Paul Pfeiffer Sold at Auction Prices

PAUL PFEIFFER - STUDY FOR FOUR HORSEMEN OF THE APOCALYPSE

Lot 141 Paul Pfeiffer American (b. 1966) Study for Four Horsemen of the Apocalypse (2002) chromogenic print signed verso, editioned 7/20 10 x 8 inches unframed Provenance: From a Tribeca Collection

PAUL PFEIFFER - STUDY FOR FOUR HORSEMEN OF THE APOCALYPSE

Lot 42 Paul Pfeiffer American (b. 1966) Study for Four Horsemen of the Apocalypse (2002) chromogenic print signed verso, editioned 7/20 10 x 8 inches unframed Provenance: From a Tribeca Collection

Paul Pfeiffer (b. 1966): Four Horsemen of the Apocalypse

Cibachrome print, 2000-2002. 60 x 48 in. (sheet), 69 x 57 in. (frame).

PAUL PFEIFFER 4 HORSEMAN, PRINT, BOMB MAGAZINE

Paul Pfeiffer (American b.1966),"Four Horsemen of the Apocalypse #20, 21, and 22", 2006, color inkjet print, series of images from Bomb Magazine depicting a basketball arena, signed and dated in graphite, at lower right and numbered 3/30 at lower left, framed. Sheet approx. h. 13", w. 6.25"; Overall h. 19", w. 12.25", d. 1".

Paul Pfeiffer: Corner Piece

PFEIFFER, PAUL 1966 Honolulu/Hawai Title: Corner Piece. Date: 2002. Technique: Digital video-loop on DVD. Video monitor and metal hanger. Measurement: Metal construction ca. 70 x 70 x 75cm. From an edition of six copies. Provenance: - Galerie Carlier / Gebauer, Berlin.

Four Horsemen of the Apocalypse #7. C-Print. 2004. 32,5 x 40 cm. Rückseitig signiert, datiert und nummeriert. (5

Pfeiffer Paul Honolulu 1966 - lebt in New York Exemplar 30/30. – Erschienen als Edition des Stuttgarter Hatje-Cantz Verlages. – In der originalen Mappe makellos erhalten.

Paul Pfeiffer (b. 1966): Four Horsemen of the Apocalypse # 20, 21 & 22

Three inkjet prints on paper, 2006, signed, dated and numbered 1/30 in pencil. 13 x 6 1/4 in. (sheet), 17 x 10 1/4 in. (frame). A Contemporary Vision: Works from the Melva Bucksbaum Collection Sold to Benefit Art for Access at Bennington College

Paul Pfeiffer (b. 1966): Study for the Four Horsemen of the Apocalypse

Chromogenic print, signed, dated and numbered 2/20 on the reverse. 10 x 8 in. (sheet), unframed. A Contemporary Vision: Works from the Melva Bucksbaum Collection Sold to Benefit Art for Access at Bennington College

Paul Pfeiffer (b. 1966): Study for the Four Horsemen of the Apocalypse

Chromogenic print, 2002, signed, dated and numbered 3/20 on the reverse. 10 x 8 in. (sheet), unframed. Note: Pfeiffer's ongoing series of photographs titled Four Horsemen of the Apocalypse began with publicity stills of Marylin Monroe that he copied from archives and then manipulated to erase, or 'camouflage', the figure. Pfeiffer used the same technique with photos from the archives of the NBA, selectively appropriating images and manipulating them to remove the contextual detail so that what is left this time is only the figure. The title of the series refers back to the woodcuts of Abrecht Durer who, says Pfeiffer, was an innovator in the representation of the figure.  A Contemporary Vision: Works from the Melva Bucksbaum Collection Sold to Benefit Art for Access at Bennington College

§ PAUL PFEIFFER (HAWAII, B.1966)

PAUL PFEIFFER (HAWAII, B.1966) The Saints signed Paul Pfeiffer (lower right), numbered 97/230 (lower left) giclée print on paper image: 6.5 x 9 cm (2 5/8 x 3 1/2 in) sheet: 32 x 42 cm (12 1/2 x 16 1/2 in) Artangel Patrons Edition From an edition of 230 ARR

Paul Pfeiffer (b.1966) The Four Horsemen of the Apocalypse

Paul Pfeiffer (b.1966) The Four Horsemen of the Apocalypse C-print in colours, 2002-2004, signed and numbered from the edition of 30 in pencil, sheet 324 x 397mm (12 3/4 x 15 3/4in) (framed)

Paul Pfeiffer (b.1966) Untitled

Paul Pfeiffer (b.1966) Untitled C-print, signed and numbered from the edition of 230 in pencil, on wove paper, the full sheet, 320 x 415mm (12 5/8 x 16 14in) (framed) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

PAUL PFEIFFER (B. 1966) - Four Horsemen of the Apocalpyse (18)

PAUL PFEIFFER (B. 1966) Four Horsemen of the Apocalpyse (18) Fujiflex digital C-print, in artist's frame sheet: 48 x 60in. (121.7 x 152.2cm.) overall: 57 1/8 x 69 1/8 in. (145 x 175.5cm.) Executed in 2004, this work is from an edition of six plus one artist's proof ",

Paul Pfeiffer (b. 1966) - Four Horsement of the Apocalypse (6)

Paul Pfeiffer (b. 1966) Four Horsement of the Apocalypse (6) digital duraflex print 60 x 48 in. (152.4 x 121.9 cm.) Executed in 2001. This work is number one from an edition of six. Please note this lot is the property of a private individual. Provenance The Project Gallery, New York Acquired from the above by the present owner

Paul Pfeiffer (b. 1966): Rise

Ink on paper, 2000, signed 'Sheng' lower right, with label from Matthew Marks Gallery, NY. 9 x 30 in. (sheet), 16 1/2 x 37 1/2 in. (frame). Exhibited: Foundation for Contemporary Performance Arts, Inc., Drawings and Photographs, December 8-23, 2000.

Paul Pfeiffer (b. 1966) Four Horsemen of the Apocalypse (25)

Paul Pfeiffer (b. 1966) Four Horsemen of the Apocalypse (25) Fugiflex digital chromogenic print48 x 631⁄2 in. (121.9 x 161.3 cm.) Executed in 2006. This work is number two from an edition of six plus two artist's proofs.

Paul Pfeiffer (b. 1966) - Four Horsemen of the Apocalypse (6)

Paul Pfeiffer (b. 1966) Four Horsemen of the Apocalypse (6) Fujiflex digital chromogenic print 60 x 48 in. (152.4 x 121.9 cm.)

PAUL PFEIFFER (B. 1966) Four Horsemen of the Apocalypse (11)

PAUL PFEIFFER (B. 1966)Four Horsemen of the Apocalypse (11)Fugiflex digital c-print, in artist's frame sheet: 473⁄4 x 597⁄8in. (121.4 x 152cm).frame: 56 x 687⁄8in. (142.3 x 172.3cm).Executed in 2004, this work is number six from an edition of six

PAUL PFEIFFER (B. 1966) - The Four Horsemen of the Apocalypse #17, 2004

PAUL PFEIFFER (B. 1966) The Four Horsemen of the Apocalypse #17, 2004 credited, titled, dated and numbered '2/6' on affixed gallery label (frame backing board) image: 59 ¾ x 47 ¾ in. (151.7 x 121.2 cm.) sheet: 60 x 48 in. (152.4 x 121.9 cm.) overall: 69 x 57 in. (175.3 x 144.8 cm.)

Paul Pfeiffer (b.1966)

Paul Pfeiffer (b.1966) Live Evil (Gothenburg) Biography Pa Paul Pfeiffer (b. 1966, Honolulu, Hawaii) lives and works in New York City. He earned his BFA in Printmaking from San Francisco Art Institute in 1987, and pursued an MFA in Hunter College, New York in 1994. From 1997 - 1998, he attended the Whitney Museum of American Art Independent Study Program. He has received several grants and residencies, most recently the Dodd Chair Residency from The Lamar Dodd School of Art at the University of Georgia in 2016. Solo exhibitions have been held at Perrotin, Paris, France (2018); Bellas Artes Outpost, Manila, Philippines (2018); Museum of Contemporary Art Chicago, Chicago, Illinois, USA (2017); Thomas Dane Gallery, London, England (2017); U.S. Embassy, Vienna, Austria (2015); Museum of Contemporary Art and Design, Manila, Philippines; Sammlung Goetz, Munich, Germany (2011); BAIBAKOV art projects, Moscow, Russia (2009); Museo de Arte Contemporáneo de Castilla y León, Léon Spain (2008); the UCLA Hammer Museum in Los Angeles (2001), Whitney Museum of American Art in New York (2002), Museum of Contemporary Art in Honolulu (2003), Museum of Contemporary Art in Chicago (2003), Museum of Art at Middlebury College, Vermont (2005), and Thyssen Bornemisza Art Contemporary at Kunstzone Karlsplatz Technische Universitat in Vienna (2008). His work has also been included in major exhibitions such as Whitney Biennial (2000), Venice Biennale (2001), SITE Santa Fe (2003), The Shapes of Space at the Solomon R. Guggenheim Museum (2007), and the Sydney Biennial (2008). He has participated in numerous group shows; in 2018 alone he was included in: Picture Industry: A Provisional History of the Technical Image, LUMA, Arles, France; The Journey That Wasn’t, The Broad, Los Angeles, USAl Ready ? OK!, Naughton Gallery at Queen’s University, Belfast, Ireland; Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art (ICA), Boston, USA; The World’s Game: Fútbol and Contemporary Art, Perez Art Museum, Miami, USA; Para Site, Hong Kong; Museum of Modern Art , Warsaw, Poland; Michael Jackson: On the Wall, National Portrait Gallery, London, England; The World’s Game: Fútbol and Contemporary Art, Perez Art Museum Miami, USA; Art in the Age of the Internet: 1989 to Today, ICA Boston, Boston, MA, USA; A Beast, a God and a Line, Dhaka Art Summit, Dhaka, Bangladesh, Para Site; Hong Kong, TS1 Yangon, Myanmar; Inhotim Institute, Inhotim Museu de Arte Contemporanea, Brumadinho, Brazil. His works are in the public collections of Hamburger Bahnhof Museum für Gegenwart, Berlin, Germany, The Artangel Collection, UK, The Los Angeles County Museum of Art, California, USA, The Museum of Modern Art, New York, USA, The Solomon R. Guggenheim Museum, New York, USA, The Whitney Museum of American Art,New York, USA, The Museum of Contemporary Art Chicago, Illinois, USA, The Albright-Knox Art Gallery, Buffalo, NY, USA, The Hirshhorn Museum and Sculpture Garden, Washington DC, USA, Musée d’Art Moderne Grand-Duc Jean (MUDAM, Luxembourg, The Museo de Arte Contemporáneo de Castilla y León (MUSAC), León, Spain, K21,Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, Museo d´arte contemporanea Castello di Rivoli, Turin, Italy, Ellipse Foundation Contemporary Art Collection, Lisbon, Portugal, Inhotim Museu de Arte Contemporanea, Brumadinho, Brazil, Thyssen-Bornemisza Art Contemporary (T-BA21), Vienna, Austria, The Pinakothek der Moderne, Munich, Germany, The Broad Art Foundation, Los Angeles, CA, USA, The D.Daskalopoulos Collection, Greece, Sammlung Goetz, Munich, Germany, The Zabludowicz Collection, London, England, UK, The Vanhaerants Art Collection, Brussels, Belgium, The François Pinault Foundation, Paris, France, The Rubell Family Colection, Miami, Florida, USA, The Julia Stoschek Collection, Düsseldorf, Germany, and The Bucksbaum Collection, Sharon, Connecticut, USA. References https://www.thomasdanegallery.com/artists/47-paul-pfeiffer/works/ https://www.perrotin.com/artists/Paul_Pfeiffer/226#images https://www.guggenheim.org/artwork/artist/paul-pfeiffer 2003 Digital video loop, LCD monitor, DVD player, cast armature 3” x 4” x 4” (8 cm x 10 cm x 10 cm)

Paul Pfeiffer (b.1966) - The Saints, 2007

Giclée print, signed and editioned 141/230 in pencil in the margin, titled, dated and editioned on label affixed to frame verso, 7 x 9cm (2 3/4 x 3 1/2in)

PAUL PFEIFFER | Four Horsemen of the Apocalypse (16)

Fujiflex digital c-print

PAUL PFEIFFER | Four Horsemen of the Apocaplypse (26)

fujiflex digital print

Burial at Sea

Paul Pfeiffer (b. 1966) Burial at Sea digital video loop, 13 inch television/DVD player 14¾ x 14 1/8 x 14 1/8 in. (37.5 x 35.9 x 35.9 cm.) Executed in 2004. This work is number four from an edition of six.

Paul Pfeiffer (b.1966) - Four Horsemen of the Apocalypse #7

fujiflex digital c-print in colours, 2004, signed and dated in black ink verso, numbered 11/30 plus 5 A/P's verso, on photographic paper, with full margins, within the original blue paper-covered folder the artist's name embossed on the uppers, 312 x 388 mm (12 1/4 x 15 1/4 in)

Paul Pfeiffer (B. 1966)

Paul Pfeiffer (B. 1966) >Race Riot <br>signed 'Paul Pfeiffer' (on the DVD) >DVD, digital camcorder, DVD player, and vitrine<br>20½ x 20½ x 20½ in. (52.1 x 52.1 x 52.1 cm.) >Executed in 2001. This work is number six from an edition of six plus one artist's proof. <br>

PAUL PFEIFFER

THIS LOT IS SOLD WITH NO RESERVE Four Horsemen of the Apocalypse (13) This work is number 5 from an edition of 6.

Paul Pfeiffer (B. 1966) Four Horsemen of the Apocalypse #10 Fujiflex digital c-print 121 x 152cm Executed in 2004, this work is number six from an edition of six

PAUL PFEIFFER (B. 1966)

PAUL PFEIFFER (B. 1966) Four Horsemen of the Apocalypse (18) Fujiflex digital color coupler print 48 x 60 in. (121.9 x 152.4 cm.) Executed in 2004. This work is the artist's proof from an edition of six plus one artist's proof.

PAUL PFEIFFER (B. 1966)

PAUL PFEIFFER (B. 1966) (i) Ebony/Temple of Solomon (After Villalpando) (ii) Blonde/Temple of Solomon (After Villalpando) (iii) Brunette Temple of Solomon (After Villalpando) c-print, in three parts (i) (iii) image: 47¾ x 47¾in. (121.5 x 121.5cm.) sheet: 48½ x 48 1/8in. (123 x 123cm.) (ii) image: 46¼ x 47¾in. (117 x 121.5cm.) sheet: 46 7/8 x 48½in. (119 x 123cm.) Executed in 1998, this work is number three from an edition of three plus two artist's proofs

Paul Pfeiffer (b.1966) The Saints giclée print,

Paul Pfeiffer (b.1966) The Saints giclée print, 2007, signed in pencil, numbered 159/230, published by Artangel, London, on wove paper, with full margins, 70 x 90 mm (2 3/4 x 3 1/2 in)

PAUL PFEIFFER

Poltergeist This work is number three from an edition of three plus two artist's proofs.

PAUL PFEIFFER (B. 1966)

PAUL PFEIFFER (B. 1966) Four Horsemen of the Apocalypse #14 Fujiflex Digital C-print 48 x 60 in. (121.9 x 152.4 cm.) Executed in 2004. This work is number two from an edition of five.

PAUL PFEIFFER

PAUL PFEIFFER B.1966 LONG COUNT III (THRILLA IN MANILA) LCD monitor, mounting arm and DVD with approximately three minute digital video loop overall: 5 1/8 by 6 1/4 by 61 1/2 in. 13 by 15.9 by 156.2 cm. Executed in 2000-2001, this work is number 2 from an ediiton of 6, plus 1 artist's proof.

PAUL PFEIFFER

PAUL PFEIFFER B.1966 THE PURE PRODUCTS GO CRAZY signed on a label affixed to the DVD videotape, DVD, projector and mounting arm dimensions variable Executed in 1998, this work is number 3 from an edition of 3 plus 2 artist's proofs and is accompanied by a certificate of authenticity signed by the artist.

PAUL PFEIFFER

Four Horsemen of the Apocalypse 10, 2004 This work is from an edition of six and is accompanied by a certificate of authenticity signed by the artist.

PAUL PFEIFFER

Live Evil (Kuala Lumpur) Signed “Paul Pfeiffer” and numbered of six on the DVD . This work is from an edition of six plus two artist’s proofs and is accompanied by a certificate of authenticity.

PAUL PFEIFFER

LIVE EVIL (BUCHAREST) signed on each DVD

Four Horsemen of the Apocalypse (24), 2006

Four Horsemen of the Apocalypse (24), 2006 Digital c-print.   60 x 48 in. (152.4 x 121.9 cm).  This work is from an edition of six plus one artist's proof. 

The Four Horsemen of the Apocalypse, 2004

The Four Horsemen of the Apocalypse, 2004 Dye-bleach print, on glossy photo paper, with full margins, I. 12 1/4 x 15 1/4 in. (31.1 x 38.7 cm) S. 12 5/8 x 15 3/4 in. (32.1 x 40 cm)  signed, dated and numbered `12/30 plus 5 e.a.' in black ink on the reverse, in excellent condition, unframed, also including Paul Pfeiffer book by Hatje Cantz with text and illustrations.

Four Horsemen of the Apocalypse (12), 2004

Four Horsemen of the Apocalypse (12), 2004 Digital C-print. 48 x 60 in. (121.9 x 152.4 cm).  This work is from an edition of six. 

Paul Pfeiffer (b. 1966)

Paul Pfeiffer (b. 1966) Sex Machine metal armature, CPJ-200 projector, RCA cable, DVD 23 x 17 x 5 in. (58.4 x 43.2 x 12.7 cm.) Executed in 2001. This work is number three from an edition of three plus two artist's proofs.

Red Background #1, 2000

Red Background #1, 2000 Digital c-print. 10 1/2 x 8 in. (26.7 x 20.3 cm).  This work is from an edition of 10.

Four Horsemen of the Apocalypse, 2004

PAUL PFEIFFER (B. 1966) Four Horsemen of the Apocalypse, 2004 dye-bleach print signed, dated and numbered '25/30 plus 5 e.a.' in ink (on the verso) 12¾ x 15¾ in. (32.4 x 40 cm.), unframed Print is in its original portfolio case.

Contemporary Art: PAUL PFEIFFER Red Background 1,

Contemporary Art: PAUL PFEIFFER Red Background 1, 2, 3, 2000

Contemporary Art: PAUL PFEIFFER Sex Machine, 2001

Contemporary Art: PAUL PFEIFFER Sex Machine, 2001

PAUL PFEIFFER Red Background 1, 2; 3, 2000

PAUL PFEIFFER Red Background 1, 2; 3, 2000

PAUL PFEIFFER Prologue to the Story of the Birth

PAUL PFEIFFER Prologue to the Story of the Birth of Freedom, 2000