Robert Philippi Sold at Auction Prices

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) St. Sebastian lithograph/paper 47,5 x 35,5 cm signed Philippi monogrammed in the print RPH verso estate stamp RPH sheet size 70,5 x 50,3 cm SCHÄTZPREIS / ESTIMATE °€ 150 - 250 STARTPREIS / STARTING PRICE °€ 150 The Austrian painter Robert Philippi received his first artistic training from the theater painter Robert Kautsky and at the private Viennese painting school Streblow. From 1893 to 1896, he studied at the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later at the Kunstgewerbeschule Wien (Vienna School of Applied Arts) with Felician Myrbach and Alfred Roller. In 1914, he became Franz Čižek's assistant at the Kunstgewerbeschule. He was probably also a student at the Weimar Bauhaus. After starting out with drawing and woodcuts, Philippi increasingly turned to painting from 1925 onwards. Philippi was influenced by Gustav Klimt and a member of the Hagenbund, Vienna, until 1925. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Nudes, 1916 woodcut/paper 49 x 49,5 cm monogrammed and dated in print RPH 1916 SCHÄTZPREIS / ESTIMATE °€ 150 - 300 STARTPREIS / STARTING PRICE °€ 150 Robert Philippi, a member of the Hagenbund, initially focused on printmaking, particularly woodcuts, in his early works. His dedication to depicting the human form is evident in his expressive figures, characterized by bold lines and sharp contours. This expertise garnered attention in the 1910s, to the extent that even Egon Schiele sought Philippi's guidance in woodcut and etching, leading to a mutual artistic influence between the two. In 1930, art critic Hans Tietze remarked on Philippi's work, stating: “The passionate pathos of his large, expressive woodcuts was the fundamental tone of his earlier works; in painful agitation, massive bodies stretched and bent, caught in the web of a black-and-white distribution striving for harmonious balance.” This description encapsulates Philippi's ability to convey emotional intensity and dynamic movement through his mastery of woodcut techniques, highlighting the raw physicality and tension present in his figures. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Bundle of two works Lovers woodcut/paper, 43,8 x 34,7 cm monogrammed RPH in the plate, numbered 23/25, estate stamp RPH Pieta, 1927 woodcut/paper, 46,1 x 49,6 cm inscribed Pieta 1927, in the plate monogrammed RPH, numbered 1/25, estate stamp RPH ESTIMATE °€ 150 - 250 STARTING PRICE °€ 150 The Austrian painter Robert Philippi received his first artistic training from the theater painter Robert Kautsky and at the private Viennese painting school Streblow. From 1893 to 1896 he studied at the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later at the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. In 1914 he became Franz Čižek's assistant at the School of Applied Arts. He was probably also a student at the Weimar Bauhaus. After starting out with drawing and woodcuts, Philippi increasingly turned to painting from 1925 onwards. Philippi was under the influence of Gustav Klimt and was a member of the Hagenbund, Vienna, until 1925. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Leda with the swan, 1915 etching/paper, 29,2 x 32,5 cm signed Philippi monogrammed in plate RPH and inscribed Probedruck, verso inscribed Robert Philippi, Leda mit dem Schwan, Radierung 1915 ESTIMATE °€ 100 - 200 STARTING PRICE °€ 100 The Austrian painter Robert Philippi received his first artistic training from the theater painter Robert Kautsky and at the private Viennese painting school Streblow. From 1893 to 1896 he studied at the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later at the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. In 1914 he became Franz Čižek's assistant at the School of Applied Arts. He was probably also a student at the Weimar Bauhaus. After starting out with drawing and woodcuts, Philippi increasingly turned to painting from 1925 onwards. Philippi was under the influence of Gustav Klimt and was a member of the Hagenbund, Vienna, until 1925. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Philippi, Robert

Philippi, Robert (1877-1959). Weiblicher Akt. Holzschnitt, um 1920. 25,2:31 (37:48) cm. Verlegeradresse Gesellschaft für vervielfältigende Kunst, Wien. – Reprod. in: Sammlung Rifkind, 2290.

Philippi, Robert

Philippi, Robert (1877-1959). Weiblicher Akt. Holzschnitt, um 1920. 25,2:31 (37:48) cm. Verlegeradresse Gesellschaft für vervielfältigende Kunst, Wien. – Reprod. in: Sammlung Rifkind, 2290.

Female Nude

woodcut monogrammed in the plate lower left sheet size: 17,7 x 22 in , plate size: 10 x 12,2 in From: Annual portfolio of the Society for Reproducing Art in Vienna, 1919

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Vase with flowers watercolor/paper, 98,7 x 70,5 cm monogrammed RPH ESTIMATE € 1000 - 2000 STARTING PRICE € 1000 The Austrian painter Robert Philippi received his first artistic training from the theater painter Robert Kautsky and at the private Viennese painting school Streblow. From 1893 to 1896 he studied at the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later at the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. In 1914 he became Franz Čižek's assistant at the School of Applied Arts. He was probably also a student at the Weimar Bauhaus. After starting out with drawing and woodcuts, Philippi increasingly turned to painting from 1925 onwards. Philippi was under the influence of Gustav Klimt and was a member of the Hagenbund, Vienna, until 1925. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Girl and woman, about 1915 oil/canvas, 42 x 35,5 cm monogrammed RPH verso inscribed Robert Philippi, Hagenbund, Maedchen und Frau (girl and woman) ESTIMATE °€ 15000 - 25000 STARTING PRICE °€ 15000 The Austrian painter Robert Philippi received his first artistic training from the theater painter Robert Kautsky and at the private Viennese painting school Streblow. From 1893 to 1896 he studied at the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later at the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. In 1914 he became Franz Čižek's assistant at the School of Applied Arts. He was probably also a student at the Weimar Bauhaus. After starting out with drawing and woodcuts, Philippi increasingly turned to painting from 1925 onwards. Philippi was under the influence of Gustav Klimt and was a member of the Hagenbund, Vienna, until 1925. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Nude

monogrammed lower left,framed

PHILIPPI*, EHRLICH*, KUBA*, LUX, MARKUS*, POTUZNIK*, REUSS*, SUPPANTSCHITSCH*

ROBERT PHILIPPI*, GEORG EHRLICH*, LUDVIK KUBA*, RICHARD LUX, KARL MARKUS*, HERBERT POTUZNIK*, ALBERT REUSS*, MAX SUPPANTSCHITSCH* Bundle of 10 works, Hagenbund 4 204-1 | Robert Philippi* (Graz 1877 - 1959 Vienna) St. Sebastian woodcut/paper, 46 x 33 cm monogrammed in the print RPH 204-2 | Georg Ehrlich* (Vienna 1897 - 1966 Lucerne) Horsehead red chalk/paper, 24,4 x 15,6 cm verso signature stamp Georg Ehrlich 204-3 | Ludvik Kuba* (Podebrady 1863 - 1956 Prague) Reading woman, around 1900 pencil/paper, 32,2 x 23,1 cm signed L Kuba 204-4 | Richard Lux (Vienna 1877 - 1939 Vienna) Bad Gastein etching/paper, 13,9 x 8,3 cm verso signature stamp Lux Richard and numbered and labelled 14 Bad Gastein 204-5 | Richard Lux (Vienna 1877 - 1939 Vienna) Lakehouses etching/paper, 11,2 x 7,8 cm verso signature stamp Lux Richard and numbered 21 204-6 | Karl Markus* (Olmuetz-Rolsberg 1899 - 1974 Vienna) Windischgarsten, 1960 watercolor/paper, 30 x 39,7 cm signed K. Markus, dated 1960, verso label with title "Windischgarsten" 204-7 | Heribert Potuznik* (Vienna 1910 - 1984 Mistelbach) Valentina etching/paper, 12,5 x 8,7 cm signed H. Potuznik, dated 69, labelled in print "Valentina Elsin aus Monaseino" 204-8 | Albert Reuss* (Vienna 1889 - 1975 Mousehole, Cornwall) Rooster watercolor and pastel/paper, 18 x 13 cm verso estate stamp Albert Reuss 204-9 | Max Suppantschitsch* (Vienna 1865 - 1953 Krems) Giardino Giusti etching/paper, 18 x 33,5 cm signed M. Suppantschitsch, labelled Giardino Giusli 204-10 | Max Suppantschitsch* (Vienna 1865 - 1953 Krems) Backyard, Wachau, 1907 indian ink and colored pencil/paper, 19,2 x 29 cm monogrammed M.S., dated VI. 1907 ESTIMATE °€ 800 - 1600 STARTING PRICE °€ 800 In 1900 the Hagen Artists' Association was founded as a reaction to the conservatism of the artists' house. By the 1920s at the latest, it had established itself as "today's most radical group" within Viennese artists' associations. In the 1910s, the Hagenbund achieved significant status as a platform for young, contemporary art through presentations at the Kunstschau Wien. In the 1920s in particular, the Hagenbund experienced its heyday and took the step towards radical modernity. The special exhibition Painting and Sculpture in 1911 with works by Oskar Kokoschka, Anton Faistauer, Anton Kolig and Albert Paris Gütersloh and numerous works by Egon Schieles received particular attention. Although there was no unified style or artistic manifesto, manifestations of New Objectivity and post-expressionist tendencies with cubist elements are characteristic. The Hagenbund had an extremely eventful history during its almost four decades of existence, from the monarchy to the Nazi takeover of power in September 1938, which led to the dissolution of the artists' association. The latter prompted this due to overly modern and liberal artistic views, the high number of artists* with Jewish roots and a left wing among the members. Many members like Georg and Bettina Ehrlich-Bauer, Josef Floch, Carry Hauser, Lilly Steiner, Otto Rudolf Schatz or Felix Albrecht Harta had to emigrate or were murdered in a concentration camp, like Robert Kohl or Fritz Schwarz-Waldegg. Other Hagenbund members were Franz Lerch, Georg Ehrlich, Robert Philippi, Oskar Laske, Richard Lux, Karl Josef Gunsam, Heribert Potuznik, Georg Mayer-Marton, Ludwig Heinrich Jungnickel, Paul Ress Max Suppantschitsch, Rudolf Pointner and Ferdinand Stransk. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Vase with flowers watercolor/paper, 99 x 70 cm signed RPH ESTIMATE € 1000 - 2000 STARTING PRICE € 1000 The Austrian painter Robert Philippi received his first artistic training from Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felicien Myrbach and Alfred Roller. He was Franz Čižek's assistant there from 1914 and again from 1917 to 1920. Apparently, he was also a student at the Bauhaus in Weimar, because the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains sheet 4 of his woodcut act /The "Frightened One". Philippi first created drawings and woodcuts and from 1925 he increasingly painted. Philippi was heavily influenced by Gustav Klimt. Until 1925 he was a member of the Hagenbund (e.g. Karl Hauk, Carry Hauser, Ludwig Heinrich Jungnickel, Ernst Paar, Eduard Thöny, Viktor Tischler). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Sleeping woman charcoal, washed/paper, 48,3 x 31 cm monogrammed RPH ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently, he was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Nude, around 1913 oil/cardboard, 22,7 x 17,2 cm monogrammed RPH, depicted in Widder (Ed.), Hagenbund 2019, p. 56,fig. 146 ESTIMATE °€ 1600 - 3000 STARTING PRICE °€ 1600 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently he was also a student at the Bauhaus in Weimar; The annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Female nude from the back charcoal/paper, 63,3 x 45,5 cm verso estate stamp RPH ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently he was also a student at the Bauhaus in Weimar; The annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Toughtful charcoal/paper, 59 x 43,5 cm monogrammed RPH ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently he was also a student at the Bauhaus in Weimar; The annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Angels singing and playing music, 2 sheets sketch for 2 tondi watercolor and indian ink/paper, 32,5 x 45 cm verso estate stamp RPH ESTIMATE °€ 300 - 500 STARTING PRICE °€ 300 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently, he was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna)

ROBERT PHILIPPI* (Graz 1877 - 1959 Vienna) Madonna watercolor and indian ink/paper, 57,5 x 16 cm ESTIMATE °€ 400 - 800 STARTING PRICE °€ 400 Robert Philippi studied with the theater painter Robert Kautsky and at the private painting school Streblow in Vienna. From 1893 to 1896 he attended the Vienna Academy with Christian Griepenkerl and Josef Mathias Trenkwald and later the Vienna School of Applied Arts with Felician Myrbach and Alfred Roller. There he became an assistant to Franz Čižek. Apparently, he was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna for students of the Bauhaus contains his woodcut Nude/The Scared Woman on sheet 4. Philippi first worked in drawings and woodcuts and from 1925 he increasingly turned to painting. Philippi is considered to have been influenced by the art of Gustav Klimt. He was a member of the Hagenbund until 1925 (Carry Hauser, Karl Hauk, Rudolf Pointner, Ernst Paar, Ludwig Jungnickel, etc.). PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Robert Philippi, Graz 1877 - 1959 Vienna, Landscape

Robert Philippi Graz 1877 - 1959 Vienna "Landscape" Oil on cardboard 32 x 47 cm, with frame 43,5 x 59 cm Titled b.r. On the reverse, estate stamp

Robert Philippi, Graz 1877 - 1959 Vienna, Sleeping

Robert Philippi Graz 1877 - 1959 Vienna "Sleeping" Charcoal on paper 31,5 x 45 cm On the reverse, estate stamp

Robert Philippi, Graz 1877 - 1959 Vienna, Cityscape

Robert Philippi Graz 1877 - 1959 Vienna "Cityscape" Colored pencil and watercolor 39 x 32,5 cm On the reverse, estate stamp

Robert Philippi, Graz 1877 - 1959 Vienna, Portrait Helene

Robert Philippi Graz 1877 - 1959 Vienna “Portrait Helene” Charcoal on paper 47 x 36 cm Signed b.l. & inscribed Helene

Robert Philippi, Graz 1877 - 1959 Vienna, Portrait

Robert Philippi Graz 1877 - 1959 Vienna “Portrait” Reddish drawing 45,5 x 34,5 cm Monogrammed c.l.

Robert Philippi, Graz 1877 - 1959 Vienna, Portrait

Robert Philippi Graz 1877 - 1959 Vienna “Portrait” Charcoal and watercolor 45 x 31,5 cm On the reverse, estate stamp

Robert Philippi, Graz 1877 - 1959 Vienna, Portrait

Robert Philippi Graz 1877 - 1959 Vienna “Portrait” Colored pencil and watercolor 47 x 30 cm On the reverse, estate stamp

Robert Philippi, Graz 1877 - 1959 Vienna, My sister Laura

Robert Philippi Graz 1877 - 1959 Vienna "My sister Laura" Charcoal on paper 40,5 x 30,5 cm Titled b.r. On the reverse, estate stamp

Robert Philippi: Mädchen und Frau

PHILIPPI, ROBERT 1877 Graz - 1959 Vienna Title: Mädchen und Frau. Technique: Oil on canvas. Measurement: 42 x 35,5cm. Notation: Monogrammed lower left: R PH. Inscribed verso: ROBERT PHILIPPI, HAGENBUND, MÄDCHEN UND FRAU. Frame/Pedestal: Framed. Provenance: - Prof. B. Alexander (as per inscription on stretcher) - Collection Carl Horntschik, Vienna (as per inscription on stretcher) - Private collection Great Britain. Estimated shipping costs for this lot: Germany: 42,02 Euro plus 7,98 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 134,45 Euro plus 25,55 Euro VAT additional shipping insurance

Robert Philippi, "Akt II"

Robert Philippi, "Akt II" Rückenansicht einer sich entkleidenden Frau, Kohle und Rötelkreide auf Papier, um 1920, rechts unten monogrammiert "RPH" sowie links signiert und datiert "Robert Philippi Akt II", auf Unterlagekarton montiert, leicht wellig, Blattmaße ca. 56 x 38 cm. Künstlerinfo: österr. Maler (1877 Graz bis 1959 Wien), Lehre bei dem Theatermaler Robert Kautsky und Besuch der Malschule Streblow in Wien, 1893–96 Studium an der Wiener Akademie bei Josef Mathias Trenkwald und Christian Griepenkerl, anschl. Besuch der Kunstgewerbeschule Wien bei Alfred Roller und Felician Myrbach, hier ab 1914 Assistent von Franz Cicek, ab 1925 Mitglied des Hagenbundes und verstärkt Beschäftigung mit der Malerei, Quelle: Vollmer und Wikipedia.

Robert Philippi, "Stehender Akt"

Robert Philippi, "Stehender Akt" sich anziehende, stehende junge Frau mit entblößter Brust, Kohle und Rötelkreide auf Papier, um 1920, rechts unten monogrammiert "RPH" und betitelt "Stehender Akt", Papier gegilbt, im unteren Bereich saubere Faltlinie und im oberen Bereich Erhaltungsmängel, Blattmaße ca. 68 x 37 cm. Künstlerinfo: österr. Maler (1877 Graz bis 1959 Wien), Lehre bei dem Theatermaler Robert Kautsky und Besuch der Malschule Streblow in Wien, 1893–96 Studium an der Wiener Akademie bei Josef Mathias Trenkwald und Christian Griepenkerl, anschl. Besuch der Kunstgewerbeschule Wien bei Alfred Roller und Felician Myrbach, hier ab 1914 Assistent von Franz Cicek, ab 1925 Mitglied des Hagenbundes und verstärkt Beschäftigung mit der Malerei, Quelle: Vollmer und Wikipedia.

Robert Philippi, Kniender Akt

Robert Philippi, Kniender Akt auf dem Boden ruhende, nackte junge Frau, Kohle, partiell gewischt, um 1920, rechts unten monogrammiert "RPH", unter Passepartout montiert und hierauf betitelt "Kniender Akt", leicht fleckig, Passepartoutausschnitt ca. 25,5 x 43,5 cm. Künstlerinfo: österr. Maler (1877 Graz bis 1959 Wien), Lehre bei dem Theatermaler Robert Kautsky und Besuch der Malschule Streblow in Wien, 1893–96 Studium an der Wiener Akademie bei Josef Mathias Trenkwald und Christian Griepenkerl, anschl. Besuch der Kunstgewerbeschule Wien bei Alfred Roller und Felician Myrbach, hier ab 1914 Assistent von Franz Cicek, ab 1925 Mitglied des Hagenbundes und verstärkt Beschäftigung mit der Malerei, Quelle: Vollmer und Wikipedia.

Schlafende

Charcoal on paper Signed lower right 17,5 x 12,2 in

Zwei Weibliche Akte

brown ink on paper Monogrammed lower right 24,8 x 17,3 in

Kniende

Charcoal on paper Monogrammed lower right 23 x 14,1 in

Robert Philippi

Robert Philippi 1877 Graz - 1959 Wien Heiliger Sebastian kniend. Lithographie auf Papier. Monogrammiert oben rechts in der Platte und handschriftlich signiert unten rechts, sowie betitelt unten links. 53 x 39 cm (Bildausschnitt). Gerahmt.

Philippi, Robert: Weiblicher Rückenakt

Weiblicher Rückenakt. Schwarze Kreide. 51 x 34 cm. Links monogrammiert "R / PH". Philippi gilt als von der Kunst Gustav Klimts beeinflusst. Er war bis zum Jahr 1925 Mitglied im Hagenbund. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Philippi, Robert

(1877-1959). Weiblicher Akt. Holzschnitt, um 1920. 25,2 : 31 (37 : 48) cm. Verlegeradresse Gesellschaft für vervielfältigende Kunst, Wien. – Reprod. in: Sammlung Rifkind, 2290.

Robert Philippi

Robert Philippi 1877 Graz - 1959 Wien Heiliger Sebastian kniend. Lithographie auf Papier. Monogrammiert oben rechts in der Platte und handschriftlich signiert unten rechts, sowie betitelt unten links. 53 x 39 cm (Bildausschnitt). Gerahmt.

Robert Philippi. 1877 Graz - 1959 Wien - 'Ele...

Robert Philippi. 1877 Graz - 1959 Wien - 'Elend' - Holzschnitt/Papier. 14,2 x 9,5 cm, 17,4 x 12,2 cm (Passepartoutausschnitt). Sign. l. u.: Philippi. Num. l. u.: 6. Betit. r. u.: Elend. Passepartout. Unter Glas gerahmt. - Provenienz: Sammlung Horst Baumann, Koblenz.

Three Beauties

woodcut signed and numbered lower left: 1 9,8 x 9,8 framed

Eight Wood Carvings with a Foreword of Hans Tietze

Robert Philippi (1877-1959)

Robert Philippi (1877-1959) wood cut, girl on paper, signed, framed under glass.

Y MARKUS MUNK, VIENNA SECESSIONIST COROMANDEL STATIONERY BOX, CIRCA 1906 30.8cm wide, 8cm high, 26cm deep

MARKUS MUNK, VIENNA SECESSIONIST COROMANDEL STATIONERY BOX, CIRCA 1906 with ivory strung decoration, the rectangular glazed lid inset with a hand-coloured print by ROBERT PHILIPPI (1877-1959), the interior velvet lined and bearing stamped maker's mark M. MUNK/ K.uK.HOFL/ WIEN.I.GRABEN12. 30.8cm wide, 8cm high, 26cm deep

PHILIPPI, ROBERT 1877 Graz - 1959 Vienna Two Female Nudes.

PHILIPPI, ROBERT 1877 Graz - 1959 Vienna Two Female Nudes. Oil on canvas. 44 x 44,5cm. Monogrammed lower right: R PH. Craftman's frame. Provenance: Collection Dr. Rudolf Oertel, Vienna (according to the consigner) Private collection North Rhine-Westphalia Exhibitions: Spring exhibition of the Künstlerbund Hagen (39th exhibition), May 6 - July 24, 1921, Zedlitzhalle Vienna (see information on the stretcher).

ROBERT PHILIPPI (AUSTRIAN, 1877-1959) Zehn Holzschnitte mit einem Vorwort von Hans Tietze (Ten Woodcuts with a forward by Hans Tietz...

ROBERT PHILIPPI (AUSTRIAN, 1877-1959) Zehn Holzschnitte mit einem Vorwort von Hans Tietze (Ten Woodcuts with a forward by Hans Tietze) 1923 woodcuts on Japan paper edition 59 (10) published by Thyrsos Verlag, Vienna various sizes

Philippi, Robert

Philippi, Robert (1877 Graz - Wien 1959). Törichte Jungfrau. Holzschnitt auf Japanbütten. Ca. 25 x 20, Blgr. 38 x 26,5 cm. Sign. u. mit d. Monogr. im Stock.

Grafik des 20. und 21. Jhd.

Philippi, Robert. 1877-1959 WienWeiblicher Akt. Holzschnitt auf Werkdruckpapier, im Stock monogr. "RPH". Verso v. fremder Hand in Blei bez. Beide ob. Ecken v. unsachgemäßer Tesafilmmontierung verfärbt, verso Montierungsreste. 25,5 x 31 cm (St), 27 x 32 cm (Bl)

Robert Philippi (Graz 1877 - 1959 Vienna). Saint

Robert Philippi (Graz 1877 - 1959 Vienna). Saint Sebastian. 157 x 78 cm. Oil on canvas. Back with label, inscribed: "Große Deutsche Kustausstellung 1937 im Haus der Deutschen Kunst zu München".

Robert Philippi (Graz 1877-1959) "Tanz mit dem

Robert Philippi (Graz 1877-1959) "Tanz mit dem Harlekin", links unten signiert Robert Philippi, Mischtechnik/Papier, ca. 35 x 44 cm, Passepartout, Glas, gerahmt