 1992, p. 16 Allen, T., John Perceval, Melbourne University Press, Melbourne, 1992, pp. 41 (illus.), 42, 148 ESSAY We are grateful to Brenda Martin Thomas, wife of the late David Thomas AM, for kindly allowing us to reproduce David’s writing in this catalogue entry. John Perceval's art is strikingly individual, seen equally in those night paintings of the forties as in his later Gaffney's Creek and Williamstown series. Nowhere is such originality more apparent than Boats and Moons, 1943 with its pulsating rhythms and idiosyncratic images. The youngest of those pioneering Melbourne artists of the 1940s – Albert Tucker, Sidney Nolan, Arthur Boyd, Danila Vassilieff and others – the passionate involvement of Perceval and his contemporaries in the urban life around them completely changed the direction of Australian art. It was wartime. Perceval, Boyd and Nolan were uncomfortably in uniform, and the streets of Melbourne were packed with soldiers, especially American. John Reed evoked the mood: ‘At night, and particularly around Flinders Street station, the scene was something to remember, with thousands of people, mostly in uniform, and with a fair sprinkling of the inevitable camp-followers, all aimlessly milling around, with nothing much to do and only too ready to be entertained with any drama or comedy which might eventuate.’1 Reed saw Perceval ‘having the time of his life’, noting that he was ‘drawn to people where a certain atmosphere exists’, to ‘the tension of a crowd, or the particular air of an hotel or bar.’2 It was this feeling of integration that Reed rightly saw as being a distinguishing feature of Perceval’s art. Moreover, he took the lead in his painted experiences of the city at night, preceding those of Tucker’s Images of Modern Evil. Masterpieces from this period include Negroes at Night, 1944, housed in the collection of the National Gallery of Australia, Canberra, and Flinders Street at Night, 1943 – 44 (private collection) which, featuring a female dancer with a death mask and two trumpet players all united in erotic frenzy, offers a macabre commentary upon the slaughter of human life and distorted social relations produced by the war. A major work from this period, Boats and Moons is closely related to Railway by Night, 1943 (Queensland Art Gallery I Gallery of Modern Art) in which Perceval introduced the State Theatre as the architectural background. As in this latter composition from the same year with its motif of the crescent moon-come-sail-come-boat, the scene in Boats and Moons is nearby Flinders Street station. The gothic tower and spire complete with grotesque gargoyle refer to St Paul’s Cathedral and the arched bridge to Princes Bridge across the Yarra River. The rest is pure fantasy – the repeated shapes of the descending crescent moon transformed into boats, sails, and a gondola of grand proportions and colour. The touch of Venice and its Carnivale culminates in the costumed foreground figures, masked, yet revealing in their revels. Perceval’s early attachment to scenes bubbling with life and bobbing boats was later to be richly realised in the fullness of maritime busyness in his great Williamstown series of paintings. 1. Reed, J., ‘John Perceval’, Art and Australia, Sydney, vol. 5, no. 1, June 1967, pp. 354, 358 2. ibid., p. 358 DAVID THOMAS © John de Burgh Perceval/Copyright Agency, 2024

              Deutscher and Hackett
            • John Perceval, (1923-2000), Flowers in a Vase, oil on canvas, 51 x 41 cm
              Nov. 25, 2024

              John Perceval, (1923-2000), Flowers in a Vase, oil on canvas, 51 x 41 cm

              Est: $15,000 - $20,000

              John Perceval (1923-2000) Flowers in a Vase oil on canvas signed l.l.c. 'Perceval'

              Shapiro Auctioneers
            • John Perceval, (1923-2000), Ship, oil on canvas, 81 x 102 cm
              Nov. 25, 2024

              John Perceval, (1923-2000), Ship, oil on canvas, 81 x 102 cm

              Est: $60,000 - $80,000

              John Perceval (1923-2000) Ship oil on canvas signed l.l.c. 'Perceval'

              Shapiro Auctioneers
            • JOHN PERCEVAL (1923-2000), Autumn Pruning 1964
              Nov. 20, 2024

              JOHN PERCEVAL (1923-2000), Autumn Pruning 1964

              Est: $40,000 - $60,000

              PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA JOHN PERCEVAL (1923-2000) Autumn Pruning 1964 oil on canvas 76.0 x 94.0 cm; 78.0 x 96.0 cm (framed) signed, dated and inscribed lower right: Perceval/ Autumn 64 signed, dated and inscribed verso: 4A/ "Autumn/ Pruning 1964"/ Perceval signed on stretcher verso: Perceval 30

              Menzies
            • JOHN PERCEVAL (1923-2000), Old Yellow Tug Boat 1995
              Oct. 27, 2024

              JOHN PERCEVAL (1923-2000), Old Yellow Tug Boat 1995

              Est: $50,000 - $70,000

              JOHN PERCEVAL (1923-2000) Old Yellow Tug Boat 1995 oil on canvas signed lower left: Perceval signed and titled verso: Perceval / Old Yellow / Tug Boat 80 x 100cm PROVENANCE Gould Galleries, Melbourne Private Collection, Melbourne

              Gibson's
            • JOHN PERCEVAL (1923-2000) Angel, First Born 1957 oil and pencil on paper 37 x 31cm
              Oct. 22, 2024

              JOHN PERCEVAL (1923-2000) Angel, First Born 1957 oil and pencil on paper 37 x 31cm

              Est: $3,000 - $4,000

              JOHN PERCEVAL (1923-2000) Angel, First Born 1957 oil and pencil on paper signed and dated lower centre: Perceval '57 artist's name, title and date inscribed verso 37 x 31cm PROVENANCE: The Collection of Reginald Maurice Berkley, Victoria Thence by descent OTHER NOTES: © John de Burgh Perceval/Copyright Agency 2024

              Leonard Joel
            • JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)
              Oct. 17, 2024

              JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)

              Est: $3,000 - $5,000

              JOHN PERCEVAL (1923 - 2000) Angel, 1961 mixed media on paper signed and dated lower right: Perceval 1961

              Lawsons
            • PERCEVAL John (1923-2000), 'Sunflowers', S/Print 106/250, 53x43cm
              Oct. 13, 2024

              PERCEVAL John (1923-2000), 'Sunflowers', S/Print 106/250, 53x43cm

              Est: $300 - $500

              PERCEVAL, John (1923-2000) 'Sunflowers' Certificate of authenticity included. S/Print 106/250 53x43cm

              Davidson Auctions
            • JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)
              Oct. 02, 2024

              JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)

              Est: $3,000 - $5,000

              JOHN PERCEVAL (1923 - 2000) Angel, 1961 mixed media on paper signed and dated lower right

              Lawsons
            • JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm
              Sep. 26, 2024

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm

              Est: $800 - $2,800

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm PROVENANCE: Niagara Galleries, Melbourne Private collection, Melbourne

              Leonard Joel
            • John Perceval" Bugs" artist sketch signed
              Sep. 22, 2024

              John Perceval" Bugs" artist sketch signed

              Est: $400 - $600

              14CM W X 20CM H

              Yarra Valley Auctions
            • John Perceval (b1923 - d2000) "Bugs"
              Sep. 22, 2024

              John Perceval (b1923 - d2000) "Bugs"

              Est: $400 - $600

              artist sketch signed 15CM W X 20CM H

              Yarra Valley Auctions
            • John Perceval (b1923-d 2000) framed lithograph
              Sep. 22, 2024

              John Perceval (b1923-d 2000) framed lithograph

              Est: $800 - $1,200

              titled "Sun Flowers" a limited edition lithograph 135/250 signed Perceval bottom right. John de Burgh Perceval was a well known Australian artist and ceramicist, and the last surviving member of a group known as the Angry Penguins who redefined Australian art in the 1940's. Other members included John Reed, Joy Hester, Sir Sydney Nolan and Albert Tucker. 61cm h x 49cm w

              Yarra Valley Auctions
            • JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)
              Sep. 19, 2024

              JOHN PERCEVAL, (1923 - 2000), Angel, 1961, mixed media on paper, 68 x 42 cm. (26.7 x 16.5 in.), frame: 100 x 75 x 3 cm. (39.3 x 29.5 x 1.1 in.)

              Est: $3,000 - $5,000

              JOHN PERCEVAL (1923 - 2000) Angel, 1961 mixed media on paper signed and dated lower right

              Lawsons
            • John Perceval (1923-2000) A Portrait of Rosie, 1963-64
              Sep. 10, 2024

              John Perceval (1923-2000) A Portrait of Rosie, 1963-64

              Est: $30,000 - $40,000

              John Perceval (1923-2000) A Portrait of Rosie, 1963-64 signed lower left: 'Perceval / 1964 / for erica' signed, dated and inscribed verso: 'A Portrait of / 'Rosie' '63 / Perceval' oil on canvas 85.0 x 95.0cm (33 7/16 x 37 3/8in).

              Bonhams
            • JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm
              Sep. 05, 2024

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm

              Est: $1,200 - $3,200

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm PROVENANCE: Niagara Galleries, Melbourne Private collection, Melbourne

              Leonard Joel
            • JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm
              Aug. 22, 2024

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm

              Est: $1,400 - $3,400

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm PROVENANCE: Niagara Galleries, Melbourne Private collection, Melbourne

              Leonard Joel
            • JOHN PERCEVAL 1923-2000 Winkie Holding a Baby 1965 oil on canvas on board 61 x 50.8 cm
              Aug. 21, 2024

              JOHN PERCEVAL 1923-2000 Winkie Holding a Baby 1965 oil on canvas on board 61 x 50.8 cm

              Est: $35,000 - $55,000

              JOHN PERCEVAL 1923-2000 Winkie Holding a Baby 1965 oil on canvas on board signed and dated 'Perceval / '65' lower left 61 x 50.8 cm PROVENANCE John Perceval, Melbourne Clune Galleries, Sydney Private Collection, Sydney, acquired from the above on 2 May 1966 Private Collection, New South Wales, acquired from the above in 2002 EXHIBITED John Perceval, Clune Galleries, Sydney, 30 March – 30 April 1966, no. 9, ($900) LITERATURE Traudi Allen, John Perceval, Melbourne University Press, Melbourne, 1992, p. 165

              Smith & Singer
            • JOHN PERCEVAL 1923-2000 Swans Feeding at Williamstown 1989 oil on canvas 92 x 123 cm
              Aug. 21, 2024

              JOHN PERCEVAL 1923-2000 Swans Feeding at Williamstown 1989 oil on canvas 92 x 123 cm

              Est: $80,000 - $120,000

              JOHN PERCEVAL 1923-2000 Swans Feeding at Williamstown 1989 oil on canvas signed ‘Perceval' lower right 92 x 123 cm PROVENANCE John Perceval, Melbourne Gould Galleries, Melbourne (label verso) Private Collection, Sydney, acquired from the above in December 1992 Australian + International Fine Art, Deutscher-Menzies, Sydney, 7 December 2005, lot 64, illustrated Private Collection, Perth, acquired from the above Australian + International Art, Deutscher-Menzies, Sydney, 13 June 2007, lot 49, ‘Swans Feeding', illustrated Private Collection, Melbourne, acquired from the above EXHIBITED John Perceval: Williamstown and Other Images, Gould Galleries, Melbourne, 24 October – 12 November 1989, no. 13, illustrated A Selection of Works by John Perceval, Gould Galleries, Melbourne, 9-31 May 1992 Australian Art Exhibition, Gould Galleries, Hong Kong Hilton, Hong Kong, 28 November – 6 December 1992, no. 35 (label verso) LITERATURE Gallery, National Gallery of Victoria, Melbourne, May 1992, p. 2 (illustrated)

              Smith & Singer
            • JOHN PERCEVAL (1923-2000), Nude Girl 1989
              Aug. 20, 2024

              JOHN PERCEVAL (1923-2000), Nude Girl 1989

              Est: $200 - $400

              JOHN PERCEVAL (1923-2000) Nude Girl 1989 colour etching signed, dated and editioned on margin: Perceval '89 / 49/100 20 x 12.5cm

              Gibson's
            • JOHN PERCEVAL (1923-2000), Bumblebees and Figures 1989
              Aug. 20, 2024

              JOHN PERCEVAL (1923-2000), Bumblebees and Figures 1989

              Est: $200 - $400

              JOHN PERCEVAL (1923-2000) Bumblebees and Figures 1989 colour etching signed, dated and editioned on margin: Perceval '89 / 33/100 20 x 12cm

              Gibson's
            • JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm
              Aug. 15, 2024

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm

              Est: $2,000 - $4,000

              JOHN PERCEVAL (1923-2000) (Untitled), c.1950 ink on paper 41 x 66.5cm PROVENANCE: Niagara Galleries, Melbourne Private collection, Melbourne

              Leonard Joel
            • JOHN PERCEVAL (1923-2000), Nude 1987
              Jul. 23, 2024

              JOHN PERCEVAL (1923-2000), Nude 1987

              Est: $250 - $450

              JOHN PERCEVAL (1923-2000) Nude 1987 pencil on paper signed with initials and dated lower left: J P / '87 29 x 20cm

              Gibson's
            • JOHN PERCEVAL (1923-2000), Hens on the Blocks 1985
              Jul. 23, 2024

              JOHN PERCEVAL (1923-2000), Hens on the Blocks 1985

              Est: $500 - $800

              JOHN PERCEVAL (1923-2000) Hens on the Blocks 1985 pencil on paper signed with initials and dated lower right: J P '85 27 x 17.5cm

              Gibson's
            • PERCEVAL John (1923-2000), 'Sunflowers', S/Print 91/250, 53x43cm
              Jul. 20, 2024

              PERCEVAL John (1923-2000), 'Sunflowers', S/Print 91/250, 53x43cm

              Est: $250 - $450

              PERCEVAL, John (1923-2000) 'Sunflowers' S/Print 91/250 53x43cm

              Davidson Auctions
            • PERCEVAL John (1923-2000), 'Swy-Game,' 1971., Photolithograph 154/200, 70x90cm
              Jul. 20, 2024

              PERCEVAL John (1923-2000), 'Swy-Game,' 1971., Photolithograph 154/200, 70x90cm

              Est: $200 - $300

              PERCEVAL, John (1923-2000) 'Swy-Game,' 1971. Photolithograph 154/200 70x90cm

              Davidson Auctions
            • JOHN PERCEVAL, (1923 - 2000), Scarecrow in the Wheatfield Watching the Sun go Down, 1988, oil on canvas, 60 x 101 cm. (23.6 x 39.7 in.), frame: 73 x 103 x 4 cm. (28.7 x 40.5 x 1.5 in.)
              Jun. 16, 2024

              JOHN PERCEVAL, (1923 - 2000), Scarecrow in the Wheatfield Watching the Sun go Down, 1988, oil on canvas, 60 x 101 cm. (23.6 x 39.7 in.), frame: 73 x 103 x 4 cm. (28.7 x 40.5 x 1.5 in.)

              Est: $20,000 - $30,000

              JOHN PERCEVAL (1923 - 2000) Scarecrow in the Wheatfield Watching the Sun go Down, 1988 oil on canvas signed lower right, Gould Galleries label verso

              Lawsons
            • JOHN DEBURGH PERCEVAL - SUNFLOWERS - OIL ON CANVAS
              May. 21, 2024

              JOHN DEBURGH PERCEVAL - SUNFLOWERS - OIL ON CANVAS

              Est: $12,000 - $18,000

              JOHN DEBURGH PERCEVAL (1923-2000) SUNFLOWERS Signed lower left, signed and titled verso Oil on canvas 29.5 x 24.5cm Estimate $12,000/18,000 AUD

              GFL Fine Art
            • JOHN DEBURGH PERCEVAL - DANCER UNDRESSING - OIL ON PAPER
              May. 21, 2024

              JOHN DEBURGH PERCEVAL - DANCER UNDRESSING - OIL ON PAPER

              Est: $4,000 - $6,000

              JOHN DEBURGH PERCEVAL (1923-2000) DANCER UNDRESSING Signed and titled upper left Oil on paper 39 x 65cm Estimate $4,000/6,000 AUD

              GFL Fine Art
            • JOHN PERCEVAL, (1923 - 2000), Scarecrow in the Wheatfield Watching the Sun go Down, 1988, oil on canvas, 60 x 101 cm. (23.6 x 39.7 in.), frame: 73 x 103 x 4 cm. (28.7 x 40.5 x 1.5 in.)
              May. 16, 2024

              JOHN PERCEVAL, (1923 - 2000), Scarecrow in the Wheatfield Watching the Sun go Down, 1988, oil on canvas, 60 x 101 cm. (23.6 x 39.7 in.), frame: 73 x 103 x 4 cm. (28.7 x 40.5 x 1.5 in.)

              Est: $20,000 - $30,000

              JOHN PERCEVAL (1923 - 2000) Scarecrow in the Wheatfield Watching the Sun go Down, 1988 oil on canvas signed lower right, Gould Galleries label verso

              Lawsons
            • John Perceval. 'Gannets Diving'. Print. Signed and dated 'J Perceval AO 1994'. 51cm x 63cm
              May. 08, 2024

              John Perceval. 'Gannets Diving'. Print. Signed and dated 'J Perceval AO 1994'. 51cm x 63cm

              Est: $400 - $600

              John Perceval. 'Gannets Diving'. Print. Signed and dated 'J Perceval AO 1994'. 51cm x 63cm

              Christian McCann Auctions
            • JOHN PERCEVAL, THE SPLASH, 1956
              Apr. 24, 2024

              JOHN PERCEVAL, THE SPLASH, 1956

              Est: $400,000 - $600,000

              JOHN PERCEVAL (1923 - 2000) THE SPLASH, 1956 oil and enamel on composition board 91.0 x 122.0 cm signed and dated lower left: Perceval 1956 PROVENANCE Australian Galleries, Melbourne Geoffrey Hillas, Melbourne, acquired from the above in 1956 Australian Galleries, Melbourne Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in March 1975 EXHIBITED Exhibition of Paintings by John Perceval, Australian Galleries, Melbourne, 12 – 30 November 1956, cat. 5 Commonwealth Art Today, Commonwealth Institute, London, 7 November 1962 – 13 January 1963, cat. 16 John Perceval: A Retrospective Exhibition of Paintings, Heide Park and Art Gallery, Melbourne, 10 July – 26 August 1984, cat. 47 LITERATURE John Perceval: A Retrospective Exhibition of Paintings, Heide Park and Gallery, Melbourne, 1984, cat. 47, pp. 21 (illus.), 23 Grishin, S., ‘Perceval’s work in retrospect’,  The Canberra Times, Canberra, 23 July 1984, p. 12 Allen, T., John Perceval, Melbourne University Press, Melbourne, 1992, pp. 105, 106 (illus.), 156 Allen, T., John Perceval, Melbourne University Press, Melbourne, revised edition 2015, pp. 133, 134 (illus.), 146, 171 Field, C., Australian Galleries: the Purves family business. The first four decades 1956-1999, Australian Galleries, 2019, pp. 34, 35 (illus.) RELATED WORKS Gannets diving, 1956, enamel paint and gouache on composition board, 91.5 x 122.0 cm, in the collection of the National Gallery of Victoria, Melbourne, illus. in Plant, M., John Perceval, Lansdowne Press, Victoria, 1978, pl. 12, p. 41 Fisherman’s sights, Williamstown, 1956, oil on composition board, 91.5 x 121.0 cm, private collection, sold Deutscher and Hackett, 15 March 2017, Sydney, lot 6 ESSAY Williamstown today is a bustling tourist town on Port Phillip Bay that proudly celebrates its maritime history. Located on the traditional lands of the Bunerong people of the Kulin nation, the area was originally called ‘koort-boork-boork’ (clump of she-oaks), a paradise for sea birds such as gannets, pelicans and black swans. In the mid-1950s, however, when John Perceval first visited, Williamstown was a rundown graveyard of rusting hulks moored amidst the formerly bustling docks, but the artist, in a rapturous mood, described the experience as akin ‘to discovering Venice.’1 Also attracting his attention was a sequence of hand-built boat shelters located at the western edge of the town, and it was here that he painted The splash, 1956, as well as two others works Gannets diving (National Gallery of Victoria), and Fisherman’s sights (Deutscher and Hackett, The Gould Collection of Important Australian Art, Sydney, 15/03/2017, lot 6). Now known as ‘the Williamstown series’, Perceval’s joyous paintings are recognised as an iconic moment in Australian art. Although the artists Frederick McCubbin and Walter Withers had both painted the docks here in the early part of the twentieth century, few others had found the town worthy of consideration. Having recently bought his first car, an orange Volkswagen beetle, Perceval began exploring the outer regions of Melbourne. In 1956, with Charles Blackman as his passenger, he journeyed across the Yarra River and onwards down to Williamstown. Their mutual excitement was captured perfectly by Blackman in his drawing Portrait of Perceval at Williamstown, 1956 (formerly Dr Joseph Brown Collection), which shows his colleague waving in excitement whilst standing atop the rock walls next to the harbour opening shown in The splash. Known variously as Bayview Harbour, the Secret Harbour, and Jimmy’s Creek, the anchorage lies at the end of Bayview Street and was built in the 1920s by local fisherman from ‘a combination of rough and dressed bluestone, bricks, concrete rubble and various other combinations of building material.’2 A jumble of wooden walkways linked the individual shelters, and fishermen’s sights were added using old tyres painted white. Three fishing clubs also have their sheds here. One of the reasons why Perceval’s Williamstown paintings are so celebrated is the highly individualistic approach he took in their depiction and, importantly, in their distinctive technique. In 1944, Albert Tucker introduced Max Hoerner’s influential book The Materials of the Artist and their Use in Painting (published 1921) to Perceval and his brother-in-law Arthur Boyd, and in this they found a wealth of information concerning Old Master techniques with which they began to experiment. They also began to research the artists Hoerner referred to, and Perceval was particularly drawn to the rambunctious peasant scenes of the Northern Renaissance artist, Pieter Breughel the Elder – subsequently painting his own variants set within Melbourne environs, such as Christ Dining at Young and Jackson's (Private collection), 1948; and Flight into Egypt, 1947 – 48 (Art Gallery of Western Australia). The bustling immediacy of these works are direct antecedents of the Williamstown series, and such was his new mastery of mediums and pigment that the noted artist-critic James Gleeson was moved to comment later that ‘John Perceval loves paint and is lavish with it. He loves the warmth or crispness of the air and evokes its quality with the exactness of an Impressionist and the feeling of an Expressionist.’3 In The splash, this description is particularly evident. Due to the number of works he painted at Bayview Harbour, Perceval was no doubt drawn to the independent spirit that had resulted in the boat harbour’s construction and sought to express his empathy though a bravura technique involving a mix of ‘resinous colour over tempera with a heightening of white, allowing a calligraphic basic drawing and a rather dry scumbled top effect.’4 Perceval painted The splash from a vantage point just outside the eastern wall of the harbour, and takes obvious delight in the tangle of timber walkways and barbed wire surrounding a scatter of typical ‘couta’ boats, surmounted by the hand-made fisherman’s sights. On the horizon, the lights of Altona and Point Cook indicate that dusk has begun to fall, whilst at the lower right, a fisherman (wearing Perceval’s signature beanie, so likely a self-portrait) spreads his arms in delight having just witnessed a gannet plunging into the depths in search of a meal. There is a likely symbolism to the ripples left by the gannet, that of the doomed mythological figure Icarus, who drowned after the wings made by his father melted when he flew too close to the sun. Arthur Boyd painted his own version of Pieter Brueghel’s Landscape with the Fall of Icarus, c.1560,5 and it is plausible that Perceval also had this in mind when he painted The splash. Further cementing the significance of the Williamstown paintings was the manner of their first exhibition. In June 1956, Tam and Anne Purves opened Australian Galleries in Collingwood as a professionally focussed exhibition space, sited in a former warehouse with their extant fabric pattern-making company located at the rear. After selling a couple of paintings by Perceval, the artist asked for a solo show and on visiting his home studio, the Purves encountered a multitude of paintings of Williamstown and Gaffney’s Creek, in the wilderness of Victoria’s Yarra Ranges. Perceval was insistent that they all be shown together, so the Purves made a strategic decision and reconfigured their business to solely focus on the promotion and selling of contemporary Australian art – and Perceval’s exhibition became their inaugural event. Two of the paintings had already been sold prior to the opening, Tug boat in a boat, 1956 for the National Gallery of Victoria, and Early morning – back beach, 1956 purchased by the renowned collector Bruce Wenzel. On his recommendation, Wenzel’s good friend, the timber importer Geoffrey Hillas, purchased The splash. Examples of the Williamstown series have since entered a number of prestigious collections with the National Gallery of Victoria adding a second work, Gannets diving, 1956 to their collection in 1957. 1. Reid, B., Of Light and Dark: the art of John Perceval, National Gallery of Victoria, Melbourne, 1992, p. 26 2. ‘Jimmy’s Creek: Williamstown Back Beach recreation precinct’, Victorian Heritage Database at https://vhd.heritagecouncil.vic.gov.au/places/13689 (Accessed 11 January 2024) 3. Gleeson, J., Modern painters: 1931 – 1970, Lansdowne Press, Sydney, 1971, p. 95 4. Plant, M., John Perceval, Lansdowne Press, Melbourne, 1971, p. 26 5. See Arthur Boyd, Boat builders, Eden, 1948, in the collection of the National Gallery of Australia, Canberra ANDREW GAYNOR © John de Burgh Perceval/Copyright Agency 2024

              Deutscher and Hackett
            • JOHN PERCEVAL 1923-2000 Medusa 1961 earthenware 22 x 14 x 15 cm
              Apr. 17, 2024

              JOHN PERCEVAL 1923-2000 Medusa 1961 earthenware 22 x 14 x 15 cm

              Est: $25,000 - $35,000

              JOHN PERCEVAL 1923-2000 Medusa 1961 earthenware signed and dated 'Perceval / 61' on base 22 x 14 x 15 cm PROVENANCE John Perceval, Melbourne Private Collection, Melbourne, acquired from the above Private Collection, Melbourne, acquired from the above Private Collection, Melbourne, by descent from the above

              Smith & Singer
            • JOHN PERCEVAL 1923-2000 Spiky-Moses, Heath and Honey-Eaters 1960 oil on composition board 91.4 x 114.3 cm
              Apr. 17, 2024

              JOHN PERCEVAL 1923-2000 Spiky-Moses, Heath and Honey-Eaters 1960 oil on composition board 91.4 x 114.3 cm

              Est: $80,000 - $120,000

              JOHN PERCEVAL 1923-2000 Spiky-Moses, Heath and Honey-Eaters 1960 oil on composition board signed and dated 'Perceval / 60' lower centre left 91.4 x 114.3 cm PROVENANCE John Perceval, Melbourne John Matula, Melbourne Joseph Brown Gallery, Melbourne (stock 3057) Private Collection, Melbourne, acquired from the above on 6 July 1972 Private Collection, Melbourne, by descent from the above EXHIBITED John Perceval, The Johnstone Gallery, Brisbane, 30 August - 16 September 1960 The Helena Rubinstein Travelling Art Scholarship, Art Gallery of New South Wales, Sydney, 4-29 October 1961, no. 34 John Perceval, Australian National University, Canberra, 14-24 July 1966, no. 52 Winter Exhibition 1972: Recent Acquisitions, Joseph Brown Gallery, Melbourne, 24 July - 10 August 1972, no. 44, 'Spiky Moses, Heath and Honey Eaters', illustrated LITERATURE Traudi Allen, John Perceval, Melbourne University Press, Melbourne, 1992, p. 161

              Smith & Singer
            • JOHN PERCEVAL 1923-2000 Old Ship and Life Raft (1995) oil on canvas 81.5 x 102 cm
              Apr. 17, 2024

              JOHN PERCEVAL 1923-2000 Old Ship and Life Raft (1995) oil on canvas 81.5 x 102 cm

              Est: $60,000 - $80,000

              JOHN PERCEVAL 1923-2000 Old Ship and Life Raft (1995) oil on canvas signed 'Perceval' lower right; signed and inscribed 'Old / Ship / and life / Raft / Perceval' verso 81.5 x 102 cm PROVENANCE John Perceval, Melbourne Gould Galleries, Melbourne and Sydney (stock 11,962) Private Collection, United States of America, acquired from the above on 23 February 2001 EXHIBITED John Perceval: Paintings 1990-1995, Gould Galleries, Sydney, 11 June - 19 July 1998

              Smith & Singer
            • JOHN PERCEVAL (1923-2000), Scarecrow in Wheatfield Watching the Sun Going Down 1988
              Mar. 27, 2024

              JOHN PERCEVAL (1923-2000), Scarecrow in Wheatfield Watching the Sun Going Down 1988

              Est: $30,000 - $50,000

              PROPERTY FROM A PRIVATE COLLECTION, QUEENSLAND JOHN PERCEVAL (1923-2000) Scarecrow in Wheatfield Watching the Sun Going Down 1988 oil on canvas 60.5 x 101.0 cm; 74.0 x 114.5 cm (framed) signed lower right: Perceval dated and inscribed verso: '88/ SCARECROW/ IN WHEATFIELD/ WATCHING THE SUN/ GOING DOWN

              Menzies
            • JOHN PERCEVAL (1923-2000), Sunflowers
              Mar. 27, 2024

              JOHN PERCEVAL (1923-2000), Sunflowers

              Est: $8,000 - $12,000

              PROPERTY FORMERLY FROM THE COLLECTION OF JULIE ROGERS, MELBOURNE JOHN PERCEVAL (1923-2000) Sunflowers oil on canvas 45.5 x 36.0 cm; 68.5 x 58.5 cm (framed) signed lower left: Perceval signed and inscribed verso: Perceval/ Sunflowers

              Menzies
            • JOHN PERCEVAL (1923-2000), Bumblebee and Figures 1989, JOHN PERCEVAL, Untitled Nude, 1987
              Mar. 19, 2024

              JOHN PERCEVAL (1923-2000), Bumblebee and Figures 1989, JOHN PERCEVAL, Untitled Nude, 1987

              Est: $100 - $300

              JOHN PERCEVAL (1923-2000) Bumblebee and Figures 1989 JOHN PERCEVAL Untitled Nude, 1987 etching signed, dated and editioned on margin: Perceval '89 / 60/100 19.5 x 12.5cm © John Perceval/Copyright Agency, 2024

              Gibson's
            • JOHN DE BURGH PERCEVAL (1923 - 2000) "THE BOAB TREE"
              Mar. 17, 2024

              JOHN DE BURGH PERCEVAL (1923 - 2000) "THE BOAB TREE"

              Est: $900 - $1,800

              Mixed Media initialled 'JP' lower right, dated '90 26cm x 38cm

              Phillip Caldwell Auctioneers
            • PERCEVAL John (1923-2000), 'Sunflowers', S/Print 78/250, 53x43cm
              Mar. 09, 2024

              PERCEVAL John (1923-2000), 'Sunflowers', S/Print 78/250, 53x43cm

              Est: $300 - $500

              PERCEVAL, John (1923-2000) 'Sunflowers' S/Print 78/250 53x43cm

              Davidson Auctions
            • JOHN PERCEVAL (1923 - 2000) , The Visitation - 1961, oil on paper, 43.5 x 68.5 cm. (17.1 x 26.9 in.), frame: 69 x 91 cm. (27.1 x 35.8 in.)
              Feb. 27, 2024

              JOHN PERCEVAL (1923 - 2000) , The Visitation - 1961, oil on paper, 43.5 x 68.5 cm. (17.1 x 26.9 in.), frame: 69 x 91 cm. (27.1 x 35.8 in.)

              Est: $1,000 - $1,500

              JOHN PERCEVAL (1923 - 2000) The Visitation - 1961 oil on paper signed and dated lower right

              Lawsons
            • JOHN PERCEVAL, JACOB'S ROAD, 1972
              Feb. 27, 2024

              JOHN PERCEVAL, JACOB'S ROAD, 1972

              Est: $40,000 - $60,000

              JOHN PERCEVAL (1923 - 2000) JACOB'S ROAD, 1972 oil on canvas 94.0 x 120.0 cm 105.5 x 131.0 cm (frame) signed and dated lower right: Perceval '72 PROVENANCE South Yarra Gallery, Melbourne (label attached verso) Private collection, Melbourne Thence by descent Private collection, Melbourne EXHIBITED John Perceval, A Retrospective Exhibition of Paintings 1935–1972, Heide Park and Art Gallery, Melbourne, 10 July - 26 August 1984, cat. 73 (illus. in exhibition catalogue p. 27) © John de Burgh Perceval/Copyright Agency 2024 This work is located in our Melbourne Gallery

              Deutscher and Hackett
            • JOHN PERCEVAL (1923-2000), Seascape
              Nov. 29, 2023

              JOHN PERCEVAL (1923-2000), Seascape

              Est: $6,000 - $8,000

              JOHN PERCEVAL (1923-2000) Seascape oil on canvas 25.5 x 31.0 cm; 50.0 x 55.0 cm (framed) signed lower left: Perceval signed and inscribed verso: seascape/ Perceval

              Menzies
            • JOHN PERCEVAL (1923-2000), Sapphire Blue Sunflowers
              Nov. 29, 2023

              JOHN PERCEVAL (1923-2000), Sapphire Blue Sunflowers

              Est: $35,000 - $45,000

              JOHN PERCEVAL (1923-2000) Sapphire Blue Sunflowers oil on canvas 89.5 x 89.5 cm; 113.0 x 113.0 cm (framed) signed lower left: Perceval signed and inscribed verso: Perceval/ sunflowers bears date and inscription verso: Blue sunflowers 2000

              Menzies
            • JOHN PERCEVAL (1923-2000), Winter, Setting Sun, Hampstead 1963
              Nov. 29, 2023

              JOHN PERCEVAL (1923-2000), Winter, Setting Sun, Hampstead 1963

              Est: $50,000 - $70,000

              JOHN PERCEVAL (1923-2000) Winter, Setting Sun, Hampstead 1963 oil on canvas 76.5 x 92.5 cm; 96.0 x 111.5 cm (framed) signed and dated lower left: 63/ Perceval signed and inscribed verso: "Winter/ Setting Sun"/ Hampsted [sic]/ Perceval

              Menzies
            • JOHN PERCEVAL (1923-2000), Father and Child, glazed ceramic, circa 1960, signed to base "Perceval", 28cm high
              Nov. 20, 2023

              JOHN PERCEVAL (1923-2000), Father and Child, glazed ceramic, circa 1960, signed to base "Perceval", 28cm high

              Est: $70,000 - $80,000

              JOHN PERCEVAL (1923-2000), Father and Child, glazed ceramic, circa 1960, signed to base "Perceval", 28cm high

              Leski Auctions Pty Ltd
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