Pieter (1555) Perret Paintings & Artwork for Sale | Pieter (1555) Perret Art Value Price Guide

Feb. 16, 2024
Perret Renaissance Engraving- Fountain w/ Silenus
Est: $800 - $1,200
Pieter Perret (Flemish, 1555-1639). "Fountain with Silenus in the Garden of the Cesi Palace near Rome" engraving on laid paper, 1581. From the volume titled "Speculum Romanae Magnificante" (The Mirror of Roman Magnificence) published by Claudio Duchetti after Antonio Lafreri's death in 1577. Signed in the plate "P. Perret, F. 1581". An original engraving depicting an unusual fountain in the garden of Cesi Palace in Rome modeled on the neo-Attic Torlonia Vase. The ancient statue of Silenus was added to the vase after 1550 thus reflecting the Renaissance admiration for the Classical world. A stunning 16th century engraving mounted under glass in an attractive custom frame. Size (image): 13.125" L x 9.375" W (33.3 cm x 23.8 cm) Size (frame): 22.625" L x 17.625" W (57.5 cm x 44.8 cm) Another 1581 issue of this engraving is held at the Art Institute Chicago (reference number 2014.128). The curatorial team has provided the following description, "A pupil of Cornelis Cort, Pieter Perret traveled to Rome in the 1580s, where he engraved this view of the garden of the Cesi Palace. The curious fountain depicted here has as a base the celebrated neo-Attic Torlonia Vase, which is still preserved in Rome. An ancient statue of Silenus, one of the god Bacchus's inebriated followers, was added to the vase after 1550; thus Perret's print documents a case of a hybrid artwork made from ancient sculpture and adapted to suit Renaissance tastes. Silenus holds a wineskin, gruesomely interpreted by Perret as a decapitated torso of a woman, through which water is poured into the basin below." About the artist: Pieter Perret was a Flemish artist who studied under Maarten de Vos as well as Gerard de Jofe and also worked at the studio of Cornelis Cort. Appointed as a court artist to King Philip II of Spain, Perret worked in Madrid where he was known as Pedro Perete. Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #183166
Artemis Gallery
Jan. 24, 2024
PIETER PERRET Antwerp, Belgium (1555) / Madrid ? (1639) "Portrait of Charles V"
Est: €150 - €200
Cut Engraving Measurements: 19 x 14.2 cm
Ansorena
Jan. 18, 2024
16th C. Pieter Perret Engraving - Silenus Fountain
Est: $1,200 - $1,800
Pieter Perret (Flemish, 1555-1639). "Fountain with Silenus in the Garden of the Cesi Palace near Rome" engraving on laid paper, 1581. From the volume titled "Speculum Romanae Magnificante" (The Mirror of Roman Magnificence) published by Claudio Duchetti after Antonio Lafreri's death in 1577. Signed in the plate "P. Perret, F. 1581". An original engraving depicting an unusual fountain in the garden of Cesi Palace in Rome modeled on the neo-Attic Torlonia Vase. The ancient statue of Silenus was added to the vase after 1550 thus reflecting the Renaissance admiration for the Classical world. A stunning 16th century engraving mounted under glass in an attractive custom frame. Size (image): 13.125" L x 9.375" W (33.3 cm x 23.8 cm) Size (frame): 22.625" L x 17.625" W (57.5 cm x 44.8 cm) Another 1581 issue of this engraving is held at the Art Institute Chicago (reference number 2014.128). The curatorial team has provided the following description, "A pupil of Cornelis Cort, Pieter Perret traveled to Rome in the 1580s, where he engraved this view of the garden of the Cesi Palace. The curious fountain depicted here has as a base the celebrated neo-Attic Torlonia Vase, which is still preserved in Rome. An ancient statue of Silenus, one of the god Bacchus's inebriated followers, was added to the vase after 1550; thus Perret's print documents a case of a hybrid artwork made from ancient sculpture and adapted to suit Renaissance tastes. Silenus holds a wineskin, gruesomely interpreted by Perret as a decapitated torso of a woman, through which water is poured into the basin below." About the artist: Pieter Perret was a Flemish artist who studied under Maarten de Vos as well as Gerard de Jofe and also worked at the studio of Cornelis Cort. Appointed as a court artist to King Philip II of Spain, Perret worked in Madrid where he was known as Pedro Perete. Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #183166
Artemis Gallery
Dec. 21, 2023
16th C. Pieter Perret Engraving - Silenus Fountain
Est: $1,200 - $1,800
Pieter Perret (Flemish, 1555-1639). "Fountain with Silenus in the Garden of the Cesi Palace near Rome" engraving on laid paper, 1581. From the volume titled "Speculum Romanae Magnificante" (The Mirror of Roman Magnificence) published by Claudio Duchetti after Antonio Lafreri's death in 1577. Signed in the plate "P. Perret, F. 1581". An original engraving depicting an unusual fountain in the garden of Cesi Palace in Rome modeled on the neo-Attic Torlonia Vase. The ancient statue of Silenus was added to the vase after 1550 thus reflecting the Renaissance admiration for the Classical world. A stunning 16th century engraving mounted under glass in an attractive custom frame. Size (image): 13.125" L x 9.375" W (33.3 cm x 23.8 cm) Size (frame): 22.625" L x 17.625" W (57.5 cm x 44.8 cm) Another 1581 issue of this engraving is held at the Art Institute Chicago (reference number 2014.128). The curatorial team has provided the following description, "A pupil of Cornelis Cort, Pieter Perret traveled to Rome in the 1580s, where he engraved this view of the garden of the Cesi Palace. The curious fountain depicted here has as a base the celebrated neo-Attic Torlonia Vase, which is still preserved in Rome. An ancient statue of Silenus, one of the god Bacchus's inebriated followers, was added to the vase after 1550; thus Perret's print documents a case of a hybrid artwork made from ancient sculpture and adapted to suit Renaissance tastes. Silenus holds a wineskin, gruesomely interpreted by Perret as a decapitated torso of a woman, through which water is poured into the basin below." About the artist: Pieter Perret was a Flemish artist who studied under Maarten de Vos as well as Gerard de Jofe and also worked at the studio of Cornelis Cort. Appointed as a court artist to King Philip II of Spain, Perret worked in Madrid where he was known as Pedro Perete. Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #183166
Artemis Gallery
Mar. 29, 2021
Pieter Perret (1555-1625), Fle
Est: -
Pieter Perret (1555-1625), Flemish engraver who worked in Spain under Philip II. ''Pittura'', great allegory of painting in the figure of the ancient artist Apelles, painting the portrait of Alexander the Great. Copper engraving, 1582, after Hans Speeckaert. Hollstein 32 II, watermark Pilgrim in a circle with a six-pointed star, with the address of Staetius. Trimmed to the image above as well as to the right, with the writing margin below, and fine margin around the platemark to the left. Expertly restored, one marginal tear on the right as well as mostly inconspicuous repaired marginal tears, 40.2 x 22.1 cm.
Historia Auctionata
Dec. 01, 2020
Pedro Perret, Sette tavole raffiguranti San Lorenzo el Real del Escurial. 1583-1589.
Est: €160 - €320
Bulino. mm 478x350/370x705. Foglio: mm 522x380/380x715. Hollstein, 45,47,48,53-55. Prima, terza, quarta, nona, decima, undicesima e dodicesima tavola da una serie di dodici dedicata a San Lorenzo el Real del Escurial commissionata al fiammingo Perret dall'architetto Juan de Herrera de Maliaño (Roiz, 1530 – Madrid, 1597). 1) Prima pianta generale di tutto l'edificio. 1587. 2) Terza tavola, alzata della facciata del tempio e sezione dell'interno della scuola e del convento. 1587. 3) Quarta tavola, sezione trasversale del tempio, del cortile del palazzo e del cortile degli Evangelisti. 1587. 4) Nona tavola, elevazione del tabernacolo dell'altar maggiore. 1583. 5) Decima tavola, sezione longitudinale dell'interno del tabernacolo. Firmata "P. Perret fe., 1583". 6) Undicesima tavola, pianta del tabernacolo e custodia. 1587. 7) Dodicesima tavola, custodia del Santíssimo Sacramento. 1587. L'impresa promossa anche dal re Filippo II e iniziata nel 1583 fu pubblicata nel 1589. Ottime prove su carta vergellata sottile con filigrana "losanga con stella a sei punte in cerchio singolo" (Woodward 289, Spagna 1544-1559), visibile su due fogli. (7)
Gonnelli Casa d'Aste
Jun. 27, 2020
PERRET, Pieter (1555 - 1639). "Beschneidung Jesu".
Est: -
PERRET, Pieter(1555 - 1639) "Beschneidung Jesu" Kupferstich. Passepartoutausschnitt: 26 x 19,5 cm. Gerahmt & hinter Glas : 43 x 33,5 cm. Bezeichnet: "Luce octaua infans est circumsius Iesus, Obediens, Legis ut maledieva ruat. H. Wthouck [Heyndrick Withouck]" .
Auktionshaus Wendl
Dec. 10, 2019
PEDRO PERRET (1550-CIRCA 1625) AFTER PIETER BRUEGEL THE ELDER (CIRCA Christ and the Woman taken in Adultery Plate 266 x 342 mm., Sheet 268 x 343 mm.
Est: £2,000 - £3,000
PEDRO PERRET (1550-CIRCA 1625) AFTER PIETER BRUEGEL THE ELDER (CIRCA 1515-1569) Christ and the Woman taken in Adultery engraving, 1579, on laid paper, without watermark, a very good impression of the first state (of two), published by Pieter de Jode the Elder, with his address below, with thread margins, trimmed on the platemark in places, a short repaired tear at the upper sheet edge, some minor creases and rubbed areas below, otherwise in good condition Plate 266 x 342 mm., Sheet 268 x 343 mm.
Christie's
Nov. 09, 2019
Perret, Pieter
Est: €90 - €180
(Amsterdam 1555 - ca. 1639 Madrid), Die Gruppe des Laokoon. Kupferstich. In der Platte sign., bei G. Orlandi in Rom, dat. 1581. 42 x 32,5 cm. - Unter Glas (nicht geöffnet). (119) - Thieme/Becker XXVI, 436. Le Blanc III, 172, 17. - Abzug um 1600, aus dem "Speculum Romanae magnificentiae" von Antonio Lafreri.
Zisska & Lacher
Mar. 21, 2014
PIETER PERRET ALLÉGORIE DE LA FORCE DE LA FEMME - ALLÉGORIE DE LA FORCE DE LA VÉRITÉ, d’une série de quatre figures allégoriques
Est: €350 - €450
PIETER PERRET ALLÉGORIE DE LA FORCE DE LA FEMME - ALLÉGORIE DE LA FORCE DE LA VÉRITÉ, d’une série de quatre figures allégoriques. (Hollstein 29, 30) 228 x 150. 223 x 150. Burin. Belles épreuves, quelques rousseurs, infimes manques en surface à H. 29 avec un accident dans l’angle supérieur droit, filet de marges. H.30 coupé au sujet avec quelques amincissures et traces de colle au verso, légers plis. Ensemble de 2 planches.
Tajan
May. 01, 2013
PIETER PERRET Laocoön Group.
Est: $1,500 - $2,500
PIETER PERRET Laocoön Group. Engraving, 1581. 422x328 mm; 16 5/8x13 inches. Three hills in a circle watermark. Ex-collection Franz Josef von Enzenberg (Lugt 845, verso). Trimmed on or just inside the plate mark. A superb, richly-inked and dark impression of this very scarce engraving, with no sign of wear. Nagler 17.
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