Bertha Peyton Sold at Auction Prices

BERTHA MENZLER PEYTON AMERICAN LANDSCAPE PAINTING

Oil on board painting by Bertha Sophia Menzler-Peyton, 1871 to 1947, an American Impressionist artist based in Chicago. The artwork depicts village houses. Signed by the artist on the backside. Undated. Golden frame. Collectible Fine Art, Rural Landscape, Women Artists.

Bertha Mezler Peyton (1871-1947) watercolor harbo…

Bertha Mezler Peyton (1871-1947) watercolor harbor scene, 9.5 by 13.5 inches, signed lower center, "Bertha Menzler Peyton," framed. Condition: Good.

BERTHA MENZLER PEYTON OIL ON BOARD

BERTHA MENZLER PEYTON (USA, 1871-1947) oil on board, farmland and rolling hills with horse and wagon and a few scattered housed. Signed lower center, 24" x 32" (image), 27.5" x 35.5" (frame).

Bertha Peyton Autumnal Forest Landscape Painting

Massachusetts, Arizona, Illinois,1871-1947 Impressionist depiction of birch trees covered in vibrant yellow leaves framing a winding river through an open field. Peyton studied at the Art Institute of Chicago and under artists Aman-Jean, Raphael Collin and Olivier Merson in Paris. Peyton was an established portrait artist until 1903 when she travelled to Arizona with her husband. From then she painted mainly Western landscapes and depictions of Native Americans, including the Hopi people.

Bertha Menzler Peyton (American, 1871-1947) Dance of the Nymphs 20 x 40 in. (51.0 x 101.6 cm) framed 26 1/4 x 46 3/8 x in. (under glass)

Bertha Menzler Peyton (American, 1871-1947) Dance of the Nymphs signed 'Bertha Menzler-Peyton-' (lower right), with a possible inscription beneath the signature (under the lip of the frame) oil on canvas 20 x 40 in. (51.0 x 101.6 cm) framed 26 1/4 x 46 3/8 x in. (under glass)

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Sophia Menzler Dressler Peyton (American)

Bertha Sophia Menzler Dressler Peyton (American, 1871-1947), "Four Kids", oil on canvas, signed lower right, 40 1/4 in. x 50 in., framed. Provenance: Sotheby's, New York, May 24, 2000, lot 26; Bonhams, Los Angeles, CA, Apr. 5, 2022, lot 221.

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Menzler-Peyton (1871 - 1947)

Bertha Sophia Menzler Dressler Peyton (1871 - 1947) Signed lower right. Oil on Canvas. Sight Size: 11.5 x 15.5 in. Overall Framed Size: 15.5 x 19.5 in.

Bertha Menzler Peyton, House of the Seven Gables

Bertha Menzler Dressler Peyton (American, 1871-1947), "The House of the Seven Gables", oil on canvas, signed L/R, several old gallery tags verso, 12" x 16", framed 17 1/2" x 21 1/2". Provenance: Gloucester, Massachusetts collection.

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Sophia Menzler Dressler Peyton (American, 1871-1984) Four kids 40 1/4 x 50in (102.2 x 127cm)

Bertha Sophia Menzler Dressler Peyton (American, 1871-1984) Four kids signed 'Bertha Menzler-Peyton-' (lower right) oil on canvas 40 1/4 x 50in (102.2 x 127cm) For further information on this lot please visit the Bonhams website

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Menzler Peyton (MA,AZ,IL,1871-1947) oil painting

ARTIST: Bertha Sophia Menzler Dressler Peyton (Massachusetts, Arizona, Illinois, 1871 - 1947) NAME: Three Nude Girls MEDIUM: oil on canvas CONDITION: Three patch repairs with very minor inpainting. Missing few flakes of paint. Minor craquelure. Wear to frame. SIGHT SIZE: 32 x 30 inches / 81 x 76 cm FRAME SIZE: 37 x 35 inches / 93 x 88 cm SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117882 US Shipping $120 + insurance. BIOGRAPHY: Born and raised in Chicago, Bertha Menzler Dressler Peyton had the distinction of painting the first canvas acquired by the Santa Fe Railway Company. Purchased in 1903, it was an Arizona landscape titled San Francisco Peaks. The Company later acquired several more of her works including Evening on the Arizona Desert (1907); At Close of Day, Grand Canyon; (1912) Desert Effects, Arizona and Sunshine and Shower, Grand Canyon, both in 1918. Her Arizona painting, Bright Angel Trail, is in the Chicago collection of the John H. Vanderpoel Art Association. She also did paintings of Arizona Indians including the Hopi Indians at Walpi. Bertha Peyton received her art education at the Art Institute of Chicago, graduating in 1893, and she then studied for three years in Paris with Aman-Jean, Raphael Collin and Olivier Merson. Returning to the United States, she married Edward Dressler in 1900, and became established as a portrait painter, but their extensive travels in the West turned her interest to landscapes. In 1903, at the invitation of Arizona pioneer Winfield Scott, she made her first trip to Arizona with her husband to northern Arizona, where her husband had been asked to do sketches of the Indians living there. At that time, she painted the above referenced San Francisco Peaks.Although she maintained residences in the Chicago and Gloucester, Massachusetts, she had a reputation primarily for Western desert landscapes, particularly Arizona including the Grand Canyon. In Arizona, she was "captivated by the Arizona desert's myriad of unique forms, its ever-changing colors, and its permeating tranquility." (Kovinick, 217)Edward Dressler died in 1907, and in 1912, she married Alfred Conway Peyton, a painter. The couple traveled often to Arizona, although Gloucester became their home. She was widely exhibited including the Paris Salons, the Art Institute of Chicago, the Detroit Museum of Art, the Brooklyn Museum of Art and the Corcoran Art Gallery.

Bertha Menzler-Peyton, Down Essex Way

Bertha Menzler-Peyton Down Essex Way oil on canvas 30.125 h × 32.125 w in (77 × 82 cm) Signed to lower left 'Bertha Menzler Peyton'. Provenance: Fenn Galleries Ltd., Santa Fe | Sotheby's, New York, Arcade, 14 April 1989, Lot 142 condition: Work is in good overall condition. Hairline cracking most notable to lower edge. Four minor abrasions with associated loss along extreme edges of canvas. Light surface soiling throughout. Work presents well. Unframed.

Bertha M. Peyton Genre Scene

Attributed to Bertha Menzler Peyton, American, 1871-1950. Oil on canvas genre scene depicting a younger version of the "Three Graces". Unsigned, with paper label reading "Bertha Menzler Peyton, 1871-1950, Chicago, Illinois" verso. Some craquelure, three patches evident verso. Image 30 1/4 x 32 1/4", in a decorated wood frame with some wear, 34 3/4 x 37" high overall. ESTIMATE $2,000-3,000

Bertha Menzler Peyton (American 1871 - 1947) Impressionist oil on canvas, Landscape- Autumn Glory, in Boston School Gold Frame, canvas size is 28 x 14 inches

Bertha Menzler Peyton (American 1871 - 1947) Impressionist oil on canvas, Landscape- Autumn Glory, in Boston School Gold Frame, canvas size is 28 x 14 inches

Bertha Menzler Peyton (American 1871-1947), Ducks in a Row, watercolor on paper

Bertha Menzler Peyton (American 1871-1947) Ducks in a Row Signed Bertha Menzler Peyton l.l. Watercolor on paper; apparently in good condition. Framed.* Sight size:18 x 20 in (45.7 x 50.8 cm)Property of Various Owners

BERTHA MENZLER PEYTON, American (1871-1947), White Flowers Blue Vase, oil on canvas, signed "Bertha Menzler Peyton" lower right., 18...

BERTHA MENZLER PEYTON American (1871-1947) White Flowers Blue Vase oil on canvas, signed "Bertha Menzler Peyton" lower right. 18 x 24 inches Provenance: Private Collection, New York, New York. Other Notes: tags: floral, still-life, oil painting Request a preliminary shipping/packing quote.

BERTHA MENZLER PEYTON (AMERICAN/MASSACHUSETTS/ARIZONA 1871-1947), OIL ON ARTIST BOARD, "THE HEN HOUSE" (NEAR ROCKPORT MA), SIGNED AND TITLED. 7 1/2 X 10"; FRAMED 12 3/4 X 15 3/4" PROVENANCE: COLLECTION OF TODD M. VOLPE, BOSTON MA

BERTHA MENZLER PEYTON (AMERICAN/MASSACHUSETTS/ARIZONA 1871-1947), OIL ON ARTIST BOARD, "THE HEN HOUSE" (NEAR ROCKPORT MA), SIGNED AND TITLED. 7 1/2 X 10"; FRAMED 12 3/4 X 15 3/4" PROVENANCE: COLLECTION OF TODD M. VOLPE, BOSTON MA

SEASCAPE BY BERTHA SOPHIA MENZLER DRESSLER PEYTON (AMERICAN, 1871-1947).

SEASCAPE BY BERTHA SOPHIA MENZLER DRESSLER PEYTON (AMERICAN, 1871-1947). Oil on artist board, signed lower left. Impressionist seascape with sailboat in the distance. 7.75"h. 9.75"w., in a carved and gilded frame. 14"h. 16"w.

Bertha Sophia Menzler Dressler Peyton (American 1871 - 1947) impressionist oil on canvas, Fall Landscape, in Boston School gold frame, canvas size is 28" x 14"

Bertha Sophia Menzler Dressler Peyton (American 1871 - 1947) impressionist oil on canvas, Fall Landscape, in Boston School gold frame, canvas size is 28" x 14"

Bertha Menzler Peyton, (American, 1871-1947), Annisquan

Bertha Menzler Peyton (American, 1871-1947) Annisquan oil on canvas 18 1/4 x 24 1/2 inches.

Bertha M.D. Peyton (1871-1947 Gloucester, MA)

''Desert Twilight'', cowboys and mules in the desert at sunset, c.1910, signed lower left: Bertha Menzler Dressler, oil on canvas laid to canvas, 18'' H x 24'' W, est:$4000/6000 *** Please click ''view more'', below right for more information. ***

Property of various owners

A Pair of small landscapes; Meandering stream, Nocturnal farmhouse (Two) one signed 'Bertha Menzler Dressler' (lower left) and one signed 'Bertha Menzler Dressler' (lower right) each oil on panel each 5 1/2 x 7in

BERTHA S. MENZLER (American, 1871-1947). WASHING DAY, signed lower right. Watercolor.

BERTHA S. MENZLER (American, 1871-1947). WASHING DAY, signed lower right. Watercolor - Framed, sight: 21 in. x 14 in.

BERTHA S. MENZLER (American, 1871-1947). WASHING DAY, signed lower right. Watercolor.

BERTHA S. MENZLER (American, 1871-1947). WASHING DAY, signed lower right. Watercolor - Framed, sight: 21 in. x 14 in.

BERTHA SOPHIA MENZLER DRESSLER PEYTON, American, 1871-1947, Dock scene., Watercolor on paper, 17" x 24" sight. Framed.

BERTHA SOPHIA MENZLER DRESSLER PEYTON American, 1871-1947 Dock scene. Signed lower right "Bertha Menzler Peyton". Watercolor on paper, 17" x 24" sight. Framed.

Bertha Peyton, (American, 1871-1947), Glonaster Scene

Bertha Peyton (American, 1871-1947) Glonaster Scene watercolor signed (lower right) 18 x 24 inches.

BERTHA S. MENZLER (American 1871-1947). FRENCH

BERTHA S. MENZLER (American, 1871-1947). FRENCH WASHING DAY, signed lower right. Watercolor - Sight: 21 in. x 14 in.

BERTHA SOPHIA MENZLER DRESSLER PEYTON AMERICAN 1871-1947 GLOUCESTER HARBOR SCENE Oil on canvas: 32 3/4 x 26 3/4 (sight)

BERTHA SOPHIA MENZLER DRESSLER PEYTON AMERICAN 1871-1947 GLOUCESTER HARBOR SCENE Oil on canvas: 32 3/4 x 26 3/4 (sight) Framed; signed lower center, Bertha Menzler Peyton; label on back "Bertha menzler Peyton, 4, Sayward Street, Gloucester"

Bertha Menzler Peyton (American, 1871-1947)

A study of cattle grazing; A sketch of cats; A study of cattle on the hillside; Home in Autumn (group of 4) first and second signed 'Peyton' (lower right); third and fourth signed 'Peyton' (lower left) first and fourth colored pencil on paper; second graphite on paper; third charcoal on paper first 8 x 12in; second 14 x 9in; third 9 1/4 x 13 3/4in; fourth 9 x 13 1/2in unframed

Bertha Menzler Peyton (American

Bertha Menzler Peyton (American, 1871-1947), "Desert Landscape", c. 1920; oil/canvas laid down on board, 8" x 10", signed; label on verso from Marshall Fields, original frame.

BERTHA S. MENZLER DRESSLER PEYTON (American, 1871-1947) WHITE FLOWERS IN BLUE VASE

Oil on canvas still life shows large blue vase with white flowers with green leaves. Set on a green table top. Signed lower right "Bertha Menzler Peyton". Housed in a gold replacement frame.

BERTHA MENZLER PEYTON

(American, 1871-1947) "WHEN THE TIDE GOES OUT". Oil on canvas scene shows colorful tidal pool with rocks and beach. Signed lower left "Bertha Menzler Peyton". Housed in a fine replacement carved wood gilt frame. Original label affixed to back foam "Allied Artists of America 8th Annual Exhibition". SIZE: 12" x 16". CONDITION: Cleaned, very good. 9-93877 (1,750-2,500.

BERTHA MENZLER PEYTON

(American, 1871-1950) ARTIST SKETCHBOOK. Sketchbook consists of 100+ drawings in pencil, pen and colored chalk. A number of which are finished sketches, which are signed. Marine, landscape and city scenes. Peyton was a member of the North Shore Art Association and worked around Rockport and Gloucester. SIZE: Vary. Sketchbook is 14" x 10". CONDITION: Generally good. 9-93429.

BERTHA MENZLER PEYTON

(American, 1871-1950) WHITE FLOWERS IN BLUE VASE. Oil on canvas still life shows large blue vase with white flowers with green leaves. Set on a green table top. Signed lower right "Bertha Menzler Peyton". Housed in a period Arts and Crafts molded wood frame. Stretcher has remnants of an original exhibition label, also stapled to back is note "Not for Sale Loaned for Mem. Show by R. C. Hagstrom". SIZE: 18" x 24". CONDITION: Painting has several paint chips with worst area along left side. Painting is in need of restoration, otherwise very good. 9-93422.

Bertha S.D. Menzler Peyton (Mrs. Alfred C.) (American, 1871-1950), "Song of Youth", c.1920;

oil/canvas, 40" x 50", signed, fine contemporary carved gold frame. She was a member of the North Shore Art Association, National Association of Women Painters and Sculptors, and the Grand Central Artist Guild. She exhibited at the Art Institute of Chicago (1903-1910), Corcoran Gallery of Art, Pennsylvania Academy of Fine Art, and the North Shore Art Association. Her work is in the collections of Union League Club (Chicago) and the Boston Museum. This is an exceptional example of this artist’s work.

Bertha S.D. Menzler Peyton (Mrs. Alfred C.) (American, 1871-1950), "Song of Youth", c.1920;

oil/canvas, 40" x 50", signed, fine contemporary carved gold frame. She was a member of the North Shore Art Association, National Association of Women Painters and Sculptors, and the Grand Central Artist Guild. She exhibited at the Art Institute of Chicago (1903-1910), Corcoran Gallery of Art, Pennsylvania Academy of Fine Art, and the North Shore Art Association. Her work is in the collections of Union League Club (Chicago) and the Boston Museum. This is an exceptional example of this artist's work.

Bertha S.D. Menzler Peyton (Mrs. Alfred C.) (American, 1871-1950), "Spring Maidens", c.1920;

oil/canvas, 26" x 40", signed, fine wide gold frame. She was a member of the North Shore Art Association, National Association of Women Painters and Sculptors, and the Grand Central Artist Guild. She exhibited at the Art Institute of Chicago (1903-1910), Corcoran Gallery of Art, Pennsylvania Academy of Fine Art, and the North Shore Art Association. Her work is in the collections of Union League Club (Chicago) and the Boston Museum.

Bertha S.D. Menzler Peyton (Mrs. Alfred C.) (American, 1871-1950), "Dunes Scene", c.1920;

oil/canvas, 18" x 24", signed. She was a member of the North Shore Art Association, National Association of Women Painters and Sculptors, and the Grand Central Artist Guild. She exhibited at the Art Institute of Chicago (1903-1910), Corcoran Gallery of Art, Pennsylvania Academy of Fine Art, and the North Shore Art Association. Her work is in the collections of Union League Club (Chicago) and the Boston Museum.

BERTHA MENZLER PEYTON (AMERICAN 1871-1947). IDYL OF SUMMER. Oil on canvas. 40 x 50 inches. Exhibited: Peyton exhibited a painting by this title at the National Academy of Design in 1923; and the Pennsylvania Academy in 1924.