Simone Peterzano Sold at Auction Prices

Painter, Freskant, b. 1540 - d. 1596

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    • Simone Peterzano 1540 Venezia-1599 Milano, attribuito a Allegoria della musica in veste di cortigiana
      Jun. 13, 2024

      Simone Peterzano 1540 Venezia-1599 Milano, attribuito a Allegoria della musica in veste di cortigiana

      Est: €15,000 - €20,000

      reca firma "Paulus Ca. V." sullo strumento

      Cambi Casa d'Aste
    • Simone Peterzano 1540 Venezia-1599 Milano Studio per la figura di Gesù nell'Orto del Getsemani
      Jun. 13, 2024

      Simone Peterzano 1540 Venezia-1599 Milano Studio per la figura di Gesù nell'Orto del Getsemani

      Est: €3,000 - €4,000

      recto/verso reca al verso studi vari di figure e animali Il disegno può essere messo in relazione al dipinto raffigurante il medesimo soggetto e conservato presso il Museo Diocesano di Milano

      Cambi Casa d'Aste
    • Simone Veneziano Peterzano, 1535 Bergamo – 1599, zugeschrieben
      Dec. 07, 2023

      Simone Veneziano Peterzano, 1535 Bergamo – 1599, zugeschrieben

      Est: €5,000 - €7,000

      ECCE HOMO Öl auf Leinwand. Doubliert. 125 x 96 cm. In profiliertem vergoldeten Rahmen. Als Kniestück wiedergegebene Christusfigur mit Dornenkranz, Strahlennimbus und Schilfzepter in der Hand, im Kontrapost stehend, von den Schärgen mit einem roten Ehrentuch bekleidet. Diese einmal Christus anblickend, einmal aus dem Bildfeld herausschauend. Besch. Der in Bergamo geborene Peterzano war ein Vertreter des späten lombardischen Manierismus und vor allem als Lehrer Caravaggios bekannt. Provenienz: Privatsammlung, Vercelli. Anmerkung: Der Vergleich mit Caravaggios „Ecce Homo“ im Palazzo Bianco, Genua, macht die Verwandtschaft zu dem hiesigen Gemälde augenfällig. Während es dem hier angebotenen Gemälde noch an Raumstaffelung ermangelt, sind die wesentlichen Merkmale der Komposition und der Figur Jesu Christus bereits vorhanden. (13804812) (3) (13)

      Hampel Fine Art Auctions
    • Simone Peterzano , Bergamo (?) circa 1540 - circa 1596 Milan an allegory of music oil on canvas
      Jul. 08, 2009

      Simone Peterzano , Bergamo (?) circa 1540 - circa 1596 Milan an allegory of music oil on canvas

      Est: £150,000 - £200,000

      oil on canvas

      Sotheby's
    • Simone Peterzano , Bergamo (?) circa 1540 - circa 1596 Milan Madonna and child oil on panel
      Dec. 04, 2008

      Simone Peterzano , Bergamo (?) circa 1540 - circa 1596 Milan Madonna and child oil on panel

      Est: £25,000 - £35,000

      oil on panel

      Sotheby's
    • SIMONE PETERZANO BERGAMO (?) CIRCA 1540 - CIRCA 1596 MILAN
      Dec. 08, 2005

      SIMONE PETERZANO BERGAMO (?) CIRCA 1540 - CIRCA 1596 MILAN

      Est: £1,000 - £1,500

      RECTO : STUDY OF A HAND HOLDING A BOWL; VERSO : PARTIAL STUDY OF A SATYR measurements note 184 by 165mm black chalk heightened with white chalk on blue paper Quantity: 4 PROVENANCE Sir Bruce Ingram NOTE And three others: Bolognese School, 16th Century, Virgin and Child, red chalk; Italian School, 16th Century, Head of a man, black chalk on brown paper; After Titian, St John the Baptist in an extensive landscape, pen and brown ink

      Sotheby's
    • Simone Peterzano (Venice 1540-1596 Milan)
      Jan. 22, 2003

      Simone Peterzano (Venice 1540-1596 Milan)

      Est: $20,000 - $30,000

      The Miracle of the Mule with inscription 'ton' black chalk, pen and brown ink, grey wash heightened with white on light brown paper 153/4 x 11 7/8 in. (400 x 302 mm.) PROVENANCE An unidentified collector's mark 'GA' (not in Lugt). NOTES The attribution to Peterzano was suggested simultaneously, on the basis of photographs, by Jonathan Bober and Giulio Bora in communications dated 22 and 25 November 2002. Both specialists pointed out the precise relationship of this drawing with Peterzano's fresco of The Miracle of the Mule in the chapel of Saint Anthony in the Church of Sant'Angelo in Milan (E. Baccheschi, 'Simone Peterzano' in I Pittori bergamaschi, Il Cinquecento, IV, Bergamo, 1978, no. 4). The frescoes were executed before 1591, the year the chapel was dedicated to Saint Anthony by its patron Cesare Fossati. The drawing is a large finished modello for the fresco but differs from it in many details, such as the positions of several of the secondary figures, and the landscape in the background. Giulio Bora has published two further large modelli, in the Teyler Museum in Haarlem and in the Uffizi, for the the fresco of The Predication of Saint Anthony, which is situated next to The Miracle of the Mule (G. Bora, 'Da Peterzano a Caravaggio: un'ipotesi sulla pratica disegnativa', Paragone, 2002, 41-2, p. 8, pls. 8 and 10). Two other drawings close in style to the present one were illustrated in Giulio Bora's article as plates 6 and 7.

      Christie's
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